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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78975 it is the complementary color #48768A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78975 shade: #BC8970, #CD9B83, #DEAD96, #EFBFA9 and #FFD1BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78975 shade: #B78975, #A67762, #95654F, #84533C and #734129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78975 shade: #B68976, #B67876 and #B67676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78975 shade: #B68976, #B69B76, #B6AC76, #AFB676 and #9EB676

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78975 shade matches the following richer shades: #B68976, #C78365, #D87C54, #E97543 and #FA6F32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78975 shade: #B68976, #A59086, #959797, #849DA8 and #73A4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78975 shade: #B67685, #B67876, #B68976, #B69A76 and #B6AC76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78975 shade: #8F5F4B, #A8725B, #B68976, #C5A091 and #D3B7AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78975 shade: #B78975, #96B676 and #767CB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78975 shade: #B78975, #76B689 and #8976B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78975 shade: #B78975, #96B676, #76A3B6 and #9676B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78975 shade: #B78975, #83B676, #76A3B6 and #A976B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 36 / 28

HEX #B78975

RGB 183 137 117

HSL 18.18, 0.31%, 0.59%

LAB 61, 14.81, 17.56

 

Complementary color

CMYK 48 / 14 / 0 / 46

HEX #48768A

RGB 72 118 138

HSL 198.18, 0.31%, 0.41%

LAB 47.2, -9.99, -15.82

 

CMYK 0 / 27 / 40 / 26

HEX #BC8970

RGB 188 137 112

HSL 19.74, 0.36%, 0.59%

LAB 61.44, 16.24, 21.07

 

CMYK 0 / 24 / 36 / 20

HEX #CD9B83

RGB 205 155 131

HSL 19.46, 0.43%, 0.66%

LAB 68.07, 15.43, 19.82

 

CMYK 0 / 22 / 32 / 13

HEX #DEAD96

RGB 222 173 150

HSL 19.17, 0.52%, 0.73%

LAB 74.58, 14.72, 18.68

 

CMYK 0 / 20 / 29 / 6

HEX #EFBFA9

RGB 239 191 169

HSL 18.86, 0.69%, 0.8%

LAB 81, 14.08, 17.63

 

CMYK 0 / 18 / 26 / 0

HEX #FFD1BC

RGB 255 209 188

HSL 18.81, 1%, 0.87%

LAB 87.24, 13.15, 16.5

 

CMYK 0 / 25 / 36 / 28

HEX #B78975

RGB 183 137 117

HSL 18.18, 0.31%, 0.59%

LAB 61, 14.81, 17.56

 

CMYK 0 / 28 / 41 / 35

HEX #A67762

RGB 166 119 98

HSL 18.53, 0.28%, 0.52%

LAB 54.22, 15.65, 18.83

 

CMYK 0 / 32 / 47 / 42

HEX #95654F

RGB 149 101 79

HSL 18.86, 0.31%, 0.45%

LAB 47.32, 16.64, 20.26

 

CMYK 0 / 37 / 55 / 48

HEX #84533C

RGB 132 83 60

HSL 19.17, 0.38%, 0.38%

LAB 40.28, 17.82, 21.9

 

CMYK 0 / 43 / 64 / 55

HEX #734129

RGB 115 65 41

HSL 19.46, 0.47%, 0.31%

LAB 33.1, 19.25, 23.8

 

CMYK 0 / 25 / 35 / 29

HEX #B68976

RGB 182 137 118

HSL 17.81, 0.3%, 0.59%

LAB 60.91, 14.54, 16.86

 

CMYK 0 / 34 / 35 / 29

HEX #B67876

RGB 182 120 118

HSL 1.87, 0.3%, 0.59%

LAB 56.77, 24.02, 11.09

 

CMYK 0 / 35 / 35 / 29

HEX #B67676

RGB 182 118 118

HSL 0, 0.3%, 0.59%

LAB 56.3, 25.13, 10.43

 

