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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6DCD6 it is the complementary color #492329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6DCD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6DCD6 shade: #BBDCD1, #CCEEE4, #DDFFF7, #EEFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6DCD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6DCD6 shade: #B6DCD6, #A5CAC3, #94B8B0, #83A69D and #72948A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6DCD6 shade: #B6DCD6, #B6DCCC, #B6DCC2, #B6DCB7 and #BFDCB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6DCD6 shade: #B6DCD6, #B6D8DC, #B6CDDC, #B6C3DC and #B6B9DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6DCD6 shade matches the following richer shades: #B6DCD6, #AEE4DC, #A5EDE2, #9CF6E8 and #94FEED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6DCD6 shade: #B6DCD6, #BFD3D0, #C8CACA, #D0C2C4 and #D9B9BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6DCD6 shade: #B6DCC1, #B6DCCB, #B6DCD5, #B6D8DC and #B6CEDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6DCD6 shade: #7FC1B6, #9ACEC6, #B6DCD6, #D2E9E5 and #EEF7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6DCD6 shade: #B6DCD6, #B7B6DC and #DCC6B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6DCD6 shade: #B6DCD6, #D5B6DC and #DCD5B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6DCD6 shade: #B6DCD6, #B7B6DC, #DCB6BC and #DADCB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6DCD6 shade: #B6DCD6, #C3B6DC, #DCB6BC and #CFDCB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

Complementary color

CMYK 0 / 52 / 44 / 71

HEX #492329

RGB 73 35 41

HSL 350.53, 0.35%, 0.21%

LAB 19.13, 18.76, 4.22

 

CMYK 15 / 0 / 5 / 14

HEX #BBDCD1

RGB 187 220 209

HSL 160, 0.32%, 0.8%

LAB 85.18, -13, 1.75

 

CMYK 14 / 0 / 4 / 7

HEX #CCEEE4

RGB 204 238 228

HSL 162.35, 0.5%, 0.87%

LAB 91.5, -12.95, 1.12

 

CMYK 13 / 0 / 3 / 0

HEX #DDFFF7

RGB 221 255 247

HSL 165.88, 1%, 0.93%

LAB 97.47, -12.41, 0.13

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 18 / 0 / 3 / 21

HEX #A5CAC3

RGB 165 202 195

HSL 168.65, 0.26%, 0.72%

LAB 78.57, -13.67, -0.59

 

CMYK 20 / 0 / 4 / 28

HEX #94B8B0

RGB 148 184 176

HSL 166.67, 0.2%, 0.65%

LAB 72.04, -13.76, 0.05

 

CMYK 21 / 0 / 5 / 35

HEX #83A69D

RGB 131 166 157

HSL 164.57, 0.16%, 0.58%

LAB 65.38, -13.86, 0.71

 

CMYK 23 / 0 / 7 / 42

HEX #72948A

RGB 114 148 138

HSL 162.35, 0.14%, 0.51%

LAB 58.59, -13.99, 1.41

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 17 / 0 / 7 / 14

HEX #B6DCCC

RGB 182 220 204

HSL 154.74, 0.35%, 0.79%

LAB 84.74, -15.58, 3.72

 

CMYK 17 / 0 / 12 / 14

HEX #B6DCC2

RGB 182 220 194

HSL 138.95, 0.35%, 0.79%

LAB 84.5, -17.48, 8.66

 

CMYK 17 / 0 / 17 / 14

HEX #B6DCB7

RGB 182 220 183

HSL 121.58, 0.35%, 0.79%

LAB 84.25, -19.46, 14.11

 

CMYK 13 / 0 / 17 / 14

HEX #BFDCB6

RGB 191 220 182

HSL 105.79, 0.35%, 0.79%

LAB 84.81, -16.56, 15.51

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 17 / 2 / 0 / 14

HEX #B6D8DC

RGB 182 216 220

HSL 186.32, 0.35%, 0.79%

LAB 84.08, -10.32, -5.72

 

CMYK 17 / 7 / 0 / 14

HEX #B6CDDC

RGB 182 205 220

HSL 203.68, 0.35%, 0.79%

LAB 81.17, -4.61, -10.04

 

CMYK 17 / 11 / 0 / 14

HEX #B6C3DC

RGB 182 195 220

HSL 219.47, 0.35%, 0.79%

LAB 78.54, 0.7, -13.96

 

CMYK 17 / 16 / 0 / 14

HEX #B6B9DC

RGB 182 185 220

HSL 235.26, 0.35%, 0.79%

LAB 75.95, 6.09, -17.86

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 24 / 0 / 4 / 11

HEX #AEE4DC

RGB 174 228 220

HSL 171.11, 0.5%, 0.79%

LAB 86.83, -18.83, -1.74

 

CMYK 30 / 0 / 5 / 7

HEX #A5EDE2

RGB 165 237 226

HSL 170.83, 0.67%, 0.79%

LAB 88.95, -24.58, -1.83

 

CMYK 37 / 0 / 6 / 4

HEX #9CF6E8

RGB 156 246 232

HSL 170.67, 0.83%, 0.79%

LAB 91.15, -30, -1.79

 

