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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6BF32 it is the complementary color #4940CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6BF32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6BF32 shade: #BBBF2D, #CCD140, #DDE353, #EEF566 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6BF32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6BF32 shade: #B6BF32, #A5AD1F, #949B0C, #838900 and #727700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6BF32 shade: #B5BE31, #BEA131, #BE7B31, #BE5531 and #BE3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6BF32 shade: #B5BE31, #8FBE31, #69BE31, #43BE31 and #31BE45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6BF32 shade matches the following richer shades: #B5BE31, #C6D11D and #D7E50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6BF32 shade: #B5BE31, #A4AB44, #939757, #82846B and #71707E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6BF32 shade: #BE7A31, #BE9F31, #B7BE31, #91BE31 and #6CBE31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6BF32 shade: #777C20, #969D28, #B5BE31, #C7D048 and #D1D869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6BF32 shade: #B6BF32, #31BE54 and #8D31BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6BF32 shade: #B6BF32, #31B7BE and #BE31B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6BF32 shade: #B6BF32, #31BE54, #3831BE and #BE319B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6BF32 shade: #B6BF32, #31BE7E, #3831BE and #BE3170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 74 / 25

HEX #B6BF32

RGB 182 191 50

HSL 63.83, 0.59%, 0.47%

LAB 74.47, -20.01, 65.31

 

Complementary color

CMYK 64 / 69 / 0 / 20

HEX #4940CD

RGB 73 64 205

HSL 243.83, 0.59%, 0.53%

LAB 36.91, 45.69, -71.61

 

CMYK 2 / 0 / 76 / 25

HEX #BBBF2D

RGB 187 191 45

HSL 61.64, 0.62%, 0.46%

LAB 74.83, -18.1, 67.4

 

CMYK 2 / 0 / 69 / 18

HEX #CCD140

RGB 204 209 64

HSL 62.07, 0.61%, 0.54%

LAB 81.19, -19.01, 67.49

 

CMYK 3 / 0 / 63 / 11

HEX #DDE353

RGB 221 227 83

HSL 62.5, 0.72%, 0.61%

LAB 87.45, -19.76, 67.05

 

CMYK 3 / 0 / 58 / 4

HEX #EEF566

RGB 238 245 102

HSL 62.94, 0.88%, 0.68%

LAB 93.64, -20.39, 66.3

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 5 / 0 / 74 / 25

HEX #B6BF32

RGB 182 191 50

HSL 63.83, 0.59%, 0.47%

LAB 74.47, -20.01, 65.31

 

CMYK 5 / 0 / 82 / 32

HEX #A5AD1F

RGB 165 173 31

HSL 63.38, 0.7%, 0.4%

LAB 68.01, -19.02, 64.69

 

CMYK 5 / 0 / 92 / 39

HEX #949B0C

RGB 148 155 12

HSL 62.94, 0.86%, 0.33%

LAB 61.45, -17.81, 62.75

 

CMYK 4 / 0 / 100 / 46

HEX #838900

RGB 131 137 0

HSL 62.63, 1%, 0.27%

LAB 54.78, -16.33, 58.93

 

CMYK 4 / 0 / 100 / 53

HEX #727700

RGB 114 119 0

HSL 62.52, 1%, 0.23%

LAB 47.97, -14.62, 53.27

 

CMYK 5 / 0 / 74 / 25

HEX #B5BE31

RGB 181 190 49

HSL 63.83, 0.59%, 0.47%

LAB 74.11, -19.98, 65.28

 

CMYK 0 / 15 / 74 / 25

HEX #BEA131

RGB 190 161 49

HSL 47.66, 0.59%, 0.47%

LAB 67.02, -1.06, 58.81

 

CMYK 0 / 35 / 74 / 25

HEX #BE7B31

RGB 190 123 49

HSL 31.49, 0.59%, 0.47%

LAB 57.4, 19.73, 49.3

 

