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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B713D7 it is the complementary color #48EC28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B713D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B713D7 shade: #BC13D2, #CD25E5, #DE37F8, #EF49FF and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B713D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B713D7 shade: #B713D7, #A601C4, #9500B1, #84009E and #73008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B713D7 shade: #B712D7, #D712C2, #D7128D, #D71258 and #D71223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B713D7 shade: #B712D7, #8212D7, #4D12D7, #1812D7 and #1212D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B713D7 shade matches the following richer shades: #B712D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B713D7 shade: #B712D7, #AA25C4, #9E38B1, #914B9E and #845E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B713D7 shade: #4D12D7, #8212D7, #B612D7, #D712C4 and #D7128F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B713D7 shade: #770C8B, #970FB1, #B712D7, #CC27EC and #D54DEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B713D7 shade: #B713D7, #D71912 and #12D768

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B713D7 shade: #B713D7, #D7B612 and #12D7B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B713D7 shade: #B713D7, #D71912, #33D712 and #12D1D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B713D7 shade: #B713D7, #D75412, #33D712 and #1296D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 91 / 0 / 16

HEX #B713D7

RGB 183 19 215

HSL 290.2, 0.84%, 0.46%

LAB 46.23, 79.7, -61.61

 

Complementary color

CMYK 69 / 0 / 83 / 7

HEX #48EC28

RGB 72 236 40

HSL 110.2, 0.84%, 0.54%

LAB 82.66, -73.65, 73.84

 

CMYK 10 / 91 / 0 / 18

HEX #BC13D2

RGB 188 19 210

HSL 293.09, 0.83%, 0.45%

LAB 46.72, 79.65, -57.9

 

CMYK 10 / 84 / 0 / 10

HEX #CD25E5

RGB 205 37 229

HSL 292.5, 0.79%, 0.52%

LAB 51.79, 82.43, -60.43

 

CMYK 10 / 78 / 0 / 3

HEX #DE37F8

RGB 222 55 248

HSL 291.92, 0.93%, 0.59%

LAB 57.11, 84.22, -62.39

 

CMYK 6 / 71 / 0 / 0

HEX #EF49FF

RGB 239 73 255

HSL 294.73, 1%, 0.64%

LAB 61.94, 83.28, -58.39

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 15 / 91 / 0 / 16

HEX #B713D7

RGB 183 19 215

HSL 290.2, 0.84%, 0.46%

LAB 46.23, 79.7, -61.61

 

CMYK 15 / 99 / 0 / 23

HEX #A601C4

RGB 166 1 196

HSL 290.77, 0.99%, 0.39%

LAB 41.4, 75.92, -58.57

 

CMYK 16 / 100 / 0 / 31

HEX #9500B1

RGB 149 0 177

HSL 290.51, 1%, 0.35%

LAB 37.05, 70.37, -54.55

 

CMYK 16 / 100 / 0 / 38

HEX #84009E

RGB 132 0 158

HSL 290.13, 1%, 0.31%

LAB 32.64, 64.59, -50.4

 

CMYK 17 / 100 / 0 / 45

HEX #73008B

RGB 115 0 139

HSL 289.64, 1%, 0.27%

LAB 28.14, 58.69, -46.16

 

CMYK 15 / 92 / 0 / 16

HEX #B712D7

RGB 183 18 215

HSL 290.25, 0.85%, 0.46%

LAB 46.19, 79.83, -61.68

 

CMYK 0 / 92 / 10 / 16

HEX #D712C2

RGB 215 18 194

HSL 306.4, 0.85%, 0.46%

LAB 50.42, 81.97, -42.47

 

CMYK 0 / 92 / 34 / 16

HEX #D7128D

RGB 215 18 141

HSL 322.54, 0.85%, 0.46%

LAB 48.01, 75.69, -14.82

 

CMYK 0 / 92 / 59 / 16

HEX #D71258

RGB 215 18 88

HSL 338.68, 0.85%, 0.46%

LAB 46.42, 71.37, 15.45

 

CMYK 0 / 92 / 84 / 16

HEX #D71223

RGB 215 18 35

HSL 354.82, 0.85%, 0.46%

LAB 45.64, 69.16, 45.99

 

CMYK 15 / 92 / 0 / 16

HEX #B712D7

RGB 183 18 215

HSL 290.25, 0.85%, 0.46%

LAB 46.19, 79.83, -61.68

 

CMYK 40 / 92 / 0 / 16

HEX #8212D7

RGB 130 18 215

HSL 274.11, 0.85%, 0.46%

LAB 37.99, 72.8, -75.39

 

CMYK 64 / 92 / 0 / 16

HEX #4D12D7

RGB 77 18 215

HSL 257.97, 0.85%, 0.46%

LAB 31.62, 68.18, -86.14

 

CMYK 89 / 92 / 0 / 16

HEX #1812D7

RGB 24 18 215

HSL 241.83, 0.85%, 0.46%

LAB 28.2, 66.15, -91.91

 

CMYK 92 / 92 / 0 / 16

HEX #1212D7

RGB 18 18 215

HSL 240, 0.85%, 0.46%

LAB 28.03, 66.06, -92.21

 

CMYK 15 / 92 / 0 / 16

HEX #B712D7

RGB 183 18 215

HSL 290.25, 0.85%, 0.46%

LAB 46.19, 79.83, -61.68

 

