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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87D6A it is the complementary color #478295. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87D6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87D6A shade: #BD7D65, #CE8F78, #DFA18B, #F0B39E and #FFC5B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87D6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87D6A shade: #B87D6A, #A76B57, #965944, #854731 and #74351E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87D6A shade: #B77D6A and #B76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87D6A shade: #B77D6A, #B7926A, #B7A76A, #B3B76A and #9EB76A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87D6A shade matches the following richer shades: #B77D6A, #C97459, #DB6B47, #EC6235 and #FE5924

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87D6A shade: #B77D6A, #A5867C, #948F8E, #8298A0 and #70A2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87D6A shade: #B76A81, #B76A6D, #B77C6A, #B7916A and #B7A56A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87D6A shade: #8C5543, #A86651, #B77D6A, #C59686 and #D2AEA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87D6A shade: #B87D6A, #96B76A and #6A77B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87D6A shade: #B87D6A, #6AB77C and #7C6AB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87D6A shade: #B87D6A, #96B76A, #6AA5B7 and #8C6AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87D6A shade: #B87D6A, #7FB76A, #6AA5B7 and #A36AB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 42 / 28

HEX #B87D6A

RGB 184 125 106

HSL 14.62, 0.35%, 0.57%

LAB 57.94, 20.59, 19.64

 

Complementary color

CMYK 52 / 13 / 0 / 42

HEX #478295

RGB 71 130 149

HSL 194.62, 0.35%, 0.43%

LAB 51.24, -13.71, -16.14

 

CMYK 0 / 34 / 47 / 26

HEX #BD7D65

RGB 189 125 101

HSL 16.36, 0.4%, 0.57%

LAB 58.44, 22.09, 23.25

 

CMYK 0 / 31 / 42 / 19

HEX #CE8F78

RGB 206 143 120

HSL 16.05, 0.47%, 0.64%

LAB 65.06, 21.09, 21.84

 

CMYK 0 / 28 / 38 / 13

HEX #DFA18B

RGB 223 161 139

HSL 15.71, 0.57%, 0.71%

LAB 71.58, 20.21, 20.56

 

CMYK 0 / 25 / 34 / 6

HEX #F0B39E

RGB 240 179 158

HSL 15.37, 0.73%, 0.78%

LAB 78.01, 19.42, 19.39

 

CMYK 0 / 23 / 31 / 0

HEX #FFC5B1

RGB 255 197 177

HSL 15.38, 1%, 0.85%

LAB 84.16, 17.97, 18

 

CMYK 0 / 32 / 42 / 28

HEX #B87D6A

RGB 184 125 106

HSL 14.62, 0.35%, 0.57%

LAB 57.94, 20.59, 19.64

 

CMYK 0 / 36 / 48 / 35

HEX #A76B57

RGB 167 107 87

HSL 15, 0.31%, 0.5%

LAB 51.17, 21.65, 21.12

 

CMYK 0 / 41 / 55 / 41

HEX #965944

RGB 150 89 68

HSL 15.37, 0.38%, 0.43%

LAB 44.3, 22.87, 22.81

 

CMYK 0 / 47 / 63 / 48

HEX #854731

RGB 133 71 49

HSL 15.71, 0.46%, 0.36%

LAB 37.33, 24.29, 24.78

 

CMYK 0 / 54 / 74 / 55

HEX #74351E

RGB 116 53 30

HSL 16.05, 0.59%, 0.29%

LAB 30.29, 25.91, 27.07

 

CMYK 0 / 32 / 42 / 28

HEX #B77D6A

RGB 183 125 106

HSL 14.81, 0.35%, 0.57%

LAB 57.82, 20.19, 19.46

 

CMYK 0 / 42 / 42 / 28

HEX #B76A6A

RGB 183 106 106

HSL 0, 0.35%, 0.57%

LAB 53.4, 30.69, 13.39

 

