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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6E8AF it is the complementary color #491750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6E8AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6E8AF shade: #BBE8AA, #CCFABD, #DDFFD0, #EEFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6E8AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6E8AF shade: #B6E8AF, #A5D69C, #94C489, #83B276 and #72A063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6E8AF shade: #B6E8AF, #C5E8AF, #D5E8AF, #E4E8AF and #E8DCAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6E8AF shade: #B6E8AF, #AFE8B8, #AFE8C7, #AFE8D6 and #AFE8E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6E8AF shade matches the following richer shades: #B6E8AF, #B0F0A7 and #AAF89F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6E8AF shade: #B6E8AF, #BDDFB8, #C3D7C0, #C9CFC8 and #CFC7D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6E8AF shade: #D5E8AF, #C6E8AF, #B7E8AF, #AFE8B7 and #AFE8C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6E8AF shade: #7CD56F, #99DE8F, #B6E8AF, #D4F1CF and #F1FAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6E8AF shade: #B6E8AF, #AFE4E8 and #E8AFCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6E8AF shade: #B6E8AF, #AFB7E8 and #E8AFB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6E8AF shade: #B6E8AF, #AFE4E8, #E0AFE8 and #E8B3AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6E8AF shade: #B6E8AF, #AFD3E8, #E0AFE8 and #E8C4AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

Complementary color

CMYK 9 / 71 / 0 / 69

HEX #491750

RGB 73 23 80

HSL 292.63, 0.55%, 0.2%

LAB 18.4, 32.62, -23.95

 

CMYK 19 / 0 / 27 / 9

HEX #BBE8AA

RGB 187 232 170

HSL 103.55, 0.57%, 0.79%

LAB 87.57, -25.76, 25.53

 

CMYK 18 / 0 / 24 / 2

HEX #CCFABD

RGB 204 250 189

HSL 105.25, 0.86%, 0.86%

LAB 93.83, -25.63, 24.56

 

CMYK 13 / 0 / 18 / 0

HEX #DDFFD0

RGB 221 255 208

HSL 103.4, 1%, 0.91%

LAB 96.59, -19.28, 18.87

 

CMYK 7 / 0 / 11 / 0

HEX #EEFFE3

RGB 238 255 227

HSL 96.43, 1%, 0.95%

LAB 98.13, -10.44, 11.49

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 23 / 0 / 27 / 16

HEX #A5D69C

RGB 165 214 156

HSL 110.69, 0.41%, 0.73%

LAB 81.01, -26.83, 23.62

 

CMYK 24 / 0 / 30 / 23

HEX #94C489

RGB 148 196 137

HSL 108.81, 0.33%, 0.65%

LAB 74.56, -27.02, 24.67

 

CMYK 26 / 0 / 34 / 30

HEX #83B276

RGB 131 178 118

HSL 107, 0.28%, 0.58%

LAB 68, -27.22, 25.78

 

CMYK 29 / 0 / 38 / 37

HEX #72A063

RGB 114 160 99

HSL 105.25, 0.24%, 0.51%

LAB 61.32, -27.41, 26.96

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 15 / 0 / 25 / 9

HEX #C5E8AF

RGB 197 232 175

HSL 96.84, 0.55%, 0.8%

LAB 88.29, -21.53, 24.05

 

CMYK 8 / 0 / 25 / 9

HEX #D5E8AF

RGB 213 232 175

HSL 80, 0.55%, 0.8%

LAB 89.37, -15.86, 25.7

 

CMYK 2 / 0 / 25 / 9

HEX #E4E8AF

RGB 228 232 175

HSL 64.21, 0.55%, 0.8%

LAB 90.46, -10.4, 27.36

 

CMYK 0 / 5 / 25 / 9

HEX #E8DCAF

RGB 232 220 175

HSL 47.37, 0.55%, 0.8%

LAB 87.7, -2.85, 23.63

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 25 / 0 / 21 / 9

HEX #AFE8B8

RGB 175 232 184

HSL 129.47, 0.55%, 0.8%

LAB 87.14, -27.43, 17.58

 

CMYK 25 / 0 / 14 / 9

HEX #AFE8C7

RGB 175 232 199

HSL 145.26, 0.55%, 0.8%

LAB 87.46, -24.69, 10.21

 

CMYK 25 / 0 / 8 / 9

HEX #AFE8D6

RGB 175 232 214

HSL 161.05, 0.55%, 0.8%

LAB 87.82, -21.75, 2.86

 

CMYK 25 / 0 / 1 / 9

HEX #AFE8E5

RGB 175 232 229

HSL 176.84, 0.55%, 0.8%

LAB 88.2, -18.61, -4.44

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 27 / 0 / 30 / 6

HEX #B0F0A7

RGB 176 240 167

HSL 112.6, 0.71%, 0.8%

LAB 89.08, -33.68, 29.01

 

