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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8745D it is the complementary color #478BA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8745D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8745D shade: #BD7458, #CE866B, #DF987E, #F0AA91 and #FFBCA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8745D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8745D shade: #B8745D, #A7624A, #965037, #853E24 and #742C11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8745D shade: #B7735B and #B75B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8745D shade: #B7735B, #B78B5B, #B7A45B, #B1B75B and #99B75B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8745D shade matches the following richer shades: #B7735B, #CA6948, #DD6035 and #F05623

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8745D shade: #B7735B, #A47C6E, #918581, #7E8F94 and #6B98A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8745D shade: #B75B75, #B75B5D, #B7725B, #B78B5B and #B7A35B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8745D shade: #864D3A, #A25E47, #B7735B, #C48B78 and #D0A495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8745D shade: #B8745D, #8EB75B and #5B69B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8745D shade: #B8745D, #5BB772 and #725BB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8745D shade: #B8745D, #8EB75B, #5BA0B7 and #855BB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8745D shade: #B8745D, #72B75B, #5BA0B7 and #A05BB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 49 / 28

HEX #B8745D

RGB 184 116 93

HSL 15.16, 0.39%, 0.54%

LAB 55.55, 24.22, 23.86

 

Complementary color

CMYK 56 / 14 / 0 / 36

HEX #478BA2

RGB 71 139 162

HSL 195.16, 0.39%, 0.46%

LAB 54.46, -14.72, -18.75

 

CMYK 0 / 39 / 53 / 26

HEX #BD7458

RGB 189 116 88

HSL 16.63, 0.43%, 0.54%

LAB 56.1, 25.8, 27.53

 

CMYK 0 / 35 / 48 / 19

HEX #CE866B

RGB 206 134 107

HSL 16.36, 0.5%, 0.61%

LAB 62.7, 24.63, 25.92

 

CMYK 0 / 32 / 43 / 13

HEX #DF987E

RGB 223 152 126

HSL 16.08, 0.6%, 0.68%

LAB 69.22, 23.59, 24.47

 

CMYK 0 / 29 / 40 / 6

HEX #F0AA91

RGB 240 170 145

HSL 15.79, 0.76%, 0.75%

LAB 75.65, 22.68, 23.15

 

CMYK 0 / 26 / 36 / 0

HEX #FFBCA4

RGB 255 188 164

HSL 15.82, 1%, 0.82%

LAB 81.79, 21.1, 21.63

 

CMYK 0 / 37 / 49 / 28

HEX #B8745D

RGB 184 116 93

HSL 15.16, 0.39%, 0.54%

LAB 55.55, 24.22, 23.86

 

CMYK 0 / 41 / 56 / 35

HEX #A7624A

RGB 167 98 74

HSL 15.48, 0.39%, 0.47%

LAB 48.82, 25.46, 25.58

 

CMYK 0 / 47 / 63 / 41

HEX #965037

RGB 150 80 55

HSL 15.79, 0.46%, 0.4%

LAB 42, 26.88, 27.54

 

CMYK 0 / 53 / 73 / 48

HEX #853E24

RGB 133 62 36

HSL 16.08, 0.57%, 0.33%

LAB 35.12, 28.47, 29.79

 

CMYK 0 / 62 / 85 / 55

HEX #742C11

RGB 116 44 17

HSL 16.36, 0.74%, 0.26%

LAB 28.26, 30.19, 32.18

 

CMYK 0 / 37 / 50 / 28

HEX #B7735B

RGB 183 115 91

HSL 15.65, 0.39%, 0.54%

LAB 55.16, 24.17, 24.46

 

CMYK 0 / 50 / 50 / 28

HEX #B75B5B

RGB 183 91 91

HSL 0, 0.39%, 0.54%

LAB 49.86, 37.14, 17.39

 

CMYK 0 / 37 / 50 / 28

HEX #B7735B

RGB 183 115 91

HSL 15.65, 0.39%, 0.54%

LAB 55.16, 24.17, 24.46

 

CMYK 0 / 24 / 50 / 28

HEX #B78B5B

RGB 183 139 91

HSL 31.3, 0.39%, 0.54%

LAB 61.03, 10.82, 32.03

 

CMYK 0 / 10 / 50 / 28

HEX #B7A45B

RGB 183 164 91

HSL 47.61, 0.39%, 0.54%

LAB 67.56, -2.83, 40.12

 

CMYK 3 / 0 / 50 / 28

HEX #B1B75B

RGB 177 183 91

HSL 63.91, 0.39%, 0.54%

LAB 72.21, -15.28, 45.59

 

CMYK 16 / 0 / 50 / 28

HEX #99B75B

RGB 153 183 91

HSL 79.57, 0.39%, 0.54%

LAB 70.45, -24.95, 43.07

 

CMYK 0 / 37 / 50 / 28

HEX #B7735B

RGB 183 115 91

HSL 15.65, 0.39%, 0.54%

LAB 55.16, 24.17, 24.46

 

CMYK 0 / 48 / 64 / 21

HEX #CA6948

RGB 202 105 72

HSL 15.23, 0.55%, 0.54%

LAB 55.2, 35.69, 35.7

 

CMYK 0 / 57 / 76 / 13

HEX #DD6035

RGB 221 96 53

HSL 15.36, 0.71%, 0.54%

LAB 56.08, 46.46, 47.45

 

CMYK 0 / 64 / 85 / 6

HEX #F05623

RGB 240 86 35

HSL 14.93, 0.87%, 0.54%

LAB 57.37, 57.09, 57.93

 

CMYK 0 / 37 / 50 / 28

HEX #B7735B

RGB 183 115 91

HSL 15.65, 0.39%, 0.54%

LAB 55.16, 24.17, 24.46

 

