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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6CEC5 it is the complementary color #49313A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6CEC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6CEC5 shade: #BBCEC0, #CCE0D3, #DDF2E6, #EEFFF9 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6CEC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6CEC5 shade: #B6CEC5, #A5BCB2, #94AA9F, #83988C and #728679

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6CEC5 shade: #B5CEC4, #B5CEBE, #B5CEB7, #BACEB5 and #C0CEB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6CEC5 shade: #B5CEC4, #B5CECB, #B5CACE, #B5C3CE and #B5BCCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6CEC5 shade matches the following richer shades: #B5CEC4, #ABD7C7, #A1E1C9, #97EBCC and #8DF5CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6CEC5 shade: #B5CEC4, #BFC4C2, #C9BABF, #D3B0BD and #DDA6BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6CEC5 shade: #B5CEB7, #B5CEBE, #B5CEC4, #B5CECB and #B5CACE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6CEC5 shade: #84AD9D, #9CBDB1, #B5CEC4, #CEDED8 and #E7EFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6CEC5 shade: #B6CEC5, #B5BACE and #CEBAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6CEC5 shade: #B6CEC5, #C4B5CE and #CEC4B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6CEC5 shade: #B6CEC5, #B5BACE, #CEB5BE and #CEC9B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6CEC5 shade: #B6CEC5, #B8B5CE, #CEB5BE and #CBCEB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 4 / 19

HEX #B6CEC5

RGB 182 206 197

HSL 157.5, 0.2%, 0.76%

LAB 80.8, -9.79, 1.73

 

Complementary color

CMYK 0 / 33 / 21 / 71

HEX #49313A

RGB 73 49 58

HSL 337.5, 0.2%, 0.24%

LAB 23.4, 12.51, -1.3

 

CMYK 9 / 0 / 7 / 19

HEX #BBCEC0

RGB 187 206 192

HSL 135.79, 0.16%, 0.77%

LAB 81.02, -9.06, 4.77

 

CMYK 9 / 0 / 6 / 12

HEX #CCE0D3

RGB 204 224 211

HSL 141, 0.24%, 0.84%

LAB 87.41, -9.07, 4.08

 

CMYK 9 / 0 / 5 / 5

HEX #DDF2E6

RGB 221 242 230

HSL 145.71, 0.45%, 0.91%

LAB 93.71, -9.09, 3.42

 

CMYK 7 / 0 / 2 / 0

HEX #EEFFF9

RGB 238 255 249

HSL 158.82, 1%, 0.97%

LAB 98.65, -6.62, 0.95

 

CMYK 12 / 0 / 4 / 19

HEX #B6CEC5

RGB 182 206 197

HSL 157.5, 0.2%, 0.76%

LAB 80.8, -9.79, 1.73

 

CMYK 12 / 0 / 5 / 26

HEX #A5BCB2

RGB 165 188 178

HSL 153.91, 0.15%, 0.69%

LAB 74.3, -9.81, 2.39

 

CMYK 13 / 0 / 6 / 33

HEX #94AA9F

RGB 148 170 159

HSL 150, 0.11%, 0.62%

LAB 67.69, -9.85, 3.08

 

CMYK 14 / 0 / 8 / 40

HEX #83988C

RGB 131 152 140

HSL 145.71, 0.09%, 0.55%

LAB 60.94, -9.89, 3.81

 

CMYK 15 / 0 / 10 / 47

HEX #728679

RGB 114 134 121

HSL 141, 0.08%, 0.49%

LAB 54.04, -9.96, 4.58

 

CMYK 12 / 0 / 5 / 19

HEX #B5CEC4

RGB 181 206 196

HSL 156, 0.2%, 0.76%

LAB 80.71, -10.32, 2.13

 

CMYK 12 / 0 / 8 / 19

HEX #B5CEBE

RGB 181 206 190

HSL 141.6, 0.2%, 0.76%

LAB 80.56, -11.46, 5.12

 

CMYK 12 / 0 / 11 / 19

HEX #B5CEB7

RGB 181 206 183

HSL 124.8, 0.2%, 0.76%

LAB 80.4, -12.75, 8.62

 