CMYK 15 / 92 / 0 / 16

HEX #B712D7

RGB 183 18 215

HSL 290.25, 0.85%, 0.46%

LAB 46.19, 79.83, -61.68

 

CMYK 13 / 81 / 0 / 23

HEX #AA25C4

RGB 170 37 196

HSL 290.19, 0.68%, 0.46%

LAB 44.02, 70.78, -54.3

 

CMYK 11 / 68 / 0 / 31

HEX #9E38B1

RGB 158 56 177

HSL 290.58, 0.52%, 0.46%

LAB 43.17, 58.56, -44.63

 

CMYK 8 / 53 / 0 / 38

HEX #914B9E

RGB 145 75 158

HSL 290.6, 0.36%, 0.46%

LAB 43.54, 42.57, -32.88

 

CMYK 5 / 32 / 0 / 45

HEX #845E8B

RGB 132 94 139

HSL 290.67, 0.19%, 0.46%

LAB 45.32, 23.75, -18.85

 

CMYK 64 / 92 / 0 / 16

HEX #4D12D7

RGB 77 18 215

HSL 257.97, 0.85%, 0.46%

LAB 31.62, 68.18, -86.14

 

CMYK 40 / 92 / 0 / 16

HEX #8212D7

RGB 130 18 215

HSL 274.11, 0.85%, 0.46%

LAB 37.99, 72.8, -75.39

 

CMYK 15 / 92 / 0 / 16

HEX #B612D7

RGB 182 18 215

HSL 289.95, 0.85%, 0.46%

LAB 46.02, 79.68, -61.96

 

CMYK 0 / 92 / 9 / 16

HEX #D712C4

RGB 215 18 196

HSL 305.79, 0.85%, 0.46%

LAB 50.53, 82.24, -43.46

 

CMYK 0 / 92 / 33 / 16

HEX #D7128F

RGB 215 18 143

HSL 321.93, 0.85%, 0.46%

LAB 48.09, 75.89, -15.91

 

CMYK 14 / 91 / 0 / 45

HEX #770C8B

RGB 119 12 139

HSL 290.55, 0.84%, 0.3%

LAB 29.54, 57.31, -43.86

 

CMYK 15 / 92 / 0 / 31

HEX #970FB1

RGB 151 15 177

HSL 290.37, 0.84%, 0.38%

LAB 38.01, 68.83, -52.97

 

CMYK 15 / 92 / 0 / 16

HEX #B712D7

RGB 183 18 215

HSL 290.25, 0.85%, 0.46%

LAB 46.19, 79.83, -61.68

 

CMYK 14 / 83 / 0 / 7

HEX #CC27EC

RGB 204 39 236

HSL 290.25, 0.84%, 0.54%

LAB 52.22, 83, -63.69

 

CMYK 11 / 68 / 0 / 6

HEX #D54DEF

RGB 213 77 239

HSL 290.37, 0.84%, 0.62%

LAB 57.74, 73.8, -56.45

 

CMYK 15 / 91 / 0 / 16

HEX #B713D7

RGB 183 19 215

HSL 290.2, 0.84%, 0.46%

LAB 46.23, 79.7, -61.61

 

CMYK 0 / 88 / 92 / 16

HEX #D71912

RGB 215 25 18

HSL 2.13, 0.85%, 0.46%

LAB 45.89, 67.83, 53.91

 

CMYK 92 / 0 / 52 / 16

HEX #12D768

RGB 18 215 104

HSL 146.19, 0.85%, 0.46%

LAB 75.9, -67.25, 42.41

 

CMYK 15 / 91 / 0 / 16

HEX #B713D7

RGB 183 19 215

HSL 290.2, 0.84%, 0.46%

LAB 46.23, 79.7, -61.61

 

CMYK 0 / 15 / 92 / 16

HEX #D7B612

RGB 215 182 18

HSL 49.95, 0.85%, 0.46%

LAB 74.79, -2.04, 74.69

 

CMYK 92 / 0 / 15 / 16

HEX #12D7B6

RGB 18 215 182

HSL 169.95, 0.85%, 0.46%

LAB 77.34, -50.95, 4.03

 

CMYK 15 / 91 / 0 / 16

HEX #B713D7

RGB 183 19 215

HSL 290.2, 0.84%, 0.46%

LAB 46.23, 79.7, -61.61

 

CMYK 0 / 88 / 92 / 16

HEX #D71912

RGB 215 25 18

HSL 2.13, 0.85%, 0.46%

LAB 45.89, 67.83, 53.91

 

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

CMYK 92 / 3 / 0 / 16

HEX #12D1D7

RGB 18 209 215

HSL 181.83, 0.85%, 0.46%

LAB 76.46, -39.07, -15

 

CMYK 15 / 91 / 0 / 16

HEX #B713D7

RGB 183 19 215

HSL 290.2, 0.84%, 0.46%

LAB 46.23, 79.7, -61.61

 

CMYK 0 / 61 / 92 / 16

HEX #D75412

RGB 215 84 18

HSL 20.1, 0.85%, 0.46%

LAB 52.76, 48.9, 58.54

 

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

CMYK 92 / 30 / 0 / 16

HEX #1296D7

RGB 18 150 215

HSL 199.8, 0.85%, 0.46%

LAB 58.83, -9.09, -42.13

 

Description

Color code: HEX #B713D7 | qconv.com Color code: HEX #B713D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 19 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 19 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 91 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 91% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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