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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B74C78 it is the complementary color #48B387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B74C78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B74C78 shade: #BC4C73, #CD5E86, #DE7099, #EF82AC and #FF94BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B74C78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B74C78 shade: #B74C78, #A63A65, #952852, #84163F and #73042C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B74C78 shade: #B74C78, #B74C5B and #B74C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B74C78 shade: #B74C78, #B74C95, #B74CB2, #A04CB7 and #834CB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B74C78 shade matches the following richer shades: #B74C78, #CB3874, #E02371 and #F40F6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B74C78 shade: #B74C78, #A3607C, #8F747F, #7B8883 and #669D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B74C78 shade: #B74CB2, #B74C95, #B74C79, #B74C5C and #B7584C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B74C78 shade: #7E3252, #9C3E65, #B74C78, #C3698E and #CF87A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B74C78 shade: #B74C78, #B7A04C and #4CA4B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B74C78 shade: #B74C78, #79B74C and #4C79B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B74C78 shade: #B74C78, #B7A04C, #4CB78B and #4C63B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B74C78 shade: #B74C78, #AEB74C, #4CB78B and #554CB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

Complementary color

CMYK 60 / 0 / 25 / 30

HEX #48B387

RGB 72 179 135

HSL 155.33, 0.43%, 0.49%

LAB 66.03, -41.27, 13.46

 

CMYK 0 / 60 / 39 / 26

HEX #BC4C73

RGB 188 76 115

HSL 339.11, 0.46%, 0.52%

LAB 48.38, 48.79, 0.98

 

CMYK 0 / 54 / 35 / 20

HEX #CD5E86

RGB 205 94 134

HSL 338.38, 0.53%, 0.59%

LAB 54.77, 48.09, -0.73

 

CMYK 0 / 50 / 31 / 13

HEX #DE7099

RGB 222 112 153

HSL 337.64, 0.63%, 0.65%

LAB 61.15, 47.3, -2.16

 

CMYK 0 / 46 / 28 / 6

HEX #EF82AC

RGB 239 130 172

HSL 336.88, 0.77%, 0.72%

LAB 67.5, 46.47, -3.38

 

CMYK 0 / 42 / 25 / 0

HEX #FF94BF

RGB 255 148 191

HSL 335.89, 1%, 0.79%

LAB 73.68, 45.3, -4.65

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 65 / 39 / 35

HEX #A63A65

RGB 166 58 101

HSL 336.11, 0.48%, 0.44%

LAB 41.33, 48.22, -1.15

 

CMYK 0 / 73 / 45 / 42

HEX #952852

RGB 149 40 82

HSL 336.88, 0.58%, 0.37%

LAB 35.04, 48.26, 1.35

 

CMYK 0 / 83 / 52 / 48

HEX #84163F

RGB 132 22 63

HSL 337.64, 0.71%, 0.3%

LAB 29, 47.46, 4.72

 

CMYK 0 / 97 / 62 / 55

HEX #73042C

RGB 115 4 44

HSL 338.38, 0.93%, 0.23%

LAB 23.38, 45.35, 9.3

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 58 / 50 / 28

HEX #B74C5B

RGB 183 76 91

HSL 351.59, 0.43%, 0.51%

LAB 46.96, 44.64, 13.42

 

CMYK 0 / 58 / 58 / 28

HEX #B74C4C

RGB 183 76 76

HSL 0, 0.43%, 0.51%

LAB 46.66, 43.39, 22.07

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 58 / 19 / 28

HEX #B74C95

RGB 183 76 149

HSL 319.07, 0.43%, 0.51%

LAB 48.77, 51.68, -18.97

 

CMYK 0 / 58 / 3 / 28

HEX #B74CB2

RGB 183 76 178

HSL 302.8, 0.43%, 0.51%

LAB 50.04, 56.35, -34.11

 

CMYK 13 / 58 / 0 / 28

HEX #A04CB7

RGB 160 76 183

HSL 287.1, 0.43%, 0.51%

LAB 47.05, 51.23, -41.95

 

CMYK 28 / 58 / 0 / 28

HEX #834CB7

RGB 131 76 183

HSL 270.84, 0.43%, 0.51%

LAB 43.38, 43.87, -48.03

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 72 / 43 / 20

HEX #CB3874

RGB 203 56 116

HSL 335.51, 0.59%, 0.51%

LAB 47.99, 61.55, 0.11

 

CMYK 0 / 84 / 50 / 12

HEX #E02371

RGB 224 35 113

HSL 335.24, 0.75%, 0.51%

LAB 49.79, 72.49, 5.03

 

CMYK 0 / 94 / 55 / 4

HEX #F40F6D

RGB 244 15 109

HSL 335.37, 0.91%, 0.51%

LAB 52.6, 79.77, 11.99

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 41 / 24 / 36

HEX #A3607C

RGB 163 96 124

HSL 334.93, 0.27%, 0.51%

LAB 49.02, 31, -3.93

 