CMYK 10 / 0 / 12 / 19

HEX #BACEB5

RGB 186 206 181

HSL 108, 0.2%, 0.76%

LAB 80.69, -11.38, 10.16

 

CMYK 7 / 0 / 12 / 19

HEX #C0CEB5

RGB 192 206 181

HSL 93.6, 0.2%, 0.76%

LAB 81.12, -9.28, 10.82

 

CMYK 12 / 0 / 5 / 19

HEX #B5CEC4

RGB 181 206 196

HSL 156, 0.2%, 0.76%

LAB 80.71, -10.32, 2.13

 

CMYK 12 / 0 / 1 / 19

HEX #B5CECB

RGB 181 206 203

HSL 172.8, 0.2%, 0.76%

LAB 80.89, -8.95, -1.36

 

CMYK 12 / 2 / 0 / 19

HEX #B5CACE

RGB 181 202 206

HSL 189.6, 0.2%, 0.76%

LAB 79.91, -6.26, -4.41

 

CMYK 12 / 5 / 0 / 19

HEX #B5C3CE

RGB 181 195 206

HSL 206.4, 0.2%, 0.76%

LAB 78.06, -2.57, -7.15

 

CMYK 12 / 9 / 0 / 19

HEX #B5BCCE

RGB 181 188 206

HSL 223.2, 0.2%, 0.76%

LAB 76.22, 1.17, -9.88

 

CMYK 12 / 0 / 5 / 19

HEX #B5CEC4

RGB 181 206 196

HSL 156, 0.2%, 0.76%

LAB 80.71, -10.32, 2.13

 

CMYK 20 / 0 / 7 / 16

HEX #ABD7C7

RGB 171 215 199

HSL 158.18, 0.35%, 0.76%

LAB 82.58, -17.56, 3.16

 

CMYK 28 / 0 / 11 / 12

HEX #A1E1C9

RGB 161 225 201

HSL 157.5, 0.52%, 0.76%

LAB 84.81, -25.17, 5.26

 

CMYK 36 / 0 / 13 / 8

HEX #97EBCC

RGB 151 235 204

HSL 157.86, 0.68%, 0.76%

LAB 87.17, -32.2, 7.02

 

CMYK 42 / 0 / 16 / 4

HEX #8DF5CE

RGB 141 245 206

HSL 157.5, 0.84%, 0.76%

LAB 89.59, -39.04, 9.39

 

CMYK 12 / 0 / 5 / 19

HEX #B5CEC4

RGB 181 206 196

HSL 156, 0.2%, 0.76%

LAB 80.71, -10.32, 2.13

 

CMYK 3 / 0 / 1 / 23

HEX #BFC4C2

RGB 191 196 194

HSL 156, 0.04%, 0.76%

LAB 78.72, -2.09, 0.39

 

CMYK 0 / 7 / 5 / 21

HEX #C9BABF

RGB 201 186 191

HSL 340, 0.12%, 0.76%

LAB 76.86, 6.18, -0.62

 

CMYK 0 / 17 / 10 / 17

HEX #D3B0BD

RGB 211 176 189

HSL 337.71, 0.28%, 0.76%

LAB 75.19, 14.78, -1.87

 

CMYK 0 / 25 / 16 / 13

HEX #DDA6BA

RGB 221 166 186

HSL 338.18, 0.45%, 0.76%

LAB 73.67, 23.27, -2.34

 

CMYK 12 / 0 / 11 / 19

HEX #B5CEB7

RGB 181 206 183

HSL 124.8, 0.2%, 0.76%

LAB 80.4, -12.75, 8.62

 

CMYK 12 / 0 / 8 / 19

HEX #B5CEBE

RGB 181 206 190

HSL 141.6, 0.2%, 0.76%

LAB 80.56, -11.46, 5.12

 

CMYK 12 / 0 / 5 / 19

HEX #B5CEC4

RGB 181 206 196

HSL 156, 0.2%, 0.76%

LAB 80.71, -10.32, 2.13

 

CMYK 12 / 0 / 1 / 19

HEX #B5CECB

RGB 181 206 203

HSL 172.8, 0.2%, 0.76%

LAB 80.89, -8.95, -1.36

 

