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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B76C47 it is the complementary color #4893B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B76C47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B76C47 shade: #BC6C42, #CD7E55, #DE9068, #EFA27B and #FFB48E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B76C47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B76C47 shade: #B76C47, #A65A34, #954821, #84360E and #732400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B76C47 shade: #B76C47, #B74E47 and #B74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B76C47 shade: #B76C47, #B78A47, #B7A847, #A7B747 and #89B747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B76C47 shade matches the following richer shades: #B76C47, #CC6532, #E05E1E and #F55709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B76C47 shade: #B76C47, #A2735C, #8E7A70, #798185 and #658899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B76C47 shade: #B7475F, #B74D47, #B76A47, #B78847 and #B7A647

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B76C47 shade: #7C4930, #995A3B, #B76C47, #C38465 and #CE9B82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B76C47 shade: #B76C47, #7DB747 and #4750B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B76C47 shade: #B76C47, #47B76A and #6A47B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B76C47 shade: #B76C47, #7DB747, #4794B7 and #8147B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B76C47 shade: #B76C47, #5BB747, #4794B7 and #A347B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

Complementary color

CMYK 61 / 20 / 0 / 28

HEX #4893B8

RGB 72 147 184

HSL 199.82, 0.44%, 0.5%

LAB 57.76, -12.05, -26.27

 

CMYK 0 / 43 / 65 / 26

HEX #BC6C42

RGB 188 108 66

HSL 20.66, 0.48%, 0.5%

LAB 53.82, 28.06, 36.84

 

CMYK 0 / 39 / 59 / 20

HEX #CD7E55

RGB 205 126 85

HSL 20.5, 0.55%, 0.57%

LAB 60.39, 26.64, 35.02

 

CMYK 0 / 35 / 53 / 13

HEX #DE9068

RGB 222 144 104

HSL 20.34, 0.64%, 0.64%

LAB 66.88, 25.38, 33.35

 

CMYK 0 / 32 / 49 / 6

HEX #EFA27B

RGB 239 162 123

HSL 20.17, 0.78%, 0.71%

LAB 73.3, 24.27, 31.82

 

CMYK 0 / 29 / 44 / 0

HEX #FFB48E

RGB 255 180 142

HSL 20.18, 1%, 0.78%

LAB 79.53, 22.89, 30.26

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 0 / 46 / 69 / 35

HEX #A65A34

RGB 166 90 52

HSL 20, 0.52%, 0.43%

LAB 46.53, 27.86, 35.17

 

CMYK 0 / 52 / 78 / 42

HEX #954821

RGB 149 72 33

HSL 20.17, 0.64%, 0.36%

LAB 39.81, 29.58, 37.2

 

CMYK 0 / 59 / 89 / 48

HEX #84360E

RGB 132 54 14

HSL 20.34, 0.81%, 0.29%

LAB 33.08, 31.46, 38.89

 

CMYK 0 / 69 / 100 / 55

HEX #732400

RGB 115 36 0

HSL 18.78, 1%, 0.23%

LAB 26.47, 33.31, 37.89

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 0 / 57 / 61 / 28

HEX #B74E47

RGB 183 78 71

HSL 3.75, 0.44%, 0.5%

LAB 46.94, 42.05, 25.41

 

CMYK 0 / 61 / 61 / 28

HEX #B74747

RGB 183 71 71

HSL 0, 0.44%, 0.5%

LAB 45.67, 45.38, 23.79

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 0 / 25 / 61 / 28

HEX #B78A47

RGB 183 138 71

HSL 35.89, 0.44%, 0.5%

LAB 60.52, 9.69, 41.89

 

CMYK 0 / 8 / 61 / 28

HEX #B7A847

RGB 183 168 71

HSL 51.96, 0.44%, 0.5%

LAB 68.41, -6.58, 50.8

 

CMYK 9 / 0 / 61 / 28

HEX #A7B747

RGB 167 183 71

HSL 68.57, 0.44%, 0.5%

LAB 71.24, -21.07, 53.52

 

CMYK 25 / 0 / 61 / 28

HEX #89B747

RGB 137 183 71

HSL 84.64, 0.44%, 0.5%

LAB 69.21, -33.08, 50.72

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 0 / 50 / 75 / 20

HEX #CC6532

RGB 204 101 50

HSL 19.87, 0.61%, 0.5%

LAB 54.42, 37.38, 46.39

 

CMYK 0 / 58 / 87 / 12

HEX #E05E1E

RGB 224 94 30

HSL 19.79, 0.76%, 0.5%

LAB 56.03, 47.81, 57.67

 

CMYK 0 / 64 / 96 / 4

HEX #F55709

RGB 245 87 9

HSL 19.83, 0.93%, 0.5%

LAB 58.27, 58, 66.61

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 0 / 29 / 43 / 36

HEX #A2735C

RGB 162 115 92

HSL 19.71, 0.28%, 0.5%

LAB 52.64, 15.56, 20.08

 

