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Color name
HEX #B6AC14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6AC14 it is the complementary color #4953EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6AC14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6AC14 shade: #BBAC0F, #CCBE22, #DDD035, #EEE248 and #FFF45B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6AC14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6AC14 shade: #B6AC14, #A59A01, #948800, #837600 and #726400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6AC14 shade: #B7AD14, #B78114, #B75514, #B72914 and #B71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6AC14 shade: #B7AD14, #95B714, #69B714, #3DB714 and #14B717

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6AC14 shade matches the following richer shades: #B7AD14 and #C8BC03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6AC14 shade: #B7AD14, #A79F24, #969035, #868245 and #757356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6AC14 shade: #B75514, #B78114, #B7AC14, #96B714 and #6BB714

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6AC14 shade: #6D670C, #928A10, #B7AD14, #DCD018 and #E8DD35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6AC14 shade: #B6AC14, #14B72A and #6B14B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6AC14 shade: #B6AC14, #14B7AC and #AC14B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6AC14 shade: #B6AC14, #14B72A, #141FB7 and #B714A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6AC14 shade: #B6AC14, #14B75B, #141FB7 and #B71470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 89 / 29

HEX #B6AC14

RGB 182 172 20

HSL 56.3, 0.8%, 0.4%

LAB 69.11, -11.34, 68.64

 

Complementary color

CMYK 69 / 65 / 0 / 8

HEX #4953EB

RGB 73 83 235

HSL 236.3, 0.8%, 0.6%

LAB 43.66, 44.35, -77.71

 

CMYK 0 / 8 / 92 / 27

HEX #BBAC0F

RGB 187 172 15

HSL 54.77, 0.85%, 0.4%

LAB 69.54, -9.21, 70.01

 

CMYK 0 / 7 / 83 / 20

HEX #CCBE22

RGB 204 190 34

HSL 55.06, 0.71%, 0.47%

LAB 75.93, -10.64, 71.96

 

CMYK 0 / 6 / 76 / 13

HEX #DDD035

RGB 221 208 53

HSL 55.36, 0.71%, 0.54%

LAB 82.24, -11.86, 72.7

 

CMYK 0 / 5 / 70 / 7

HEX #EEE248

RGB 238 226 72

HSL 55.66, 0.83%, 0.61%

LAB 88.47, -12.89, 72.68

 

CMYK 0 / 4 / 64 / 0

HEX #FFF45B

RGB 255 244 91

HSL 55.98, 1%, 0.68%

LAB 94.62, -13.78, 72.2

 

CMYK 0 / 5 / 89 / 29

HEX #B6AC14

RGB 182 172 20

HSL 56.3, 0.8%, 0.4%

LAB 69.11, -11.34, 68.64

 

CMYK 0 / 7 / 99 / 35

HEX #A59A01

RGB 165 154 1

HSL 55.98, 0.99%, 0.33%

LAB 62.6, -9.8, 65.83

 

CMYK 0 / 8 / 100 / 42

HEX #948800

RGB 148 136 0

HSL 55.14, 1%, 0.29%

LAB 55.99, -7.96, 60.49

 

CMYK 0 / 10 / 100 / 49

HEX #837600

RGB 131 118 0

HSL 54.05, 1%, 0.26%

LAB 49.23, -6.02, 54.89

 

CMYK 0 / 12 / 100 / 55

HEX #726400

RGB 114 100 0

HSL 52.63, 1%, 0.22%

LAB 42.3, -4, 49.15

 

CMYK 0 / 5 / 89 / 28

HEX #B7AD14

RGB 183 173 20

HSL 56.32, 0.8%, 0.4%

LAB 69.47, -11.41, 68.96

 

CMYK 0 / 30 / 89 / 28

HEX #B78114

RGB 183 129 20

HSL 40.12, 0.8%, 0.4%

LAB 57.86, 12.34, 59.8

 

