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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B80D5D it is the complementary color #47F2A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B80D5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B80D5D shade: #BD0D58, #CE1F6B, #DF317E, #F04391 and #FF55A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B80D5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B80D5D shade: #B80D5D, #A7004A, #960037, #850024 and #740011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B80D5D shade: #B90C5D, #B90C2F and #B90C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B80D5D shade: #B90C5D, #B90C8C, #B80CB9, #8A0CB9 and #5B0CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B80D5D shade matches the following richer shades: #B90C5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B80D5D shade: #B90C5D, #A91D5E, #992D5F, #893D60 and #794D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B80D5D shade: #B70CB9, #B90C8E, #B90C60, #B90C32 and #B9150C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B80D5D shade: #6C0736, #930A4A, #B90C5D, #E00F71 and #F02986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B80D5D shade: #B80D5D, #B9880C and #0CA5B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B80D5D shade: #B80D5D, #60B90C and #0C60B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B80D5D shade: #B80D5D, #B9880C, #0CB966 and #0C3DB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B80D5D shade: #B80D5D, #B7B90C, #0CB966 and #0F0CB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 49 / 28

HEX #B80D5D

RGB 184 13 93

HSL 331.93, 0.87%, 0.39%

LAB 40.03, 64.96, 2.4

 

Complementary color

CMYK 71 / 0 / 33 / 5

HEX #47F2A2

RGB 71 242 162

HSL 151.93, 0.87%, 0.61%

LAB 85.73, -61.1, 26.37

 

CMYK 0 / 93 / 53 / 26

HEX #BD0D58

RGB 189 13 88

HSL 334.43, 0.87%, 0.4%

LAB 40.91, 65.77, 6.98

 

CMYK 0 / 85 / 48 / 19

HEX #CE1F6B

RGB 206 31 107

HSL 333.94, 0.74%, 0.46%

LAB 45.86, 68.42, 2.61

 

CMYK 0 / 78 / 43 / 13

HEX #DF317E

RGB 223 49 126

HSL 333.45, 0.73%, 0.53%

LAB 51.14, 69.99, -0.92

 

CMYK 0 / 72 / 40 / 6

HEX #F04391

RGB 240 67 145

HSL 332.95, 0.85%, 0.6%

LAB 56.67, 70.77, -3.78

 

CMYK 0 / 67 / 36 / 0

HEX #FF55A4

RGB 255 85 164

HSL 332.12, 1%, 0.67%

LAB 62.03, 70.47, -6.65

 

CMYK 0 / 93 / 49 / 28

HEX #B80D5D

RGB 184 13 93

HSL 331.93, 0.87%, 0.39%

LAB 40.03, 64.96, 2.4

 

CMYK 0 / 100 / 56 / 35

HEX #A7004A

RGB 167 0 74

HSL 333.41, 1%, 0.33%

LAB 35.42, 61.03, 7.57

 

CMYK 0 / 100 / 63 / 41

HEX #960037

RGB 150 0 55

HSL 338, 1%, 0.29%

LAB 31.25, 55.69, 13.79

 

CMYK 0 / 100 / 73 / 48

HEX #850024

RGB 133 0 36

HSL 343.76, 1%, 0.26%

LAB 27.06, 50.38, 20.35

 

CMYK 0 / 100 / 85 / 55

HEX #740011

RGB 116 0 17

HSL 351.21, 1%, 0.23%

LAB 22.84, 45.16, 26.94

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5D

RGB 185 12 93

HSL 331.91, 0.88%, 0.39%

LAB 40.19, 65.32, 2.66

 

CMYK 0 / 94 / 75 / 27

HEX #B90C2F

RGB 185 12 47

HSL 347.86, 0.88%, 0.39%

LAB 39.21, 62.61, 30.52

 

CMYK 0 / 94 / 94 / 27

HEX #B90C0C

RGB 185 12 12

HSL 0, 0.88%, 0.39%

LAB 38.9, 61.75, 48.61

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5D

RGB 185 12 93

HSL 331.91, 0.88%, 0.39%

LAB 40.19, 65.32, 2.66

 

CMYK 0 / 94 / 24 / 27

HEX #B90C8C

RGB 185 12 140

HSL 315.61, 0.88%, 0.39%

LAB 41.95, 70.01, -24.01

 

CMYK 1 / 94 / 0 / 27

HEX #B80CB9

RGB 184 12 185

HSL 299.65, 0.88%, 0.39%

LAB 44.17, 75.92, -47.5

 

CMYK 25 / 94 / 0 / 27

HEX #8A0CB9

RGB 138 12 185

HSL 283.7, 0.88%, 0.39%

LAB 36.31, 68.77, -60.59

 

CMYK 51 / 94 / 0 / 27

HEX #5B0CB9

RGB 91 12 185

HSL 267.4, 0.88%, 0.39%

LAB 29.39, 63.31, -72.21

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5D

RGB 185 12 93

HSL 331.91, 0.88%, 0.39%

LAB 40.19, 65.32, 2.66

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5D

RGB 185 12 93

HSL 331.91, 0.88%, 0.39%

LAB 40.19, 65.32, 2.66

 

CMYK 0 / 83 / 44 / 34

HEX #A91D5E

RGB 169 29 94

HSL 332.14, 0.71%, 0.39%

LAB 38.06, 58.42, -1.47

 

