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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B73A17 it is the complementary color #48C5E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B73A17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B73A17 shade: #BC3A12, #CD4C25, #DE5E38, #EF704B and #FF825E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B73A17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B73A17 shade: #B73A17, #A62804, #951600, #840400 and #730000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B73A17 shade: #B53916 and #B51616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B73A17 shade: #B53916, #B56416, #B58F16, #B1B516 and #86B516

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B73A17 shade matches the following richer shades: #B53916 and #C62F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B73A17 shade: #B53916, #A54226, #944B37, #845547 and #735E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B73A17 shade: #B51648, #B5161E, #B53816, #B56316 and #B58D16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B73A17 shade: #6C220D, #902D11, #B53916, #DA441A and #E65E38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B73A17 shade: #B73A17, #73B516 and #1633B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B73A17 shade: #B73A17, #16B538 and #3816B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B73A17 shade: #B73A17, #73B516, #1693B5 and #5816B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B73A17 shade: #B73A17, #43B516, #1693B5 and #8816B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 87 / 28

HEX #B73A17

RGB 183 58 23

HSL 13.13, 0.78%, 0.4%

LAB 43, 48.92, 46.98

 

Complementary color

CMYK 69 / 15 / 0 / 9

HEX #48C5E8

RGB 72 197 232

HSL 193.13, 0.78%, 0.6%

LAB 74.28, -23.37, -27.4

 

CMYK 0 / 69 / 90 / 26

HEX #BC3A12

RGB 188 58 18

HSL 14.12, 0.83%, 0.4%

LAB 43.89, 50.53, 50.05

 

CMYK 0 / 63 / 82 / 20

HEX #CD4C25

RGB 205 76 37

HSL 13.93, 0.69%, 0.47%

LAB 49.84, 49.29, 48.16

 

CMYK 0 / 58 / 75 / 13

HEX #DE5E38

RGB 222 94 56

HSL 13.73, 0.72%, 0.55%

LAB 55.91, 47.89, 45.8

 

CMYK 0 / 53 / 69 / 6

HEX #EF704B

RGB 239 112 75

HSL 13.54, 0.84%, 0.62%

LAB 62.04, 46.45, 43.46

 

CMYK 0 / 49 / 63 / 0

HEX #FF825E

RGB 255 130 94

HSL 13.42, 1%, 0.68%

LAB 68.05, 44.68, 41.09

 

CMYK 0 / 68 / 87 / 28

HEX #B73A17

RGB 183 58 23

HSL 13.13, 0.78%, 0.4%

LAB 43, 48.92, 46.98

 

CMYK 0 / 76 / 98 / 35

HEX #A62804

RGB 166 40 4

HSL 13.33, 0.95%, 0.33%

LAB 37.18, 49.75, 48.39

 

CMYK 0 / 85 / 100 / 42

HEX #951600

RGB 149 22 0

HSL 8.86, 1%, 0.29%

LAB 31.72, 49.79, 45.03

 

CMYK 0 / 97 / 100 / 48

HEX #840400

RGB 132 4 0

HSL 1.82, 1%, 0.26%

LAB 26.71, 48.41, 39.48

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 69 / 88 / 29

HEX #B53916

RGB 181 57 22

HSL 13.21, 0.78%, 0.4%

LAB 42.47, 48.61, 46.82

 

CMYK 0 / 88 / 88 / 29

HEX #B51616

RGB 181 22 22

HSL 0, 0.78%, 0.4%

LAB 38.65, 59.28, 43.75

 

CMYK 0 / 69 / 88 / 29

HEX #B53916

RGB 181 57 22

HSL 13.21, 0.78%, 0.4%

LAB 42.47, 48.61, 46.82

 

CMYK 0 / 45 / 88 / 29

HEX #B56416

RGB 181 100 22

HSL 29.43, 0.78%, 0.4%

LAB 50.68, 27.54, 53.42

 

CMYK 0 / 21 / 88 / 29

HEX #B58F16

RGB 181 143 22

HSL 45.66, 0.78%, 0.4%

LAB 61.24, 3.75, 61.9

 

CMYK 2 / 0 / 88 / 29

HEX #B1B516

RGB 177 181 22

HSL 61.51, 0.78%, 0.4%

LAB 71.18, -18.09, 69.74

 

CMYK 26 / 0 / 88 / 29

HEX #86B516

RGB 134 181 22

HSL 77.74, 0.78%, 0.4%

LAB 68.15, -36.07, 66

 

CMYK 0 / 69 / 88 / 29

HEX #B53916

RGB 181 57 22

HSL 13.21, 0.78%, 0.4%

LAB 42.47, 48.61, 46.82

 

CMYK 0 / 76 / 97 / 22

HEX #C62F05

RGB 198 47 5

HSL 13.06, 0.95%, 0.4%

LAB 44.3, 57.55, 55.26

 

CMYK 0 / 69 / 88 / 29

HEX #B53916

RGB 181 57 22

HSL 13.21, 0.78%, 0.4%

LAB 42.47, 48.61, 46.82

 

CMYK 0 / 60 / 77 / 35

HEX #A54226

RGB 165 66 38

HSL 13.23, 0.63%, 0.4%

LAB 41.27, 39.28, 36.91

 