CMYK 0 / 54 / 89 / 28

HEX #B75514

RGB 183 85 20

HSL 23.93, 0.8%, 0.4%

LAB 47.77, 36.27, 51.91

 

CMYK 0 / 78 / 89 / 28

HEX #B72914

RGB 183 41 20

HSL 7.73, 0.8%, 0.4%

LAB 40.74, 55.02, 46.48

 

CMYK 0 / 89 / 89 / 28

HEX #B71414

RGB 183 20 20

HSL 0, 0.8%, 0.4%

LAB 38.93, 60.16, 45.09

 

CMYK 0 / 5 / 89 / 28

HEX #B7AD14

RGB 183 173 20

HSL 56.32, 0.8%, 0.4%

LAB 69.47, -11.41, 68.96

 

CMYK 19 / 0 / 89 / 28

HEX #95B714

RGB 149 183 20

HSL 72.52, 0.8%, 0.4%

LAB 69.69, -30.99, 68.04

 

CMYK 43 / 0 / 89 / 28

HEX #69B714

RGB 105 183 20

HSL 88.71, 0.8%, 0.4%

LAB 67.22, -47.64, 64.99

 

CMYK 67 / 0 / 89 / 28

HEX #3DB714

RGB 61 183 20

HSL 104.91, 0.8%, 0.4%

LAB 65.68, -59.79, 63.06

 

CMYK 89 / 0 / 87 / 28

HEX #14B717

RGB 20 183 23

HSL 121.1, 0.8%, 0.4%

LAB 65.02, -65.46, 61.64

 

CMYK 0 / 5 / 89 / 28

HEX #B7AD14

RGB 183 173 20

HSL 56.32, 0.8%, 0.4%

LAB 69.47, -11.41, 68.96

 

CMYK 0 / 6 / 99 / 22

HEX #C8BC03

RGB 200 188 3

HSL 56.35, 0.97%, 0.4%

LAB 74.98, -11.88, 76.01

 

CMYK 0 / 5 / 89 / 28

HEX #B7AD14

RGB 183 173 20

HSL 56.32, 0.8%, 0.4%

LAB 69.47, -11.41, 68.96

 

CMYK 0 / 5 / 78 / 35

HEX #A79F24

RGB 167 159 36

HSL 56.34, 0.65%, 0.4%

LAB 64.27, -10.75, 60.02

 

CMYK 0 / 4 / 65 / 41

HEX #969035

RGB 150 144 53

HSL 56.29, 0.48%, 0.4%

LAB 58.68, -9.46, 47.53

 

CMYK 0 / 3 / 49 / 47

HEX #868245

RGB 134 130 69

HSL 56.31, 0.32%, 0.4%

LAB 53.45, -7.59, 33.35

 

CMYK 0 / 2 / 26 / 54

HEX #757356

RGB 117 115 86

HSL 56.13, 0.15%, 0.4%

LAB 47.9, -4.35, 16.37

 

CMYK 0 / 54 / 89 / 28

HEX #B75514

RGB 183 85 20

HSL 23.93, 0.8%, 0.4%

LAB 47.77, 36.27, 51.91

 

CMYK 0 / 30 / 89 / 28

HEX #B78114

RGB 183 129 20

HSL 40.12, 0.8%, 0.4%

LAB 57.86, 12.34, 59.8

 

CMYK 0 / 6 / 89 / 28

HEX #B7AC14

RGB 183 172 20

HSL 55.95, 0.8%, 0.4%

LAB 69.2, -10.89, 68.75

 

CMYK 18 / 0 / 89 / 28

HEX #96B714

RGB 150 183 20

HSL 72.15, 0.8%, 0.4%

LAB 69.75, -30.58, 68.12

 

CMYK 42 / 0 / 89 / 28

HEX #6BB714

RGB 107 183 20

HSL 87.98, 0.8%, 0.4%

LAB 67.31, -46.96, 65.1

 

