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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B818B9 it is the complementary color #47E746. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B818B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B818B9 shade: #BD18B4, #CE2AC7, #DF3CDA, #F04EED and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B818B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B818B9 shade: #B818B9, #A706A6, #960093, #850080 and #74006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B818B9 shade: #B818B9, #B9188E, #B91863, #B91837 and #B91818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B818B9 shade: #B818B9, #8C18B9, #6118B9, #3518B9 and #1818B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B818B9 shade matches the following richer shades: #B818B9 and #C807C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B818B9 shade: #B818B9, #A728A8, #963997, #854A86 and #755B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B818B9 shade: #6018B9, #8B18B9, #B618B9, #B91890 and #B91865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B818B9 shade: #6F0E70, #931394, #B818B9, #DC1CDD and #E43DE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B818B9 shade: #B818B9, #B93518 and #18B975

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B818B9 shade: #B818B9, #B9B618 and #18B9B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B818B9 shade: #B818B9, #B93518, #1AB918 and #189BB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B818B9 shade: #B818B9, #B96518, #1AB918 and #186BB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

Complementary color

CMYK 69 / 0 / 70 / 9

HEX #47E746

RGB 71 231 70

HSL 119.63, 0.77%, 0.59%

LAB 81.26, -70.36, 63.32

 

CMYK 0 / 87 / 5 / 26

HEX #BD18B4

RGB 189 24 180

HSL 303.27, 0.77%, 0.42%

LAB 45.31, 74.44, -42.68

 

CMYK 0 / 80 / 3 / 19

HEX #CE2AC7

RGB 206 42 199

HSL 302.56, 0.66%, 0.49%

LAB 50.57, 76.78, -45.23

 

CMYK 0 / 73 / 2 / 13

HEX #DF3CDA

RGB 223 60 218

HSL 301.84, 0.72%, 0.55%

LAB 56.07, 78.19, -47.2

 

CMYK 0 / 68 / 1 / 6

HEX #F04EED

RGB 240 78 237

HSL 301.11, 0.84%, 0.62%

LAB 61.73, 78.93, -48.74

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 96 / 1 / 35

HEX #A706A6

RGB 167 6 166

HSL 300.37, 0.93%, 0.34%

LAB 39.75, 70.77, -43.47

 

CMYK 0 / 100 / 2 / 41

HEX #960093

RGB 150 0 147

HSL 301.2, 1%, 0.29%

LAB 35.18, 65.68, -39.42

 

CMYK 0 / 100 / 4 / 48

HEX #850080

RGB 133 0 128

HSL 302.26, 1%, 0.26%

LAB 30.75, 59.82, -34.9

 

CMYK 0 / 100 / 6 / 55

HEX #74006D

RGB 116 0 109

HSL 303.62, 1%, 0.23%

LAB 26.21, 53.82, -30.23

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 87 / 23 / 27

HEX #B9188E

RGB 185 24 142

HSL 316.02, 0.77%, 0.41%

LAB 42.64, 68.51, -24.16

 

CMYK 0 / 87 / 46 / 27

HEX #B91863

RGB 185 24 99

HSL 332.05, 0.77%, 0.41%

LAB 41.01, 63.98, 0.05

 

CMYK 0 / 87 / 70 / 27

HEX #B91837

RGB 185 24 55

HSL 348.45, 0.77%, 0.41%

LAB 39.99, 61.06, 26.49

 

CMYK 0 / 87 / 87 / 27

HEX #B91818

RGB 185 24 24

HSL 0, 0.77%, 0.41%

LAB 39.64, 60.03, 43.93

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 24 / 87 / 0 / 27

HEX #8C18B9

RGB 140 24 185

HSL 283.23, 0.77%, 0.41%

LAB 37.36, 66.91, -58.87

 

CMYK 48 / 87 / 0 / 27

HEX #6118B9

RGB 97 24 185

HSL 267.2, 0.77%, 0.41%

LAB 31.11, 61.09, -69.34

 

CMYK 71 / 87 / 0 / 27

HEX #3518B9

RGB 53 24 185

HSL 250.81, 0.77%, 0.41%

LAB 26.49, 57.18, -77.14

 

CMYK 87 / 87 / 0 / 27

HEX #1818B9

RGB 24 24 185

HSL 240, 0.77%, 0.41%

LAB 24.8, 55.87, -79.99

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 97 / 0 / 21

HEX #C807C9

RGB 200 7 201

HSL 299.69, 0.93%, 0.41%

LAB 47.81, 81.39, -50.84

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 1 / 76 / 0 / 34

HEX #A728A8

RGB 167 40 168

HSL 299.53, 0.62%, 0.41%

LAB 42.09, 64.59, -40.92

 

