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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6E754 it is the complementary color #4918AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6E754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6E754 shade: #BBE74F, #CCF962, #DDFF75, #EEFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6E754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6E754 shade: #B6E754, #A5D541, #94C32E, #83B11B and #729F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6E754 shade: #B6E655, #DDE655, #E6C855, #E6A155 and #E67A55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6E754 shade: #B6E655, #8FE655, #67E655, #55E66A and #55E691

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6E754 shade matches the following richer shades: #B6E655 and #BBF645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6E754 shade: #B6E655, #B1D765, #ABC774, #A6B784 and #A1A894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6E754 shade: #E6C955, #DDE655, #B6E655, #8FE655 and #68E655

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6E754 shade: #92CC1D, #A6E131, #B6E655, #C5EB79 and #D5F19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6E754 shade: #B6E754, #55E6A2 and #DD55E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6E754 shade: #B6E754, #55B6E6 and #E655B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6E754 shade: #B6E754, #55E6A2, #8555E6 and #E65599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6E754 shade: #B6E754, #55E6CE, #8555E6 and #E6556D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 64 / 9

HEX #B6E754

RGB 182 231 84

HSL 80, 0.75%, 0.62%

LAB 85.87, -36.93, 64.17

 

Complementary color

CMYK 57 / 86 / 0 / 33

HEX #4918AB

RGB 73 24 171

HSL 260, 0.75%, 0.38%

LAB 26.76, 55.02, -68.24

 

CMYK 19 / 0 / 66 / 9

HEX #BBE74F

RGB 187 231 79

HSL 77.37, 0.76%, 0.61%

LAB 86.15, -35.37, 66.52

 

CMYK 18 / 0 / 61 / 2

HEX #CCF962

RGB 204 249 98

HSL 77.88, 0.93%, 0.68%

LAB 92.34, -35.74, 65.87

 

CMYK 13 / 0 / 54 / 0

HEX #DDFF75

RGB 221 255 117

HSL 74.78, 1%, 0.73%

LAB 95.24, -30.55, 61.32

 

CMYK 7 / 0 / 47 / 0

HEX #EEFF88

RGB 238 255 136

HSL 68.57, 1%, 0.77%

LAB 96.61, -22.38, 54.62

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 21 / 0 / 64 / 9

HEX #B6E754

RGB 182 231 84

HSL 80, 0.75%, 0.62%

LAB 85.87, -36.93, 64.17

 

CMYK 23 / 0 / 69 / 16

HEX #A5D541

RGB 165 213 65

HSL 79.46, 0.64%, 0.55%

LAB 79.6, -36.53, 64.65

 

CMYK 24 / 0 / 76 / 24

HEX #94C32E

RGB 148 195 46

HSL 78.93, 0.62%, 0.47%

LAB 73.24, -36, 64.61

 

CMYK 26 / 0 / 85 / 31

HEX #83B11B

RGB 131 177 27

HSL 78.4, 0.74%, 0.4%

LAB 66.79, -35.28, 63.69

 

CMYK 28 / 0 / 95 / 38

HEX #729F08

RGB 114 159 8

HSL 77.88, 0.9%, 0.33%

LAB 60.24, -34.33, 61.35

 

CMYK 21 / 0 / 63 / 10

HEX #B6E655

RGB 182 230 85

HSL 79.86, 0.74%, 0.62%

LAB 85.6, -36.4, 63.47

 

CMYK 4 / 0 / 63 / 10

HEX #DDE655

RGB 221 230 85

HSL 63.72, 0.74%, 0.62%

LAB 88.27, -21.09, 67.11

 

CMYK 0 / 13 / 63 / 10

HEX #E6C855

RGB 230 200 85

HSL 47.59, 0.74%, 0.62%

LAB 81.17, -2.38, 59.75

 

CMYK 0 / 30 / 63 / 10

HEX #E6A155

RGB 230 161 85

HSL 31.45, 0.74%, 0.62%

LAB 71.53, 18.14, 49

 

CMYK 0 / 47 / 63 / 10

HEX #E67A55

RGB 230 122 85

HSL 15.31, 0.74%, 0.62%

LAB 62.84, 38.67, 38.78

 

CMYK 21 / 0 / 63 / 10

HEX #B6E655

RGB 182 230 85

HSL 79.86, 0.74%, 0.62%

LAB 85.6, -36.4, 63.47

 

CMYK 38 / 0 / 63 / 10

HEX #8FE655

RGB 143 230 85

HSL 96, 0.74%, 0.62%

LAB 83.49, -50.23, 60.57

 

CMYK 55 / 0 / 63 / 10

HEX #67E655

RGB 103 230 85

HSL 112.55, 0.74%, 0.62%

LAB 81.91, -61.85, 58.38

 

CMYK 63 / 0 / 54 / 10

HEX #55E66A

RGB 85 230 106

HSL 128.69, 0.74%, 0.62%

LAB 81.6, -63.53, 48.64

 

CMYK 63 / 0 / 37 / 10

HEX #55E691

RGB 85 230 145

HSL 144.83, 0.74%, 0.62%

LAB 82.15, -57.46, 30.26

 

CMYK 21 / 0 / 63 / 10

HEX #B6E655

RGB 182 230 85

HSL 79.86, 0.74%, 0.62%

LAB 85.6, -36.4, 63.47

 

CMYK 24 / 0 / 72 / 4

HEX #BBF645

RGB 187 246 69

HSL 80, 0.91%, 0.62%

LAB 90.28, -42.65, 74.29

 

CMYK 21 / 0 / 63 / 10

HEX #B6E655

RGB 182 230 85

HSL 79.86, 0.74%, 0.62%

LAB 85.6, -36.4, 63.47

 