CMYK 12 / 2 / 0 / 19

HEX #B5CACE

RGB 181 202 206

HSL 189.6, 0.2%, 0.76%

LAB 79.91, -6.26, -4.41

 

CMYK 24 / 0 / 9 / 32

HEX #84AD9D

RGB 132 173 157

HSL 156.59, 0.2%, 0.6%

LAB 67.45, -17.2, 3.72

 

CMYK 17 / 0 / 6 / 26

HEX #9CBDB1

RGB 156 189 177

HSL 158.18, 0.2%, 0.68%

LAB 73.96, -13.54, 2.36

 

CMYK 12 / 0 / 5 / 19

HEX #B5CEC4

RGB 181 206 196

HSL 156, 0.2%, 0.76%

LAB 80.71, -10.32, 2.13

 

CMYK 7 / 0 / 3 / 13

HEX #CEDED8

RGB 206 222 216

HSL 157.5, 0.2%, 0.84%

LAB 87.15, -6.46, 1.09

 

CMYK 3 / 0 / 1 / 6

HEX #E7EFEC

RGB 231 239 236

HSL 157.5, 0.2%, 0.92%

LAB 93.79, -3.19, 0.51

 

CMYK 12 / 0 / 4 / 19

HEX #B6CEC5

RGB 182 206 197

HSL 157.5, 0.2%, 0.76%

LAB 80.8, -9.79, 1.73

 

CMYK 12 / 10 / 0 / 19

HEX #B5BACE

RGB 181 186 206

HSL 228, 0.2%, 0.76%

LAB 75.7, 2.24, -10.66

 

CMYK 0 / 10 / 12 / 19

HEX #CEBAB5

RGB 206 186 181

HSL 12, 0.2%, 0.76%

LAB 77.03, 6.26, 5.1

 

CMYK 12 / 0 / 4 / 19

HEX #B6CEC5

RGB 182 206 197

HSL 157.5, 0.2%, 0.76%

LAB 80.8, -9.79, 1.73

 

CMYK 5 / 12 / 0 / 19

HEX #C4B5CE

RGB 196 181 206

HSL 276, 0.2%, 0.76%

LAB 75.6, 9.95, -10.68

 

CMYK 0 / 5 / 12 / 19

HEX #CEC4B5

RGB 206 196 181

HSL 36, 0.2%, 0.76%

LAB 79.58, 0.95, 8.77

 

CMYK 12 / 0 / 4 / 19

HEX #B6CEC5

RGB 182 206 197

HSL 157.5, 0.2%, 0.76%

LAB 80.8, -9.79, 1.73

 

CMYK 12 / 10 / 0 / 19

HEX #B5BACE

RGB 181 186 206

HSL 228, 0.2%, 0.76%

LAB 75.7, 2.24, -10.66

 

CMYK 0 / 12 / 8 / 19

HEX #CEB5BE

RGB 206 181 190

HSL 338.4, 0.2%, 0.76%

LAB 76, 10.47, -1.28

 

CMYK 0 / 2 / 12 / 19

HEX #CEC9B5

RGB 206 201 181

HSL 48, 0.2%, 0.76%

LAB 80.87, -1.68, 10.61

 

CMYK 12 / 0 / 4 / 19

HEX #B6CEC5

RGB 182 206 197

HSL 157.5, 0.2%, 0.76%

LAB 80.8, -9.79, 1.73

 

CMYK 11 / 12 / 0 / 19

HEX #B8B5CE

RGB 184 181 206

HSL 247.2, 0.2%, 0.76%

LAB 74.63, 5.94, -12.23

 

CMYK 0 / 12 / 8 / 19

HEX #CEB5BE

RGB 206 181 190

HSL 338.4, 0.2%, 0.76%

LAB 76, 10.47, -1.28

 

CMYK 1 / 0 / 12 / 19

HEX #CBCEB5

RGB 203 206 181

HSL 67.2, 0.2%, 0.76%

LAB 81.93, -5.37, 12.09

 

Description

Color code: HEX #B6CEC5 | qconv.com Color code: HEX #B6CEC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 206 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 206 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 4 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 4% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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