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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6C0CA it is the complementary color #493F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6C0CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6C0CA shade: #BBC0C5, #CCD2D8, #DDE4EB, #EEF6FE and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6C0CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6C0CA shade: #B6C0CA, #A5AEB7, #949CA4, #838A91 and #72787E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6C0CA shade: #B5BFC9, #B5B9C9, #B5B5C9, #BBB5C9 and #C0B5C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6C0CA shade: #B5BFC9, #B5B9C9 and #B5B5C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6C0CA shade matches the following richer shades: #B5BFC9, #AABFD3, #A0BFDE, #96BFE8 and #8BBFF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6C0CA shade: #B5BFC9, #BFBFBF, #C9BFB4, #D3BFAA and #DEBFA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6C0CA shade: #B5C9C8, #B5C4C9, #B5BFC9, #B5B9C9 and #B5B5C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6C0CA shade: #8595A6, #9DAAB8, #B5BFC9, #CCD3DA and #E4E8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6C0CA shade: #B6C0CA, #C3B5C9 and #C7C9B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6C0CA shade: #B6C0CA, #C9B5BF and #BFC9B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6C0CA shade: #B6C0CA, #C3B5C9, #C9BFB5 and #BBC9B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6C0CA shade: #B6C0CA, #C9B5C9, #C9BFB5 and #B5C9B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 5 / 0 / 21

HEX #B6C0CA

RGB 182 192 202

HSL 210, 0.16%, 0.75%

LAB 77.23, -1.46, -6.21

 

Complementary color

CMYK 0 / 14 / 27 / 71

HEX #493F35

RGB 73 63 53

HSL 30, 0.16%, 0.25%

LAB 27.38, 2.45, 7.72

 

CMYK 5 / 3 / 0 / 23

HEX #BBC0C5

RGB 187 192 197

HSL 210, 0.08%, 0.75%

LAB 77.46, -0.77, -3.12

 

CMYK 6 / 3 / 0 / 15

HEX #CCD2D8

RGB 204 210 216

HSL 210, 0.13%, 0.82%

LAB 83.91, -0.9, -3.68

 

CMYK 6 / 3 / 0 / 8

HEX #DDE4EB

RGB 221 228 235

HSL 210, 0.26%, 0.89%

LAB 90.26, -1.03, -4.22

 

CMYK 6 / 3 / 0 / 0

HEX #EEF6FE

RGB 238 246 254

HSL 210, 0.89%, 0.96%

LAB 96.51, -1.16, -4.76

 

CMYK 10 / 5 / 0 / 21

HEX #B6C0CA

RGB 182 192 202

HSL 210, 0.16%, 0.75%

LAB 77.23, -1.46, -6.21

 

CMYK 10 / 5 / 0 / 28

HEX #A5AEB7

RGB 165 174 183

HSL 210, 0.11%, 0.68%

LAB 70.66, -1.34, -5.69

 

CMYK 10 / 5 / 0 / 36

HEX #949CA4

RGB 148 156 164

HSL 210, 0.08%, 0.61%

LAB 63.96, -1.22, -5.16

 

CMYK 10 / 5 / 0 / 43

HEX #838A91

RGB 131 138 145

HSL 210, 0.06%, 0.54%

LAB 57.12, -1.09, -4.62

 

CMYK 10 / 5 / 0 / 51

HEX #72787E

RGB 114 120 126

HSL 210, 0.05%, 0.47%

LAB 50.12, -0.96, -4.06

 

CMYK 10 / 5 / 0 / 21

HEX #B5BFC9

RGB 181 191 201

HSL 210, 0.16%, 0.75%

LAB 76.86, -1.46, -6.21

 

CMYK 10 / 8 / 0 / 21

HEX #B5B9C9

RGB 181 185 201

HSL 228, 0.16%, 0.75%

LAB 75.29, 1.76, -8.55

 

CMYK 10 / 10 / 0 / 21

HEX #B5B5C9

RGB 181 181 201

HSL 240, 0.16%, 0.75%

LAB 74.25, 3.92, -10.1

 

CMYK 7 / 10 / 0 / 21

HEX #BBB5C9

RGB 187 181 201

HSL 258, 0.16%, 0.75%

LAB 74.72, 5.93, -9.35

 

CMYK 4 / 10 / 0 / 21

HEX #C0B5C9

RGB 192 181 201

HSL 273, 0.16%, 0.75%

LAB 75.12, 7.62, -8.7

 

CMYK 10 / 5 / 0 / 21

HEX #B5BFC9

RGB 181 191 201

HSL 210, 0.16%, 0.75%

LAB 76.86, -1.46, -6.21

 

CMYK 10 / 8 / 0 / 21

HEX #B5B9C9

RGB 181 185 201

HSL 228, 0.16%, 0.75%

LAB 75.29, 1.76, -8.55

 

CMYK 10 / 10 / 0 / 21

HEX #B5B5C9

RGB 181 181 201

HSL 240, 0.16%, 0.75%

LAB 74.25, 3.92, -10.1

 

CMYK 10 / 5 / 0 / 21

HEX #B5BFC9

RGB 181 191 201

HSL 210, 0.16%, 0.75%

LAB 76.86, -1.46, -6.21

 

CMYK 19 / 9 / 0 / 17

HEX #AABFD3

RGB 170 191 211

HSL 209.27, 0.32%, 0.75%

LAB 76.38, -2.9, -12.43

 

CMYK 28 / 14 / 0 / 13

HEX #A0BFDE

RGB 160 191 222

HSL 210, 0.48%, 0.75%

LAB 76.07, -3.42, -18.91

 

CMYK 35 / 18 / 0 / 9

HEX #96BFE8

RGB 150 191 232

HSL 210, 0.64%, 0.75%

LAB 75.81, -3.79, -24.78

 

