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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B73705 it is the complementary color #48C8FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B73705. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B73705 shade: #BC3700, #CD4913, #DE5B26, #EF6D39 and #FF7F4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B73705. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B73705 shade: #B73705, #A62500, #951300, #840100 and #730000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B73705 shade: #B73704, #B70604 and #B70404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B73705 shade: #B73704, #B76704, #B79704, #A7B704 and #77B704

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B73705 shade matches the following richer shades: #B73704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B73705 shade: #B73704, #A83D13, #994423, #8A4B32 and #7A5141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B73705 shade: #B70434, #B70404, #B73404, #B76404 and #B79404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B73705 shade: #671E02, #8F2B03, #B73704, #E04305 and #F95516

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B73705 shade: #B73705, #64B704 and #041CB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B73705 shade: #B73705, #04B734 and #3404B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B73705 shade: #B73705, #64B704, #0488B7 and #5804B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B73705 shade: #B73705, #2EB704, #0488B7 and #8E04B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 97 / 28

HEX #B73705

RGB 183 55 5

HSL 16.85, 0.95%, 0.37%

LAB 42.48, 49.84, 52.73

 

Complementary color

CMYK 71 / 20 / 0 / 2

HEX #48C8FA

RGB 72 200 250

HSL 196.85, 0.95%, 0.63%

LAB 75.82, -19.26, -34.72

 

CMYK 0 / 71 / 100 / 26

HEX #BC3700

RGB 188 55 0

HSL 17.55, 1%, 0.37%

LAB 43.39, 51.47, 55.26

 

CMYK 0 / 64 / 91 / 20

HEX #CD4913

RGB 205 73 19

HSL 17.42, 0.83%, 0.44%

LAB 49.24, 50.19, 54.96

 

CMYK 0 / 59 / 83 / 13

HEX #DE5B26

RGB 222 91 38

HSL 17.28, 0.74%, 0.51%

LAB 55.23, 48.66, 53.66

 

CMYK 0 / 54 / 76 / 6

HEX #EF6D39

RGB 239 109 57

HSL 17.14, 0.85%, 0.58%

LAB 61.29, 47.08, 51.73

 

CMYK 0 / 50 / 70 / 0

HEX #FF7F4C

RGB 255 127 76

HSL 17.09, 1%, 0.65%

LAB 67.25, 45.16, 49.46

 

CMYK 0 / 70 / 97 / 28

HEX #B73705

RGB 183 55 5

HSL 16.85, 0.95%, 0.37%

LAB 42.48, 49.84, 52.73

 

CMYK 0 / 78 / 100 / 35

HEX #A62500

RGB 166 37 0

HSL 13.37, 1%, 0.33%

LAB 36.8, 50.7, 49.77

 

CMYK 0 / 87 / 100 / 42

HEX #951300

RGB 149 19 0

HSL 7.65, 1%, 0.29%

LAB 31.48, 50.49, 44.86

 

CMYK 0 / 99 / 100 / 48

HEX #840100

RGB 132 1 0

HSL 0.45, 1%, 0.26%

LAB 26.53, 48.95, 39.31

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 70 / 98 / 28

HEX #B73704

RGB 183 55 4

HSL 17.09, 0.96%, 0.37%

LAB 42.47, 49.83, 53.03

 

CMYK 0 / 97 / 98 / 28

HEX #B70604

RGB 183 6 4

HSL 0.67, 0.96%, 0.37%

LAB 38.21, 61.81, 50.88

 

CMYK 0 / 98 / 98 / 28

HEX #B70404

RGB 183 4 4

HSL 0, 0.96%, 0.37%

LAB 38.13, 62.04, 50.85

 

CMYK 0 / 70 / 98 / 28

HEX #B73704

RGB 183 55 4

HSL 17.09, 0.96%, 0.37%

LAB 42.47, 49.83, 53.03

 

CMYK 0 / 44 / 98 / 28

HEX #B76704

RGB 183 103 4

HSL 33.18, 0.96%, 0.37%

LAB 51.58, 26.47, 58.59

 

CMYK 0 / 17 / 98 / 28

HEX #B79704

RGB 183 151 4

HSL 49.27, 0.96%, 0.37%

LAB 63.52, 0.01, 66.85

 

CMYK 9 / 0 / 98 / 28

HEX #A7B704

RGB 167 183 4

HSL 65.36, 0.96%, 0.37%

LAB 70.93, -23.68, 71.7

 

CMYK 35 / 0 / 98 / 28

HEX #77B704

RGB 119 183 4

HSL 81.45, 0.96%, 0.37%

LAB 67.87, -43.03, 68.01

 

CMYK 0 / 70 / 98 / 28

HEX #B73704

RGB 183 55 4

HSL 17.09, 0.96%, 0.37%

LAB 42.47, 49.83, 53.03

 

CMYK 0 / 70 / 98 / 28

HEX #B73704

RGB 183 55 4

HSL 17.09, 0.96%, 0.37%

LAB 42.47, 49.83, 53.03

 

CMYK 0 / 64 / 89 / 34

HEX #A83D13

RGB 168 61 19

HSL 16.91, 0.8%, 0.37%

LAB 40.75, 42.17, 45.69

 

