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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B85C5B it is the complementary color #47A3A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B85C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B85C5B shade: #BD5C56, #CE6E69, #DF807C, #F0928F and #FFA4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B85C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B85C5B shade: #B85C5B, #A74A48, #963835, #852622 and #74140F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B85C5B shade: #B85B5A and #B85A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B85C5B shade: #B85B5A, #B8755A, #B88E5A, #B8A75A and #B0B85A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B85C5B shade matches the following richer shades: #B85B5A, #CB4947, #DE3634 and #F12421

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B85C5B shade: #B85B5A, #A56E6D, #928080, #7F9393 and #6CA6A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B85C5B shade: #B85A8C, #B85A73, #B85A5A, #B8735A and #B88C5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B85C5B shade: #873A39, #A34746, #B85B5A, #C47877 and #D19594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B85C5B shade: #B85C5B, #A5B85A and #5A80B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B85C5B shade: #B85C5B, #5AB85A and #5A5AB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B85C5B shade: #B85C5B, #A5B85A, #5AB8B8 and #6D5AB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B85C5B shade: #B85C5B, #89B85A, #5AB8B8 and #895AB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 51 / 28

HEX #B85C5B

RGB 184 92 91

HSL 0.65, 0.4%, 0.54%

LAB 50.22, 36.99, 17.89

 

Complementary color

CMYK 57 / 1 / 0 / 36

HEX #47A3A4

RGB 71 163 164

HSL 180.65, 0.4%, 0.46%

LAB 61.84, -26.68, -8.76

 

CMYK 0 / 51 / 54 / 26

HEX #BD5C56

RGB 189 92 86

HSL 3.5, 0.44%, 0.54%

LAB 50.86, 38.44, 21.83

 

CMYK 0 / 47 / 49 / 19

HEX #CE6E69

RGB 206 110 105

HSL 2.97, 0.51%, 0.61%

LAB 57.36, 37.26, 19.91

 

CMYK 0 / 43 / 44 / 13

HEX #DF807C

RGB 223 128 124

HSL 2.42, 0.61%, 0.68%

LAB 63.82, 36.14, 18.24

 

CMYK 0 / 39 / 40 / 6

HEX #F0928F

RGB 240 146 143

HSL 1.86, 0.76%, 0.75%

LAB 70.22, 35.11, 16.78

 

CMYK 0 / 36 / 36 / 0

HEX #FFA4A2

RGB 255 164 162

HSL 1.29, 1%, 0.82%

LAB 76.33, 33.42, 15.12

 

CMYK 0 / 50 / 51 / 28

HEX #B85C5B

RGB 184 92 91

HSL 0.65, 0.4%, 0.54%

LAB 50.22, 36.99, 17.89

 

CMYK 0 / 56 / 57 / 35

HEX #A74A48

RGB 167 74 72

HSL 1.26, 0.4%, 0.47%

LAB 43.63, 38.16, 20.02

 

CMYK 0 / 63 / 65 / 41

HEX #963835

RGB 150 56 53

HSL 1.86, 0.48%, 0.4%

LAB 37.06, 39.29, 22.62

 

CMYK 0 / 71 / 74 / 48

HEX #852622

RGB 133 38 34

HSL 2.42, 0.59%, 0.33%

LAB 30.61, 40.17, 25.86

 

CMYK 0 / 83 / 87 / 55

HEX #74140F

RGB 116 20 15

HSL 2.97, 0.77%, 0.26%

LAB 24.47, 40.37, 29.69

 

CMYK 0 / 51 / 51 / 28

HEX #B85B5A

RGB 184 91 90

HSL 0.64, 0.4%, 0.54%

LAB 49.99, 37.42, 18.18

 

CMYK 0 / 51 / 51 / 28

HEX #B85A5A

RGB 184 90 90

HSL 0, 0.4%, 0.54%

LAB 49.79, 37.94, 17.91

 

CMYK 0 / 51 / 51 / 28

HEX #B85B5A

RGB 184 91 90

HSL 0.64, 0.4%, 0.54%

LAB 49.99, 37.42, 18.18

 

CMYK 0 / 36 / 51 / 28

HEX #B8755A

RGB 184 117 90

HSL 17.23, 0.4%, 0.54%

LAB 55.74, 23.38, 25.8

 

CMYK 0 / 23 / 51 / 28

HEX #B88E5A

RGB 184 142 90

HSL 33.19, 0.4%, 0.54%

LAB 61.89, 9.49, 33.67

 

CMYK 0 / 9 / 51 / 28

HEX #B8A75A

RGB 184 167 90

HSL 49.15, 0.4%, 0.54%

LAB 68.44, -4.1, 41.72

 

CMYK 4 / 0 / 51 / 28

HEX #B0B85A

RGB 176 184 90

HSL 65.11, 0.4%, 0.54%

LAB 72.39, -16.29, 46.28

 

CMYK 0 / 51 / 51 / 28

HEX #B85B5A

RGB 184 91 90

HSL 0.64, 0.4%, 0.54%

LAB 49.99, 37.42, 18.18

 

CMYK 0 / 64 / 65 / 20

HEX #CB4947

RGB 203 73 71

HSL 0.91, 0.56%, 0.54%

LAB 49.39, 51.41, 29.21

 

CMYK 0 / 76 / 77 / 13

HEX #DE3634

RGB 222 54 52

HSL 0.71, 0.72%, 0.54%

LAB 50, 63.6, 41.63

 

CMYK 0 / 85 / 86 / 5

HEX #F12421

RGB 241 36 33

HSL 0.87, 0.88%, 0.54%

LAB 51.92, 72.92, 54.41

 

