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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6BECC it is the complementary color #494133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6BECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6BECC shade: #BBBEC7, #CCD0DA, #DDE2ED, #EEF4FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6BECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6BECC shade: #B6BECC, #A5ACB9, #949AA6, #838893 and #727680

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6BECC shade: #B6BECC, #B6B8CC, #BAB6CC, #C0B6CC and #C6B6CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6BECC shade: #B6BECC, #B6B8CC and #B6B6CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6BECC shade matches the following richer shades: #B6BECC, #ACBCD6, #A2B9E0, #99B6EA and #8FB3F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6BECC shade: #B6BECC, #C0C1C2, #CAC4B9, #D4C6AF and #DEC9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6BECC shade: #B6CACC, #B6C4CC, #B6BECC, #B6B8CC and #BAB6CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6BECC shade: #8693AA, #9EA9BB, #B6BECC, #CFD4DD and #E7EAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6BECC shade: #B6BECC, #C9B6CC and #C7CCB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6BECC shade: #B6BECC, #CCB6BE and #BECCB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6BECC shade: #B6BECC, #C9B6CC, #CCC4B6 and #BACCB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6BECC shade: #B6BECC, #CCB6C9, #CCC4B6 and #B6CCB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

Complementary color

CMYK 0 / 11 / 30 / 71

HEX #494133

RGB 73 65 51

HSL 38.18, 0.18%, 0.24%

LAB 27.94, 0.84, 9.81

 

CMYK 6 / 5 / 0 / 22

HEX #BBBEC7

RGB 187 190 199

HSL 225, 0.1%, 0.76%

LAB 76.99, 0.69, -4.89

 

CMYK 6 / 5 / 0 / 15

HEX #CCD0DA

RGB 204 208 218

HSL 222.86, 0.16%, 0.83%

LAB 83.45, 0.53, -5.42

 

CMYK 7 / 5 / 0 / 7

HEX #DDE2ED

RGB 221 226 237

HSL 221.25, 0.31%, 0.9%

LAB 89.8, 0.38, -5.94

 

CMYK 7 / 4 / 0 / 0

HEX #EEF4FF

RGB 238 244 255

HSL 218.82, 1%, 0.97%

LAB 96.04, 0.05, -5.97

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 11 / 7 / 0 / 27

HEX #A5ACB9

RGB 165 172 185

HSL 219, 0.13%, 0.69%

LAB 70.18, 0.16, -7.5

 

CMYK 11 / 7 / 0 / 35

HEX #949AA6

RGB 148 154 166

HSL 220, 0.09%, 0.62%

LAB 63.48, 0.31, -7.01

 

CMYK 11 / 7 / 0 / 42

HEX #838893

RGB 131 136 147

HSL 221.25, 0.07%, 0.55%

LAB 56.62, 0.47, -6.51

 

CMYK 11 / 8 / 0 / 50

HEX #727680

RGB 114 118 128

HSL 222.86, 0.06%, 0.47%

LAB 49.61, 0.64, -6

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 11 / 10 / 0 / 20

HEX #B6B8CC

RGB 182 184 204

HSL 234.55, 0.18%, 0.76%

LAB 75.19, 3.24, -10.31

 

CMYK 9 / 11 / 0 / 20

HEX #BAB6CC

RGB 186 182 204

HSL 250.91, 0.18%, 0.76%

LAB 74.99, 5.65, -10.59

 

CMYK 6 / 11 / 0 / 20

HEX #C0B6CC

RGB 192 182 204

HSL 267.27, 0.18%, 0.76%

LAB 75.47, 7.67, -9.82

 

CMYK 3 / 11 / 0 / 20

HEX #C6B6CC

RGB 198 182 204

HSL 283.64, 0.18%, 0.76%

LAB 75.96, 9.7, -9.04

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 11 / 10 / 0 / 20

HEX #B6B8CC

RGB 182 184 204

HSL 234.55, 0.18%, 0.76%

LAB 75.19, 3.24, -10.31

 

CMYK 11 / 11 / 0 / 20

HEX #B6B6CC

RGB 182 182 204

HSL 240, 0.18%, 0.76%

LAB 74.67, 4.32, -11.09

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 20 / 12 / 0 / 16

HEX #ACBCD6

RGB 172 188 214

HSL 217.14, 0.34%, 0.76%

LAB 75.82, -0, -14.89

 

CMYK 28 / 17 / 0 / 12

HEX #A2B9E0

RGB 162 185 224

HSL 217.74, 0.5%, 0.76%

LAB 74.67, 0.88, -22.11

 

CMYK 35 / 22 / 0 / 8

HEX #99B6EA

RGB 153 182 234

HSL 218.52, 0.66%, 0.76%

LAB 73.65, 2.43, -29.14

 