CMYK 0 / 24 / 33 / 36

HEX #A47C6E

RGB 164 124 110

HSL 15.56, 0.23%, 0.54%

LAB 55.52, 13.51, 13.66

 

CMYK 0 / 8 / 11 / 43

HEX #918581

RGB 145 133 129

HSL 15, 0.07%, 0.54%

LAB 56.47, 3.79, 3.78

 

CMYK 15 / 3 / 0 / 42

HEX #7E8F94

RGB 126 143 148

HSL 193.64, 0.09%, 0.54%

LAB 58.24, -4.99, -4.72

 

CMYK 36 / 9 / 0 / 35

HEX #6B98A7

RGB 107 152 167

HSL 195, 0.25%, 0.54%

LAB 60.22, -11.35, -12.72

 

CMYK 0 / 50 / 36 / 28

HEX #B75B75

RGB 183 91 117

HSL 343.04, 0.39%, 0.54%

LAB 50.49, 39.96, 2.74

 

CMYK 0 / 50 / 49 / 28

HEX #B75B5D

RGB 183 91 93

HSL 358.7, 0.39%, 0.54%

LAB 49.91, 37.33, 16.26

 

CMYK 0 / 38 / 50 / 28

HEX #B7725B

RGB 183 114 91

HSL 15, 0.39%, 0.54%

LAB 54.92, 24.72, 24.15

 

CMYK 0 / 24 / 50 / 28

HEX #B78B5B

RGB 183 139 91

HSL 31.3, 0.39%, 0.54%

LAB 61.03, 10.82, 32.03

 

CMYK 0 / 11 / 50 / 28

HEX #B7A35B

RGB 183 163 91

HSL 46.96, 0.39%, 0.54%

LAB 67.29, -2.29, 39.8

 

CMYK 0 / 43 / 57 / 47

HEX #864D3A

RGB 134 77 58

HSL 15, 0.4%, 0.38%

LAB 39.04, 22.01, 21.57

 

CMYK 0 / 42 / 56 / 36

HEX #A25E47

RGB 162 94 71

HSL 15.16, 0.39%, 0.46%

LAB 47.16, 25.35, 25.06

 

CMYK 0 / 37 / 50 / 28

HEX #B7735B

RGB 183 115 91

HSL 15.65, 0.39%, 0.54%

LAB 55.16, 24.17, 24.46

 

CMYK 0 / 29 / 39 / 23

HEX #C48B78

RGB 196 139 120

HSL 15, 0.39%, 0.62%

LAB 62.98, 19.29, 18.81

 

CMYK 0 / 21 / 28 / 18

HEX #D0A495

RGB 208 164 149

HSL 15.25, 0.39%, 0.7%

LAB 70.96, 14.04, 13.97

 

CMYK 0 / 37 / 49 / 28

HEX #B8745D

RGB 184 116 93

HSL 15.16, 0.39%, 0.54%

LAB 55.55, 24.22, 23.86

 

CMYK 22 / 0 / 50 / 28

HEX #8EB75B

RGB 142 183 91

HSL 86.74, 0.39%, 0.54%

LAB 69.73, -29.2, 42.04

 

CMYK 50 / 43 / 0 / 28

HEX #5B69B7

RGB 91 105 183

HSL 230.87, 0.39%, 0.54%

LAB 46.64, 16.67, -43.04

 

CMYK 0 / 37 / 49 / 28

HEX #B8745D

RGB 184 116 93

HSL 15.16, 0.39%, 0.54%

LAB 55.55, 24.22, 23.86

 

CMYK 50 / 0 / 38 / 28

HEX #5BB772

RGB 91 183 114

HSL 135, 0.39%, 0.54%

LAB 67.51, -42.66, 26.9

 

CMYK 38 / 50 / 0 / 28

HEX #725BB7

RGB 114 91 183

HSL 255, 0.39%, 0.54%

LAB 44.91, 30.97, -45.68

 

CMYK 0 / 37 / 49 / 28

HEX #B8745D

RGB 184 116 93

HSL 15.16, 0.39%, 0.54%

LAB 55.55, 24.22, 23.86

 

CMYK 22 / 0 / 50 / 28

HEX #8EB75B

RGB 142 183 91

HSL 86.74, 0.39%, 0.54%

LAB 69.73, -29.2, 42.04

 

CMYK 50 / 13 / 0 / 28

HEX #5BA0B7

RGB 91 160 183

HSL 195, 0.39%, 0.54%

LAB 62.33, -15.41, -18.64

 

CMYK 27 / 50 / 0 / 28

HEX #855BB7

RGB 133 91 183

HSL 267.39, 0.39%, 0.54%

LAB 46.83, 36.01, -42.52

 

CMYK 0 / 37 / 49 / 28

HEX #B8745D

RGB 184 116 93

HSL 15.16, 0.39%, 0.54%

LAB 55.55, 24.22, 23.86

 

CMYK 38 / 0 / 50 / 28

HEX #72B75B

RGB 114 183 91

HSL 105, 0.39%, 0.54%

LAB 68.17, -39.21, 39.77

 

CMYK 50 / 13 / 0 / 28

HEX #5BA0B7

RGB 91 160 183

HSL 195, 0.39%, 0.54%

LAB 62.33, -15.41, -18.64

 

CMYK 13 / 50 / 0 / 28

HEX #A05BB7

RGB 160 91 183

HSL 285, 0.39%, 0.54%

LAB 49.95, 43.56, -37.38

 

Description

Color code: HEX #B8745D | qconv.com Color code: HEX #B8745D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 116 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 116 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 49 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 49% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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