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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75365 it is the complementary color #48AC9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75365 shade: #BC5360, #CD6573, #DE7786, #EF8999 and #FF9BAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75365 shade: #B75365, #A64152, #952F3F, #841D2C and #730B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75365 shade: #B65264 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75365 shade: #B65264, #B6527F, #B6529A, #B652B5 and #9C52B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75365 shade matches the following richer shades: #B65264, #CA3E57, #DE2A4B and #F2173E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75365 shade: #B65264, #A26671, #8F7A7D, #7B8D8A and #67A197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75365 shade: #B6529A, #B6527F, #B65264, #B65A52 and #B67552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75365 shade: #803543, #9D4252, #B65264, #C26F7E and #CF8C98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75365 shade: #B75365, #B5B652 and #528CB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75365 shade: #B75365, #64B652 and #5264B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75365 shade: #B75365, #B5B652, #52B6A4 and #5452B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75365 shade: #B75365, #97B652, #52B6A4 and #7252B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 45 / 28

HEX #B75365

RGB 183 83 101

HSL 349.2, 0.41%, 0.52%

LAB 48.5, 42.2, 9.52

 

Complementary color

CMYK 58 / 0 / 10 / 33

HEX #48AC9A

RGB 72 172 154

HSL 169.2, 0.41%, 0.48%

LAB 64.34, -33.54, 0.52

 

CMYK 0 / 56 / 49 / 26

HEX #BC5360

RGB 188 83 96

HSL 352.57, 0.44%, 0.53%

LAB 49.16, 43.49, 13.56

 

CMYK 0 / 51 / 44 / 20

HEX #CD6573

RGB 205 101 115

HSL 351.92, 0.51%, 0.6%

LAB 55.61, 42.5, 11.65

 

CMYK 0 / 46 / 40 / 13

HEX #DE7786

RGB 222 119 134

HSL 351.26, 0.61%, 0.67%

LAB 62.04, 41.5, 10.04

 

CMYK 0 / 43 / 36 / 6

HEX #EF8999

RGB 239 137 153

HSL 350.59, 0.76%, 0.74%

LAB 68.42, 40.54, 8.64

 

CMYK 0 / 39 / 33 / 0

HEX #FF9BAC

RGB 255 155 172

HSL 349.8, 1%, 0.8%

LAB 74.62, 39.27, 7.22

 

CMYK 0 / 55 / 45 / 28

HEX #B75365

RGB 183 83 101

HSL 349.2, 0.41%, 0.52%

LAB 48.5, 42.2, 9.52

 

CMYK 0 / 61 / 51 / 35

HEX #A64152

RGB 166 65 82

HSL 349.9, 0.44%, 0.45%

LAB 42, 43.09, 11.64

 

CMYK 0 / 68 / 58 / 42

HEX #952F3F

RGB 149 47 63

HSL 350.59, 0.52%, 0.38%

LAB 35.56, 43.74, 14.33

 

CMYK 0 / 78 / 67 / 48

HEX #841D2C

RGB 132 29 44

HSL 351.26, 0.64%, 0.32%

LAB 29.33, 43.85, 17.84

 

CMYK 0 / 90 / 78 / 55

HEX #730B19

RGB 115 11 25

HSL 351.92, 0.83%, 0.25%

LAB 23.52, 42.82, 22.49

 

CMYK 0 / 55 / 45 / 29

HEX #B65264

RGB 182 82 100

HSL 349.2, 0.41%, 0.52%

LAB 48.13, 42.24, 9.58

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 55 / 45 / 29

HEX #B65264

RGB 182 82 100

HSL 349.2, 0.41%, 0.52%

LAB 48.13, 42.24, 9.58

 

CMYK 0 / 55 / 30 / 29

HEX #B6527F

RGB 182 82 127

HSL 333, 0.41%, 0.52%

LAB 48.9, 45.42, -5.61

 

CMYK 0 / 55 / 15 / 29

HEX #B6529A

RGB 182 82 154

HSL 316.8, 0.41%, 0.52%

LAB 49.87, 49.32, -20.26

 

CMYK 0 / 55 / 1 / 29

HEX #B652B5

RGB 182 82 181

HSL 300.6, 0.41%, 0.52%

LAB 51.05, 53.84, -34.27

 

CMYK 14 / 55 / 0 / 29

HEX #9C52B6

RGB 156 82 182

HSL 284.4, 0.41%, 0.52%

LAB 47.6, 46.96, -40.54

 

CMYK 0 / 55 / 45 / 29

HEX #B65264

RGB 182 82 100

HSL 349.2, 0.41%, 0.52%

LAB 48.13, 42.24, 9.58

 

CMYK 0 / 69 / 57 / 21

HEX #CA3E57

RGB 202 62 87

HSL 349.29, 0.57%, 0.52%

LAB 47.87, 56.61, 17.61

 

CMYK 0 / 81 / 66 / 13

HEX #DE2A4B

RGB 222 42 75

HSL 349, 0.73%, 0.52%

LAB 49.12, 67.94, 27.23

 

CMYK 0 / 90 / 74 / 5

HEX #F2173E

RGB 242 23 62

HSL 349.32, 0.89%, 0.52%

LAB 51.65, 76.07, 38.9

 

CMYK 0 / 55 / 45 / 29

HEX #B65264

RGB 182 82 100

HSL 349.2, 0.41%, 0.52%

LAB 48.13, 42.24, 9.58

 

