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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B808AC it is the complementary color #47F753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B808AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B808AC shade: #BD08A7, #CE1ABA, #DF2CCD, #F03EE0 and #FF50F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B808AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B808AC shade: #B808AC, #A70099, #960086, #850073 and #740060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B808AC shade: #BA07AD, #BA077D, #BA074D, #BA071D and #BA0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B808AC shade: #BA07AD, #9607BA, #6607BA, #3507BA and #0707BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B808AC shade matches the following richer shades: #BA07AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B808AC shade: #BA07AD, #AA17A0, #9A2792, #8B3685 and #7B4677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B808AC shade: #6607BA, #9607BA, #BA07AE, #BA077E and #BA074F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B808AC shade: #6A0463, #920688, #BA07AD, #E109D2 and #F51EE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B808AC shade: #B808AC, #BA3707 and #07BA7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B808AC shade: #B808AC, #AEBA07 and #07AEBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B808AC shade: #B808AC, #BA3707, #07BA13 and #078ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B808AC shade: #B808AC, #BA6C07, #07BA13 and #0755BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 7 / 28

HEX #B808AC

RGB 184 8 172

HSL 304.09, 0.92%, 0.38%

LAB 43.27, 74.4, -41.24

 

Complementary color

CMYK 71 / 0 / 66 / 3

HEX #47F753

RGB 71 247 83

HSL 124.09, 0.92%, 0.62%

LAB 86.25, -74.27, 63.69

 

CMYK 0 / 96 / 12 / 26

HEX #BD08A7

RGB 189 8 167

HSL 307.29, 0.92%, 0.39%

LAB 43.92, 74.61, -37.18

 

CMYK 0 / 87 / 10 / 19

HEX #CE1ABA

RGB 206 26 186

HSL 306.67, 0.78%, 0.45%

LAB 48.77, 78.14, -40.53

 

CMYK 0 / 80 / 8 / 13

HEX #DF2CCD

RGB 223 44 205

HSL 306.03, 0.74%, 0.52%

LAB 53.92, 80.53, -43.19

 

CMYK 0 / 74 / 7 / 6

HEX #F03EE0

RGB 240 62 224

HSL 305.39, 0.86%, 0.59%

LAB 59.3, 82.03, -45.3

 

CMYK 0 / 69 / 5 / 0

HEX #FF50F3

RGB 255 80 243

HSL 304.11, 1%, 0.66%

LAB 64.54, 82.45, -47.49

 

CMYK 0 / 96 / 7 / 28

HEX #B808AC

RGB 184 8 172

HSL 304.09, 0.92%, 0.38%

LAB 43.27, 74.4, -41.24

 

CMYK 0 / 100 / 8 / 35

HEX #A70099

RGB 167 0 153

HSL 305.03, 1%, 0.33%

LAB 38.75, 69.53, -37.21

 

CMYK 0 / 100 / 11 / 41

HEX #960086

RGB 150 0 134

HSL 306.4, 1%, 0.29%

LAB 34.41, 63.78, -32.63

 

CMYK 0 / 100 / 14 / 48

HEX #850073

RGB 133 0 115

HSL 308.12, 1%, 0.26%

LAB 29.97, 57.92, -27.9

 

CMYK 0 / 100 / 17 / 55

HEX #740060

RGB 116 0 96

HSL 310.34, 1%, 0.23%

LAB 25.44, 51.92, -22.98

 

CMYK 0 / 96 / 7 / 27

HEX #BA07AD

RGB 186 7 173

HSL 304.36, 0.93%, 0.38%

LAB 43.67, 74.99, -41.19

 

CMYK 0 / 96 / 33 / 27

HEX #BA077D

RGB 186 7 125

HSL 320.45, 0.93%, 0.38%

LAB 41.33, 69.04, -15.72

 

CMYK 0 / 96 / 59 / 27

HEX #BA074D

RGB 186 7 77

HSL 336.54, 0.93%, 0.38%

LAB 39.79, 64.94, 12.33

 

CMYK 0 / 96 / 84 / 27

HEX #BA071D

RGB 186 7 29

HSL 352.63, 0.93%, 0.38%

LAB 39.04, 62.86, 40.91

 

CMYK 0 / 96 / 96 / 27

HEX #BA0707

RGB 186 7 7

HSL 0, 0.93%, 0.38%

LAB 38.91, 62.51, 50.48

 

CMYK 0 / 96 / 7 / 27

HEX #BA07AD

RGB 186 7 173

HSL 304.36, 0.93%, 0.38%

LAB 43.67, 74.99, -41.19

 

CMYK 19 / 96 / 0 / 27

HEX #9607BA

RGB 150 7 186

HSL 287.93, 0.93%, 0.38%

LAB 38.17, 71.26, -58.07

 

CMYK 45 / 96 / 0 / 27

HEX #6607BA

RGB 102 7 186

HSL 271.84, 0.93%, 0.38%

LAB 30.69, 65.4, -70.6

 

CMYK 72 / 96 / 0 / 27

HEX #3507BA

RGB 53 7 186

HSL 255.42, 0.93%, 0.38%

LAB 25.12, 61.97, -80

 

CMYK 96 / 96 / 0 / 27

HEX #0707BA

RGB 7 7 186

HSL 240, 0.93%, 0.38%

LAB 22.8, 60.88, -83.93

 

CMYK 0 / 96 / 7 / 27

HEX #BA07AD

RGB 186 7 173

HSL 304.36, 0.93%, 0.38%

LAB 43.67, 74.99, -41.19

 

CMYK 0 / 96 / 7 / 27

HEX #BA07AD

RGB 186 7 173

HSL 304.36, 0.93%, 0.38%

LAB 43.67, 74.99, -41.19

 

