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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B798C7 it is the complementary color #486738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B798C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B798C7 shade: #BC98C2, #CDAAD5, #DEBCE8, #EFCEFB and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B798C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B798C7 shade: #B798C7, #A686B4, #9574A1, #84628E and #73507B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B798C7 shade: #B798C7, #C498C7, #C798BE, #C798B1 and #C798A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B798C7 shade: #B798C7, #AA98C7, #9D98C7 and #9898C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B798C7 shade matches the following richer shades: #B798C7, #BB8BD4, #BF7EE1, #C371EE and #C765FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B798C7 shade: #B798C7, #B3A5BA, #AFB1AE, #ABBEA1 and #A7CB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B798C7 shade: #9D98C7, #AA98C7, #B798C7, #C398C7 and #C798BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B798C7 shade: #9262AA, #A47DB9, #B798C7, #CAB3D6 and #DCCDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B798C7 shade: #B798C7, #C7989F and #98C7A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B798C7 shade: #B798C7, #C7B798 and #98C7B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B798C7 shade: #B798C7, #C7989F, #A8C798 and #98C7C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B798C7 shade: #B798C7, #C79F98, #A8C798 and #98C0C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

Complementary color

CMYK 30 / 0 / 46 / 60

HEX #486738

RGB 72 103 56

HSL 99.57, 0.3%, 0.31%

LAB 40.19, -20.92, 22.94

 

CMYK 3 / 22 / 0 / 24

HEX #BC98C2

RGB 188 152 194

HSL 291.43, 0.26%, 0.68%

LAB 67.31, 20.85, -16.6

 

CMYK 4 / 20 / 0 / 16

HEX #CDAAD5

RGB 205 170 213

HSL 288.84, 0.34%, 0.75%

LAB 73.89, 20.33, -16.98

 

CMYK 4 / 19 / 0 / 9

HEX #DEBCE8

RGB 222 188 232

HSL 286.36, 0.49%, 0.82%

LAB 80.36, 19.85, -17.37

 

CMYK 5 / 18 / 0 / 2

HEX #EFCEFB

RGB 239 206 251

HSL 284, 0.85%, 0.9%

LAB 86.73, 19.4, -17.75

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 8 / 26 / 0 / 29

HEX #A686B4

RGB 166 134 180

HSL 281.74, 0.23%, 0.62%

LAB 60.3, 20.74, -19.56

 

CMYK 7 / 28 / 0 / 37

HEX #9574A1

RGB 149 116 161

HSL 284, 0.19%, 0.54%

LAB 53.44, 21.35, -19.25

 

CMYK 7 / 31 / 0 / 44

HEX #84628E

RGB 132 98 142

HSL 286.36, 0.18%, 0.47%

LAB 46.44, 22.02, -18.94

 

CMYK 7 / 35 / 0 / 52

HEX #73507B

RGB 115 80 123

HSL 288.84, 0.21%, 0.4%

LAB 39.26, 22.77, -18.62

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 2 / 24 / 0 / 22

HEX #C498C7

RGB 196 152 199

HSL 296.17, 0.3%, 0.69%

LAB 68.25, 24.51, -17.88

 

CMYK 0 / 24 / 5 / 22

HEX #C798BE

RGB 199 152 190

HSL 311.49, 0.3%, 0.69%

LAB 68.25, 23.85, -12.84

 

CMYK 0 / 24 / 11 / 22

HEX #C798B1

RGB 199 152 177

HSL 328.09, 0.3%, 0.69%

LAB 67.85, 21.56, -6.18

 

CMYK 0 / 24 / 18 / 22

HEX #C798A4

RGB 199 152 164

HSL 344.68, 0.3%, 0.69%

LAB 67.49, 19.41, 0.54

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 15 / 24 / 0 / 22

HEX #AA98C7

RGB 170 152 199

HSL 262.98, 0.3%, 0.69%

LAB 65.85, 15.92, -21.76

 

CMYK 21 / 24 / 0 / 22

HEX #9D98C7

RGB 157 152 199

HSL 246.38, 0.3%, 0.69%

LAB 64.76, 11.77, -23.51

 

CMYK 24 / 24 / 0 / 22

HEX #9898C7

RGB 152 152 199

HSL 240, 0.3%, 0.69%

LAB 64.37, 10.21, -24.15

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 12 / 34 / 0 / 17

HEX #BB8BD4

RGB 187 139 212

HSL 279.45, 0.46%, 0.69%

LAB 64.79, 31.42, -30.49

 

CMYK 15 / 44 / 0 / 12

HEX #BF7EE1

RGB 191 126 225

HSL 279.39, 0.62%, 0.69%

LAB 62.87, 42.49, -40.69

 

