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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B701AB it is the complementary color #48FE54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B701AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B701AB shade: #BC01A6, #CD13B9, #DE25CC, #EF37DF and #FF49F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B701AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B701AB shade: #B701AB, #A60098, #950085, #840072 and #73005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B701AB shade: #B600AA, #B60079, #B60048, #B60017 and #B60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B701AB shade: #B600AA, #9100B6, #6000B6, #2F00B6 and #0000B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B701AB shade matches the following richer shades: #B600AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B701AB shade: #B600AA, #A70F9D, #981E90, #8A2D84 and #7B3C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B701AB shade: #5E00B6, #8F00B6, #B600AD, #B6007D and #B6004C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B701AB shade: #64005D, #8D0084, #B600AA, #DF01D1 and #FD0CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B701AB shade: #B701AB, #B62E00 and #00B677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B701AB shade: #B701AB, #ADB600 and #00ADB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B701AB shade: #B701AB, #B62E00, #00B60A and #0089B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B701AB shade: #B701AB, #B66400, #00B60A and #0052B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 7 / 28

HEX #B701AB

RGB 183 1 171

HSL 303.96, 0.99%, 0.36%

LAB 42.81, 74.76, -41.4

 

Complementary color

CMYK 72 / 0 / 67 / 0

HEX #48FE54

RGB 72 254 84

HSL 123.96, 0.99%, 0.64%

LAB 88.4, -76.2, 65.62

 

CMYK 0 / 99 / 12 / 26

HEX #BC01A6

RGB 188 1 166

HSL 307.06, 0.99%, 0.37%

LAB 43.46, 74.95, -37.33

 

CMYK 0 / 91 / 10 / 20

HEX #CD13B9

RGB 205 19 185

HSL 306.45, 0.83%, 0.44%

LAB 48.19, 78.82, -40.87

 

CMYK 0 / 83 / 8 / 13

HEX #DE25CC

RGB 222 37 204

HSL 305.84, 0.74%, 0.51%

LAB 53.18, 81.69, -43.8

 

CMYK 0 / 77 / 7 / 6

HEX #EF37DF

RGB 239 55 223

HSL 305.22, 0.85%, 0.58%

LAB 58.42, 83.59, -46.13

 

CMYK 0 / 71 / 5 / 0

HEX #FF49F2

RGB 255 73 242

HSL 304.29, 1%, 0.64%

LAB 63.7, 84.54, -48.26

 

CMYK 0 / 99 / 7 / 28

HEX #B701AB

RGB 183 1 171

HSL 303.96, 0.99%, 0.36%

LAB 42.81, 74.76, -41.4

 

CMYK 0 / 100 / 8 / 35

HEX #A60098

RGB 166 0 152

HSL 305.06, 1%, 0.33%

LAB 38.51, 69.21, -37

 

CMYK 0 / 100 / 11 / 42

HEX #950085

RGB 149 0 133

HSL 306.44, 1%, 0.29%

LAB 34.16, 63.46, -32.42

 

CMYK 0 / 100 / 14 / 48

HEX #840072

RGB 132 0 114

HSL 308.18, 1%, 0.26%

LAB 29.71, 57.58, -27.68

 

CMYK 0 / 100 / 17 / 55

HEX #73005F

RGB 115 0 95

HSL 310.43, 1%, 0.23%

LAB 25.17, 51.57, -22.75

 

CMYK 0 / 100 / 7 / 29

HEX #B600AA

RGB 182 0 170

HSL 303.96, 1%, 0.36%

LAB 42.53, 74.54, -41.25

 

CMYK 0 / 100 / 34 / 29

HEX #B60079

RGB 182 0 121

HSL 320.11, 1%, 0.36%

LAB 40.12, 68.5, -15.15

 

CMYK 0 / 100 / 60 / 29

HEX #B60048

RGB 182 0 72

HSL 336.26, 1%, 0.36%

LAB 38.57, 64.43, 13.73

 

CMYK 0 / 100 / 87 / 29

HEX #B60017

RGB 182 0 23

HSL 352.42, 1%, 0.36%

LAB 37.85, 62.49, 42.7

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 100 / 7 / 29

HEX #B600AA

RGB 182 0 170

HSL 303.96, 1%, 0.36%

LAB 42.53, 74.54, -41.25

 

CMYK 20 / 100 / 0 / 29

HEX #9100B6

RGB 145 0 182

HSL 287.8, 1%, 0.36%

LAB 36.74, 70.67, -58.06

 

CMYK 47 / 100 / 0 / 29

HEX #6000B6

RGB 96 0 182

HSL 271.65, 1%, 0.36%

LAB 29.07, 65.11, -70.93

 

CMYK 74 / 100 / 0 / 29

HEX #2F00B6

RGB 47 0 182

HSL 255.49, 1%, 0.36%

LAB 23.61, 62.24, -80.15

 

CMYK 100 / 100 / 0 / 29

HEX #0000B6

RGB 0 0 182

HSL 240, 1%, 0.36%

LAB 21.5, 61.48, -83.73

 

CMYK 0 / 100 / 7 / 29

HEX #B600AA

RGB 182 0 170

HSL 303.96, 1%, 0.36%

LAB 42.53, 74.54, -41.25

 

CMYK 0 / 100 / 7 / 29

HEX #B600AA

RGB 182 0 170

HSL 303.96, 1%, 0.36%

LAB 42.53, 74.54, -41.25

 