CMYK 0 / 49 / 63 / 42

HEX #944B37

RGB 148 75 55

HSL 12.9, 0.46%, 0.4%

LAB 40.58, 28.81, 25.73

 

CMYK 0 / 36 / 46 / 48

HEX #845547

RGB 132 85 71

HSL 13.77, 0.3%, 0.4%

LAB 40.99, 17.8, 16.21

 

CMYK 0 / 18 / 23 / 55

HEX #735E58

RGB 115 94 88

HSL 13.33, 0.13%, 0.4%

LAB 41.77, 7.49, 6.63

 

CMYK 0 / 88 / 60 / 29

HEX #B51648

RGB 181 22 72

HSL 341.13, 0.78%, 0.4%

LAB 39.35, 61.32, 14.76

 

CMYK 0 / 88 / 83 / 29

HEX #B5161E

RGB 181 22 30

HSL 356.98, 0.78%, 0.4%

LAB 38.71, 59.47, 39.68

 

CMYK 0 / 69 / 88 / 29

HEX #B53816

RGB 181 56 22

HSL 12.83, 0.78%, 0.4%

LAB 42.32, 49.02, 46.7

 

CMYK 0 / 45 / 88 / 29

HEX #B56316

RGB 181 99 22

HSL 29.06, 0.78%, 0.4%

LAB 50.46, 28.08, 53.24

 

CMYK 0 / 22 / 88 / 29

HEX #B58D16

RGB 181 141 22

HSL 44.91, 0.78%, 0.4%

LAB 60.72, 4.85, 61.48

 

CMYK 0 / 69 / 88 / 58

HEX #6C220D

RGB 108 34 13

HSL 13.26, 0.79%, 0.24%

LAB 24.83, 31.86, 30.47

 

CMYK 0 / 69 / 88 / 44

HEX #902D11

RGB 144 45 17

HSL 13.23, 0.79%, 0.32%

LAB 33.66, 40.49, 38.95

 

CMYK 0 / 69 / 88 / 29

HEX #B53916

RGB 181 57 22

HSL 13.21, 0.78%, 0.4%

LAB 42.47, 48.61, 46.82

 

CMYK 0 / 69 / 88 / 15

HEX #DA441A

RGB 218 68 26

HSL 13.13, 0.79%, 0.48%

LAB 50.82, 56.77, 54.64

 

CMYK 0 / 59 / 76 / 10

HEX #E65E38

RGB 230 94 56

HSL 13.1, 0.78%, 0.56%

LAB 57.19, 50.77, 47.54

 

CMYK 0 / 68 / 87 / 28

HEX #B73A17

RGB 183 58 23

HSL 13.13, 0.78%, 0.4%

LAB 43, 48.92, 46.98

 

CMYK 36 / 0 / 88 / 29

HEX #73B516

RGB 115 181 22

HSL 84.91, 0.78%, 0.4%

LAB 67.09, -43.26, 64.69

 

CMYK 88 / 72 / 0 / 29

HEX #1633B5

RGB 22 51 181

HSL 229.06, 0.78%, 0.4%

LAB 29.09, 40.53, -70.49

 

CMYK 0 / 68 / 87 / 28

HEX #B73A17

RGB 183 58 23

HSL 13.13, 0.78%, 0.4%

LAB 43, 48.92, 46.98

 

CMYK 88 / 0 / 69 / 29

HEX #16B538

RGB 22 181 56

HSL 132.83, 0.78%, 0.4%

LAB 64.57, -62.45, 50.89

 

CMYK 69 / 88 / 0 / 29

HEX #3816B5

RGB 56 22 181

HSL 252.83, 0.78%, 0.4%

LAB 26.01, 56.97, -75.53

 

CMYK 0 / 68 / 87 / 28

HEX #B73A17

RGB 183 58 23

HSL 13.13, 0.78%, 0.4%

LAB 43, 48.92, 46.98

 

CMYK 36 / 0 / 88 / 29

HEX #73B516

RGB 115 181 22

HSL 84.91, 0.78%, 0.4%

LAB 67.09, -43.26, 64.69

 

CMYK 88 / 19 / 0 / 29

HEX #1693B5

RGB 22 147 181

HSL 192.83, 0.78%, 0.4%

LAB 56.46, -19.44, -26.66

 

CMYK 51 / 88 / 0 / 29

HEX #5816B5

RGB 88 22 181

HSL 264.91, 0.78%, 0.4%

LAB 29.37, 59.72, -69.86

 

CMYK 0 / 68 / 87 / 28

HEX #B73A17

RGB 183 58 23

HSL 13.13, 0.78%, 0.4%

LAB 43, 48.92, 46.98

 

CMYK 63 / 0 / 88 / 29

HEX #43B516

RGB 67 181 22

HSL 103.02, 0.78%, 0.4%

LAB 65.2, -57.73, 62.32

 

CMYK 88 / 19 / 0 / 29

HEX #1693B5

RGB 22 147 181

HSL 192.83, 0.78%, 0.4%

LAB 56.46, -19.44, -26.66

 

CMYK 25 / 88 / 0 / 29

HEX #8816B5

RGB 136 22 181

HSL 283.02, 0.78%, 0.4%

LAB 36.26, 65.96, -58.31

 

Description

Color code: HEX #B73A17 | qconv.com Color code: HEX #B73A17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 58 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 58 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 87 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 87% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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