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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B727E4 it is the complementary color #48D81B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B727E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B727E4 shade: #BC27DF, #CD39F2, #DE4BFF, #EF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B727E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B727E4 shade: #B727E4, #A615D1, #9503BE, #8400AB and #730098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B727E4 shade: #B625E4, #E425DE, #E425AA, #E42577 and #E42543

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B727E4 shade: #B625E4, #8325E4, #4F25E4 and #2525E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B727E4 shade matches the following richer shades: #B625E4 and #C011F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B727E4 shade: #B625E4, #AC38D0, #A14CBC, #9760A8 and #8D7494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B727E4 shade: #4E25E4, #8125E4, #B425E4, #E425E0 and #E425AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B727E4 shade: #8014A2, #9D18C7, #B625E4, #C249E8 and #CF6EED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B727E4 shade: #B727E4, #E4252E and #25E467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B727E4 shade: #B727E4, #E4B425 and #25E4B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B727E4 shade: #B727E4, #E4252E, #54E425 and #25E4DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B727E4 shade: #B727E4, #E45425, #54E425 and #25B4E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 83 / 0 / 11

HEX #B727E4

RGB 183 39 228

HSL 285.71, 0.78%, 0.52%

LAB 48.41, 78.2, -65.5

 

Complementary color

CMYK 67 / 0 / 88 / 15

HEX #48D81B

RGB 72 216 27

HSL 105.71, 0.78%, 0.48%

LAB 76.42, -67.94, 71.1

 

CMYK 16 / 83 / 0 / 13

HEX #BC27DF

RGB 188 39 223

HSL 288.59, 0.74%, 0.51%

LAB 48.85, 78.13, -61.91

 

CMYK 15 / 76 / 0 / 5

HEX #CD39F2

RGB 205 57 242

HSL 288, 0.88%, 0.59%

LAB 54.36, 79.56, -63.61

 

CMYK 13 / 71 / 0 / 0

HEX #DE4BFF

RGB 222 75 255

HSL 289, 1%, 0.65%

LAB 59.69, 79.22, -62.14

 

CMYK 6 / 64 / 0 / 0

HEX #EF5DFF

RGB 239 93 255

HSL 294.07, 1%, 0.68%

LAB 64.48, 76.12, -54.35

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 20 / 83 / 0 / 11

HEX #B727E4

RGB 183 39 228

HSL 285.71, 0.78%, 0.52%

LAB 48.41, 78.2, -65.5

 

CMYK 21 / 90 / 0 / 18

HEX #A615D1

RGB 166 21 209

HSL 286.28, 0.82%, 0.45%

LAB 43.13, 75.83, -63.31

 

CMYK 22 / 98 / 0 / 25

HEX #9503BE

RGB 149 3 190

HSL 286.84, 0.97%, 0.38%

LAB 38.15, 72.29, -60.46

 

CMYK 23 / 100 / 0 / 33

HEX #8400AB

RGB 132 0 171

HSL 286.32, 1%, 0.34%

LAB 33.66, 66.92, -56.6

 

CMYK 24 / 100 / 0 / 40

HEX #730098

RGB 115 0 152

HSL 285.39, 1%, 0.3%

LAB 29.19, 61.09, -52.48

 

CMYK 20 / 84 / 0 / 11

HEX #B625E4

RGB 182 37 228

HSL 285.55, 0.78%, 0.52%

LAB 48.1, 78.51, -66.01

 

CMYK 0 / 84 / 3 / 11

HEX #E425DE

RGB 228 37 222

HSL 301.88, 0.78%, 0.52%

LAB 55.17, 85.36, -50.85

 

CMYK 0 / 84 / 25 / 11

HEX #E425AA

RGB 228 37 170

HSL 318.22, 0.78%, 0.52%

LAB 52.64, 78.55, -24.8

 

CMYK 0 / 84 / 48 / 11

HEX #E42577

RGB 228 37 119

HSL 334.24, 0.78%, 0.52%

LAB 50.86, 73.52, 3.02

 

CMYK 0 / 84 / 71 / 11

HEX #E42543

RGB 228 37 67

HSL 350.58, 0.78%, 0.52%

LAB 49.76, 70.31, 33.07

 

CMYK 20 / 84 / 0 / 11

HEX #B625E4

RGB 182 37 228

HSL 285.55, 0.78%, 0.52%

LAB 48.1, 78.51, -66.01

 

CMYK 43 / 84 / 0 / 11

HEX #8325E4

RGB 131 37 228

HSL 269.53, 0.78%, 0.52%

LAB 40.82, 71.24, -78.2

 

CMYK 65 / 84 / 0 / 11

HEX #4F25E4

RGB 79 37 228

HSL 253.19, 0.78%, 0.52%

LAB 35.18, 65.96, -87.7

 

CMYK 84 / 84 / 0 / 11

HEX #2525E4

RGB 37 37 228

HSL 240, 0.78%, 0.52%

LAB 32.52, 63.61, -92.18

 

CMYK 20 / 84 / 0 / 11

HEX #B625E4

RGB 182 37 228

HSL 285.55, 0.78%, 0.52%

LAB 48.1, 78.51, -66.01

 

CMYK 22 / 93 / 0 / 3

HEX #C011F7

RGB 192 17 247

HSL 285.65, 0.93%, 0.52%

LAB 49.89, 86.69, -73.75

 

CMYK 20 / 84 / 0 / 11

HEX #B625E4

RGB 182 37 228

HSL 285.55, 0.78%, 0.52%

LAB 48.1, 78.51, -66.01

 