CMYK 0 / 19 / 11 / 44

HEX #8F747F

RGB 143 116 127

HSL 335.56, 0.11%, 0.51%

LAB 51.68, 12.47, -2.05

 

CMYK 10 / 0 / 4 / 47

HEX #7B8883

RGB 123 136 131

HSL 156.92, 0.05%, 0.51%

LAB 55.54, -5.76, 1.06

 

CMYK 35 / 0 / 15 / 38

HEX #669D86

RGB 102 157 134

HSL 154.91, 0.22%, 0.51%

LAB 60.48, -23.41, 6.31

 

CMYK 0 / 58 / 3 / 28

HEX #B74CB2

RGB 183 76 178

HSL 302.8, 0.43%, 0.51%

LAB 50.04, 56.35, -34.11

 

CMYK 0 / 58 / 19 / 28

HEX #B74C95

RGB 183 76 149

HSL 319.07, 0.43%, 0.51%

LAB 48.77, 51.68, -18.97

 

CMYK 0 / 58 / 34 / 28

HEX #B74C79

RGB 183 76 121

HSL 334.77, 0.43%, 0.51%

LAB 47.77, 47.87, -3.64

 

CMYK 0 / 58 / 50 / 28

HEX #B74C5C

RGB 183 76 92

HSL 351.03, 0.43%, 0.51%

LAB 46.99, 44.73, 12.85

 

CMYK 0 / 52 / 58 / 28

HEX #B7584C

RGB 183 88 76

HSL 6.73, 0.43%, 0.51%

LAB 48.97, 37.4, 25.07

 

CMYK 0 / 60 / 35 / 51

HEX #7E3252

RGB 126 50 82

HSL 334.74, 0.43%, 0.35%

LAB 32.54, 36.41, -2.79

 

CMYK 0 / 60 / 35 / 39

HEX #9C3E65

RGB 156 62 101

HSL 335.11, 0.43%, 0.43%

LAB 40.33, 43.15, -2.81

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 46 / 27 / 24

HEX #C3698E

RGB 195 105 142

HSL 335.33, 0.43%, 0.59%

LAB 55.74, 40.18, -4.16

 

CMYK 0 / 35 / 21 / 19

HEX #CF87A4

RGB 207 135 164

HSL 335.83, 0.43%, 0.67%

LAB 64.38, 31.61, -3.9

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 13 / 58 / 28

HEX #B7A04C

RGB 183 160 76

HSL 47.1, 0.43%, 0.51%

LAB 66.31, -1.95, 46.1

 

CMYK 58 / 10 / 0 / 28

HEX #4CA4B7

RGB 76 164 183

HSL 190.65, 0.43%, 0.51%

LAB 62.93, -20.71, -17.77

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 34 / 0 / 58 / 28

HEX #79B74C

RGB 121 183 76

HSL 94.77, 0.43%, 0.51%

LAB 68.35, -38.51, 47.25

 

CMYK 58 / 34 / 0 / 28

HEX #4C79B7

RGB 76 121 183

HSL 214.77, 0.43%, 0.51%

LAB 50.25, 3.49, -37.38

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 0 / 13 / 58 / 28

HEX #B7A04C

RGB 183 160 76

HSL 47.1, 0.43%, 0.51%

LAB 66.31, -1.95, 46.1

 

CMYK 58 / 0 / 24 / 28

HEX #4CB78B

RGB 76 183 139

HSL 155.33, 0.43%, 0.51%

LAB 67.48, -41.29, 13.32

 

CMYK 58 / 46 / 0 / 28

HEX #4C63B7

RGB 76 99 183

HSL 227.1, 0.43%, 0.51%

LAB 44.06, 17.14, -47.21

 

CMYK 0 / 58 / 34 / 28

HEX #B74C78

RGB 183 76 120

HSL 335.33, 0.43%, 0.51%

LAB 47.74, 47.74, -3.08

 

CMYK 5 / 0 / 58 / 28

HEX #AEB74C

RGB 174 183 76

HSL 65.05, 0.43%, 0.51%

LAB 71.82, -17.79, 52.1

 

CMYK 58 / 0 / 24 / 28

HEX #4CB78B

RGB 76 183 139

HSL 155.33, 0.43%, 0.51%

LAB 67.48, -41.29, 13.32

 

CMYK 54 / 58 / 0 / 28

HEX #554CB7

RGB 85 76 183

HSL 245.05, 0.43%, 0.51%

LAB 38.76, 33.44, -55.71

 

Description

Color code: HEX #B74C78 | qconv.com Color code: HEX #B74C78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 76 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 76 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 34 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 34% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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