CMYK 18 / 53 / 0 / 7

HEX #C371EE

RGB 195 113 238

HSL 279.36, 0.79%, 0.69%

LAB 61.29, 53.16, -50.37

 

CMYK 20 / 60 / 0 / 2

HEX #C765FA

RGB 199 101 250

HSL 279.46, 0.94%, 0.69%

LAB 60.21, 62.56, -58.72

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 4 / 11 / 0 / 27

HEX #B3A5BA

RGB 179 165 186

HSL 280, 0.13%, 0.69%

LAB 69.5, 8.99, -8.95

 

CMYK 1 / 0 / 2 / 31

HEX #AFB1AE

RGB 175 177 174

HSL 100, 0.02%, 0.69%

LAB 71.97, -1.26, 1.28

 

CMYK 10 / 0 / 15 / 25

HEX #ABBEA1

RGB 171 190 161

HSL 99.31, 0.18%, 0.69%

LAB 74.86, -11.89, 12.47

 

CMYK 18 / 0 / 27 / 20

HEX #A7CB94

RGB 167 203 148

HSL 99.27, 0.35%, 0.69%

LAB 77.91, -22.04, 23.61

 

CMYK 21 / 24 / 0 / 22

HEX #9D98C7

RGB 157 152 199

HSL 246.38, 0.3%, 0.69%

LAB 64.76, 11.77, -23.51

 

CMYK 15 / 24 / 0 / 22

HEX #AA98C7

RGB 170 152 199

HSL 262.98, 0.3%, 0.69%

LAB 65.85, 15.92, -21.76

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 2 / 24 / 0 / 22

HEX #C398C7

RGB 195 152 199

HSL 294.89, 0.3%, 0.69%

LAB 68.15, 24.18, -18.03

 

CMYK 0 / 24 / 5 / 22

HEX #C798BE

RGB 199 152 190

HSL 311.49, 0.3%, 0.69%

LAB 68.25, 23.85, -12.84

 

CMYK 14 / 42 / 0 / 33

HEX #9262AA

RGB 146 98 170

HSL 280, 0.3%, 0.53%

LAB 49.19, 32.73, -31.1

 

CMYK 11 / 32 / 0 / 27

HEX #A47DB9

RGB 164 125 185

HSL 279, 0.3%, 0.61%

LAB 58.1, 26.27, -25.8

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 6 / 16 / 0 / 16

HEX #CAB3D6

RGB 202 179 214

HSL 279.43, 0.3%, 0.77%

LAB 75.86, 14.62, -14.6

 

CMYK 4 / 10 / 0 / 11

HEX #DCCDE4

RGB 220 205 228

HSL 279.13, 0.3%, 0.85%

LAB 84.21, 9.34, -9.47

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 0 / 24 / 20 / 22

HEX #C7989F

RGB 199 152 159

HSL 351.06, 0.3%, 0.69%

LAB 67.35, 18.63, 3.15

 

CMYK 24 / 0 / 18 / 22

HEX #98C7A4

RGB 152 199 164

HSL 135.32, 0.3%, 0.69%

LAB 76.19, -22.46, 12.56

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 0 / 8 / 24 / 22

HEX #C7B798

RGB 199 183 152

HSL 39.57, 0.3%, 0.69%

LAB 75, 0.77, 17.84

 

CMYK 24 / 0 / 8 / 22

HEX #98C7B7

RGB 152 199 183

HSL 159.57, 0.3%, 0.69%

LAB 76.64, -18.73, 2.98

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 0 / 24 / 20 / 22

HEX #C7989F

RGB 199 152 159

HSL 351.06, 0.3%, 0.69%

LAB 67.35, 18.63, 3.15

 

CMYK 16 / 0 / 24 / 22

HEX #A8C798

RGB 168 199 152

HSL 99.57, 0.3%, 0.69%

LAB 76.94, -19.06, 20.17

 

CMYK 24 / 0 / 4 / 22

HEX #98C7C0

RGB 152 199 192

HSL 171.06, 0.3%, 0.69%

LAB 76.88, -16.83, -1.54

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 0 / 20 / 24 / 22

HEX #C79F98

RGB 199 159 152

HSL 8.94, 0.3%, 0.69%

LAB 68.9, 13.74, 9.27

 

CMYK 16 / 0 / 24 / 22

HEX #A8C798

RGB 168 199 152

HSL 99.57, 0.3%, 0.69%

LAB 76.94, -19.06, 20.17

 

CMYK 24 / 4 / 0 / 22

HEX #98C0C7

RGB 152 192 199

HSL 188.94, 0.3%, 0.69%

LAB 75.14, -11.67, -7.9

 

Description

Color code: HEX #B798C7 | qconv.com Color code: HEX #B798C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 152 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 152 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 24 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 24% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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