CMYK 0 / 14 / 21 / 44

HEX #8E7A70

RGB 142 122 112

HSL 20, 0.12%, 0.5%

LAB 52.77, 6.02, 8.32

 

CMYK 9 / 3 / 0 / 48

HEX #798185

RGB 121 129 133

HSL 200, 0.05%, 0.5%

LAB 53.45, -2.1, -3.19

 

CMYK 34 / 11 / 0 / 40

HEX #658899

RGB 101 136 153

HSL 199.62, 0.2%, 0.5%

LAB 54.74, -7.89, -13.01

 

CMYK 0 / 61 / 48 / 28

HEX #B7475F

RGB 183 71 95

HSL 347.14, 0.44%, 0.5%

LAB 46.18, 47.35, 9.89

 

CMYK 0 / 58 / 61 / 28

HEX #B74D47

RGB 183 77 71

HSL 3.21, 0.44%, 0.5%

LAB 46.75, 42.54, 25.17

 

CMYK 0 / 42 / 61 / 28

HEX #B76A47

RGB 183 106 71

HSL 18.75, 0.44%, 0.5%

LAB 52.76, 27.43, 32.68

 

CMYK 0 / 26 / 61 / 28

HEX #B78847

RGB 183 136 71

HSL 34.82, 0.44%, 0.5%

LAB 60.01, 10.8, 41.3

 

CMYK 0 / 9 / 61 / 28

HEX #B7A647

RGB 183 166 71

HSL 50.89, 0.44%, 0.5%

LAB 67.87, -5.52, 50.2

 

CMYK 0 / 41 / 61 / 51

HEX #7C4930

RGB 124 73 48

HSL 19.74, 0.44%, 0.34%

LAB 36.49, 19.1, 24.05

 

CMYK 0 / 41 / 61 / 40

HEX #995A3B

RGB 153 90 59

HSL 19.79, 0.44%, 0.42%

LAB 44.8, 22.82, 28.76

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 0 / 32 / 48 / 24

HEX #C38465

RGB 195 132 101

HSL 19.79, 0.44%, 0.58%

LAB 60.82, 20.67, 26.53

 

CMYK 0 / 25 / 37 / 19

HEX #CE9B82

RGB 206 155 130

HSL 19.74, 0.44%, 0.66%

LAB 68.15, 15.7, 20.51

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 32 / 0 / 61 / 28

HEX #7DB747

RGB 125 183 71

HSL 91.07, 0.44%, 0.5%

LAB 68.52, -37.55, 49.76

 

CMYK 61 / 56 / 0 / 28

HEX #4750B7

RGB 71 80 183

HSL 235.18, 0.44%, 0.5%

LAB 38.72, 28.3, -55.82

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 61 / 0 / 42 / 28

HEX #47B76A

RGB 71 183 106

HSL 138.75, 0.44%, 0.5%

LAB 66.71, -48.89, 29.93

 

CMYK 42 / 61 / 0 / 28

HEX #6A47B7

RGB 106 71 183

HSL 258.75, 0.44%, 0.5%

LAB 39.56, 40.8, -54.31

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 32 / 0 / 61 / 28

HEX #7DB747

RGB 125 183 71

HSL 91.07, 0.44%, 0.5%

LAB 68.52, -37.55, 49.76

 

CMYK 61 / 19 / 0 / 28

HEX #4794B7

RGB 71 148 183

HSL 198.75, 0.44%, 0.5%

LAB 57.98, -13.11, -25.36

 

CMYK 30 / 61 / 0 / 28

HEX #8147B7

RGB 129 71 183

HSL 271.07, 0.44%, 0.5%

LAB 42.14, 46.05, -50.02

 

CMYK 0 / 41 / 61 / 28

HEX #B76C47

RGB 183 108 71

HSL 19.82, 0.44%, 0.5%

LAB 53.22, 26.33, 33.23

 

CMYK 50 / 0 / 61 / 28

HEX #5BB747

RGB 91 183 71

HSL 109.29, 0.44%, 0.5%

LAB 66.94, -48.7, 47.54

 

CMYK 61 / 19 / 0 / 28

HEX #4794B7

RGB 71 148 183

HSL 198.75, 0.44%, 0.5%

LAB 57.98, -13.11, -25.36

 

CMYK 11 / 61 / 0 / 28

HEX #A347B7

RGB 163 71 183

HSL 289.29, 0.44%, 0.5%

LAB 46.59, 54.38, -42.66

 

Description

Color code: HEX #B76C47 | qconv.com Color code: HEX #B76C47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 108 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 108 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 61 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 61% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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