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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B86EDE it is the complementary color #479121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B86EDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B86EDE shade: #BD6ED9, #CE80EC, #DF92FF, #F0A4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B86EDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B86EDE shade: #B86EDE, #A75CCB, #964AB8, #8538A5 and #742692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B86EDE shade: #B76DDD, #D66DDD, #DD6DC7, #DD6DA9 and #DD6D8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B86EDE shade: #B76DDD, #996DDD, #7B6DDD and #6D6DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B86EDE shade matches the following richer shades: #B76DDD, #BC5FEC and #C150FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B86EDE shade: #B76DDD, #B37BCF, #AE8AC1, #A998B2 and #A5A7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B86EDE shade: #7A6DDD, #986DDD, #B66DDD, #D46DDD and #DD6DC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B86EDE shade: #952ECA, #A74BD6, #B76DDD, #C88FE5 and #D8B0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B86EDE shade: #B86EDE, #DD6D7E and #6DDD89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B86EDE shade: #B86EDE, #DDB66D and #6DDDB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B86EDE shade: #B86EDE, #DD6D7E, #94DD6D and #6DDDCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B86EDE shade: #B86EDE, #DD7E6D, #94DD6D and #6DCDDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 50 / 0 / 13

HEX #B86EDE

RGB 184 110 222

HSL 279.64, 0.63%, 0.65%

LAB 58.62, 48.41, -45.76

 

Complementary color

CMYK 51 / 0 / 77 / 43

HEX #479121

RGB 71 145 33

HSL 99.64, 0.63%, 0.35%

LAB 53.71, -42.86, 48.84

 

CMYK 13 / 49 / 0 / 15

HEX #BD6ED9

RGB 189 110 217

HSL 284.3, 0.58%, 0.64%

LAB 58.96, 48.73, -42.38

 

CMYK 13 / 46 / 0 / 7

HEX #CE80EC

RGB 206 128 236

HSL 283.33, 0.74%, 0.71%

LAB 65.45, 47.96, -42.63

 

CMYK 13 / 43 / 0 / 0

HEX #DF92FF

RGB 223 146 255

HSL 282.39, 1%, 0.79%

LAB 71.87, 47.19, -42.84

 

CMYK 6 / 36 / 0 / 0

HEX #F0A4FF

RGB 240 164 255

HSL 290.11, 1%, 0.82%

LAB 77.46, 42.73, -34.02

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 17 / 50 / 0 / 13

HEX #B86EDE

RGB 184 110 222

HSL 279.64, 0.63%, 0.65%

LAB 58.62, 48.41, -45.76

 

CMYK 18 / 55 / 0 / 20

HEX #A75CCB

RGB 167 92 203

HSL 280.54, 0.52%, 0.58%

LAB 52.04, 49.19, -45.54

 

CMYK 18 / 60 / 0 / 28

HEX #964AB8

RGB 150 74 184

HSL 281.45, 0.44%, 0.51%

LAB 45.42, 49.88, -45.22

 

CMYK 19 / 66 / 0 / 35

HEX #8538A5

RGB 133 56 165

HSL 282.39, 0.49%, 0.43%

LAB 38.78, 50.36, -44.72

 

CMYK 21 / 74 / 0 / 43

HEX #742692

RGB 116 38 146

HSL 283.33, 0.59%, 0.36%

LAB 32.2, 50.41, -43.91

 

CMYK 17 / 51 / 0 / 13

HEX #B76DDD

RGB 183 109 221

HSL 279.64, 0.62%, 0.65%

LAB 58.25, 48.45, -45.79

 

CMYK 3 / 51 / 0 / 13

HEX #D66DDD

RGB 214 109 221

HSL 296.25, 0.62%, 0.65%

LAB 62.04, 56.88, -39.56

 

CMYK 0 / 51 / 10 / 13

HEX #DD6DC7

RGB 221 109 199

HSL 311.79, 0.62%, 0.65%

LAB 62.03, 55.09, -27.13

 

