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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8516D it is the complementary color #47AE92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8516D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8516D shade: #BD5168, #CE637B, #DF758E, #F087A1 and #FF99B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8516D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8516D shade: #B8516D, #A73F5A, #962D47, #851B34 and #740921

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8516D shade: #B8516D, #B85151 and #B85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8516D shade: #B8516D, #B85188, #B851A4, #AF51B8 and #9351B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8516D shade matches the following richer shades: #B8516D, #CB3D64, #DF295B and #F31552

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8516D shade: #B8516D, #A46476, #90787F, #7C8C88 and #68A091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8516D shade: #B851A5, #B85189, #B8516E, #B85152 and #B86A51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8516D shade: #813449, #9E405A, #B8516D, #C36E85 and #CF8B9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8516D shade: #B8516D, #B8AF51 and #5197B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8516D shade: #B8516D, #6EB851 and #516EB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8516D shade: #B8516D, #B8AF51, #51B89A and #5159B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8516D shade: #B8516D, #A1B851, #51B89A and #6751B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

Complementary color

CMYK 59 / 0 / 16 / 32

HEX #47AE92

RGB 71 174 146

HSL 163.69, 0.42%, 0.48%

LAB 64.71, -36.67, 5.52

 

CMYK 0 / 57 / 45 / 26

HEX #BD5168

RGB 189 81 104

HSL 347.22, 0.45%, 0.53%

LAB 49.13, 45.59, 8.73

 

CMYK 0 / 52 / 40 / 19

HEX #CE637B

RGB 206 99 123

HSL 346.54, 0.52%, 0.6%

LAB 55.56, 44.71, 6.9

 

CMYK 0 / 48 / 36 / 13

HEX #DF758E

RGB 223 117 142

HSL 345.85, 0.62%, 0.67%

LAB 61.97, 43.79, 5.37

 

CMYK 0 / 44 / 33 / 6

HEX #F087A1

RGB 240 135 161

HSL 345.14, 0.78%, 0.74%

LAB 68.33, 42.88, 4.04

 

CMYK 0 / 40 / 29 / 0

HEX #FF99B4

RGB 255 153 180

HSL 344.12, 1%, 0.8%

LAB 74.41, 41.3, 2.49

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 62 / 46 / 35

HEX #A73F5A

RGB 167 63 90

HSL 344.42, 0.45%, 0.45%

LAB 42.01, 45.14, 6.72

 

CMYK 0 / 70 / 53 / 41

HEX #962D47

RGB 150 45 71

HSL 345.14, 0.54%, 0.38%

LAB 35.63, 45.57, 9.31

 

CMYK 0 / 80 / 61 / 48

HEX #851B34

RGB 133 27 52

HSL 345.85, 0.66%, 0.31%

LAB 29.46, 45.37, 12.75

 

CMYK 0 / 92 / 72 / 55

HEX #740921

RGB 116 9 33

HSL 346.54, 0.86%, 0.25%

LAB 23.73, 43.91, 17.41

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 56 / 56 / 28

HEX #B85151

RGB 184 81 81

HSL 0, 0.42%, 0.52%

LAB 47.84, 41.71, 20.66

 

CMYK 0 / 56 / 56 / 28

HEX #B85151

RGB 184 81 81

HSL 0, 0.42%, 0.52%

LAB 47.84, 41.71, 20.66

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 56 / 26 / 28

HEX #B85188

RGB 184 81 136

HSL 327.96, 0.42%, 0.52%

LAB 49.32, 47.77, -10.35

 

CMYK 0 / 56 / 11 / 28

HEX #B851A4

RGB 184 81 164

HSL 311.65, 0.42%, 0.52%

LAB 50.4, 51.98, -25.32

 

CMYK 5 / 56 / 0 / 28

HEX #AF51B8

RGB 175 81 184

HSL 294.76, 0.42%, 0.52%

LAB 50.05, 52.97, -37.67

 

CMYK 20 / 56 / 0 / 28

HEX #9351B8

RGB 147 81 184

HSL 278.45, 0.42%, 0.52%

LAB 46.38, 45.52, -43.72

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 70 / 51 / 20

HEX #CB3D64

RGB 203 61 100

HSL 343.52, 0.58%, 0.52%

LAB 48.2, 58.31, 10.18

 

CMYK 0 / 82 / 59 / 13

HEX #DF295B

RGB 223 41 91

HSL 343.52, 0.74%, 0.52%

LAB 49.53, 69.36, 18.09

 

CMYK 0 / 91 / 66 / 5

HEX #F31552

RGB 243 21 82

HSL 343.51, 0.9%, 0.52%

LAB 52.06, 77.39, 27.6

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 39 / 28 / 36

HEX #A46476

RGB 164 100 118

HSL 343.13, 0.26%, 0.52%

LAB 49.88, 28.25, 0.93

 

