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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87ADF it is the complementary color #478520. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87ADF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87ADF shade: #BD7ADA, #CE8CED, #DF9EFF, #F0B0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87ADF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87ADF shade: #B87ADF, #A768CC, #9656B9, #8544A6 and #743293

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87ADF shade: #B87BDF, #D37BDF, #DF7BCF, #DF7BB5 and #DF7B9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87ADF shade: #B87BDF, #9D7BDF, #837BDF and #7B7BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87ADF shade matches the following richer shades: #B87BDF, #BB6EEC and #BE61F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87ADF shade: #B87BDF, #B588D1, #B296C4, #AFA3B7 and #ACB0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87ADF shade: #827BDF, #9C7BDF, #B77BDF, #D17BDF and #DF7BD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87ADF shade: #9539CF, #A65AD7, #B87BDF, #CA9CE7 and #DCBEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87ADF shade: #B87ADF, #DF7B8F and #7BDF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87ADF shade: #B87ADF, #DFB77B and #7BDFB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87ADF shade: #B87ADF, #DF7B8F, #A3DF7B and #7BDFCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87ADF shade: #B87ADF, #DF857B, #A3DF7B and #7BD5DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 45 / 0 / 13

HEX #B87ADF

RGB 184 122 223

HSL 276.83, 0.61%, 0.68%

LAB 61.17, 42.23, -42.31

 

Complementary color

CMYK 47 / 0 / 76 / 48

HEX #478520

RGB 71 133 32

HSL 96.83, 0.61%, 0.32%

LAB 49.76, -37.98, 45.32

 

CMYK 13 / 44 / 0 / 15

HEX #BD7ADA

RGB 189 122 218

HSL 281.88, 0.56%, 0.67%

LAB 61.48, 42.59, -38.98

 

CMYK 13 / 41 / 0 / 7

HEX #CE8CED

RGB 206 140 237

HSL 280.82, 0.73%, 0.74%

LAB 68.02, 41.81, -39.17

 

CMYK 13 / 38 / 0 / 0

HEX #DF9EFF

RGB 223 158 255

HSL 280.21, 1%, 0.81%

LAB 74.42, 40.86, -38.86

 

CMYK 6 / 31 / 0 / 0

HEX #F0B0FF

RGB 240 176 255

HSL 288.61, 1%, 0.85%

LAB 80.06, 36.41, -30.01

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 17 / 45 / 0 / 13

HEX #B87ADF

RGB 184 122 223

HSL 276.83, 0.61%, 0.68%

LAB 61.17, 42.23, -42.31

 

CMYK 18 / 49 / 0 / 20

HEX #A768CC

RGB 167 104 204

HSL 277.8, 0.5%, 0.6%

LAB 54.53, 43.06, -42.18

 

CMYK 19 / 54 / 0 / 27

HEX #9656B9

RGB 150 86 185

HSL 278.79, 0.41%, 0.53%

LAB 47.81, 43.88, -42

 

CMYK 20 / 59 / 0 / 35

HEX #8544A6

RGB 133 68 166

HSL 279.8, 0.42%, 0.46%

LAB 41.02, 44.65, -41.75

 

CMYK 21 / 66 / 0 / 42

HEX #743293

RGB 116 50 147

HSL 280.82, 0.49%, 0.39%

LAB 34.19, 45.24, -41.32

 

CMYK 17 / 45 / 0 / 13

HEX #B87BDF

RGB 184 123 223

HSL 276.6, 0.61%, 0.68%

LAB 61.38, 41.69, -41.97

 

CMYK 5 / 45 / 0 / 13

HEX #D37BDF

RGB 211 123 223

HSL 292.8, 0.61%, 0.68%

LAB 64.44, 49.42, -36.96

 

CMYK 0 / 45 / 7 / 13

HEX #DF7BCF

RGB 223 123 207

HSL 309.6, 0.61%, 0.68%

LAB 65.25, 50.11, -26.66

 

CMYK 0 / 45 / 19 / 13

HEX #DF7BB5

RGB 223 123 181

HSL 325.2, 0.61%, 0.68%

LAB 64.31, 45.97, -13.43

 

CMYK 0 / 45 / 31 / 13

HEX #DF7B9A

RGB 223 123 154

HSL 341.4, 0.61%, 0.68%

LAB 63.5, 42.21, 0.72

 

CMYK 17 / 45 / 0 / 13

HEX #B87BDF

RGB 184 123 223

HSL 276.6, 0.61%, 0.68%

LAB 61.38, 41.69, -41.97

 

CMYK 30 / 45 / 0 / 13

HEX #9D7BDF

RGB 157 123 223

HSL 260.4, 0.61%, 0.68%

LAB 58.66, 34.19, -46.44

 

CMYK 41 / 45 / 0 / 13

HEX #837BDF

RGB 131 123 223

HSL 244.8, 0.61%, 0.68%

LAB 56.41, 27.44, -50.16

 

CMYK 45 / 45 / 0 / 13

HEX #7B7BDF

RGB 123 123 223

HSL 240, 0.61%, 0.68%

LAB 55.79, 25.49, -51.17

 

CMYK 17 / 45 / 0 / 13

HEX #B87BDF

RGB 184 123 223

HSL 276.6, 0.61%, 0.68%

LAB 61.38, 41.69, -41.97

 

CMYK 21 / 53 / 0 / 7

HEX #BB6EEC

RGB 187 110 236

HSL 276.67, 0.77%, 0.68%

LAB 59.68, 52.21, -51.88

 

CMYK 24 / 61 / 0 / 2

HEX #BE61F9

RGB 190 97 249

HSL 276.71, 0.93%, 0.68%

LAB 58.35, 62.17, -61.19

 