CMYK 0 / 37 / 30 / 36

HEX #A26671

RGB 162 102 113

HSL 349, 0.24%, 0.52%

LAB 49.95, 25.64, 3.99

 

CMYK 0 / 15 / 13 / 44

HEX #8F7A7D

RGB 143 122 125

HSL 351.43, 0.09%, 0.52%

LAB 53.21, 8.62, 1.36

 

CMYK 13 / 0 / 2 / 45

HEX #7B8D8A

RGB 123 141 138

HSL 170, 0.07%, 0.52%

LAB 57.17, -7.09, -0.6

 

CMYK 36 / 0 / 6 / 37

HEX #67A197

RGB 103 161 151

HSL 169.66, 0.24%, 0.52%

LAB 62.18, -21.26, -0.8

 

CMYK 0 / 55 / 15 / 29

HEX #B6529A

RGB 182 82 154

HSL 316.8, 0.41%, 0.52%

LAB 49.87, 49.32, -20.26

 

CMYK 0 / 55 / 30 / 29

HEX #B6527F

RGB 182 82 127

HSL 333, 0.41%, 0.52%

LAB 48.9, 45.42, -5.61

 

CMYK 0 / 55 / 45 / 29

HEX #B65264

RGB 182 82 100

HSL 349.2, 0.41%, 0.52%

LAB 48.13, 42.24, 9.58

 

CMYK 0 / 51 / 55 / 29

HEX #B65A52

RGB 182 90 82

HSL 4.8, 0.41%, 0.52%

LAB 49.33, 36.47, 21.99

 

CMYK 0 / 36 / 55 / 29

HEX #B67552

RGB 182 117 82

HSL 21, 0.41%, 0.52%

LAB 55.36, 21.82, 29.76

 

CMYK 0 / 59 / 48 / 50

HEX #803543

RGB 128 53 67

HSL 348.8, 0.41%, 0.35%

LAB 33.01, 33.81, 7.65

 

CMYK 0 / 58 / 48 / 38

HEX #9D4252

RGB 157 66 82

HSL 349.45, 0.41%, 0.44%

LAB 40.69, 39.41, 9.6

 

CMYK 0 / 55 / 45 / 29

HEX #B65264

RGB 182 82 100

HSL 349.2, 0.41%, 0.52%

LAB 48.13, 42.24, 9.58

 

CMYK 0 / 43 / 35 / 24

HEX #C26F7E

RGB 194 111 126

HSL 349.16, 0.4%, 0.6%

LAB 56.43, 34.54, 6.17

 

CMYK 0 / 32 / 27 / 19

HEX #CF8C98

RGB 207 140 152

HSL 349.25, 0.41%, 0.68%

LAB 65.19, 27.15, 4.07

 

CMYK 0 / 55 / 45 / 28

HEX #B75365

RGB 183 83 101

HSL 349.2, 0.41%, 0.52%

LAB 48.5, 42.2, 9.52

 

CMYK 1 / 0 / 55 / 29

HEX #B5B652

RGB 181 182 82

HSL 60.6, 0.41%, 0.52%

LAB 72.15, -13.89, 49.89

 

CMYK 55 / 23 / 0 / 29

HEX #528CB6

RGB 82 140 182

HSL 205.2, 0.41%, 0.52%

LAB 56.02, -6.7, -27.79

 

CMYK 0 / 55 / 45 / 28

HEX #B75365

RGB 183 83 101

HSL 349.2, 0.41%, 0.52%

LAB 48.5, 42.2, 9.52

 

CMYK 45 / 0 / 55 / 29

HEX #64B652

RGB 100 182 82

HSL 109.2, 0.41%, 0.52%

LAB 67.11, -44.37, 42.72

 

CMYK 55 / 45 / 0 / 29

HEX #5264B6

RGB 82 100 182

HSL 229.2, 0.41%, 0.52%

LAB 44.64, 17.43, -45.68

 

CMYK 0 / 55 / 45 / 28

HEX #B75365

RGB 183 83 101

HSL 349.2, 0.41%, 0.52%

LAB 48.5, 42.2, 9.52

 

CMYK 1 / 0 / 55 / 29

HEX #B5B652

RGB 181 182 82

HSL 60.6, 0.41%, 0.52%

LAB 72.15, -13.89, 49.89

 

CMYK 55 / 0 / 10 / 29

HEX #52B6A4

RGB 82 182 164

HSL 169.2, 0.41%, 0.52%

LAB 67.97, -33.62, 0.32

 

CMYK 54 / 55 / 0 / 29

HEX #5452B6

RGB 84 82 182

HSL 241.2, 0.41%, 0.52%

LAB 40.08, 29.2, -53

 

CMYK 0 / 55 / 45 / 28

HEX #B75365

RGB 183 83 101

HSL 349.2, 0.41%, 0.52%

LAB 48.5, 42.2, 9.52

 

CMYK 17 / 0 / 55 / 29

HEX #97B652

RGB 151 182 82

HSL 78.6, 0.41%, 0.52%

LAB 69.93, -26.15, 46.74

 

CMYK 55 / 0 / 10 / 29

HEX #52B6A4

RGB 82 182 164

HSL 169.2, 0.41%, 0.52%

LAB 67.97, -33.62, 0.32

 

CMYK 37 / 55 / 0 / 29

HEX #7252B6

RGB 114 82 182

HSL 259.2, 0.41%, 0.52%

LAB 42.75, 36.02, -48.56

 

Description

Color code: HEX #B75365 | qconv.com Color code: HEX #B75365 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 83 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 83 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 45 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 45% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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