CMYK 0 / 25 / 35 / 29

HEX #B68976

RGB 182 137 118

HSL 17.81, 0.3%, 0.59%

LAB 60.91, 14.54, 16.86

 

CMYK 0 / 15 / 35 / 29

HEX #B69B76

RGB 182 155 118

HSL 34.69, 0.3%, 0.59%

LAB 65.51, 4.58, 23.12

 

CMYK 0 / 5 / 35 / 29

HEX #B6AC76

RGB 182 172 118

HSL 50.63, 0.3%, 0.59%

LAB 70.01, -4.6, 29.11

 

CMYK 4 / 0 / 35 / 29

HEX #AFB676

RGB 175 182 118

HSL 66.56, 0.3%, 0.59%

LAB 72.15, -12.65, 31.8

 

CMYK 13 / 0 / 35 / 29

HEX #9EB676

RGB 158 182 118

HSL 82.5, 0.3%, 0.59%

LAB 70.89, -19.26, 29.92

 

CMYK 0 / 25 / 35 / 29

HEX #B68976

RGB 182 137 118

HSL 17.81, 0.3%, 0.59%

LAB 60.91, 14.54, 16.86

 

CMYK 0 / 34 / 49 / 22

HEX #C78365

RGB 199 131 101

HSL 18.37, 0.47%, 0.59%

LAB 61.06, 22.85, 26.93

 

CMYK 0 / 43 / 61 / 15

HEX #D87C54

RGB 216 124 84

HSL 18.18, 0.63%, 0.59%

LAB 61.35, 32.07, 37.07

 

CMYK 0 / 50 / 71 / 9

HEX #E97543

RGB 233 117 67

HSL 18.07, 0.79%, 0.59%

LAB 62.04, 41.34, 47.34

 

CMYK 0 / 56 / 80 / 2

HEX #FA6F32

RGB 250 111 50

HSL 18.3, 0.95%, 0.59%

LAB 63.28, 49.94, 57.45

 

CMYK 0 / 25 / 35 / 29

HEX #B68976

RGB 182 137 118

HSL 17.81, 0.3%, 0.59%

LAB 60.91, 14.54, 16.86

 

CMYK 0 / 13 / 19 / 35

HEX #A59086

RGB 165 144 134

HSL 19.35, 0.15%, 0.59%

LAB 61.37, 6.18, 8.19

 

CMYK 1 / 0 / 0 / 41

HEX #959797

RGB 149 151 151

HSL 180, 0.01%, 0.59%

LAB 62.3, -0.72, -0.26

 

CMYK 21 / 7 / 0 / 34

HEX #849DA8

RGB 132 157 168

HSL 198.33, 0.17%, 0.59%

LAB 63.22, -6.24, -8.64

 

CMYK 38 / 11 / 0 / 27

HEX #73A4B9

RGB 115 164 185

HSL 198, 0.33%, 0.59%

LAB 64.72, -10.94, -16.01

 

CMYK 0 / 35 / 27 / 29

HEX #B67685

RGB 182 118 133

HSL 345.94, 0.3%, 0.59%

LAB 56.68, 27.17, 2.26

 

CMYK 0 / 34 / 35 / 29

HEX #B67876

RGB 182 120 118

HSL 1.87, 0.3%, 0.59%

LAB 56.77, 24.02, 11.09

 

CMYK 0 / 25 / 35 / 29

HEX #B68976

RGB 182 137 118

HSL 17.81, 0.3%, 0.59%

LAB 60.91, 14.54, 16.86

 

CMYK 0 / 15 / 35 / 29

HEX #B69A76

RGB 182 154 118

HSL 33.75, 0.3%, 0.59%

LAB 65.25, 5.12, 22.77

 

CMYK 0 / 5 / 35 / 29

HEX #B6AC76

RGB 182 172 118

HSL 50.63, 0.3%, 0.59%

LAB 70.01, -4.6, 29.11

 