CMYK 0 / 56 / 77 / 40

HEX #994423

RGB 153 68 35

HSL 16.78, 0.63%, 0.37%

LAB 39.63, 33.44, 36.17

 

CMYK 0 / 46 / 64 / 46

HEX #8A4B32

RGB 138 75 50

HSL 17.05, 0.47%, 0.37%

LAB 39.01, 24.23, 26.42

 

CMYK 0 / 34 / 47 / 52

HEX #7A5141

RGB 122 81 65

HSL 16.84, 0.3%, 0.37%

LAB 38.56, 15.13, 16.38

 

CMYK 0 / 98 / 72 / 28

HEX #B70434

RGB 183 4 52

HSL 343.91, 0.96%, 0.37%

LAB 38.55, 63.19, 26.52

 

CMYK 0 / 98 / 98 / 28

HEX #B70404

RGB 183 4 4

HSL 0, 0.96%, 0.37%

LAB 38.13, 62.04, 50.85

 

CMYK 0 / 72 / 98 / 28

HEX #B73404

RGB 183 52 4

HSL 16.09, 0.96%, 0.37%

LAB 42.05, 50.99, 52.8

 

CMYK 0 / 45 / 98 / 28

HEX #B76404

RGB 183 100 4

HSL 32.18, 0.96%, 0.37%

LAB 50.91, 28.1, 58.15

 

CMYK 0 / 19 / 98 / 28

HEX #B79404

RGB 183 148 4

HSL 48.27, 0.96%, 0.37%

LAB 62.72, 1.64, 66.28

 

CMYK 0 / 71 / 98 / 60

HEX #671E02

RGB 103 30 2

HSL 16.63, 0.96%, 0.21%

LAB 23.06, 31.5, 32.97

 

CMYK 0 / 70 / 98 / 44

HEX #8F2B03

RGB 143 43 3

HSL 17.14, 0.96%, 0.29%

LAB 33.08, 40.72, 44.09

 

CMYK 0 / 70 / 98 / 28

HEX #B73704

RGB 183 55 4

HSL 17.09, 0.96%, 0.37%

LAB 42.47, 49.83, 53.03

 

CMYK 0 / 70 / 98 / 12

HEX #E04305

RGB 224 67 5

HSL 16.99, 0.96%, 0.45%

LAB 51.69, 58.84, 61.81

 

CMYK 0 / 66 / 91 / 2

HEX #F95516

RGB 249 85 22

HSL 16.65, 0.95%, 0.53%

LAB 58.69, 60.28, 64.15

 

CMYK 0 / 70 / 97 / 28

HEX #B73705

RGB 183 55 5

HSL 16.85, 0.95%, 0.37%

LAB 42.48, 49.84, 52.73

 

CMYK 45 / 0 / 98 / 28

HEX #64B704

RGB 100 183 4

HSL 87.82, 0.96%, 0.37%

LAB 66.96, -49.63, 66.91

 

CMYK 98 / 85 / 0 / 28

HEX #041CB7

RGB 4 28 183

HSL 231.96, 0.96%, 0.37%

LAB 24.56, 53.17, -79.21

 

CMYK 0 / 70 / 97 / 28

HEX #B73705

RGB 183 55 5

HSL 16.85, 0.95%, 0.37%

LAB 42.48, 49.84, 52.73

 

CMYK 98 / 0 / 72 / 28

HEX #04B734

RGB 4 183 52

HSL 136.09, 0.96%, 0.37%

LAB 65.07, -64.45, 52.95

 

CMYK 72 / 98 / 0 / 28

HEX #3404B7

RGB 52 4 183

HSL 256.09, 0.96%, 0.37%

LAB 24.44, 61.8, -79.36

 

CMYK 0 / 70 / 97 / 28

HEX #B73705

RGB 183 55 5

HSL 16.85, 0.95%, 0.37%

LAB 42.48, 49.84, 52.73

 

CMYK 45 / 0 / 98 / 28

HEX #64B704

RGB 100 183 4

HSL 87.82, 0.96%, 0.37%

LAB 66.96, -49.63, 66.91

 

CMYK 98 / 26 / 0 / 28

HEX #0488B7

RGB 4 136 183

HSL 195.75, 0.96%, 0.37%

LAB 53.01, -13.53, -33.18

 

CMYK 52 / 98 / 0 / 28

HEX #5804B7

RGB 88 4 183

HSL 268.16, 0.96%, 0.37%

LAB 28.33, 63.98, -72.78

 

CMYK 0 / 70 / 97 / 28

HEX #B73705

RGB 183 55 5

HSL 16.85, 0.95%, 0.37%

LAB 42.48, 49.84, 52.73

 

CMYK 75 / 0 / 98 / 28

HEX #2EB704

RGB 46 183 4

HSL 105.92, 0.96%, 0.37%

LAB 65.32, -62.96, 64.91

 

CMYK 98 / 26 / 0 / 28

HEX #0488B7

RGB 4 136 183

HSL 195.75, 0.96%, 0.37%

LAB 53.01, -13.53, -33.18

 

CMYK 22 / 98 / 0 / 28

HEX #8E04B7

RGB 142 4 183

HSL 286.26, 0.96%, 0.37%

LAB 36.47, 69.95, -59.1

 

Description

Color code: HEX #B73705 | qconv.com Color code: HEX #B73705 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 55 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 55 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 97 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 97% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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