CMYK 0 / 91 / 6 / 35

HEX #A70F9D

RGB 167 15 157

HSL 303.95, 0.84%, 0.36%

LAB 39.57, 68.38, -38.34

 

CMYK 0 / 80 / 5 / 40

HEX #981E90

RGB 152 30 144

HSL 303.93, 0.67%, 0.36%

LAB 37.15, 60.41, -34.43

 

CMYK 0 / 67 / 4 / 46

HEX #8A2D84

RGB 138 45 132

HSL 303.87, 0.51%, 0.36%

LAB 35.88, 50.05, -29.2

 

CMYK 0 / 51 / 3 / 52

HEX #7B3C77

RGB 123 60 119

HSL 303.81, 0.34%, 0.36%

LAB 35.55, 36.18, -21.81

 

CMYK 48 / 100 / 0 / 29

HEX #5E00B6

RGB 94 0 182

HSL 270.99, 1%, 0.36%

LAB 28.79, 64.94, -71.39

 

CMYK 21 / 100 / 0 / 29

HEX #8F00B6

RGB 143 0 182

HSL 287.14, 1%, 0.36%

LAB 36.4, 70.4, -58.62

 

CMYK 0 / 100 / 5 / 29

HEX #B600AD

RGB 182 0 173

HSL 302.97, 1%, 0.36%

LAB 42.71, 74.97, -42.76

 

CMYK 0 / 100 / 31 / 29

HEX #B6007D

RGB 182 0 125

HSL 318.79, 1%, 0.36%

LAB 40.29, 68.92, -17.38

 

CMYK 0 / 100 / 58 / 29

HEX #B6004C

RGB 182 0 76

HSL 334.95, 1%, 0.36%

LAB 38.67, 64.68, 11.29

 

CMYK 0 / 100 / 7 / 61

HEX #64005D

RGB 100 0 93

HSL 304.2, 1%, 0.2%

LAB 21.94, 48.32, -26.73

 

CMYK 0 / 100 / 6 / 45

HEX #8D0084

RGB 141 0 132

HSL 303.83, 1%, 0.28%

LAB 32.54, 61.86, -34.45

 

CMYK 0 / 100 / 7 / 29

HEX #B600AA

RGB 182 0 170

HSL 303.96, 1%, 0.36%

LAB 42.53, 74.54, -41.25

 

CMYK 0 / 100 / 6 / 13

HEX #DF01D1

RGB 223 1 209

HSL 303.78, 0.99%, 0.44%

LAB 52.19, 86.77, -48.23

 

CMYK 0 / 95 / 6 / 1

HEX #FD0CED

RGB 253 12 237

HSL 303.98, 0.98%, 0.52%

LAB 59.21, 94.78, -52.6

 

CMYK 0 / 99 / 7 / 28

HEX #B701AB

RGB 183 1 171

HSL 303.96, 0.99%, 0.36%

LAB 42.81, 74.76, -41.4

 

CMYK 0 / 75 / 100 / 29

HEX #B62E00

RGB 182 46 0

HSL 15.16, 1%, 0.36%

LAB 41.06, 52.79, 53.51

 

CMYK 100 / 0 / 35 / 29

HEX #00B677

RGB 0 182 119

HSL 159.23, 1%, 0.36%

LAB 65.58, -53.97, 21.36

 

CMYK 0 / 99 / 7 / 28

HEX #B701AB

RGB 183 1 171

HSL 303.96, 0.99%, 0.36%

LAB 42.81, 74.76, -41.4

 

CMYK 5 / 0 / 100 / 29

HEX #ADB600

RGB 173 182 0

HSL 62.97, 1%, 0.36%

LAB 71.1, -20.65, 72.49

 

CMYK 100 / 5 / 0 / 29

HEX #00ADB6

RGB 0 173 182

HSL 182.97, 1%, 0.36%

LAB 64.37, -33.13, -15.15

 

CMYK 0 / 99 / 7 / 28

HEX #B701AB

RGB 183 1 171

HSL 303.96, 0.99%, 0.36%

LAB 42.81, 74.76, -41.4

 

CMYK 0 / 75 / 100 / 29

HEX #B62E00

RGB 182 46 0

HSL 15.16, 1%, 0.36%

LAB 41.06, 52.79, 53.51

 

CMYK 100 / 0 / 95 / 29

HEX #00B60A

RGB 0 182 10

HSL 123.3, 1%, 0.36%

LAB 64.55, -66.67, 63.34

 

CMYK 100 / 25 / 0 / 29

HEX #0089B6

RGB 0 137 182

HSL 194.84, 1%, 0.36%

LAB 53.24, -14.61, -32.24

 

CMYK 0 / 99 / 7 / 28

HEX #B701AB

RGB 183 1 171

HSL 303.96, 0.99%, 0.36%

LAB 42.81, 74.76, -41.4

 

CMYK 0 / 45 / 100 / 29

HEX #B66400

RGB 182 100 0

HSL 32.97, 1%, 0.36%

LAB 50.76, 27.62, 58.85

 

CMYK 100 / 0 / 95 / 29

HEX #00B60A

RGB 0 182 10

HSL 123.3, 1%, 0.36%

LAB 64.55, -66.67, 63.34

 

CMYK 100 / 55 / 0 / 29

HEX #0052B6

RGB 0 82 182

HSL 212.97, 1%, 0.36%

LAB 36.77, 19.58, -58.52

 

Description

Color code: HEX #B701AB | qconv.com Color code: HEX #B701AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 1 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 1 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 7 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 7% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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