CMYK 0 / 51 / 51 / 28

HEX #B85B5A

RGB 184 91 90

HSL 0.64, 0.4%, 0.54%

LAB 49.99, 37.42, 18.18

 

CMYK 0 / 33 / 34 / 35

HEX #A56E6D

RGB 165 110 109

HSL 1.07, 0.24%, 0.54%

LAB 52.12, 21.74, 9.51

 

CMYK 0 / 12 / 12 / 43

HEX #928080

RGB 146 128 128

HSL 0, 0.08%, 0.54%

LAB 55.18, 6.86, 2.51

 

CMYK 14 / 0 / 0 / 42

HEX #7F9393

RGB 127 147 147

HSL 180, 0.08%, 0.54%

LAB 59.42, -7.09, -2.41

 

CMYK 35 / 0 / 0 / 35

HEX #6CA6A6

RGB 108 166 166

HSL 180, 0.25%, 0.54%

LAB 64.33, -18.79, -6.01

 

CMYK 0 / 51 / 24 / 28

HEX #B85A8C

RGB 184 90 140

HSL 328.09, 0.4%, 0.54%

LAB 51.15, 43.88, -9.99

 

CMYK 0 / 51 / 38 / 28

HEX #B85A73

RGB 184 90 115

HSL 344.04, 0.4%, 0.54%

LAB 50.38, 40.59, 3.8

 

CMYK 0 / 51 / 51 / 28

HEX #B85A5A

RGB 184 90 90

HSL 0, 0.4%, 0.54%

LAB 49.79, 37.94, 17.91

 

CMYK 0 / 38 / 51 / 28

HEX #B8735A

RGB 184 115 90

HSL 15.96, 0.4%, 0.54%

LAB 55.27, 24.49, 25.19

 

CMYK 0 / 24 / 51 / 28

HEX #B88C5A

RGB 184 140 90

HSL 31.91, 0.4%, 0.54%

LAB 61.38, 10.6, 33.03

 

CMYK 0 / 57 / 58 / 47

HEX #873A39

RGB 135 58 57

HSL 0.77, 0.41%, 0.38%

LAB 34.95, 32.91, 16.89

 

CMYK 0 / 56 / 57 / 36

HEX #A34746

RGB 163 71 70

HSL 0.65, 0.4%, 0.46%

LAB 42.36, 38.01, 19.45

 

CMYK 0 / 51 / 51 / 28

HEX #B85B5A

RGB 184 91 90

HSL 0.64, 0.4%, 0.54%

LAB 49.99, 37.42, 18.18

 

CMYK 0 / 39 / 39 / 23

HEX #C47877

RGB 196 120 119

HSL 0.78, 0.39%, 0.62%

LAB 58.51, 29.59, 13.21

 

CMYK 0 / 29 / 29 / 18

HEX #D19594

RGB 209 149 148

HSL 0.98, 0.4%, 0.7%

LAB 67.42, 22.44, 9.53

 

CMYK 0 / 50 / 51 / 28

HEX #B85C5B

RGB 184 92 91

HSL 0.65, 0.4%, 0.54%

LAB 50.22, 36.99, 17.89

 

CMYK 10 / 0 / 51 / 28

HEX #A5B85A

RGB 165 184 90

HSL 72.13, 0.4%, 0.54%

LAB 71.57, -20.77, 45.09

 

CMYK 51 / 30 / 0 / 28

HEX #5A80B8

RGB 90 128 184

HSL 215.74, 0.4%, 0.54%

LAB 53.03, 2.74, -33.55

 

CMYK 0 / 50 / 51 / 28

HEX #B85C5B

RGB 184 92 91

HSL 0.65, 0.4%, 0.54%

LAB 50.22, 36.99, 17.89

 

CMYK 51 / 0 / 51 / 28

HEX #5AB85A

RGB 90 184 90

HSL 120, 0.4%, 0.54%

LAB 67.42, -47.09, 39.11

 

CMYK 51 / 51 / 0 / 28

HEX #5A5AB8

RGB 90 90 184

HSL 240, 0.4%, 0.54%

LAB 42.68, 26.12, -49.95

 

CMYK 0 / 50 / 51 / 28

HEX #B85C5B

RGB 184 92 91

HSL 0.65, 0.4%, 0.54%

LAB 50.22, 36.99, 17.89

 

CMYK 10 / 0 / 51 / 28

HEX #A5B85A

RGB 165 184 90

HSL 72.13, 0.4%, 0.54%

LAB 71.57, -20.77, 45.09

 

CMYK 51 / 0 / 0 / 28

HEX #5AB8B8

RGB 90 184 184

HSL 180, 0.4%, 0.54%

LAB 69.41, -27.68, -8.54

 

CMYK 41 / 51 / 0 / 28

HEX #6D5AB8

RGB 109 90 184

HSL 252.13, 0.4%, 0.54%

LAB 44.27, 30.59, -47.32

 

CMYK 0 / 50 / 51 / 28

HEX #B85C5B

RGB 184 92 91

HSL 0.65, 0.4%, 0.54%

LAB 50.22, 36.99, 17.89

 

CMYK 26 / 0 / 51 / 28

HEX #89B85A

RGB 137 184 90

HSL 90, 0.4%, 0.54%

LAB 69.71, -31.66, 42.42

 

CMYK 51 / 0 / 0 / 28

HEX #5AB8B8

RGB 90 184 184

HSL 180, 0.4%, 0.54%

LAB 69.41, -27.68, -8.54

 

CMYK 26 / 51 / 0 / 28

HEX #895AB8

RGB 137 90 184

HSL 270, 0.4%, 0.54%

LAB 47.09, 37.91, -42.65

 

Description

Color code: HEX #B85C5B | qconv.com Color code: HEX #B85C5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 92 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 92 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 51 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 51% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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