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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B770E9 it is the complementary color #488F16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B770E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B770E9 shade: #BC70E4, #CD82F7, #DE94FF, #EFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B770E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B770E9 shade: #B770E9, #A65ED6, #954CC3, #843AB0 and #73289D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B770E9 shade: #B771E8, #D771E8, #E871D9, #E871B9 and #E87199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B770E9 shade: #B771E8, #9771E8, #7771E8 and #7171E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B770E9 shade matches the following richer shades: #B771E8 and #BA64F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B770E9 shade: #B771E8, #B57FDB, #B38CCE, #B099C1 and #AEA6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B770E9 shade: #7771E8, #9771E8, #B771E8, #D771E8 and #E871DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B770E9 shade: #932ADD, #A54EE3, #B771E8, #C995EE and #DBB9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B770E9 shade: #B770E9, #E8718B and #71E887

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B770E9 shade: #B770E9, #E8B771 and #71E8B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B770E9 shade: #B770E9, #E8718B, #A3E871 and #71E8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B770E9 shade: #B770E9, #E87B71, #A3E871 and #71DFE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 52 / 0 / 9

HEX #B770E9

RGB 183 112 233

HSL 275.21, 0.73%, 0.68%

LAB 59.47, 49.49, -50.57

 

Complementary color

CMYK 50 / 0 / 85 / 44

HEX #488F16

RGB 72 143 22

HSL 95.21, 0.73%, 0.32%

LAB 53.04, -42.36, 51.66

 

CMYK 18 / 51 / 0 / 11

HEX #BC70E4

RGB 188 112 228

HSL 279.31, 0.68%, 0.67%

LAB 59.78, 49.72, -47.25

 

CMYK 17 / 47 / 0 / 3

HEX #CD82F7

RGB 205 130 247

HSL 278.46, 0.88%, 0.74%

LAB 66.26, 48.92, -47.42

 

CMYK 13 / 42 / 0 / 0

HEX #DE94FF

RGB 222 148 255

HSL 281.5, 1%, 0.79%

LAB 72.18, 45.86, -42.36

 

CMYK 6 / 35 / 0 / 0

HEX #EFA6FF

RGB 239 166 255

HSL 289.21, 1%, 0.83%

LAB 77.78, 41.38, -33.53

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 21 / 52 / 0 / 9

HEX #B770E9

RGB 183 112 233

HSL 275.21, 0.73%, 0.68%

LAB 59.47, 49.49, -50.57

 

CMYK 22 / 56 / 0 / 16

HEX #A65ED6

RGB 166 94 214

HSL 276, 0.59%, 0.6%

LAB 52.91, 50.31, -50.43

 

CMYK 24 / 61 / 0 / 24

HEX #954CC3

RGB 149 76 195

HSL 276.81, 0.5%, 0.53%

LAB 46.31, 51.05, -50.2

 

CMYK 25 / 67 / 0 / 31

HEX #843AB0

RGB 132 58 176

HSL 277.63, 0.5%, 0.46%

LAB 39.69, 51.61, -49.82

 

CMYK 27 / 75 / 0 / 38

HEX #73289D

RGB 115 40 157

HSL 278.46, 0.59%, 0.39%

LAB 33.13, 51.76, -49.14

 

CMYK 21 / 51 / 0 / 9

HEX #B771E8

RGB 183 113 232

HSL 275.29, 0.72%, 0.68%

LAB 59.62, 48.74, -49.78

 

CMYK 7 / 51 / 0 / 9

HEX #D771E8

RGB 215 113 232

HSL 291.43, 0.72%, 0.68%

LAB 63.41, 57.24, -43.54

 

CMYK 0 / 51 / 6 / 9

HEX #E871D9

RGB 232 113 217

HSL 307.56, 0.72%, 0.68%

LAB 64.94, 59.28, -32.63

 

CMYK 0 / 51 / 20 / 9

HEX #E871B9

RGB 232 113 185

HSL 323.7, 0.72%, 0.68%

LAB 63.73, 54.35, -16.47

 

CMYK 0 / 51 / 34 / 9

HEX #E87199

RGB 232 113 153

HSL 339.83, 0.72%, 0.68%

LAB 62.73, 50.15, 0.32

 

CMYK 21 / 51 / 0 / 9

HEX #B771E8

RGB 183 113 232

HSL 275.29, 0.72%, 0.68%

LAB 59.62, 48.74, -49.78

 

CMYK 35 / 51 / 0 / 9

HEX #9771E8

RGB 151 113 232

HSL 259.16, 0.72%, 0.68%

LAB 56.3, 40.6, -55.26

 

CMYK 49 / 51 / 0 / 9

HEX #7771E8

RGB 119 113 232

HSL 243.03, 0.72%, 0.68%

LAB 53.56, 33.2, -59.81

 

CMYK 51 / 51 / 0 / 9

HEX #7171E8

RGB 113 113 232

HSL 240, 0.72%, 0.68%

LAB 53.11, 31.93, -60.55

 

CMYK 21 / 51 / 0 / 9

HEX #B771E8

RGB 183 113 232

HSL 275.29, 0.72%, 0.68%

LAB 59.62, 48.74, -49.78

 

CMYK 24 / 59 / 0 / 4

HEX #BA64F6

RGB 186 100 246

HSL 275.34, 0.89%, 0.68%

LAB 58.23, 59.17, -59.75

 

CMYK 21 / 51 / 0 / 9

HEX #B771E8

RGB 183 113 232

HSL 275.29, 0.72%, 0.68%

LAB 59.62, 48.74, -49.78

 