CMYK 0 / 51 / 24 / 13

HEX #DD6DA9

RGB 221 109 169

HSL 327.86, 0.62%, 0.65%

LAB 60.93, 50.57, -11.69

 

CMYK 0 / 51 / 38 / 13

HEX #DD6D8A

RGB 221 109 138

HSL 344.46, 0.62%, 0.65%

LAB 60.02, 46.64, 4.84

 

CMYK 17 / 51 / 0 / 13

HEX #B76DDD

RGB 183 109 221

HSL 279.64, 0.62%, 0.65%

LAB 58.25, 48.45, -45.79

 

CMYK 31 / 51 / 0 / 13

HEX #996DDD

RGB 153 109 221

HSL 263.57, 0.62%, 0.65%

LAB 55, 40.55, -51.15

 

CMYK 44 / 51 / 0 / 13

HEX #7B6DDD

RGB 123 109 221

HSL 247.5, 0.62%, 0.65%

LAB 52.25, 33.23, -55.7

 

CMYK 51 / 51 / 0 / 13

HEX #6D6DDD

RGB 109 109 221

HSL 240, 0.62%, 0.65%

LAB 51.16, 30.12, -57.51

 

CMYK 17 / 51 / 0 / 13

HEX #B76DDD

RGB 183 109 221

HSL 279.64, 0.62%, 0.65%

LAB 58.25, 48.45, -45.79

 

CMYK 20 / 60 / 0 / 7

HEX #BC5FEC

RGB 188 95 236

HSL 279.57, 0.79%, 0.65%

LAB 57.01, 59.91, -56.13

 

CMYK 23 / 68 / 0 / 2

HEX #C150FA

RGB 193 80 250

HSL 279.88, 0.94%, 0.65%

LAB 56.06, 70.57, -65.41

 

CMYK 17 / 51 / 0 / 13

HEX #B76DDD

RGB 183 109 221

HSL 279.64, 0.62%, 0.65%

LAB 58.25, 48.45, -45.79

 

CMYK 14 / 41 / 0 / 19

HEX #B37BCF

RGB 179 123 207

HSL 280, 0.47%, 0.65%

LAB 60.12, 36.78, -35.01

 

CMYK 10 / 28 / 0 / 24

HEX #AE8AC1

RGB 174 138 193

HSL 279.27, 0.31%, 0.65%

LAB 62.53, 23.84, -23.43

 

CMYK 5 / 15 / 0 / 30

HEX #A998B2

RGB 169 152 178

HSL 279.23, 0.14%, 0.65%

LAB 65.05, 11.17, -11.23

 

CMYK 1 / 0 / 2 / 35

HEX #A5A7A4

RGB 165 167 164

HSL 100, 0.02%, 0.65%

LAB 68.25, -1.28, 1.29

 

CMYK 45 / 51 / 0 / 13

HEX #7A6DDD

RGB 122 109 221

HSL 246.96, 0.62%, 0.65%

LAB 52.17, 33, -55.84

 

CMYK 31 / 51 / 0 / 13

HEX #986DDD

RGB 152 109 221

HSL 263.04, 0.62%, 0.65%

LAB 54.9, 40.3, -51.32

 

CMYK 18 / 51 / 0 / 13

HEX #B66DDD

RGB 182 109 221

HSL 279.11, 0.62%, 0.65%

LAB 58.13, 48.19, -45.98

 

CMYK 4 / 51 / 0 / 13

HEX #D46DDD

RGB 212 109 221

HSL 295.18, 0.62%, 0.65%

LAB 61.79, 56.33, -39.98

 

CMYK 0 / 51 / 9 / 13

HEX #DD6DC9

RGB 221 109 201

HSL 310.71, 0.62%, 0.65%

LAB 62.11, 55.42, -28.14

 