CMYK 1 / 62 / 0 / 41

HEX #963997

RGB 150 57 151

HSL 299.36, 0.45%, 0.41%

LAB 40.65, 51.37, -33.18

 

CMYK 1 / 45 / 0 / 47

HEX #854A86

RGB 133 74 134

HSL 299, 0.29%, 0.41%

LAB 40.58, 34.61, -23.14

 

CMYK 0 / 22 / 0 / 54

HEX #755B75

RGB 117 91 117

HSL 300, 0.13%, 0.41%

LAB 42.07, 15.53, -10.64

 

CMYK 48 / 87 / 0 / 27

HEX #6018B9

RGB 96 24 185

HSL 266.83, 0.77%, 0.41%

LAB 30.98, 60.98, -69.56

 

CMYK 25 / 87 / 0 / 27

HEX #8B18B9

RGB 139 24 185

HSL 282.86, 0.77%, 0.41%

LAB 37.2, 66.76, -59.13

 

CMYK 2 / 87 / 0 / 27

HEX #B618B9

RGB 182 24 185

HSL 298.88, 0.77%, 0.41%

LAB 44.38, 73.92, -47.19

 

CMYK 0 / 87 / 22 / 27

HEX #B91890

RGB 185 24 144

HSL 315.28, 0.77%, 0.41%

LAB 42.73, 68.76, -25.24

 

CMYK 0 / 87 / 45 / 27

HEX #B91865

RGB 185 24 101

HSL 331.3, 0.77%, 0.41%

LAB 41.07, 64.16, -1.13

 

CMYK 1 / 88 / 0 / 56

HEX #6F0E70

RGB 111 14 112

HSL 299.39, 0.78%, 0.25%

LAB 26.34, 50.64, -32.01

 

CMYK 1 / 87 / 0 / 42

HEX #931394

RGB 147 19 148

HSL 299.53, 0.77%, 0.33%

LAB 35.61, 62.59, -39.38

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 87 / 0 / 13

HEX #DC1CDD

RGB 220 28 221

HSL 299.69, 0.78%, 0.49%

LAB 53.24, 85.33, -53.44

 

CMYK 0 / 73 / 0 / 10

HEX #E43DE5

RGB 228 61 229

HSL 299.64, 0.76%, 0.57%

LAB 57.55, 80.62, -51.01

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 71 / 87 / 27

HEX #B93518

RGB 185 53 24

HSL 10.81, 0.77%, 0.41%

LAB 42.65, 51.58, 46.41

 

CMYK 87 / 0 / 37 / 27

HEX #18B975

RGB 24 185 117

HSL 154.66, 0.77%, 0.41%

LAB 66.65, -54.3, 23.9

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 2 / 87 / 27

HEX #B9B618

RGB 185 182 24

HSL 58.88, 0.77%, 0.41%

LAB 72.12, -15.07, 70.38

 

CMYK 87 / 0 / 2 / 27

HEX #18B9B6

RGB 24 185 182

HSL 178.88, 0.77%, 0.41%

LAB 68.22, -37.73, -9.37

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 71 / 87 / 27

HEX #B93518

RGB 185 53 24

HSL 10.81, 0.77%, 0.41%

LAB 42.65, 51.58, 46.41

 

CMYK 86 / 0 / 87 / 27

HEX #1AB918

RGB 26 185 24

HSL 119.25, 0.77%, 0.41%

LAB 65.74, -65.5, 62.08

 

CMYK 87 / 16 / 0 / 27

HEX #189BB9

RGB 24 155 185

HSL 191.18, 0.77%, 0.41%

LAB 59.1, -22.15, -24.85

 

CMYK 1 / 87 / 0 / 27

HEX #B818B9

RGB 184 24 185

HSL 299.63, 0.77%, 0.41%

LAB 44.73, 74.28, -46.61

 

CMYK 0 / 45 / 87 / 27

HEX #B96518

RGB 185 101 24

HSL 28.7, 0.77%, 0.41%

LAB 51.48, 28.74, 53.64

 

CMYK 86 / 0 / 87 / 27

HEX #1AB918

RGB 26 185 24

HSL 119.25, 0.77%, 0.41%

LAB 65.74, -65.5, 62.08

 

CMYK 87 / 42 / 0 / 27

HEX #186BB9

RGB 24 107 185

HSL 209.07, 0.77%, 0.41%

LAB 44.54, 5.57, -47.72

 

Description

Color code: HEX #B818B9 | qconv.com Color code: HEX #B818B9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 24 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 24 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 87 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 87% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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