CMYK 0 / 55 / 74 / 25

HEX #BE5531

RGB 190 85 49

HSL 15.32, 0.59%, 0.47%

LAB 49.09, 39.97, 40.62

 

CMYK 0 / 74 / 74 / 25

HEX #BE3131

RGB 190 49 49

HSL 0, 0.59%, 0.47%

LAB 43.31, 55.43, 34.26

 

CMYK 5 / 0 / 74 / 25

HEX #B5BE31

RGB 181 190 49

HSL 63.83, 0.59%, 0.47%

LAB 74.11, -19.98, 65.28

 

CMYK 25 / 0 / 74 / 25

HEX #8FBE31

RGB 143 190 49

HSL 80, 0.59%, 0.47%

LAB 71.48, -35.52, 61.85

 

CMYK 45 / 0 / 74 / 25

HEX #69BE31

RGB 105 190 49

HSL 96.17, 0.59%, 0.47%

LAB 69.51, -49.09, 59.25

 

CMYK 65 / 0 / 74 / 25

HEX #43BE31

RGB 67 190 49

HSL 112.34, 0.59%, 0.47%

LAB 68.2, -59.3, 57.52

 

CMYK 74 / 0 / 64 / 25

HEX #31BE45

RGB 49 190 69

HSL 128.51, 0.59%, 0.47%

LAB 67.95, -60.78, 49.25

 

CMYK 5 / 0 / 74 / 25

HEX #B5BE31

RGB 181 190 49

HSL 63.83, 0.59%, 0.47%

LAB 74.11, -19.98, 65.28

 

CMYK 5 / 0 / 86 / 18

HEX #C6D11D

RGB 198 209 29

HSL 63.67, 0.76%, 0.47%

LAB 80.57, -22.8, 76.69

 

CMYK 6 / 0 / 96 / 10

HEX #D7E50A

RGB 215 229 10

HSL 63.84, 0.92%, 0.47%

LAB 87.25, -25.61, 85.03

 

CMYK 5 / 0 / 74 / 25

HEX #B5BE31

RGB 181 190 49

HSL 63.83, 0.59%, 0.47%

LAB 74.11, -19.98, 65.28

 

CMYK 4 / 0 / 60 / 33

HEX #A4AB44

RGB 164 171 68

HSL 64.08, 0.43%, 0.47%

LAB 67.6, -16.49, 50.81

 

CMYK 3 / 0 / 42 / 41

HEX #939757

RGB 147 151 87

HSL 63.75, 0.27%, 0.47%

LAB 60.8, -11.46, 33.16

 

CMYK 2 / 0 / 19 / 48

HEX #82846B

RGB 130 132 107

HSL 64.8, 0.1%, 0.47%

LAB 54.35, -5.31, 13.28

 

CMYK 10 / 11 / 0 / 51

HEX #71707E

RGB 113 112 126

HSL 244.29, 0.06%, 0.47%

LAB 47.76, 3.37, -7.57

 

CMYK 0 / 36 / 74 / 25

HEX #BE7A31

RGB 190 122 49

HSL 31.06, 0.59%, 0.47%

LAB 57.16, 20.28, 49.06

 

CMYK 0 / 16 / 74 / 25

HEX #BE9F31

RGB 190 159 49

HSL 46.81, 0.59%, 0.47%

LAB 66.49, 0.01, 58.3

 

CMYK 4 / 0 / 74 / 25

HEX #B7BE31

RGB 183 190 49

HSL 62.98, 0.59%, 0.47%

LAB 74.26, -19.13, 65.48

 

CMYK 24 / 0 / 74 / 25

HEX #91BE31

RGB 145 190 49

HSL 79.15, 0.59%, 0.47%

LAB 71.6, -34.74, 62.01

 

CMYK 43 / 0 / 74 / 25

HEX #6CBE31

RGB 108 190 49

HSL 94.89, 0.59%, 0.47%

LAB 69.64, -48.12, 59.43

 

