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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B74570 it is the complementary color #48BA8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B74570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B74570 shade: #BC456B, #CD577E, #DE6991, #EF7BA4 and #FF8DB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B74570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B74570 shade: #B74570, #A6335D, #95214A, #840F37 and #730024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B74570 shade: #B5446F, #B54450 and #B54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B74570 shade: #B5446F, #B5448D, #B544AB, #A044B5 and #8144B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B74570 shade matches the following richer shades: #B5446F, #C9306A, #DD1C65 and #F10860

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B74570 shade: #B5446F, #A05874, #8C6D79, #78817E and #649583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B74570 shade: #B544AB, #B5448D, #B5446F, #B54451 and #B55544

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B74570 shade: #792E4A, #97395C, #B5446F, #C26085 and #CE7E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B74570 shade: #B74570, #B5A044 and #449CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B74570 shade: #B74570, #6FB544 and #446FB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B74570 shade: #B74570, #B5A044, #44B58A and #4459B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B74570 shade: #B74570, #A8B544, #44B58A and #5144B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 39 / 28

HEX #B74570

RGB 183 69 112

HSL 337.37, 0.45%, 0.49%

LAB 46.3, 50.01, -0.33

 

Complementary color

CMYK 61 / 0 / 23 / 27

HEX #48BA8F

RGB 72 186 143

HSL 157.37, 0.45%, 0.51%

LAB 68.37, -42.51, 12.38

 

CMYK 0 / 63 / 43 / 26

HEX #BC456B

RGB 188 69 107

HSL 340.84, 0.47%, 0.5%

LAB 46.99, 51.08, 3.82

 

CMYK 0 / 58 / 39 / 20

HEX #CD577E

RGB 205 87 126

HSL 340.17, 0.54%, 0.57%

LAB 53.28, 50.49, 1.83

 

CMYK 0 / 53 / 35 / 13

HEX #DE6991

RGB 222 105 145

HSL 339.49, 0.64%, 0.64%

LAB 59.6, 49.74, 0.19

 

CMYK 0 / 49 / 31 / 6

HEX #EF7BA4

RGB 239 123 164

HSL 338.79, 0.78%, 0.71%

LAB 65.9, 48.93, -1.21

 

CMYK 0 / 45 / 28 / 0

HEX #FF8DB7

RGB 255 141 183

HSL 337.89, 1%, 0.78%

LAB 72.05, 47.76, -2.61

 

CMYK 0 / 62 / 39 / 28

HEX #B74570

RGB 183 69 112

HSL 337.37, 0.45%, 0.49%

LAB 46.3, 50.01, -0.33

 

CMYK 0 / 69 / 44 / 35

HEX #A6335D

RGB 166 51 93

HSL 338.09, 0.53%, 0.43%

LAB 40.02, 50.29, 1.96

 

CMYK 0 / 78 / 50 / 42

HEX #95214A

RGB 149 33 74

HSL 338.79, 0.64%, 0.36%

LAB 33.92, 49.96, 4.94

 

CMYK 0 / 89 / 58 / 48

HEX #840F37

RGB 132 15 55

HSL 339.49, 0.8%, 0.29%

LAB 28.18, 48.55, 8.95

 

CMYK 0 / 100 / 69 / 55

HEX #730024

RGB 115 0 36

HSL 341.22, 1%, 0.23%

LAB 22.9, 45.7, 14.24

 

CMYK 0 / 62 / 39 / 29

HEX #B5446F

RGB 181 68 111

HSL 337.17, 0.45%, 0.49%

LAB 45.78, 49.71, -0.52

 

CMYK 0 / 62 / 56 / 29

HEX #B54450

RGB 181 68 80

HSL 353.63, 0.45%, 0.49%

LAB 44.99, 46.73, 17.38

 

CMYK 0 / 62 / 62 / 29

HEX #B54444

RGB 181 68 68

HSL 0, 0.45%, 0.49%

LAB 44.77, 45.84, 24.36

 

CMYK 0 / 62 / 39 / 29

HEX #B5446F

RGB 181 68 111

HSL 337.17, 0.45%, 0.49%

LAB 45.78, 49.71, -0.52

 

CMYK 0 / 62 / 22 / 29

HEX #B5448D

RGB 181 68 141

HSL 321.24, 0.45%, 0.49%

LAB 46.82, 53.52, -17.19

 

CMYK 0 / 62 / 6 / 29

HEX #B544AB

RGB 181 68 171

HSL 305.31, 0.45%, 0.49%

LAB 48.13, 58.13, -33.01

 

CMYK 12 / 62 / 0 / 29

HEX #A044B5

RGB 160 68 181

HSL 288.85, 0.45%, 0.49%

LAB 45.56, 54.62, -43.16

 

CMYK 29 / 62 / 0 / 29

HEX #8144B5

RGB 129 68 181

HSL 272.39, 0.45%, 0.49%

LAB 41.43, 47.14, -49.99

 

CMYK 0 / 62 / 39 / 29

HEX #B5446F

RGB 181 68 111

HSL 337.17, 0.45%, 0.49%

LAB 45.78, 49.71, -0.52

 

CMYK 0 / 76 / 47 / 21

HEX #C9306A

RGB 201 48 106

HSL 337.25, 0.61%, 0.49%

LAB 46.41, 62.68, 3.9

 

CMYK 0 / 87 / 54 / 13

HEX #DD1C65

RGB 221 28 101

HSL 337.31, 0.78%, 0.49%

LAB 48.44, 72.18, 10.39

 

CMYK 0 / 97 / 60 / 5

HEX #F10860

RGB 241 8 96

HSL 337.34, 0.94%, 0.49%

LAB 51.52, 78.84, 18.32

 

