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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6EDFB it is the complementary color #491204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6EDFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6EDFB shade: #BBEDF6, #CCFFFF, #DDFFFF, #EEFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6EDFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6EDFB shade: #B6EDFB, #A5DBE8, #94C9D5, #83B7C2 and #72A5AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6EDFB shade: #B6EDFB, #B6DAFB, #B6C8FB, #B7B6FB and #C9B6FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6EDFB shade: #B6EDFB, #B6DAFB, #B6C8FB and #B6B6FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6EDFB shade matches the following richer shades: #B6EDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6EDFB shade: #B6EDFB, #BCE9F4, #C2E5EE, #C8E2E8 and #CFDEE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6EDFB shade: #B6FBE4, #B6FBF6, #B6EDFB, #B6DBFB and #B6C8FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6EDFB shade: #67DAF7, #8FE3F9, #B6EDFB and #DDF6FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6EDFB shade: #B6EDFB, #D1B6FB and #FBEDB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6EDFB shade: #B6EDFB, #FBB6ED and #EDFBB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6EDFB shade: #B6EDFB, #D1B6FB, #FBC4B6 and #DFFBB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6EDFB shade: #B6EDFB, #E6B6FB, #FBC4B6 and #CAFBB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

Complementary color

CMYK 0 / 75 / 95 / 71

HEX #491204

RGB 73 18 4

HSL 12.17, 0.9%, 0.15%

LAB 14.72, 25.34, 20.86

 

CMYK 24 / 4 / 0 / 4

HEX #BBEDF6

RGB 187 237 246

HSL 189.15, 0.77%, 0.85%

LAB 90.68, -13.94, -9.59

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 29 / 6 / 0 / 9

HEX #A5DBE8

RGB 165 219 232

HSL 191.64, 0.59%, 0.78%

LAB 84.22, -14.28, -11.99

 

CMYK 31 / 6 / 0 / 16

HEX #94C9D5

RGB 148 201 213

HSL 191.08, 0.44%, 0.71%

LAB 77.8, -14.3, -11.53

 

CMYK 32 / 6 / 0 / 24

HEX #83B7C2

RGB 131 183 194

HSL 190.48, 0.34%, 0.64%

LAB 71.27, -14.31, -11.06

 

CMYK 35 / 6 / 0 / 31

HEX #72A5AF

RGB 114 165 175

HSL 189.84, 0.28%, 0.57%

LAB 64.63, -14.33, -10.57

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 27 / 13 / 0 / 2

HEX #B6DAFB

RGB 182 218 251

HSL 208.7, 0.9%, 0.85%

LAB 85.53, -4.52, -19.97

 

CMYK 27 / 20 / 0 / 2

HEX #B6C8FB

RGB 182 200 251

HSL 224.35, 0.9%, 0.85%

LAB 80.86, 5.03, -27.07

 

CMYK 27 / 27 / 0 / 2

HEX #B7B6FB

RGB 183 182 251

HSL 240.87, 0.9%, 0.85%

LAB 76.37, 15.13, -33.97

 

CMYK 20 / 27 / 0 / 2

HEX #C9B6FB

RGB 201 182 251

HSL 256.52, 0.9%, 0.85%

LAB 77.78, 20.43, -31.67

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 27 / 13 / 0 / 2

HEX #B6DAFB

RGB 182 218 251

HSL 208.7, 0.9%, 0.85%

LAB 85.53, -4.52, -19.97

 

CMYK 27 / 20 / 0 / 2

HEX #B6C8FB

RGB 182 200 251

HSL 224.35, 0.9%, 0.85%

LAB 80.86, 5.03, -27.07

 

CMYK 27 / 27 / 0 / 2

HEX #B6B6FB

RGB 182 182 251

HSL 240, 0.9%, 0.85%

LAB 76.29, 14.84, -34.09

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 23 / 5 / 0 / 4

HEX #BCE9F4

RGB 188 233 244

HSL 191.79, 0.72%, 0.85%

LAB 89.63, -12.06, -10.11

 