CMYK 26 / 77 / 0 / 21

HEX #952ECA

RGB 149 46 202

HSL 279.62, 0.63%, 0.49%

LAB 42.17, 65.45, -60.94

 

CMYK 22 / 65 / 0 / 16

HEX #A74BD6

RGB 167 75 214

HSL 279.71, 0.63%, 0.57%

LAB 49.62, 59.8, -55.69

 

CMYK 17 / 51 / 0 / 13

HEX #B76DDD

RGB 183 109 221

HSL 279.64, 0.62%, 0.65%

LAB 58.25, 48.45, -45.79

 

CMYK 13 / 38 / 0 / 10

HEX #C88FE5

RGB 200 143 229

HSL 279.77, 0.62%, 0.73%

LAB 67.71, 36.75, -35.28

 

CMYK 9 / 26 / 0 / 7

HEX #D8B0ED

RGB 216 176 237

HSL 279.34, 0.63%, 0.81%

LAB 77.14, 25.37, -25

 

CMYK 17 / 50 / 0 / 13

HEX #B86EDE

RGB 184 110 222

HSL 279.64, 0.63%, 0.65%

LAB 58.62, 48.41, -45.76

 

CMYK 0 / 51 / 43 / 13

HEX #DD6D7E

RGB 221 109 126

HSL 350.89, 0.62%, 0.65%

LAB 59.72, 45.33, 11.36

 

CMYK 51 / 0 / 38 / 13

HEX #6DDD89

RGB 109 221 137

HSL 135, 0.62%, 0.65%

LAB 80.05, -49.99, 31.68

 

CMYK 17 / 50 / 0 / 13

HEX #B86EDE

RGB 184 110 222

HSL 279.64, 0.63%, 0.65%

LAB 58.62, 48.41, -45.76

 

CMYK 0 / 18 / 51 / 13

HEX #DDB66D

RGB 221 182 109

HSL 39.11, 0.62%, 0.65%

LAB 76.03, 5.08, 42.19

 

CMYK 51 / 0 / 18 / 13

HEX #6DDDB6

RGB 109 221 182

HSL 159.11, 0.62%, 0.65%

LAB 80.93, -41.22, 9.42

 

CMYK 17 / 50 / 0 / 13

HEX #B86EDE

RGB 184 110 222

HSL 279.64, 0.63%, 0.65%

LAB 58.62, 48.41, -45.76

 

CMYK 0 / 51 / 43 / 13

HEX #DD6D7E

RGB 221 109 126

HSL 350.89, 0.62%, 0.65%

LAB 59.72, 45.33, 11.36

 

CMYK 33 / 0 / 51 / 13

HEX #94DD6D

RGB 148 221 109

HSL 99.11, 0.62%, 0.65%

LAB 81.35, -42.36, 47.5

 

CMYK 51 / 0 / 7 / 13

HEX #6DDDCD

RGB 109 221 205

HSL 171.43, 0.62%, 0.65%

LAB 81.5, -35.86, -1.97

 

CMYK 17 / 50 / 0 / 13

HEX #B86EDE

RGB 184 110 222

HSL 279.64, 0.63%, 0.65%

LAB 58.62, 48.41, -45.76

 

CMYK 0 / 43 / 51 / 13

HEX #DD7E6D

RGB 221 126 109

HSL 9.11, 0.62%, 0.65%

LAB 62.84, 34.98, 25.33

 

CMYK 33 / 0 / 51 / 13

HEX #94DD6D

RGB 148 221 109

HSL 99.11, 0.62%, 0.65%

LAB 81.35, -42.36, 47.5

 

CMYK 51 / 7 / 0 / 13

HEX #6DCDDD

RGB 109 205 221

HSL 188.57, 0.62%, 0.65%

LAB 77.36, -24.05, -16.68

 

Description

Color code: HEX #B86EDE | qconv.com Color code: HEX #B86EDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 110 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 110 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 50 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 50% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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