CMYK 0 / 62 / 39 / 29

HEX #B5446F

RGB 181 68 111

HSL 337.17, 0.45%, 0.49%

LAB 45.78, 49.71, -0.52

 

CMYK 0 / 45 / 28 / 37

HEX #A05874

RGB 160 88 116

HSL 336.67, 0.29%, 0.49%

LAB 46.6, 33.12, -2.73

 

CMYK 0 / 22 / 14 / 45

HEX #8C6D79

RGB 140 109 121

HSL 336.77, 0.12%, 0.49%

LAB 49.37, 14.32, -1.93

 

CMYK 7 / 0 / 2 / 49

HEX #78817E

RGB 120 129 126

HSL 160, 0.04%, 0.49%

LAB 53.17, -3.94, 0.47

 

CMYK 33 / 0 / 12 / 42

HEX #649583

RGB 100 149 131

HSL 157.96, 0.2%, 0.49%

LAB 57.89, -20.59, 4.27

 

CMYK 0 / 62 / 6 / 29

HEX #B544AB

RGB 181 68 171

HSL 305.31, 0.45%, 0.49%

LAB 48.13, 58.13, -33.01

 

CMYK 0 / 62 / 22 / 29

HEX #B5448D

RGB 181 68 141

HSL 321.24, 0.45%, 0.49%

LAB 46.82, 53.52, -17.19

 

CMYK 0 / 62 / 39 / 29

HEX #B5446F

RGB 181 68 111

HSL 337.17, 0.45%, 0.49%

LAB 45.78, 49.71, -0.52

 

CMYK 0 / 62 / 55 / 29

HEX #B54451

RGB 181 68 81

HSL 353.1, 0.45%, 0.49%

LAB 45.01, 46.81, 16.8

 

CMYK 0 / 53 / 62 / 29

HEX #B55544

RGB 181 85 68

HSL 9.03, 0.45%, 0.49%

LAB 47.93, 37.59, 28.35

 

CMYK 0 / 62 / 39 / 53

HEX #792E4A

RGB 121 46 74

HSL 337.6, 0.45%, 0.33%

LAB 30.67, 35.64, -0.42

 

CMYK 0 / 62 / 39 / 41

HEX #97395C

RGB 151 57 92

HSL 337.66, 0.45%, 0.41%

LAB 38.34, 42.77, -0.18

 

CMYK 0 / 62 / 39 / 29

HEX #B5446F

RGB 181 68 111

HSL 337.17, 0.45%, 0.49%

LAB 45.78, 49.71, -0.52

 

CMYK 0 / 51 / 31 / 24

HEX #C26085

RGB 194 96 133

HSL 337.35, 0.45%, 0.57%

LAB 53.52, 43.26, -2.16

 

CMYK 0 / 39 / 24 / 19

HEX #CE7E9C

RGB 206 126 156

HSL 337.5, 0.45%, 0.65%

LAB 62.04, 34.92, -2.82

 

CMYK 0 / 62 / 39 / 28

HEX #B74570

RGB 183 69 112

HSL 337.37, 0.45%, 0.49%

LAB 46.3, 50.01, -0.33

 

CMYK 0 / 12 / 62 / 29

HEX #B5A044

RGB 181 160 68

HSL 48.85, 0.45%, 0.49%

LAB 66.05, -3.4, 49.52

 

CMYK 62 / 14 / 0 / 29

HEX #449CB5

RGB 68 156 181

HSL 193.27, 0.45%, 0.49%

LAB 60.2, -18.61, -20.84

 

CMYK 0 / 62 / 39 / 28

HEX #B74570

RGB 183 69 112

HSL 337.37, 0.45%, 0.49%

LAB 46.3, 50.01, -0.33

 

CMYK 39 / 0 / 62 / 29

HEX #6FB544

RGB 111 181 68

HSL 97.17, 0.45%, 0.49%

LAB 67.16, -41.88, 49.37

 

CMYK 62 / 39 / 0 / 29

HEX #446FB5

RGB 68 111 181

HSL 217.17, 0.45%, 0.49%

LAB 46.89, 7.34, -41.56

 

CMYK 0 / 62 / 39 / 28

HEX #B74570

RGB 183 69 112

HSL 337.37, 0.45%, 0.49%

LAB 46.3, 50.01, -0.33

 

CMYK 0 / 12 / 62 / 29

HEX #B5A044

RGB 181 160 68

HSL 48.85, 0.45%, 0.49%

LAB 66.05, -3.4, 49.52

 

CMYK 62 / 0 / 24 / 29

HEX #44B58A

RGB 68 181 138

HSL 157.17, 0.45%, 0.49%

LAB 66.61, -42.26, 12.6

 

CMYK 62 / 51 / 0 / 29

HEX #4459B5

RGB 68 89 181

HSL 228.85, 0.45%, 0.49%

LAB 40.75, 21.29, -51.37

 

CMYK 0 / 62 / 39 / 28

HEX #B74570

RGB 183 69 112

HSL 337.37, 0.45%, 0.49%

LAB 46.3, 50.01, -0.33

 

CMYK 7 / 0 / 62 / 29

HEX #A8B544

RGB 168 181 68

HSL 66.9, 0.45%, 0.49%

LAB 70.73, -19.87, 54.29

 

CMYK 62 / 0 / 24 / 29

HEX #44B58A

RGB 68 181 138

HSL 157.17, 0.45%, 0.49%

LAB 66.61, -42.26, 12.6

 

CMYK 55 / 62 / 0 / 29

HEX #5144B5

RGB 81 68 181

HSL 246.9, 0.45%, 0.49%

LAB 36.4, 36.92, -58.37

 

Description

Color code: HEX #B74570 | qconv.com Color code: HEX #B74570 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 69 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 69 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 39 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 39% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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