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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6AF08 it is the complementary color #4950F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6AF08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6AF08 shade: #BBAF03, #CCC116, #DDD329, #EEE53C and #FFF74F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6AF08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6AF08 shade: #B6AF08, #A59D00, #948B00, #837900 and #726700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6AF08 shade: #B5AE07, #B57F07, #B55007, #B52107 and #B50707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6AF08 shade: #B5AE07, #8DB507, #5EB507, #2FB507 and #07B50E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6AF08 shade matches the following richer shades: #B5AE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6AF08 shade: #B5AE07, #A5A016, #969226, #878435 and #787644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6AF08 shade: #B54F07, #B57E07, #B5AC07, #8FB507 and #61B507

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6AF08 shade: #656204, #8D8805, #B5AE07, #DCD409 and #F5EC19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6AF08 shade: #B6AF08, #07B521 and #6707B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6AF08 shade: #B6AF08, #07B5AC and #AC07B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6AF08 shade: #B6AF08, #07B521, #0710B5 and #B5079B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6AF08 shade: #B6AF08, #07B555, #0710B5 and #B50767

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 96 / 29

HEX #B6AF08

RGB 182 175 8

HSL 57.59, 0.92%, 0.37%

LAB 69.91, -13.07, 71

 

Complementary color

CMYK 70 / 68 / 0 / 3

HEX #4950F7

RGB 73 80 247

HSL 237.59, 0.92%, 0.63%

LAB 44.04, 50.05, -83.82

 

CMYK 0 / 6 / 98 / 27

HEX #BBAF03

RGB 187 175 3

HSL 56.09, 0.97%, 0.37%

LAB 70.34, -10.92, 72.1

 

CMYK 0 / 5 / 89 / 20

HEX #CCC116

RGB 204 193 22

HSL 56.37, 0.81%, 0.44%

LAB 76.7, -12.44, 75.08

 

CMYK 0 / 5 / 81 / 13

HEX #DDD329

RGB 221 211 41

HSL 56.67, 0.73%, 0.51%

LAB 82.98, -13.76, 76.75

 

CMYK 0 / 4 / 75 / 7

HEX #EEE53C

RGB 238 229 60

HSL 56.97, 0.84%, 0.58%

LAB 89.18, -14.89, 77.4

 

CMYK 0 / 3 / 69 / 0

HEX #FFF74F

RGB 255 247 79

HSL 57.27, 1%, 0.65%

LAB 95.31, -15.87, 77.37

 

CMYK 0 / 4 / 96 / 29

HEX #B6AF08

RGB 182 175 8

HSL 57.59, 0.92%, 0.37%

LAB 69.91, -13.07, 71

 

CMYK 0 / 5 / 100 / 35

HEX #A59D00

RGB 165 157 0

HSL 57.09, 1%, 0.32%

LAB 63.44, -11.4, 66.58

 

CMYK 0 / 6 / 100 / 42

HEX #948B00

RGB 148 139 0

HSL 56.35, 1%, 0.29%

LAB 56.84, -9.58, 61.11

 

CMYK 0 / 8 / 100 / 49

HEX #837900

RGB 131 121 0

HSL 55.42, 1%, 0.26%

LAB 50.1, -7.69, 55.52

 

CMYK 0 / 10 / 100 / 55

HEX #726700

RGB 114 103 0

HSL 54.21, 1%, 0.22%

LAB 43.18, -5.72, 49.78

 

CMYK 0 / 4 / 96 / 29

HEX #B5AE07

RGB 181 174 7

HSL 57.59, 0.93%, 0.37%

LAB 69.55, -13.01, 70.81

 

CMYK 0 / 30 / 96 / 29

HEX #B57F07

RGB 181 127 7

HSL 41.38, 0.93%, 0.37%

LAB 57.09, 12.34, 61.69

 

CMYK 0 / 56 / 96 / 29

HEX #B55007

RGB 181 80 7

HSL 25.17, 0.93%, 0.37%

LAB 46.41, 37.8, 54.4

 

CMYK 0 / 82 / 96 / 29

HEX #B52107

RGB 181 33 7

HSL 8.97, 0.93%, 0.37%

LAB 39.46, 56.55, 50.2

 

CMYK 0 / 96 / 96 / 29

HEX #B50707

RGB 181 7 7

HSL 0, 0.93%, 0.37%

LAB 37.83, 61.21, 49.32

 

CMYK 0 / 4 / 96 / 29

HEX #B5AE07

RGB 181 174 7

HSL 57.59, 0.93%, 0.37%

LAB 69.55, -13.01, 70.81

 

CMYK 22 / 0 / 96 / 29

HEX #8DB507

RGB 141 181 7

HSL 73.79, 0.93%, 0.37%

LAB 68.55, -33.56, 68.74

 

CMYK 48 / 0 / 96 / 29

HEX #5EB507

RGB 94 181 7

HSL 90, 0.93%, 0.37%

LAB 66.09, -50.72, 65.74

 

CMYK 74 / 0 / 96 / 29

HEX #2FB507

RGB 47 181 7

HSL 106.21, 0.93%, 0.37%

LAB 64.7, -62.12, 64.03

 

CMYK 96 / 0 / 92 / 29

HEX #07B50E

RGB 7 181 14

HSL 122.41, 0.93%, 0.37%

LAB 64.26, -65.96, 62.57

 

CMYK 0 / 4 / 96 / 29

HEX #B5AE07

RGB 181 174 7

HSL 57.59, 0.93%, 0.37%

LAB 69.55, -13.01, 70.81

 

CMYK 0 / 4 / 96 / 29

HEX #B5AE07

RGB 181 174 7

HSL 57.59, 0.93%, 0.37%

LAB 69.55, -13.01, 70.81

 