CMYK 17 / 42 / 0 / 14

HEX #B57FDB

RGB 181 127 219

HSL 275.22, 0.56%, 0.68%

LAB 61.76, 37.76, -39.17

 

CMYK 13 / 32 / 0 / 19

HEX #B38CCE

RGB 179 140 206

HSL 275.45, 0.4%, 0.68%

LAB 64, 27.08, -28.43

 

CMYK 9 / 21 / 0 / 24

HEX #B099C1

RGB 176 153 193

HSL 274.5, 0.24%, 0.68%

LAB 66.41, 16.06, -17.5

 

CMYK 3 / 8 / 0 / 29

HEX #AEA6B4

RGB 174 166 180

HSL 274.29, 0.09%, 0.68%

LAB 69.16, 5.52, -6.17

 

CMYK 49 / 51 / 0 / 9

HEX #7771E8

RGB 119 113 232

HSL 243.03, 0.72%, 0.68%

LAB 53.56, 33.2, -59.81

 

CMYK 35 / 51 / 0 / 9

HEX #9771E8

RGB 151 113 232

HSL 259.16, 0.72%, 0.68%

LAB 56.3, 40.6, -55.26

 

CMYK 21 / 51 / 0 / 9

HEX #B771E8

RGB 183 113 232

HSL 275.29, 0.72%, 0.68%

LAB 59.62, 48.74, -49.78

 

CMYK 7 / 51 / 0 / 9

HEX #D771E8

RGB 215 113 232

HSL 291.43, 0.72%, 0.68%

LAB 63.41, 57.24, -43.54

 

CMYK 0 / 51 / 6 / 9

HEX #E871DB

RGB 232 113 219

HSL 306.55, 0.72%, 0.68%

LAB 65.03, 59.61, -33.61

 

CMYK 33 / 81 / 0 / 13

HEX #932ADD

RGB 147 42 221

HSL 275.2, 0.72%, 0.52%

LAB 42.88, 70.4, -70.73

 

CMYK 27 / 66 / 0 / 11

HEX #A54EE3

RGB 165 78 227

HSL 275.03, 0.73%, 0.6%

LAB 50.68, 60.81, -61.39

 

CMYK 21 / 51 / 0 / 9

HEX #B771E8

RGB 183 113 232

HSL 275.29, 0.72%, 0.68%

LAB 59.62, 48.74, -49.78

 

CMYK 16 / 37 / 0 / 7

HEX #C995EE

RGB 201 149 238

HSL 275.06, 0.72%, 0.76%

LAB 69.53, 35.68, -37.39

 

CMYK 10 / 24 / 0 / 4

HEX #DBB9F4

RGB 219 185 244

HSL 274.58, 0.73%, 0.84%

LAB 79.78, 22.86, -24.72

 

CMYK 21 / 52 / 0 / 9

HEX #B770E9

RGB 183 112 233

HSL 275.21, 0.73%, 0.68%

LAB 59.47, 49.49, -50.57

 

CMYK 0 / 51 / 40 / 9

HEX #E8718B

RGB 232 113 139

HSL 346.89, 0.72%, 0.68%

LAB 62.36, 48.56, 7.83

 

CMYK 51 / 0 / 42 / 9

HEX #71E887

RGB 113 232 135

HSL 131.09, 0.72%, 0.68%

LAB 83.43, -53.75, 37.13

 

CMYK 21 / 52 / 0 / 9

HEX #B770E9

RGB 183 112 233

HSL 275.21, 0.73%, 0.68%

LAB 59.47, 49.49, -50.57

 

CMYK 0 / 21 / 51 / 9

HEX #E8B771

RGB 232 183 113

HSL 35.29, 0.72%, 0.68%

LAB 77.41, 9.42, 42.12

 

CMYK 51 / 0 / 21 / 9

HEX #71E8B7

RGB 113 232 183

HSL 155.29, 0.72%, 0.68%

LAB 84.3, -44.91, 13.7

 

CMYK 21 / 52 / 0 / 9

HEX #B770E9

RGB 183 112 233

HSL 275.21, 0.73%, 0.68%

LAB 59.47, 49.49, -50.57

 

CMYK 0 / 51 / 40 / 9

HEX #E8718B

RGB 232 113 139

HSL 346.89, 0.72%, 0.68%

LAB 62.36, 48.56, 7.83

 

CMYK 30 / 0 / 51 / 9

HEX #A3E871

RGB 163 232 113

HSL 94.79, 0.72%, 0.68%

LAB 85.35, -41.62, 50.62

 

CMYK 51 / 0 / 11 / 9

HEX #71E8CF

RGB 113 232 207

HSL 167.39, 0.72%, 0.68%

LAB 84.86, -39.54, 1.9

 

CMYK 21 / 52 / 0 / 9

HEX #B770E9

RGB 183 112 233

HSL 275.21, 0.73%, 0.68%

LAB 59.47, 49.49, -50.57

 

CMYK 0 / 47 / 51 / 9

HEX #E87B71

RGB 232 123 113

HSL 5.04, 0.72%, 0.68%

LAB 63.77, 41.04, 24.57

 

CMYK 30 / 0 / 51 / 9

HEX #A3E871

RGB 163 232 113

HSL 94.79, 0.72%, 0.68%

LAB 85.35, -41.62, 50.62

 

CMYK 51 / 4 / 0 / 9

HEX #71DFE8

RGB 113 223 232

HSL 184.54, 0.72%, 0.68%

LAB 82.97, -29.09, -14.1

 

Description

Color code: HEX #B770E9 | qconv.com Color code: HEX #B770E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 112 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 112 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 52 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 52% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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