CMYK 0 / 17 / 12 / 44

HEX #90787F

RGB 144 120 127

HSL 342.5, 0.1%, 0.52%

LAB 52.83, 10.52, -0.35

 

CMYK 11 / 0 / 3 / 45

HEX #7C8C88

RGB 124 140 136

HSL 165, 0.07%, 0.52%

LAB 56.9, -6.6, 0.17

 

CMYK 35 / 0 / 9 / 37

HEX #68A091

RGB 104 160 145

HSL 163.93, 0.23%, 0.52%

LAB 61.77, -21.86, 1.98

 

CMYK 0 / 56 / 10 / 28

HEX #B851A5

RGB 184 81 165

HSL 311.07, 0.42%, 0.52%

LAB 50.44, 52.14, -25.85

 

CMYK 0 / 56 / 26 / 28

HEX #B85189

RGB 184 81 137

HSL 327.38, 0.42%, 0.52%

LAB 49.35, 47.91, -10.9

 

CMYK 0 / 56 / 40 / 28

HEX #B8516E

RGB 184 81 110

HSL 343.11, 0.42%, 0.52%

LAB 48.51, 44.51, 4.11

 

CMYK 0 / 56 / 55 / 28

HEX #B85152

RGB 184 81 82

HSL 359.42, 0.42%, 0.52%

LAB 47.86, 41.79, 20.09

 

CMYK 0 / 42 / 56 / 28

HEX #B86A51

RGB 184 106 81

HSL 14.56, 0.42%, 0.52%

LAB 53.05, 28.63, 27.44

 

CMYK 0 / 60 / 43 / 49

HEX #813449

RGB 129 52 73

HSL 343.64, 0.43%, 0.35%

LAB 33.14, 35.35, 3.98

 

CMYK 0 / 59 / 43 / 38

HEX #9E405A

RGB 158 64 90

HSL 343.4, 0.42%, 0.44%

LAB 40.69, 41.59, 4.63

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 44 / 32 / 24

HEX #C36E85

RGB 195 110 133

HSL 343.76, 0.41%, 0.6%

LAB 56.53, 36.33, 2.25

 

CMYK 0 / 33 / 24 / 19

HEX #CF8B9E

RGB 207 139 158

HSL 343.24, 0.41%, 0.68%

LAB 65.12, 28.55, 0.57

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 5 / 56 / 28

HEX #B8AF51

RGB 184 175 81

HSL 54.76, 0.42%, 0.52%

LAB 70.49, -9.08, 48.52

 

CMYK 56 / 18 / 0 / 28

HEX #5197B8

RGB 81 151 184

HSL 199.22, 0.42%, 0.52%

LAB 59.29, -12.45, -23.88

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 40 / 0 / 56 / 28

HEX #6EB851

RGB 110 184 81

HSL 103.11, 0.42%, 0.52%

LAB 68.16, -42.16, 44.56

 

CMYK 56 / 40 / 0 / 28

HEX #516EB8

RGB 81 110 184

HSL 223.11, 0.42%, 0.52%

LAB 47.45, 11.63, -42.38

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 0 / 5 / 56 / 28

HEX #B8AF51

RGB 184 175 81

HSL 54.76, 0.42%, 0.52%

LAB 70.49, -9.08, 48.52

 

CMYK 56 / 0 / 16 / 28

HEX #51B89A

RGB 81 184 154

HSL 162.52, 0.42%, 0.52%

LAB 68.29, -37.22, 6.28

 

CMYK 56 / 52 / 0 / 28

HEX #5159B8

RGB 81 89 184

HSL 235.34, 0.42%, 0.52%

LAB 41.77, 24.83, -51.44

 

CMYK 0 / 56 / 41 / 28

HEX #B8516D

RGB 184 81 109

HSL 343.69, 0.42%, 0.52%

LAB 48.49, 44.4, 4.68

 

CMYK 13 / 0 / 56 / 28

HEX #A1B851

RGB 161 184 81

HSL 73.4, 0.42%, 0.52%

LAB 71.18, -23.22, 48.84

 

CMYK 56 / 0 / 16 / 28

HEX #51B89A

RGB 81 184 154

HSL 162.52, 0.42%, 0.52%

LAB 68.29, -37.22, 6.28

 

CMYK 44 / 56 / 0 / 28

HEX #6751B8

RGB 103 81 184

HSL 252.82, 0.42%, 0.52%

LAB 41.58, 34.56, -51.67

 

Description

Color code: HEX #B8516D | qconv.com Color code: HEX #B8516D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 81 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 81 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 41 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 41% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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