CMYK 17 / 73 / 0 / 18

HEX #AC38D0

RGB 172 56 208

HSL 285.79, 0.62%, 0.52%

LAB 47.17, 67.42, -56.15

 

CMYK 14 / 60 / 0 / 26

HEX #A14CBC

RGB 161 76 188

HSL 285.54, 0.46%, 0.52%

LAB 47.46, 52.51, -44.2

 

CMYK 10 / 43 / 0 / 34

HEX #9760A8

RGB 151 96 168

HSL 285.83, 0.29%, 0.52%

LAB 49.22, 34.97, -29.85

 

CMYK 5 / 22 / 0 / 42

HEX #8D7494

RGB 141 116 148

HSL 286.88, 0.13%, 0.52%

LAB 52.17, 15.83, -13.68

 

CMYK 66 / 84 / 0 / 11

HEX #4E25E4

RGB 78 37 228

HSL 252.88, 0.78%, 0.52%

LAB 35.09, 65.88, -87.84

 

CMYK 43 / 84 / 0 / 11

HEX #8125E4

RGB 129 37 228

HSL 268.9, 0.78%, 0.52%

LAB 40.56, 71, -78.63

 

CMYK 21 / 84 / 0 / 11

HEX #B425E4

RGB 180 37 228

HSL 284.92, 0.78%, 0.52%

LAB 47.79, 78.2, -66.53

 

CMYK 0 / 84 / 2 / 11

HEX #E425E0

RGB 228 37 224

HSL 301.26, 0.78%, 0.52%

LAB 55.28, 85.65, -51.81

 

CMYK 0 / 84 / 24 / 11

HEX #E425AD

RGB 228 37 173

HSL 317.28, 0.78%, 0.52%

LAB 52.77, 78.9, -26.37

 

CMYK 21 / 88 / 0 / 36

HEX #8014A2

RGB 128 20 162

HSL 285.63, 0.78%, 0.36%

LAB 33.35, 61.49, -51.72

 

CMYK 21 / 88 / 0 / 22

HEX #9D18C7

RGB 157 24 199

HSL 285.6, 0.78%, 0.44%

LAB 41.13, 72.14, -60.83

 

CMYK 20 / 84 / 0 / 11

HEX #B625E4

RGB 182 37 228

HSL 285.55, 0.78%, 0.52%

LAB 48.1, 78.51, -66.01

 

CMYK 16 / 69 / 0 / 9

HEX #C249E8

RGB 194 73 232

HSL 285.66, 0.78%, 0.6%

LAB 54.09, 70.05, -58.52

 

CMYK 13 / 54 / 0 / 7

HEX #CF6EED

RGB 207 110 237

HSL 285.83, 0.78%, 0.68%

LAB 62.11, 57.56, -48.43

 

CMYK 20 / 83 / 0 / 11

HEX #B727E4

RGB 183 39 228

HSL 285.71, 0.78%, 0.52%

LAB 48.41, 78.2, -65.5

 

CMYK 0 / 84 / 80 / 11

HEX #E4252E

RGB 228 37 46

HSL 357.17, 0.78%, 0.52%

LAB 49.51, 69.57, 44.77

 

CMYK 84 / 0 / 55 / 11

HEX #25E467

RGB 37 228 103

HSL 140.73, 0.78%, 0.52%

LAB 80.1, -70.22, 48.02

 

CMYK 20 / 83 / 0 / 11

HEX #B727E4

RGB 183 39 228

HSL 285.71, 0.78%, 0.52%

LAB 48.41, 78.2, -65.5

 

CMYK 0 / 21 / 84 / 11

HEX #E4B425

RGB 228 180 37

HSL 44.92, 0.78%, 0.52%

LAB 75.62, 5.05, 71.83

 

CMYK 84 / 0 / 21 / 11

HEX #25E4B4

RGB 37 228 180

HSL 164.92, 0.78%, 0.52%

LAB 81.39, -55.53, 10.92

 

CMYK 20 / 83 / 0 / 11

HEX #B727E4

RGB 183 39 228

HSL 285.71, 0.78%, 0.52%

LAB 48.41, 78.2, -65.5

 

CMYK 0 / 84 / 80 / 11

HEX #E4252E

RGB 228 37 46

HSL 357.17, 0.78%, 0.52%

LAB 49.51, 69.57, 44.77

 

CMYK 63 / 0 / 84 / 11

HEX #54E425

RGB 84 228 37

HSL 105.24, 0.78%, 0.52%

LAB 80.46, -68.92, 72.67

 

CMYK 84 / 0 / 4 / 11

HEX #25E4DA

RGB 37 228 218

HSL 176.86, 0.78%, 0.52%

LAB 82.35, -45.63, -7.79

 

CMYK 20 / 83 / 0 / 11

HEX #B727E4

RGB 183 39 228

HSL 285.71, 0.78%, 0.52%

LAB 48.41, 78.2, -65.5

 

CMYK 0 / 63 / 84 / 11

HEX #E45425

RGB 228 84 37

HSL 14.76, 0.78%, 0.52%

LAB 55.04, 53.87, 54.31

 

CMYK 63 / 0 / 84 / 11

HEX #54E425

RGB 84 228 37

HSL 105.24, 0.78%, 0.52%

LAB 80.46, -68.92, 72.67

 

CMYK 84 / 21 / 0 / 11

HEX #25B4E4

RGB 37 180 228

HSL 195.08, 0.78%, 0.52%

LAB 68.49, -19.67, -34.21

 

Description

Color code: HEX #B727E4 | qconv.com Color code: HEX #B727E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 39 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 39 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 83 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 83% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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