CMYK 0 / 71 / 38 / 40

HEX #992D5F

RGB 153 45 95

HSL 332.22, 0.55%, 0.39%

LAB 36.88, 48.94, -4.19

 

CMYK 0 / 55 / 30 / 46

HEX #893D60

RGB 137 61 96

HSL 332.37, 0.38%, 0.39%

LAB 36.93, 36.52, -5.05

 

CMYK 0 / 36 / 19 / 53

HEX #794D62

RGB 121 77 98

HSL 331.36, 0.22%, 0.39%

LAB 38.3, 21.88, -4.52

 

CMYK 1 / 94 / 0 / 27

HEX #B70CB9

RGB 183 12 185

HSL 299.31, 0.88%, 0.39%

LAB 43.99, 75.75, -47.79

 

CMYK 0 / 94 / 23 / 27

HEX #B90C8E

RGB 185 12 142

HSL 314.91, 0.88%, 0.39%

LAB 42.05, 70.25, -25.09

 

CMYK 0 / 94 / 48 / 27

HEX #B90C60

RGB 185 12 96

HSL 330.87, 0.88%, 0.39%

LAB 40.28, 65.56, 0.89

 

CMYK 0 / 94 / 73 / 27

HEX #B90C32

RGB 185 12 50

HSL 346.82, 0.88%, 0.39%

LAB 39.25, 62.73, 28.71

 

CMYK 0 / 89 / 94 / 27

HEX #B9150C

RGB 185 21 12

HSL 3.12, 0.88%, 0.39%

LAB 39.37, 60.41, 48.89

 

CMYK 0 / 94 / 50 / 58

HEX #6C0736

RGB 108 7 54

HSL 332.08, 0.88%, 0.23%

LAB 22.33, 43.65, 0.6

 

CMYK 0 / 93 / 50 / 42

HEX #930A4A

RGB 147 10 74

HSL 331.97, 0.87%, 0.31%

LAB 31.61, 54.86, 1.56

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5D

RGB 185 12 93

HSL 331.91, 0.88%, 0.39%

LAB 40.19, 65.32, 2.66

 

CMYK 0 / 93 / 50 / 12

HEX #E00F71

RGB 224 15 113

HSL 331.87, 0.87%, 0.47%

LAB 48.74, 75.52, 3.52

 

CMYK 0 / 83 / 44 / 6

HEX #F02986

RGB 240 41 134

HSL 331.96, 0.87%, 0.55%

LAB 53.85, 76.82, -1.39

 

CMYK 0 / 93 / 49 / 28

HEX #B80D5D

RGB 184 13 93

HSL 331.93, 0.87%, 0.39%

LAB 40.03, 64.96, 2.4

 

CMYK 0 / 26 / 94 / 27

HEX #B9880C

RGB 185 136 12

HSL 43.01, 0.88%, 0.39%

LAB 59.84, 9.23, 63.08

 

CMYK 94 / 11 / 0 / 27

HEX #0CA5B9

RGB 12 165 185

HSL 186.94, 0.88%, 0.39%

LAB 62.08, -27.86, -20.31

 

CMYK 0 / 93 / 49 / 28

HEX #B80D5D

RGB 184 13 93

HSL 331.93, 0.87%, 0.39%

LAB 40.03, 64.96, 2.4

 

CMYK 48 / 0 / 94 / 27

HEX #60B90C

RGB 96 185 12

HSL 90.87, 0.88%, 0.39%

LAB 67.44, -51.53, 66.26

 

CMYK 94 / 48 / 0 / 27

HEX #0C60B9

RGB 12 96 185

HSL 210.87, 0.88%, 0.39%

LAB 41.13, 11.96, -53.2

 

CMYK 0 / 93 / 49 / 28

HEX #B80D5D

RGB 184 13 93

HSL 331.93, 0.87%, 0.39%

LAB 40.03, 64.96, 2.4

 

CMYK 0 / 26 / 94 / 27

HEX #B9880C

RGB 185 136 12

HSL 43.01, 0.88%, 0.39%

LAB 59.84, 9.23, 63.08

 

CMYK 94 / 0 / 45 / 27

HEX #0CB966

RGB 12 185 102

HSL 151.21, 0.88%, 0.39%

LAB 66.32, -57.92, 31.31

 

CMYK 94 / 67 / 0 / 27

HEX #0C3DB9

RGB 12 61 185

HSL 223.01, 0.88%, 0.39%

LAB 31.62, 35.24, -68.7

 

CMYK 0 / 93 / 49 / 28

HEX #B80D5D

RGB 184 13 93

HSL 331.93, 0.87%, 0.39%

LAB 40.03, 64.96, 2.4

 

CMYK 1 / 0 / 94 / 27

HEX #B7B90C

RGB 183 185 12

HSL 60.69, 0.88%, 0.39%

LAB 72.75, -17.67, 72.73

 

CMYK 94 / 0 / 45 / 27

HEX #0CB966

RGB 12 185 102

HSL 151.21, 0.88%, 0.39%

LAB 66.32, -57.92, 31.31

 

CMYK 92 / 94 / 0 / 27

HEX #0F0CB9

RGB 15 12 185

HSL 241.04, 0.88%, 0.39%

LAB 23.23, 59.53, -82.62

 

Description

Color code: HEX #B80D5D | qconv.com Color code: HEX #B80D5D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 13 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 13 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 49 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 49% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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