CMYK 0 / 6 / 89 / 57

HEX #6D670C

RGB 109 103 12

HSL 56.29, 0.8%, 0.24%

LAB 42.73, -7.85, 46.28

 

CMYK 0 / 5 / 89 / 43

HEX #928A10

RGB 146 138 16

HSL 56.31, 0.8%, 0.32%

LAB 56.41, -9.68, 57.94

 

CMYK 0 / 5 / 89 / 28

HEX #B7AD14

RGB 183 173 20

HSL 56.32, 0.8%, 0.4%

LAB 69.47, -11.41, 68.96

 

CMYK 0 / 5 / 89 / 14

HEX #DCD018

RGB 220 208 24

HSL 56.33, 0.8%, 0.48%

LAB 82.05, -13.08, 79.52

 

CMYK 0 / 5 / 77 / 9

HEX #E8DD35

RGB 232 221 53

HSL 56.31, 0.8%, 0.56%

LAB 86.57, -13.71, 76.96

 

CMYK 0 / 5 / 89 / 29

HEX #B6AC14

RGB 182 172 20

HSL 56.3, 0.8%, 0.4%

LAB 69.11, -11.34, 68.64

 

CMYK 89 / 0 / 77 / 28

HEX #14B72A

RGB 20 183 42

HSL 128.1, 0.8%, 0.4%

LAB 65.11, -64.4, 56.57

 

CMYK 42 / 89 / 0 / 28

HEX #6B14B7

RGB 107 20 183

HSL 272.02, 0.8%, 0.4%

LAB 31.91, 62.86, -66.79

 

CMYK 0 / 5 / 89 / 29

HEX #B6AC14

RGB 182 172 20

HSL 56.3, 0.8%, 0.4%

LAB 69.11, -11.34, 68.64

 

CMYK 89 / 0 / 6 / 28

HEX #14B7AC

RGB 20 183 172

HSL 175.95, 0.8%, 0.4%

LAB 67.27, -40, -5.26

 

CMYK 6 / 89 / 0 / 28

HEX #AC14B7

RGB 172 20 183

HSL 295.95, 0.8%, 0.4%

LAB 42.29, 72.53, -49.45

 

CMYK 0 / 5 / 89 / 29

HEX #B6AC14

RGB 182 172 20

HSL 56.3, 0.8%, 0.4%

LAB 69.11, -11.34, 68.64

 

CMYK 89 / 0 / 77 / 28

HEX #14B72A

RGB 20 183 42

HSL 128.1, 0.8%, 0.4%

LAB 65.11, -64.4, 56.57

 

CMYK 89 / 83 / 0 / 28

HEX #141FB7

RGB 20 31 183

HSL 235.95, 0.8%, 0.4%

LAB 25.4, 52.14, -77.79

 

CMYK 0 / 89 / 12 / 28

HEX #B714A1

RGB 183 20 161

HSL 308.1, 0.8%, 0.4%

LAB 42.97, 71.25, -35.16

 

CMYK 0 / 5 / 89 / 29

HEX #B6AC14

RGB 182 172 20

HSL 56.3, 0.8%, 0.4%

LAB 69.11, -11.34, 68.64

 

CMYK 89 / 0 / 50 / 28

HEX #14B75B

RGB 20 183 91

HSL 146.13, 0.8%, 0.4%

LAB 65.57, -58.68, 35.98

 

CMYK 89 / 83 / 0 / 28

HEX #141FB7

RGB 20 31 183

HSL 235.95, 0.8%, 0.4%

LAB 25.4, 52.14, -77.79

 

CMYK 0 / 89 / 39 / 28

HEX #B71470

RGB 183 20 112

HSL 326.13, 0.8%, 0.4%

LAB 40.8, 65.42, -8.48

 

Description

Color code: HEX #B6AC14 | qconv.com Color code: HEX #B6AC14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 172 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 172 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 89 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 89% 29% C M Y K

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Provide designers and agencies with accurate color values.

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