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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75781 it is the complementary color #48A87E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75781. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75781 shade: #BC577C, #CD698F, #DE7BA2, #EF8DB5 and #FF9FC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75781. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75781 shade: #B75781, #A6456E, #95335B, #842148 and #730F35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75781 shade: #B75781, #B75767 and #B75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75781 shade: #B75781, #B7579B, #B757B4, #9F57B7 and #8557B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75781 shade matches the following richer shades: #B75781, #CA437E, #DD307C and #F11D79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75781 shade: #B75781, #A36A83, #907D86, #7C9188 and #69A48A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75781 shade: #B757B5, #B7579B, #B75782, #B75768 and #B75F57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75781 shade: #833859, #A0446C, #B75781, #C37496 and #CF90AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75781 shade: #B75781, #B79F57 and #57A8B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75781 shade: #B75781, #82B757 and #5782B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75781 shade: #B75781, #B79F57, #57B78B and #576FB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75781 shade: #B75781, #B2B757, #57B78B and #5C57B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

Complementary color

CMYK 57 / 0 / 25 / 34

HEX #48A87E

RGB 72 168 126

HSL 153.75, 0.4%, 0.47%

LAB 62.41, -38.43, 13.35

 

CMYK 0 / 54 / 34 / 26

HEX #BC577C

RGB 188 87 124

HSL 338.02, 0.43%, 0.54%

LAB 50.64, 44.58, -1.13

 

CMYK 0 / 49 / 30 / 20

HEX #CD698F

RGB 205 105 143

HSL 337.2, 0.5%, 0.61%

LAB 57.14, 43.76, -2.53

 

CMYK 0 / 45 / 27 / 13

HEX #DE7BA2

RGB 222 123 162

HSL 336.36, 0.6%, 0.68%

LAB 63.59, 42.92, -3.72

 

CMYK 0 / 41 / 24 / 6

HEX #EF8DB5

RGB 239 141 181

HSL 335.51, 0.75%, 0.75%

LAB 69.99, 42.08, -4.75

 

CMYK 0 / 38 / 22 / 0

HEX #FF9FC8

RGB 255 159 200

HSL 334.38, 1%, 0.81%

LAB 76.21, 40.94, -5.86

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 58 / 34 / 35

HEX #A6456E

RGB 166 69 110

HSL 334.64, 0.41%, 0.46%

LAB 43.49, 44.25, -3.55

 

CMYK 0 / 66 / 39 / 42

HEX #95335B

RGB 149 51 91

HSL 335.51, 0.49%, 0.39%

LAB 36.95, 44.73, -1.62

 

CMYK 0 / 75 / 45 / 48

HEX #842148

RGB 132 33 72

HSL 336.36, 0.6%, 0.32%

LAB 30.55, 44.71, 0.96

 

CMYK 0 / 87 / 54 / 55

HEX #730F35

RGB 115 15 53

HSL 337.2, 0.77%, 0.25%

LAB 24.46, 43.66, 4.56

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 52 / 44 / 28

HEX #B75767

RGB 183 87 103

HSL 350, 0.4%, 0.53%

LAB 49.33, 40.4, 9.48

 

CMYK 0 / 52 / 52 / 28

HEX #B75757

RGB 183 87 87

HSL 0, 0.4%, 0.53%

LAB 48.97, 38.83, 18.57

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 52 / 15 / 28

HEX #B7579B

RGB 183 87 155

HSL 317.5, 0.4%, 0.53%

LAB 50.98, 47.34, -19.14

 

CMYK 0 / 52 / 2 / 28

HEX #B757B4

RGB 183 87 180

HSL 301.88, 0.4%, 0.53%

LAB 52.04, 51.55, -32.14

 

CMYK 13 / 52 / 0 / 28

HEX #9F57B7

RGB 159 87 183

HSL 285, 0.4%, 0.53%

LAB 49.01, 45.39, -38.86

 

CMYK 27 / 52 / 0 / 28

HEX #8557B7

RGB 133 87 183

HSL 268.75, 0.4%, 0.53%

LAB 45.94, 38.29, -43.93

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 67 / 38 / 21

HEX #CA437E

RGB 202 67 126

HSL 333.78, 0.56%, 0.53%

LAB 49.59, 58.21, -3.63

 

CMYK 0 / 78 / 44 / 13

HEX #DD307C

RGB 221 48 124

HSL 333.64, 0.72%, 0.53%

LAB 50.62, 69.57, -0.52

 