CMYK 18 / 4 / 0 / 7

HEX #C2E5EE

RGB 194 229 238

HSL 192.27, 0.56%, 0.85%

LAB 88.77, -9.51, -8.2

 

CMYK 14 / 3 / 0 / 9

HEX #C8E2E8

RGB 200 226 232

HSL 191.25, 0.41%, 0.85%

LAB 88.21, -7.35, -5.83

 

CMYK 8 / 2 / 0 / 11

HEX #CFDEE2

RGB 207 222 226

HSL 192.63, 0.25%, 0.85%

LAB 87.48, -4.23, -3.69

 

CMYK 27 / 0 / 9 / 2

HEX #B6FBE4

RGB 182 251 228

HSL 160, 0.9%, 0.85%

LAB 93.68, -26.04, 4.13

 

CMYK 27 / 0 / 2 / 2

HEX #B6FBF6

RGB 182 251 246

HSL 175.65, 0.9%, 0.85%

LAB 94.14, -22.29, -4.51

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 27 / 13 / 0 / 2

HEX #B6DBFB

RGB 182 219 251

HSL 207.83, 0.9%, 0.85%

LAB 85.79, -5.05, -19.57

 

CMYK 27 / 20 / 0 / 2

HEX #B6C8FB

RGB 182 200 251

HSL 224.35, 0.9%, 0.85%

LAB 80.86, 5.03, -27.07

 

CMYK 58 / 12 / 0 / 3

HEX #67DAF7

RGB 103 218 247

HSL 192.08, 0.9%, 0.69%

LAB 81.7, -24.46, -24.02

 

CMYK 43 / 9 / 0 / 2

HEX #8FE3F9

RGB 143 227 249

HSL 192.45, 0.9%, 0.77%

LAB 85.81, -19.95, -18.69

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 13 / 3 / 0 / 1

HEX #DDF6FD

RGB 221 246 253

HSL 193.13, 0.89%, 0.93%

LAB 95.32, -6.75, -6.13

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 17 / 27 / 0 / 2

HEX #D1B6FB

RGB 209 182 251

HSL 263.48, 0.9%, 0.85%

LAB 78.45, 22.85, -30.59

 

CMYK 0 / 6 / 27 / 2

HEX #FBEDB6

RGB 251 237 182

HSL 47.83, 0.9%, 0.85%

LAB 93.65, -3.48, 28.41

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 0 / 27 / 6 / 2

HEX #FBB6ED

RGB 251 182 237

HSL 312.17, 0.9%, 0.85%

LAB 81.88, 33.46, -17.49

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 17 / 27 / 0 / 2

HEX #D1B6FB

RGB 209 182 251

HSL 263.48, 0.9%, 0.85%

LAB 78.45, 22.85, -30.59

 

CMYK 0 / 22 / 27 / 2

HEX #FBC4B6

RGB 251 196 182

HSL 12.17, 0.9%, 0.85%

LAB 83.63, 17.66, 14.55

 

CMYK 11 / 0 / 27 / 2

HEX #DFFBB6

RGB 223 251 182

HSL 84.35, 0.9%, 0.85%

LAB 95.19, -20.58, 30.15

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 8 / 27 / 0 / 2

HEX #E6B6FB

RGB 230 182 251

HSL 281.74, 0.9%, 0.85%

LAB 80.32, 29.33, -27.56

 

CMYK 0 / 22 / 27 / 2

HEX #FBC4B6

RGB 251 196 182

HSL 12.17, 0.9%, 0.85%

LAB 83.63, 17.66, 14.55

 

CMYK 20 / 0 / 27 / 2

HEX #CAFBB6

RGB 202 251 182

HSL 102.61, 0.9%, 0.85%

LAB 93.85, -27.85, 28.12

 

Description

Color code: HEX #B6EDFB | qconv.com Color code: HEX #B6EDFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 237 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 237 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 6 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 6% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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