CMYK 43 / 21 / 0 / 5

HEX #8BBFF2

RGB 139 191 242

HSL 209.71, 0.8%, 0.75%

LAB 75.55, -4.04, -30.61

 

CMYK 10 / 5 / 0 / 21

HEX #B5BFC9

RGB 181 191 201

HSL 210, 0.16%, 0.75%

LAB 76.86, -1.46, -6.21

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 0 / 5 / 10 / 21

HEX #C9BFB4

RGB 201 191 180

HSL 31.43, 0.16%, 0.75%

LAB 77.86, 1.62, 6.79

 

CMYK 0 / 9 / 19 / 17

HEX #D3BFAA

RGB 211 191 170

HSL 30.73, 0.32%, 0.75%

LAB 78.47, 3.7, 13.16

 

CMYK 0 / 14 / 28 / 13

HEX #DEBFA0

RGB 222 191 160

HSL 30, 0.48%, 0.75%

LAB 79.23, 6.43, 19.73

 

CMYK 10 / 0 / 0 / 21

HEX #B5C9C8

RGB 181 201 200

HSL 177, 0.16%, 0.75%

LAB 79.48, -6.94, -1.82

 

CMYK 10 / 2 / 0 / 21

HEX #B5C4C9

RGB 181 196 201

HSL 195, 0.16%, 0.75%

LAB 78.18, -4.11, -4.27

 

CMYK 10 / 5 / 0 / 21

HEX #B5BFC9

RGB 181 191 201

HSL 210, 0.16%, 0.75%

LAB 76.86, -1.46, -6.21

 

CMYK 10 / 8 / 0 / 21

HEX #B5B9C9

RGB 181 185 201

HSL 228, 0.16%, 0.75%

LAB 75.29, 1.76, -8.55

 

CMYK 10 / 10 / 0 / 21

HEX #B5B5C9

RGB 181 181 201

HSL 240, 0.16%, 0.75%

LAB 74.25, 3.92, -10.1

 

CMYK 20 / 10 / 0 / 35

HEX #8595A6

RGB 133 149 166

HSL 210.91, 0.16%, 0.59%

LAB 60.99, -1.94, -10.84

 

CMYK 15 / 8 / 0 / 28

HEX #9DAAB8

RGB 157 170 184

HSL 211.11, 0.16%, 0.67%

LAB 69.02, -1.63, -8.73

 

CMYK 10 / 5 / 0 / 21

HEX #B5BFC9

RGB 181 191 201

HSL 210, 0.16%, 0.75%

LAB 76.86, -1.46, -6.21

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 3 / 2 / 0 / 7

HEX #E4E8EC

RGB 228 232 236

HSL 210, 0.17%, 0.91%

LAB 91.8, -0.6, -2.41

 

CMYK 10 / 5 / 0 / 21

HEX #B6C0CA

RGB 182 192 202

HSL 210, 0.16%, 0.75%

LAB 77.23, -1.46, -6.21

 

CMYK 3 / 10 / 0 / 21

HEX #C3B5C9

RGB 195 181 201

HSL 282, 0.16%, 0.75%

LAB 75.37, 8.64, -8.31

 

CMYK 1 / 0 / 10 / 21

HEX #C7C9B5

RGB 199 201 181

HSL 66, 0.16%, 0.75%

LAB 80.32, -4.2, 9.75

 

CMYK 10 / 5 / 0 / 21

HEX #B6C0CA

RGB 182 192 202

HSL 210, 0.16%, 0.75%

LAB 77.23, -1.46, -6.21

 

CMYK 0 / 10 / 5 / 21

HEX #C9B5BF

RGB 201 181 191

HSL 330, 0.16%, 0.75%

LAB 75.59, 8.87, -2.47

 

CMYK 5 / 0 / 10 / 21

HEX #BFC9B5

RGB 191 201 181

HSL 90, 0.16%, 0.75%

LAB 79.72, -7.05, 8.81

 

CMYK 10 / 5 / 0 / 21

HEX #B6C0CA

RGB 182 192 202

HSL 210, 0.16%, 0.75%

LAB 77.23, -1.46, -6.21

 

CMYK 3 / 10 / 0 / 21

HEX #C3B5C9

RGB 195 181 201

HSL 282, 0.16%, 0.75%

LAB 75.37, 8.64, -8.31

 

CMYK 0 / 5 / 10 / 21

HEX #C9BFB5

RGB 201 191 181

HSL 30, 0.16%, 0.75%

LAB 77.88, 1.78, 6.29

 

CMYK 7 / 0 / 10 / 21

HEX #BBC9B5

RGB 187 201 181

HSL 102, 0.16%, 0.75%

LAB 79.43, -8.45, 8.36

 

CMYK 10 / 5 / 0 / 21

HEX #B6C0CA

RGB 182 192 202

HSL 210, 0.16%, 0.75%

LAB 77.23, -1.46, -6.21

 

CMYK 0 / 10 / 0 / 21

HEX #C9B5C9

RGB 201 181 201

HSL 300, 0.16%, 0.75%

LAB 75.87, 10.7, -7.5

 

CMYK 0 / 5 / 10 / 21

HEX #C9BFB5

RGB 201 191 181

HSL 30, 0.16%, 0.75%

LAB 77.88, 1.78, 6.29

 

CMYK 10 / 0 / 10 / 21

HEX #B5C9B5

RGB 181 201 181

HSL 120, 0.16%, 0.75%

LAB 79, -10.54, 7.69

 

Description

Color code: HEX #B6C0CA | qconv.com Color code: HEX #B6C0CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 192 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 192 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 5 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 5% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Microsoft Internet I...
Link: http://vintagehub.com

21% - ACE Group en Argenti...
Link: http://www.acegroup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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