CMYK 42 / 0 / 7 / 0

HEX #94FEED

RGB 148 254 237

HSL 170.38, 0.98%, 0.79%

LAB 93.14, -34.63, -1.5

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 9 / 0 / 1 / 17

HEX #BFD3D0

RGB 191 211 208

HSL 171, 0.19%, 0.79%

LAB 83.03, -7.27, -0.82

 

CMYK 1 / 0 / 0 / 21

HEX #C8CACA

RGB 200 202 202

HSL 180, 0.02%, 0.79%

LAB 81.17, -0.68, -0.25

 

CMYK 0 / 7 / 6 / 18

HEX #D0C2C4

RGB 208 194 196

HSL 351.43, 0.13%, 0.79%

LAB 79.6, 5.26, 0.76

 

CMYK 0 / 15 / 12 / 15

HEX #D9B9BE

RGB 217 185 190

HSL 350.63, 0.3%, 0.79%

LAB 77.97, 12.25, 1.72

 

CMYK 17 / 0 / 12 / 14

HEX #B6DCC1

RGB 182 220 193

HSL 137.37, 0.35%, 0.79%

LAB 84.47, -17.66, 9.15

 

CMYK 17 / 0 / 8 / 14

HEX #B6DCCB

RGB 182 220 203

HSL 153.16, 0.35%, 0.79%

LAB 84.71, -15.78, 4.21

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD5

RGB 182 220 213

HSL 168.95, 0.35%, 0.79%

LAB 84.96, -13.8, -0.71

 

CMYK 17 / 2 / 0 / 14

HEX #B6D8DC

RGB 182 216 220

HSL 186.32, 0.35%, 0.79%

LAB 84.08, -10.32, -5.72

 

CMYK 17 / 6 / 0 / 14

HEX #B6CEDC

RGB 182 206 220

HSL 202.11, 0.35%, 0.79%

LAB 81.43, -5.13, -9.65

 

CMYK 34 / 0 / 6 / 24

HEX #7FC1B6

RGB 127 193 182

HSL 170, 0.35%, 0.63%

LAB 73.56, -23.4, -1.13

 

CMYK 25 / 0 / 4 / 19

HEX #9ACEC6

RGB 154 206 198

HSL 170.77, 0.35%, 0.71%

LAB 79.09, -18.49, -1.51

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 10 / 0 / 2 / 9

HEX #D2E9E5

RGB 210 233 229

HSL 169.57, 0.34%, 0.87%

LAB 90.61, -8.31, -0.65

 

CMYK 4 / 0 / 1 / 3

HEX #EEF7F5

RGB 238 247 245

HSL 166.67, 0.36%, 0.95%

LAB 96.53, -3.32, -0.08

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 17 / 17 / 0 / 14

HEX #B7B6DC

RGB 183 182 220

HSL 241.58, 0.35%, 0.79%

LAB 75.26, 8.04, -18.91

 

CMYK 0 / 10 / 17 / 14

HEX #DCC6B6

RGB 220 198 182

HSL 25.26, 0.35%, 0.79%

LAB 81.28, 5.15, 10.82

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 3 / 17 / 0 / 14

HEX #D5B6DC

RGB 213 182 220

HSL 288.95, 0.35%, 0.79%

LAB 77.74, 17.81, -14.92

 

CMYK 0 / 3 / 17 / 14

HEX #DCD5B6

RGB 220 213 182

HSL 48.95, 0.35%, 0.79%

LAB 85.09, -2.67, 16.2

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 17 / 17 / 0 / 14

HEX #B7B6DC

RGB 183 182 220

HSL 241.58, 0.35%, 0.79%

LAB 75.26, 8.04, -18.91

 

CMYK 0 / 17 / 15 / 14

HEX #DCB6BC

RGB 220 182 188

HSL 350.53, 0.35%, 0.79%

LAB 77.46, 14.61, 2.09

 

CMYK 1 / 0 / 17 / 14

HEX #DADCB6

RGB 218 220 182

HSL 63.16, 0.35%, 0.79%

LAB 86.74, -6.99, 18.48

 

CMYK 17 / 0 / 3 / 14

HEX #B6DCD6

RGB 182 220 214

HSL 170.53, 0.35%, 0.79%

LAB 84.99, -13.6, -1.2

 

CMYK 11 / 17 / 0 / 14

HEX #C3B6DC

RGB 195 182 220

HSL 260.53, 0.35%, 0.79%

LAB 76.21, 11.89, -17.38

 

CMYK 0 / 17 / 15 / 14

HEX #DCB6BC

RGB 220 182 188

HSL 350.53, 0.35%, 0.79%

LAB 77.46, 14.61, 2.09

 

CMYK 6 / 0 / 17 / 14

HEX #CFDCB6

RGB 207 220 182

HSL 80.53, 0.35%, 0.79%

LAB 85.92, -10.95, 17.22

 

Description

Color code: HEX #B6DCD6 | qconv.com Color code: HEX #B6DCD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 220 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 220 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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