CMYK 0 / 32 / 42 / 28

HEX #B77D6A

RGB 183 125 106

HSL 14.81, 0.35%, 0.57%

LAB 57.82, 20.19, 19.46

 

CMYK 0 / 20 / 42 / 28

HEX #B7926A

RGB 183 146 106

HSL 31.17, 0.35%, 0.57%

LAB 63.07, 8.51, 26.47

 

CMYK 0 / 9 / 42 / 28

HEX #B7A76A

RGB 183 167 106

HSL 47.53, 0.35%, 0.57%

LAB 68.57, -2.92, 33.61

 

CMYK 2 / 0 / 42 / 28

HEX #B3B76A

RGB 179 183 106

HSL 63.12, 0.35%, 0.57%

LAB 72.56, -12.96, 38.59

 

CMYK 14 / 0 / 42 / 28

HEX #9EB76A

RGB 158 183 106

HSL 79.48, 0.35%, 0.57%

LAB 70.99, -21.3, 36.29

 

CMYK 0 / 32 / 42 / 28

HEX #B77D6A

RGB 183 125 106

HSL 14.81, 0.35%, 0.57%

LAB 57.82, 20.19, 19.46

 

CMYK 0 / 42 / 56 / 21

HEX #C97459

RGB 201 116 89

HSL 14.46, 0.51%, 0.57%

LAB 57.68, 30.73, 29.31

 

CMYK 0 / 51 / 68 / 14

HEX #DB6B47

RGB 219 107 71

HSL 14.59, 0.67%, 0.57%

LAB 58.07, 41.2, 40.23

 

CMYK 0 / 58 / 78 / 7

HEX #EC6235

RGB 236 98 53

HSL 14.75, 0.83%, 0.57%

LAB 58.81, 50.98, 50.99

 

CMYK 0 / 65 / 86 / 0

HEX #FE5924

RGB 254 89 36

HSL 14.59, 0.99%, 0.57%

LAB 60.2, 60.58, 60.82

 

CMYK 0 / 32 / 42 / 28

HEX #B77D6A

RGB 183 125 106

HSL 14.81, 0.35%, 0.57%

LAB 57.82, 20.19, 19.46

 

CMYK 0 / 19 / 25 / 35

HEX #A5867C

RGB 165 134 124

HSL 14.63, 0.19%, 0.57%

LAB 58.51, 10.24, 9.83

 

CMYK 0 / 3 / 4 / 42

HEX #948F8E

RGB 148 143 142

HSL 10, 0.03%, 0.57%

LAB 59.79, 1.66, 1.18

 

CMYK 19 / 5 / 0 / 37

HEX #8298A0

RGB 130 152 160

HSL 196, 0.14%, 0.57%

LAB 61.43, -5.96, -6.8

 

CMYK 37 / 8 / 0 / 31

HEX #70A2B1

RGB 112 162 177

HSL 193.85, 0.29%, 0.57%

LAB 63.72, -12.77, -13.06

 

CMYK 0 / 42 / 30 / 28

HEX #B76A81

RGB 183 106 129

HSL 342.08, 0.35%, 0.57%

LAB 53.98, 33.57, 0.7

 

CMYK 0 / 42 / 40 / 28

HEX #B76A6D

RGB 183 106 109

HSL 357.66, 0.35%, 0.57%

LAB 53.47, 31.03, 11.73

 

CMYK 0 / 32 / 42 / 28

HEX #B77C6A

RGB 183 124 106

HSL 14.03, 0.35%, 0.57%

LAB 57.58, 20.75, 19.14

 

CMYK 0 / 21 / 42 / 28

HEX #B7916A

RGB 183 145 106

HSL 30.39, 0.35%, 0.57%

LAB 62.81, 9.06, 26.14

 

CMYK 0 / 10 / 42 / 28

HEX #B7A56A

RGB 183 165 106

HSL 45.97, 0.35%, 0.57%

LAB 68.03, -1.85, 32.93

 