CMYK 4 / 0 / 74 / 51

HEX #777C20

RGB 119 124 32

HSL 63.26, 0.59%, 0.31%

LAB 50.03, -13.94, 46.63

 

CMYK 4 / 0 / 75 / 38

HEX #969D28

RGB 150 157 40

HSL 63.59, 0.59%, 0.39%

LAB 62.3, -17.05, 56.33

 

CMYK 5 / 0 / 74 / 25

HEX #B5BE31

RGB 181 190 49

HSL 63.83, 0.59%, 0.47%

LAB 74.11, -19.98, 65.28

 

CMYK 4 / 0 / 65 / 18

HEX #C7D048

RGB 199 208 72

HSL 63.97, 0.59%, 0.55%

LAB 80.58, -20.14, 63.74

 

CMYK 3 / 0 / 51 / 15

HEX #D1D869

RGB 209 216 105

HSL 63.78, 0.59%, 0.63%

LAB 83.8, -17.61, 53.23

 

CMYK 5 / 0 / 74 / 25

HEX #B6BF32

RGB 182 191 50

HSL 63.83, 0.59%, 0.47%

LAB 74.47, -20.01, 65.31

 

CMYK 74 / 0 / 56 / 25

HEX #31BE54

RGB 49 190 84

HSL 134.89, 0.59%, 0.47%

LAB 68.11, -58.93, 42.59

 

CMYK 26 / 74 / 0 / 25

HEX #8D31BE

RGB 141 49 190

HSL 279.15, 0.59%, 0.47%

LAB 40.54, 60.38, -56.64

 

CMYK 5 / 0 / 74 / 25

HEX #B6BF32

RGB 182 191 50

HSL 63.83, 0.59%, 0.47%

LAB 74.47, -20.01, 65.31

 

CMYK 74 / 4 / 0 / 25

HEX #31B7BE

RGB 49 183 190

HSL 182.98, 0.59%, 0.47%

LAB 68.2, -32.23, -13.77

 

CMYK 0 / 74 / 4 / 25

HEX #BE31B7

RGB 190 49 183

HSL 302.98, 0.59%, 0.47%

LAB 47.7, 69.14, -40.64

 

CMYK 5 / 0 / 74 / 25

HEX #B6BF32

RGB 182 191 50

HSL 63.83, 0.59%, 0.47%

LAB 74.47, -20.01, 65.31

 

CMYK 74 / 0 / 56 / 25

HEX #31BE54

RGB 49 190 84

HSL 134.89, 0.59%, 0.47%

LAB 68.11, -58.93, 42.59

 

CMYK 71 / 74 / 0 / 25

HEX #3831BE

RGB 56 49 190

HSL 242.98, 0.59%, 0.47%

LAB 31.24, 47.36, -72.21

 

CMYK 0 / 74 / 18 / 25

HEX #BE319B

RGB 190 49 155

HSL 314.89, 0.59%, 0.47%

LAB 46.33, 65.04, -26.22

 

CMYK 5 / 0 / 74 / 25

HEX #B6BF32

RGB 182 191 50

HSL 63.83, 0.59%, 0.47%

LAB 74.47, -20.01, 65.31

 

CMYK 74 / 0 / 34 / 25

HEX #31BE7E

RGB 49 190 126

HSL 152.77, 0.59%, 0.47%

LAB 68.74, -51.69, 21.98

 

CMYK 71 / 74 / 0 / 25

HEX #3831BE

RGB 56 49 190

HSL 242.98, 0.59%, 0.47%

LAB 31.24, 47.36, -72.21

 

CMYK 0 / 74 / 41 / 25

HEX #BE3170

RGB 190 49 112

HSL 333.19, 0.59%, 0.47%

LAB 44.68, 59.91, -2.57

 

Description

Color code: HEX #B6BF32 | qconv.com Color code: HEX #B6BF32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 191 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 191 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 74% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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