CMYK 18 / 0 / 53 / 16

HEX #B1D765

RGB 177 215 101

HSL 80, 0.59%, 0.62%

LAB 81.23, -30.03, 51.5

 

CMYK 14 / 0 / 42 / 22

HEX #ABC774

RGB 171 199 116

HSL 80.24, 0.43%, 0.62%

LAB 76.54, -23.02, 38.41

 

CMYK 9 / 0 / 28 / 28

HEX #A6B784

RGB 166 183 132

HSL 80, 0.26%, 0.62%

LAB 71.99, -14.75, 24.05

 

CMYK 4 / 0 / 12 / 34

HEX #A1A894

RGB 161 168 148

HSL 81, 0.1%, 0.62%

LAB 67.81, -6.17, 9.48

 

CMYK 0 / 13 / 63 / 10

HEX #E6C955

RGB 230 201 85

HSL 48, 0.74%, 0.62%

LAB 81.43, -2.9, 60.03

 

CMYK 4 / 0 / 63 / 10

HEX #DDE655

RGB 221 230 85

HSL 63.72, 0.74%, 0.62%

LAB 88.27, -21.09, 67.11

 

CMYK 21 / 0 / 63 / 10

HEX #B6E655

RGB 182 230 85

HSL 79.86, 0.74%, 0.62%

LAB 85.6, -36.4, 63.47

 

CMYK 38 / 0 / 63 / 10

HEX #8FE655

RGB 143 230 85

HSL 96, 0.74%, 0.62%

LAB 83.49, -50.23, 60.57

 

CMYK 55 / 0 / 63 / 10

HEX #68E655

RGB 104 230 85

HSL 112.14, 0.74%, 0.62%

LAB 81.94, -61.6, 58.43

 

CMYK 28 / 0 / 86 / 20

HEX #92CC1D

RGB 146 204 29

HSL 79.89, 0.75%, 0.46%

LAB 75.69, -41.44, 71.22

 

CMYK 26 / 0 / 78 / 12

HEX #A6E131

RGB 166 225 49

HSL 80.11, 0.75%, 0.54%

LAB 83.01, -42.31, 73.16

 

CMYK 21 / 0 / 63 / 10

HEX #B6E655

RGB 182 230 85

HSL 79.86, 0.74%, 0.62%

LAB 85.6, -36.4, 63.47

 

CMYK 16 / 0 / 49 / 8

HEX #C5EB79

RGB 197 235 121

HSL 80, 0.74%, 0.7%

LAB 88.29, -29.89, 50.9

 

CMYK 12 / 0 / 35 / 5

HEX #D5F19D

RGB 213 241 157

HSL 80, 0.75%, 0.78%

LAB 91.46, -22.7, 37.61

 

CMYK 21 / 0 / 64 / 9

HEX #B6E754

RGB 182 231 84

HSL 80, 0.75%, 0.62%

LAB 85.87, -36.93, 64.17

 

CMYK 63 / 0 / 30 / 10

HEX #55E6A2

RGB 85 230 162

HSL 151.86, 0.74%, 0.62%

LAB 82.45, -54.2, 21.94

 

CMYK 4 / 63 / 0 / 10

HEX #DD55E6

RGB 221 85 230

HSL 296.28, 0.74%, 0.62%

LAB 59.51, 70.9, -48.53

 

CMYK 21 / 0 / 64 / 9

HEX #B6E754

RGB 182 231 84

HSL 80, 0.75%, 0.62%

LAB 85.87, -36.93, 64.17

 

CMYK 63 / 21 / 0 / 10

HEX #55B6E6

RGB 85 182 230

HSL 199.86, 0.74%, 0.62%

LAB 70.25, -14.2, -32.49

 

CMYK 0 / 63 / 21 / 10

HEX #E655B6

RGB 230 85 182

HSL 319.86, 0.74%, 0.62%

LAB 58.69, 65.79, -22.45

 

CMYK 21 / 0 / 64 / 9

HEX #B6E754

RGB 182 231 84

HSL 80, 0.75%, 0.62%

LAB 85.87, -36.93, 64.17

 

CMYK 63 / 0 / 30 / 10

HEX #55E6A2

RGB 85 230 162

HSL 151.86, 0.74%, 0.62%

LAB 82.45, -54.2, 21.94

 

CMYK 42 / 63 / 0 / 10

HEX #8555E6

RGB 133 85 230

HSL 259.86, 0.74%, 0.62%

LAB 48.51, 51.46, -66.77

 

CMYK 0 / 63 / 33 / 10

HEX #E65599

RGB 230 85 153

HSL 331.86, 0.74%, 0.62%

LAB 57.67, 62.16, -7.17

 

CMYK 21 / 0 / 64 / 9

HEX #B6E754

RGB 182 231 84

HSL 80, 0.75%, 0.62%

LAB 85.87, -36.93, 64.17

 

CMYK 63 / 0 / 10 / 10

HEX #55E6CE

RGB 85 230 206

HSL 170.07, 0.74%, 0.62%

LAB 83.43, -44.21, 0.25

 

CMYK 42 / 63 / 0 / 10

HEX #8555E6

RGB 133 85 230

HSL 259.86, 0.74%, 0.62%

LAB 48.51, 51.46, -66.77

 

CMYK 0 / 63 / 53 / 10

HEX #E6556D

RGB 230 85 109

HSL 350.07, 0.74%, 0.62%

LAB 56.51, 57.86, 17.02

 

Description

Color code: HEX #B6E754 | qconv.com Color code: HEX #B6E754 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 231 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 231 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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