CMYK 0 / 88 / 50 / 5

HEX #F11D79

RGB 241 29 121

HSL 333.96, 0.88%, 0.53%

LAB 52.91, 78.21, 5.08

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 35 / 20 / 36

HEX #A36A83

RGB 163 106 131

HSL 333.68, 0.24%, 0.53%

LAB 51.53, 26.48, -4.37

 

CMYK 0 / 13 / 7 / 44

HEX #907D86

RGB 144 125 134

HSL 331.58, 0.08%, 0.53%

LAB 54.36, 8.91, -2.19

 

CMYK 14 / 0 / 6 / 43

HEX #7C9188

RGB 124 145 136

HSL 154.29, 0.09%, 0.53%

LAB 58.33, -9.36, 2.25

 

CMYK 36 / 0 / 16 / 36

HEX #69A48A

RGB 105 164 138

HSL 153.56, 0.24%, 0.53%

LAB 62.83, -25.15, 7.46

 

CMYK 0 / 52 / 1 / 28

HEX #B757B5

RGB 183 87 181

HSL 301.25, 0.4%, 0.53%

LAB 52.08, 51.73, -32.65

 

CMYK 0 / 52 / 15 / 28

HEX #B7579B

RGB 183 87 155

HSL 317.5, 0.4%, 0.53%

LAB 50.98, 47.34, -19.14

 

CMYK 0 / 52 / 29 / 28

HEX #B75782

RGB 183 87 130

HSL 333.13, 0.4%, 0.53%

LAB 50.09, 43.67, -5.62

 

CMYK 0 / 52 / 43 / 28

HEX #B75768

RGB 183 87 104

HSL 349.38, 0.4%, 0.53%

LAB 49.35, 40.51, 8.91

 

CMYK 0 / 48 / 52 / 28

HEX #B75F57

RGB 183 95 87

HSL 5, 0.4%, 0.53%

LAB 50.62, 34.67, 20.77

 

CMYK 0 / 57 / 32 / 49

HEX #833859

RGB 131 56 89

HSL 333.6, 0.4%, 0.37%

LAB 34.75, 36.04, -3.93

 

CMYK 0 / 58 / 33 / 37

HEX #A0446C

RGB 160 68 108

HSL 333.91, 0.4%, 0.45%

LAB 42.29, 42.47, -4.19

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 41 / 23 / 24

HEX #C37496

RGB 195 116 150

HSL 334.18, 0.4%, 0.61%

LAB 58.32, 35.5, -5.01

 

CMYK 0 / 30 / 17 / 19

HEX #CF90AC

RGB 207 144 172

HSL 333.33, 0.4%, 0.69%

LAB 66.67, 27.97, -5.05

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 13 / 52 / 28

HEX #B79F57

RGB 183 159 87

HSL 45, 0.4%, 0.53%

LAB 66.18, -0.5, 40.48

 

CMYK 52 / 8 / 0 / 28

HEX #57A8B7

RGB 87 168 183

HSL 189.38, 0.4%, 0.53%

LAB 64.52, -20.52, -15.32

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 29 / 0 / 52 / 28

HEX #82B757

RGB 130 183 87

HSL 93.13, 0.4%, 0.53%

LAB 68.97, -34.11, 42.9

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 0 / 13 / 52 / 28

HEX #B79F57

RGB 183 159 87

HSL 45, 0.4%, 0.53%

LAB 66.18, -0.5, 40.48

 

CMYK 52 / 0 / 24 / 28

HEX #57B78B

RGB 87 183 139

HSL 152.5, 0.4%, 0.53%

LAB 67.84, -38.8, 13.88

 

CMYK 52 / 39 / 0 / 28

HEX #576FB7

RGB 87 111 183

HSL 225, 0.4%, 0.53%

LAB 48.02, 12.02, -40.86

 

CMYK 0 / 52 / 30 / 28

HEX #B75781

RGB 183 87 129

HSL 333.75, 0.4%, 0.53%

LAB 50.06, 43.53, -5.07

 

CMYK 3 / 0 / 52 / 28

HEX #B2B757

RGB 178 183 87

HSL 63.13, 0.4%, 0.53%

LAB 72.24, -15.22, 47.57

 

CMYK 52 / 0 / 24 / 28

HEX #57B78B

RGB 87 183 139

HSL 152.5, 0.4%, 0.53%

LAB 67.84, -38.8, 13.88

 

CMYK 50 / 52 / 0 / 28

HEX #5C57B7

RGB 92 87 183

HSL 243.13, 0.4%, 0.53%

LAB 42.02, 28.11, -50.42

 

Description

Color code: HEX #B75781 | qconv.com Color code: HEX #B75781 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 87 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 87 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 30 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 30% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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