CMYK 0 / 86 / 6 / 33

HEX #AA17A0

RGB 170 23 160

HSL 304.08, 0.76%, 0.38%

LAB 40.73, 68.08, -38.26

 

CMYK 0 / 75 / 5 / 40

HEX #9A2792

RGB 154 39 146

HSL 304.17, 0.6%, 0.38%

LAB 38.54, 58.47, -33.42

 

CMYK 0 / 61 / 4 / 45

HEX #8B3685

RGB 139 54 133

HSL 304.24, 0.44%, 0.38%

LAB 37.52, 46.54, -27.24

 

CMYK 0 / 43 / 3 / 52

HEX #7B4677

RGB 123 70 119

HSL 304.53, 0.27%, 0.38%

LAB 37.7, 30.6, -18.47

 

CMYK 45 / 96 / 0 / 27

HEX #6607BA

RGB 102 7 186

HSL 271.84, 0.93%, 0.38%

LAB 30.69, 65.4, -70.6

 

CMYK 19 / 96 / 0 / 27

HEX #9607BA

RGB 150 7 186

HSL 287.93, 0.93%, 0.38%

LAB 38.17, 71.26, -58.07

 

CMYK 0 / 96 / 6 / 27

HEX #BA07AE

RGB 186 7 174

HSL 304.02, 0.93%, 0.38%

LAB 43.72, 75.13, -41.69

 

CMYK 0 / 96 / 32 / 27

HEX #BA077E

RGB 186 7 126

HSL 320.11, 0.93%, 0.38%

LAB 41.37, 69.14, -16.28

 

CMYK 0 / 96 / 58 / 27

HEX #BA074F

RGB 186 7 79

HSL 335.87, 0.93%, 0.38%

LAB 39.84, 65.07, 11.12

 

CMYK 0 / 96 / 7 / 58

HEX #6A0463

RGB 106 4 99

HSL 304.12, 0.93%, 0.22%

LAB 23.84, 49.55, -27.6

 

CMYK 0 / 96 / 7 / 43

HEX #920688

RGB 146 6 136

HSL 304.29, 0.92%, 0.3%

LAB 34.02, 62.54, -34.53

 

CMYK 0 / 96 / 7 / 27

HEX #BA07AD

RGB 186 7 173

HSL 304.36, 0.93%, 0.38%

LAB 43.67, 74.99, -41.19

 

CMYK 0 / 96 / 7 / 12

HEX #E109D2

RGB 225 9 210

HSL 304.17, 0.92%, 0.46%

LAB 52.79, 86.67, -47.82

 

CMYK 0 / 88 / 6 / 4

HEX #F51EE6

RGB 245 30 230

HSL 304.19, 0.91%, 0.54%

LAB 58.09, 90.65, -50.55

 

CMYK 0 / 96 / 7 / 28

HEX #B808AC

RGB 184 8 172

HSL 304.09, 0.92%, 0.38%

LAB 43.27, 74.4, -41.24

 

CMYK 0 / 70 / 96 / 27

HEX #BA3707

RGB 186 55 7

HSL 16.09, 0.93%, 0.38%

LAB 43.04, 50.88, 52.76

 

CMYK 96 / 0 / 32 / 27

HEX #07BA7E

RGB 7 186 126

HSL 159.89, 0.93%, 0.38%

LAB 67.03, -53.64, 19.57

 

CMYK 0 / 96 / 7 / 28

HEX #B808AC

RGB 184 8 172

HSL 304.09, 0.92%, 0.38%

LAB 43.27, 74.4, -41.24

 

CMYK 6 / 0 / 96 / 27

HEX #AEBA07

RGB 174 186 7

HSL 64.02, 0.93%, 0.38%

LAB 72.32, -22.11, 72.64

 

CMYK 96 / 6 / 0 / 27

HEX #07AEBA

RGB 7 174 186

HSL 184.02, 0.93%, 0.38%

LAB 64.85, -32.1, -16.65

 

CMYK 0 / 96 / 7 / 28

HEX #B808AC

RGB 184 8 172

HSL 304.09, 0.92%, 0.38%

LAB 43.27, 74.4, -41.24

 

CMYK 0 / 70 / 96 / 27

HEX #BA3707

RGB 186 55 7

HSL 16.09, 0.93%, 0.38%

LAB 43.04, 50.88, 52.76

 

CMYK 96 / 0 / 90 / 27

HEX #07BA13

RGB 7 186 19

HSL 124.02, 0.93%, 0.38%

LAB 65.91, -67.2, 63.16

 

CMYK 96 / 26 / 0 / 27

HEX #078ABA

RGB 7 138 186

HSL 196.09, 0.93%, 0.38%

LAB 53.78, -13.43, -33.69

 

CMYK 0 / 96 / 7 / 28

HEX #B808AC

RGB 184 8 172

HSL 304.09, 0.92%, 0.38%

LAB 43.27, 74.4, -41.24

 

CMYK 0 / 42 / 96 / 27

HEX #BA6C07

RGB 186 108 7

HSL 33.85, 0.93%, 0.38%

LAB 53.15, 25.07, 59.23

 

CMYK 96 / 0 / 90 / 27

HEX #07BA13

RGB 7 186 19

HSL 124.02, 0.93%, 0.38%

LAB 65.91, -67.2, 63.16

 

CMYK 96 / 54 / 0 / 27

HEX #0755BA

RGB 7 85 186

HSL 213.85, 0.93%, 0.38%

LAB 38, 19.46, -58.86

 

Description

Color code: HEX #B808AC | qconv.com Color code: HEX #B808AC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 8 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 8 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 7 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 7% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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