CMYK 0 / 3 / 87 / 35

HEX #A5A016

RGB 165 160 22

HSL 57.9, 0.76%, 0.37%

LAB 64.32, -12.6, 63.76

 

CMYK 0 / 3 / 75 / 41

HEX #969226

RGB 150 146 38

HSL 57.86, 0.6%, 0.37%

LAB 59.14, -11.38, 54.06

 

CMYK 0 / 2 / 61 / 47

HEX #878435

RGB 135 132 53

HSL 57.8, 0.44%, 0.37%

LAB 53.93, -9.67, 42

 

CMYK 0 / 2 / 43 / 53

HEX #787644

RGB 120 118 68

HSL 57.69, 0.28%, 0.37%

LAB 48.72, -7.17, 27.76

 

CMYK 0 / 56 / 96 / 29

HEX #B54F07

RGB 181 79 7

HSL 24.83, 0.93%, 0.37%

LAB 46.22, 38.3, 54.28

 

CMYK 0 / 30 / 96 / 29

HEX #B57E07

RGB 181 126 7

HSL 41.03, 0.93%, 0.37%

LAB 56.84, 12.9, 61.51

 

CMYK 0 / 5 / 96 / 29

HEX #B5AC07

RGB 181 172 7

HSL 56.9, 0.93%, 0.37%

LAB 69, -11.98, 70.4

 

CMYK 21 / 0 / 96 / 29

HEX #8FB507

RGB 143 181 7

HSL 73.1, 0.93%, 0.37%

LAB 68.68, -32.75, 68.89

 

CMYK 46 / 0 / 96 / 29

HEX #61B507

RGB 97 181 7

HSL 88.97, 0.93%, 0.37%

LAB 66.22, -49.77, 65.9

 

CMYK 0 / 3 / 96 / 60

HEX #656204

RGB 101 98 4

HSL 58.14, 0.92%, 0.21%

LAB 40.43, -9.11, 46.13

 

CMYK 0 / 4 / 96 / 45

HEX #8D8805

RGB 141 136 5

HSL 57.79, 0.93%, 0.29%

LAB 55.36, -11.11, 58.89

 

CMYK 0 / 4 / 96 / 29

HEX #B5AE07

RGB 181 174 7

HSL 57.59, 0.93%, 0.37%

LAB 69.55, -13.01, 70.81

 

CMYK 0 / 4 / 96 / 14

HEX #DCD409

RGB 220 212 9

HSL 57.73, 0.92%, 0.45%

LAB 83.08, -15.27, 82.16

 

CMYK 0 / 4 / 90 / 4

HEX #F5EC19

RGB 245 236 25

HSL 57.55, 0.92%, 0.53%

LAB 91.45, -16.33, 87.58

 

CMYK 0 / 4 / 96 / 29

HEX #B6AF08

RGB 182 175 8

HSL 57.59, 0.92%, 0.37%

LAB 69.91, -13.07, 71

 

CMYK 96 / 0 / 82 / 29

HEX #07B521

RGB 7 181 33

HSL 128.97, 0.93%, 0.37%

LAB 64.32, -65.15, 58.53

 

CMYK 43 / 96 / 0 / 29

HEX #6707B5

RGB 103 7 181

HSL 273.1, 0.93%, 0.37%

LAB 30.33, 64.42, -68.21

 

CMYK 0 / 4 / 96 / 29

HEX #B6AF08

RGB 182 175 8

HSL 57.59, 0.92%, 0.37%

LAB 69.91, -13.07, 71

 

CMYK 96 / 0 / 5 / 29

HEX #07B5AC

RGB 7 181 172

HSL 176.9, 0.93%, 0.37%

LAB 66.57, -39.64, -6.3

 

CMYK 5 / 96 / 0 / 29

HEX #AC07B5

RGB 172 7 181

HSL 296.9, 0.93%, 0.37%

LAB 41.62, 73.8, -49.34

 

CMYK 0 / 4 / 96 / 29

HEX #B6AF08

RGB 182 175 8

HSL 57.59, 0.92%, 0.37%

LAB 69.91, -13.07, 71

 

CMYK 96 / 0 / 82 / 29

HEX #07B521

RGB 7 181 33

HSL 128.97, 0.93%, 0.37%

LAB 64.32, -65.15, 58.53

 

CMYK 96 / 91 / 0 / 29

HEX #0710B5

RGB 7 16 181

HSL 236.9, 0.93%, 0.37%

LAB 22.83, 57.2, -80.89

 

CMYK 0 / 96 / 14 / 29

HEX #B5079B

RGB 181 7 155

HSL 308.97, 0.93%, 0.37%

LAB 41.76, 71.62, -33.49

 

CMYK 0 / 4 / 96 / 29

HEX #B6AF08

RGB 182 175 8

HSL 57.59, 0.92%, 0.37%

LAB 69.91, -13.07, 71

 

CMYK 96 / 0 / 53 / 29

HEX #07B555

RGB 7 181 85

HSL 146.9, 0.93%, 0.37%

LAB 64.76, -59.65, 37.95

 

CMYK 96 / 91 / 0 / 29

HEX #0710B5

RGB 7 16 181

HSL 236.9, 0.93%, 0.37%

LAB 22.83, 57.2, -80.89

 

CMYK 0 / 96 / 43 / 29

HEX #B50767

RGB 181 7 103

HSL 326.9, 0.93%, 0.37%

LAB 39.5, 65.79, -4.79

 

Description

Color code: HEX #B6AF08 | qconv.com Color code: HEX #B6AF08 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 175 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 175 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 96 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 96% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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