CMYK 31 / 0 / 36 / 3

HEX #AAF89F

RGB 170 248 159

HSL 112.58, 0.86%, 0.8%

LAB 90.86, -40.45, 35.36

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 15 / 0 / 17 / 13

HEX #BDDFB8

RGB 189 223 184

HSL 112.31, 0.38%, 0.8%

LAB 85.53, -18.41, 15.45

 

CMYK 9 / 0 / 11 / 16

HEX #C3D7C0

RGB 195 215 192

HSL 112.17, 0.22%, 0.8%

LAB 83.97, -10.94, 9.07

 

CMYK 3 / 0 / 3 / 19

HEX #C9CFC8

RGB 201 207 200

HSL 111.43, 0.07%, 0.8%

LAB 82.49, -3.32, 2.75

 

CMYK 0 / 4 / 0 / 18

HEX #CFC7D0

RGB 207 199 208

HSL 293.33, 0.09%, 0.8%

LAB 81.11, 4.41, -3.5

 

CMYK 8 / 0 / 25 / 9

HEX #D5E8AF

RGB 213 232 175

HSL 80, 0.55%, 0.8%

LAB 89.37, -15.86, 25.7

 

CMYK 15 / 0 / 25 / 9

HEX #C6E8AF

RGB 198 232 175

HSL 95.79, 0.55%, 0.8%

LAB 88.36, -21.18, 24.15

 

CMYK 21 / 0 / 25 / 9

HEX #B7E8AF

RGB 183 232 175

HSL 111.58, 0.55%, 0.8%

LAB 87.42, -26.32, 22.71

 

CMYK 25 / 0 / 21 / 9

HEX #AFE8B7

RGB 175 232 183

HSL 128.42, 0.55%, 0.8%

LAB 87.12, -27.61, 18.07

 

CMYK 25 / 0 / 15 / 9

HEX #AFE8C6

RGB 175 232 198

HSL 144.21, 0.55%, 0.8%

LAB 87.44, -24.88, 10.7

 

CMYK 42 / 0 / 48 / 16

HEX #7CD56F

RGB 124 213 111

HSL 112.35, 0.55%, 0.64%

LAB 77.89, -46.39, 42.03

 

CMYK 31 / 0 / 36 / 13

HEX #99DE8F

RGB 153 222 143

HSL 112.41, 0.54%, 0.72%

LAB 82.38, -36.62, 32.05

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 12 / 0 / 14 / 5

HEX #D4F1CF

RGB 212 241 207

HSL 111.18, 0.55%, 0.88%

LAB 92.31, -15.62, 13.27

 

CMYK 4 / 0 / 4 / 2

HEX #F1FAEF

RGB 241 250 239

HSL 109.09, 0.52%, 0.96%

LAB 97.35, -4.9, 4.23

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 25 / 2 / 0 / 9

HEX #AFE4E8

RGB 175 228 232

HSL 184.21, 0.55%, 0.8%

LAB 87.21, -15.96, -7.49

 

CMYK 0 / 25 / 12 / 9

HEX #E8AFCD

RGB 232 175 205

HSL 328.42, 0.55%, 0.8%

LAB 77.41, 25.38, -7.08

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 25 / 21 / 0 / 9

HEX #AFB7E8

RGB 175 183 232

HSL 231.58, 0.55%, 0.8%

LAB 75.33, 7.73, -25.36

 

CMYK 0 / 25 / 21 / 9

HEX #E8AFB7

RGB 232 175 183

HSL 351.58, 0.55%, 0.8%

LAB 76.82, 21.94, 4.03

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 25 / 2 / 0 / 9

HEX #AFE4E8

RGB 175 228 232

HSL 184.21, 0.55%, 0.8%

LAB 87.21, -15.96, -7.49

 

CMYK 3 / 25 / 0 / 9

HEX #E0AFE8

RGB 224 175 232

HSL 291.58, 0.55%, 0.8%

LAB 77.48, 27.5, -21.71

 

CMYK 0 / 23 / 25 / 9

HEX #E8B3AF

RGB 232 179 175

HSL 4.21, 0.55%, 0.8%

LAB 77.57, 18.65, 9.46

 

CMYK 22 / 0 / 25 / 9

HEX #B6E8AF

RGB 182 232 175

HSL 112.63, 0.55%, 0.8%

LAB 87.37, -26.66, 22.62

 

CMYK 25 / 9 / 0 / 9

HEX #AFD3E8

RGB 175 211 232

HSL 202.11, 0.55%, 0.8%

LAB 82.66, -7.25, -14.26

 

CMYK 3 / 25 / 0 / 9

HEX #E0AFE8

RGB 224 175 232

HSL 291.58, 0.55%, 0.8%

LAB 77.48, 27.5, -21.71

 

CMYK 0 / 16 / 25 / 9

HEX #E8C4AF

RGB 232 196 175

HSL 22.11, 0.55%, 0.8%

LAB 81.69, 9.63, 15.29

 

Description

Color code: HEX #B6E8AF | qconv.com Color code: HEX #B6E8AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 232 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 232 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 25 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 25% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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