CMYK 0 / 34 / 48 / 44

HEX #8F5F4B

RGB 143 95 75

HSL 17.65, 0.31%, 0.43%

LAB 44.99, 17.12, 19.4

 

CMYK 0 / 32 / 46 / 34

HEX #A8725B

RGB 168 114 91

HSL 17.92, 0.31%, 0.51%

LAB 53.07, 18.53, 21.36

 

CMYK 0 / 25 / 35 / 29

HEX #B68976

RGB 182 137 118

HSL 17.81, 0.3%, 0.59%

LAB 60.91, 14.54, 16.86

 

CMYK 0 / 19 / 26 / 23

HEX #C5A091

RGB 197 160 145

HSL 17.31, 0.31%, 0.67%

LAB 68.79, 11.41, 12.97

 

CMYK 0 / 13 / 18 / 17

HEX #D3B7AC

RGB 211 183 172

HSL 16.92, 0.31%, 0.75%

LAB 76.49, 8.27, 9.28

 

CMYK 0 / 25 / 36 / 28

HEX #B78975

RGB 183 137 117

HSL 18.18, 0.31%, 0.59%

LAB 61, 14.81, 17.56

 

CMYK 18 / 0 / 35 / 29

HEX #96B676

RGB 150 182 118

HSL 90, 0.3%, 0.59%

LAB 70.35, -22.29, 29.11

 

CMYK 35 / 32 / 0 / 29

HEX #767CB6

RGB 118 124 182

HSL 234.38, 0.3%, 0.59%

LAB 53.65, 11.92, -31.3

 

CMYK 0 / 25 / 36 / 28

HEX #B78975

RGB 183 137 117

HSL 18.18, 0.31%, 0.59%

LAB 61, 14.81, 17.56

 

CMYK 35 / 0 / 25 / 29

HEX #76B689

RGB 118 182 137

HSL 137.81, 0.3%, 0.59%

LAB 68.83, -30.16, 16.55

 

CMYK 25 / 35 / 0 / 29

HEX #8976B6

RGB 137 118 182

HSL 257.81, 0.3%, 0.59%

LAB 53.66, 21.13, -31.17

 

CMYK 0 / 25 / 36 / 28

HEX #B78975

RGB 183 137 117

HSL 18.18, 0.31%, 0.59%

LAB 61, 14.81, 17.56

 

CMYK 18 / 0 / 35 / 29

HEX #96B676

RGB 150 182 118

HSL 90, 0.3%, 0.59%

LAB 70.35, -22.29, 29.11

 

CMYK 35 / 10 / 0 / 29

HEX #76A3B6

RGB 118 163 182

HSL 197.81, 0.3%, 0.59%

LAB 64.5, -10.34, -14.65

 

CMYK 18 / 35 / 0 / 29

HEX #9676B6

RGB 150 118 182

HSL 270, 0.3%, 0.59%

LAB 54.88, 25.16, -29.16

 

CMYK 0 / 25 / 36 / 28

HEX #B78975

RGB 183 137 117

HSL 18.18, 0.31%, 0.59%

LAB 61, 14.81, 17.56

 

CMYK 28 / 0 / 35 / 29

HEX #83B676

RGB 131 182 118

HSL 107.81, 0.3%, 0.59%

LAB 69.18, -29.15, 27.34

 

CMYK 35 / 10 / 0 / 29

HEX #76A3B6

RGB 118 163 182

HSL 197.81, 0.3%, 0.59%

LAB 64.5, -10.34, -14.65

 

CMYK 7 / 35 / 0 / 29

HEX #A976B6

RGB 169 118 182

HSL 287.81, 0.3%, 0.59%

LAB 56.85, 31.21, -25.96

 

Description

Color code: HEX #B78975 | qconv.com Color code: HEX #B78975 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 137 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 137 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 36 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 36% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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