CMYK 17 / 45 / 0 / 13

HEX #B87BDF

RGB 184 123 223

HSL 276.6, 0.61%, 0.68%

LAB 61.38, 41.69, -41.97

 

CMYK 13 / 35 / 0 / 18

HEX #B588D1

RGB 181 136 209

HSL 276.99, 0.44%, 0.68%

LAB 63.37, 30.59, -31.06

 

CMYK 9 / 23 / 0 / 23

HEX #B296C4

RGB 178 150 196

HSL 276.52, 0.28%, 0.68%

LAB 65.95, 19.03, -19.86

 

CMYK 4 / 11 / 0 / 28

HEX #AFA3B7

RGB 175 163 183

HSL 276, 0.12%, 0.68%

LAB 68.55, 8.12, -8.73

 

CMYK 2 / 0 / 3 / 31

HEX #ACB0AA

RGB 172 176 170

HSL 100, 0.04%, 0.68%

LAB 71.37, -2.53, 2.57

 

CMYK 42 / 45 / 0 / 13

HEX #827BDF

RGB 130 123 223

HSL 244.2, 0.61%, 0.68%

LAB 56.33, 27.19, -50.29

 

CMYK 30 / 45 / 0 / 13

HEX #9C7BDF

RGB 156 123 223

HSL 259.8, 0.61%, 0.68%

LAB 58.57, 33.92, -46.6

 

CMYK 18 / 45 / 0 / 13

HEX #B77BDF

RGB 183 123 223

HSL 276, 0.61%, 0.68%

LAB 61.27, 41.4, -42.15

 

CMYK 6 / 45 / 0 / 13

HEX #D17BDF

RGB 209 123 223

HSL 291.6, 0.61%, 0.68%

LAB 64.2, 48.84, -37.35

 

CMYK 0 / 45 / 6 / 13

HEX #DF7BD1

RGB 223 123 209

HSL 308.4, 0.61%, 0.68%

LAB 65.32, 50.45, -27.66

 

CMYK 28 / 72 / 0 / 19

HEX #9539CF

RGB 149 57 207

HSL 276.8, 0.61%, 0.52%

LAB 43.97, 62.36, -60.9

 

CMYK 23 / 58 / 0 / 16

HEX #A65AD7

RGB 166 90 215

HSL 276.48, 0.61%, 0.6%

LAB 52.2, 52.57, -52.13

 

CMYK 17 / 45 / 0 / 13

HEX #B87BDF

RGB 184 123 223

HSL 276.6, 0.61%, 0.68%

LAB 61.38, 41.69, -41.97

 

CMYK 13 / 32 / 0 / 9

HEX #CA9CE7

RGB 202 156 231

HSL 276.8, 0.61%, 0.76%

LAB 70.94, 30.67, -31.36

 

CMYK 8 / 21 / 0 / 6

HEX #DCBEEF

RGB 220 190 239

HSL 276.73, 0.6%, 0.84%

LAB 80.89, 19.49, -20.34

 

CMYK 17 / 45 / 0 / 13

HEX #B87ADF

RGB 184 122 223

HSL 276.83, 0.61%, 0.68%

LAB 61.17, 42.23, -42.31

 

CMYK 0 / 45 / 36 / 13

HEX #DF7B8F

RGB 223 123 143

HSL 348, 0.61%, 0.68%

LAB 63.21, 40.85, 6.58

 

CMYK 45 / 0 / 36 / 13

HEX #7BDF8F

RGB 123 223 143

HSL 132, 0.61%, 0.68%

LAB 81.27, -46.12, 30.34

 

CMYK 17 / 45 / 0 / 13

HEX #B87ADF

RGB 184 122 223

HSL 276.83, 0.61%, 0.68%

LAB 61.17, 42.23, -42.31

 

CMYK 0 / 18 / 45 / 13

HEX #DFB77B

RGB 223 183 123

HSL 36, 0.61%, 0.68%

LAB 76.67, 6.7, 35.86

 

CMYK 45 / 0 / 18 / 13

HEX #7BDFB7

RGB 123 223 183

HSL 156, 0.61%, 0.68%

LAB 82.06, -38.52, 10.57

 

CMYK 17 / 45 / 0 / 13

HEX #B87ADF

RGB 184 122 223

HSL 276.83, 0.61%, 0.68%

LAB 61.17, 42.23, -42.31

 

CMYK 0 / 45 / 36 / 13

HEX #DF7B8F

RGB 223 123 143

HSL 348, 0.61%, 0.68%

LAB 63.21, 40.85, 6.58

 

CMYK 27 / 0 / 45 / 13

HEX #A3DF7B

RGB 163 223 123

HSL 96, 0.61%, 0.68%

LAB 82.91, -36.44, 42.85

 

CMYK 45 / 0 / 9 / 13

HEX #7BDFCB

RGB 123 223 203

HSL 168, 0.61%, 0.68%

LAB 82.54, -34.07, 0.68

 

CMYK 17 / 45 / 0 / 13

HEX #B87ADF

RGB 184 122 223

HSL 276.83, 0.61%, 0.68%

LAB 61.17, 42.23, -42.31

 

CMYK 0 / 40 / 45 / 13

HEX #DF857B

RGB 223 133 123

HSL 6, 0.61%, 0.68%

LAB 64.88, 33.42, 20.25

 

CMYK 27 / 0 / 45 / 13

HEX #A3DF7B

RGB 163 223 123

HSL 96, 0.61%, 0.68%

LAB 82.91, -36.44, 42.85

 

CMYK 45 / 4 / 0 / 13

HEX #7BD5DF

RGB 123 213 223

HSL 186, 0.61%, 0.68%

LAB 80.25, -24.37, -13.35

 

Description

Color code: HEX #B87ADF | qconv.com Color code: HEX #B87ADF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 122 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 122 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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