CMYK 0 / 39 / 52 / 45

HEX #8C5543

RGB 140 85 67

HSL 14.79, 0.35%, 0.41%

LAB 41.97, 20.81, 20.11

 

CMYK 0 / 39 / 52 / 34

HEX #A86651

RGB 168 102 81

HSL 14.48, 0.35%, 0.49%

LAB 50, 24.28, 23.08

 

CMYK 0 / 32 / 42 / 28

HEX #B77D6A

RGB 183 125 106

HSL 14.81, 0.35%, 0.57%

LAB 57.82, 20.19, 19.46

 

CMYK 0 / 24 / 32 / 23

HEX #C59686

RGB 197 150 134

HSL 15.24, 0.35%, 0.65%

LAB 66.06, 15.39, 15.26

 

CMYK 0 / 17 / 23 / 18

HEX #D2AEA2

RGB 210 174 162

HSL 15, 0.35%, 0.73%

LAB 73.92, 11.23, 11.05

 

CMYK 0 / 32 / 42 / 28

HEX #B87D6A

RGB 184 125 106

HSL 14.62, 0.35%, 0.57%

LAB 57.94, 20.59, 19.64

 

CMYK 18 / 0 / 42 / 28

HEX #96B76A

RGB 150 183 106

HSL 85.71, 0.35%, 0.57%

LAB 70.45, -24.38, 35.49

 

CMYK 42 / 35 / 0 / 28

HEX #6A77B7

RGB 106 119 183

HSL 229.87, 0.35%, 0.57%

LAB 51.47, 11.87, -35.34

 

CMYK 0 / 32 / 42 / 28

HEX #B87D6A

RGB 184 125 106

HSL 14.62, 0.35%, 0.57%

LAB 57.94, 20.59, 19.64

 

CMYK 42 / 0 / 32 / 28

HEX #6AB77C

RGB 106 183 124

HSL 134.03, 0.35%, 0.57%

LAB 68.3, -36.68, 22.75

 

CMYK 32 / 42 / 0 / 28

HEX #7C6AB7

RGB 124 106 183

HSL 254.03, 0.35%, 0.57%

LAB 49.51, 24.68, -38.33

 

CMYK 0 / 32 / 42 / 28

HEX #B87D6A

RGB 184 125 106

HSL 14.62, 0.35%, 0.57%

LAB 57.94, 20.59, 19.64

 

CMYK 18 / 0 / 42 / 28

HEX #96B76A

RGB 150 183 106

HSL 85.71, 0.35%, 0.57%

LAB 70.45, -24.38, 35.49

 

CMYK 42 / 10 / 0 / 28

HEX #6AA5B7

RGB 106 165 183

HSL 194.03, 0.35%, 0.57%

LAB 64.48, -14.41, -15.31

 

CMYK 23 / 42 / 0 / 28

HEX #8C6AB7

RGB 140 106 183

HSL 266.49, 0.35%, 0.57%

LAB 51.04, 29.32, -35.82

 

CMYK 0 / 32 / 42 / 28

HEX #B87D6A

RGB 184 125 106

HSL 14.62, 0.35%, 0.57%

LAB 57.94, 20.59, 19.64

 

CMYK 31 / 0 / 42 / 28

HEX #7FB76A

RGB 127 183 106

HSL 103.64, 0.35%, 0.57%

LAB 69.05, -32.79, 33.42

 

CMYK 42 / 10 / 0 / 28

HEX #6AA5B7

RGB 106 165 183

HSL 194.03, 0.35%, 0.57%

LAB 64.48, -14.41, -15.31

 

CMYK 11 / 42 / 0 / 28

HEX #A36AB7

RGB 163 106 183

HSL 284.42, 0.35%, 0.57%

LAB 53.51, 36.25, -31.77

 

Description

Color code: HEX #B87D6A | qconv.com Color code: HEX #B87D6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 125 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 125 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 42 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 42% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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