CMYK 41 / 27 / 0 / 4

HEX #8FB3F4

RGB 143 179 244

HSL 218.61, 0.82%, 0.76%

LAB 72.64, 4.09, -36.18

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 1 / 1 / 0 / 24

HEX #C0C1C2

RGB 192 193 194

HSL 210, 0.02%, 0.76%

LAB 78.02, -0.16, -0.63

 

CMYK 0 / 3 / 8 / 21

HEX #CAC4B9

RGB 202 196 185

HSL 38.82, 0.14%, 0.76%

LAB 79.35, 0.17, 6.25

 

CMYK 0 / 7 / 17 / 17

HEX #D4C6AF

RGB 212 198 175

HSL 37.3, 0.3%, 0.76%

LAB 80.45, 1.14, 13.29

 

CMYK 0 / 9 / 26 / 13

HEX #DEC9A5

RGB 222 201 165

HSL 37.89, 0.46%, 0.76%

LAB 81.85, 1.85, 20.69

 

CMYK 11 / 1 / 0 / 20

HEX #B6CACC

RGB 182 202 204

HSL 185.45, 0.18%, 0.76%

LAB 79.92, -6.34, -3.31

 

CMYK 11 / 4 / 0 / 20

HEX #B6C4CC

RGB 182 196 204

HSL 201.82, 0.18%, 0.76%

LAB 78.34, -3.18, -5.65

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 11 / 10 / 0 / 20

HEX #B6B8CC

RGB 182 184 204

HSL 234.55, 0.18%, 0.76%

LAB 75.19, 3.24, -10.31

 

CMYK 9 / 11 / 0 / 20

HEX #BAB6CC

RGB 186 182 204

HSL 250.91, 0.18%, 0.76%

LAB 74.99, 5.65, -10.59

 

CMYK 21 / 14 / 0 / 33

HEX #8693AA

RGB 134 147 170

HSL 218.33, 0.17%, 0.6%

LAB 60.64, 0.45, -13.62

 

CMYK 16 / 10 / 0 / 27

HEX #9EA9BB

RGB 158 169 187

HSL 217.24, 0.18%, 0.68%

LAB 68.92, -0.1, -10.54

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 6 / 4 / 0 / 13

HEX #CFD4DD

RGB 207 212 221

HSL 218.57, 0.17%, 0.84%

LAB 84.78, 0, -5.03

 

CMYK 3 / 2 / 0 / 7

HEX #E7EAEE

RGB 231 234 238

HSL 214.29, 0.17%, 0.92%

LAB 92.58, -0.27, -2.3

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 1 / 11 / 0 / 20

HEX #C9B6CC

RGB 201 182 204

HSL 291.82, 0.18%, 0.76%

LAB 76.21, 10.72, -8.63

 

CMYK 2 / 0 / 11 / 20

HEX #C7CCB6

RGB 199 204 182

HSL 73.64, 0.18%, 0.76%

LAB 81.13, -5.6, 10.37

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 0 / 11 / 7 / 20

HEX #CCB6BE

RGB 204 182 190

HSL 338.18, 0.18%, 0.76%

LAB 76.08, 9.22, -1.19

 

CMYK 7 / 0 / 11 / 20

HEX #BECCB6

RGB 190 204 182

HSL 98.18, 0.18%, 0.76%

LAB 80.47, -8.78, 9.34

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 1 / 11 / 0 / 20

HEX #C9B6CC

RGB 201 182 204

HSL 291.82, 0.18%, 0.76%

LAB 76.21, 10.72, -8.63

 

CMYK 0 / 4 / 11 / 20

HEX #CCC4B6

RGB 204 196 182

HSL 38.18, 0.18%, 0.76%

LAB 79.44, 0.39, 8.01

 

CMYK 9 / 0 / 11 / 20

HEX #BACCB6

RGB 186 204 182

HSL 109.09, 0.18%, 0.76%

LAB 80.18, -10.18, 8.89

 

CMYK 11 / 7 / 0 / 20

HEX #B6BECC

RGB 182 190 204

HSL 218.18, 0.18%, 0.76%

LAB 76.76, 0.01, -7.98

 

CMYK 0 / 11 / 1 / 20

HEX #CCB6C9

RGB 204 182 201

HSL 308.18, 0.18%, 0.76%

LAB 76.38, 11.19, -6.72

 

CMYK 0 / 4 / 11 / 20

HEX #CCC4B6

RGB 204 196 182

HSL 38.18, 0.18%, 0.76%

LAB 79.44, 0.39, 8.01

 

CMYK 11 / 0 / 9 / 20

HEX #B6CCB9

RGB 182 204 185

HSL 128.18, 0.18%, 0.76%

LAB 79.97, -11.02, 6.95

 

Description

Color code: HEX #B6BECC | qconv.com Color code: HEX #B6BECC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 190 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 190 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 7 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 7% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Out-of-Home-Medien -...
Link: http://www.stroeer.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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