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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6A7D8 it is the complementary color #495827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6A7D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6A7D8 shade: #BBA7D3, #CCB9E6, #DDCBF9, #EEDDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6A7D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6A7D8 shade: #B6A7D8, #A595C5, #9483B2, #83719F and #725F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6A7D8 shade: #B5A6D8, #C3A6D8, #D0A6D8, #D8A6D2 and #D8A6C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6A7D8 shade: #B5A6D8, #A8A6D8 and #A6A6D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6A7D8 shade matches the following richer shades: #B5A6D8, #B19CE2, #AD91EC and #A987F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6A7D8 shade: #B5A6D8, #B9B0CD, #BDBBC3, #C1C5B9 and #C5CFAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6A7D8 shade: #A6B1D8, #A8A6D8, #B5A6D8, #C2A6D8 and #CFA6D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6A7D8 shade: #866DBE, #9D89CB, #B5A6D8, #CDC3E4 and #E5DFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6A7D8 shade: #B6A7D8, #D8A6BF and #ABD8A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6A7D8 shade: #B6A7D8, #D8B5A6 and #A6D8B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6A7D8 shade: #B6A7D8, #D8A6BF, #C9D8A6 and #A6D8BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6A7D8 shade: #B6A7D8, #D8A6B0, #C9D8A6 and #A6D8CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 23 / 0 / 15

HEX #B6A7D8

RGB 182 167 216

HSL 258.37, 0.39%, 0.75%

LAB 71.24, 15.11, -22.83

 

Complementary color

CMYK 17 / 0 / 56 / 65

HEX #495827

RGB 73 88 39

HSL 78.37, 0.39%, 0.25%

LAB 35.09, -14.66, 26.23

 

CMYK 11 / 21 / 0 / 17

HEX #BBA7D3

RGB 187 167 211

HSL 267.27, 0.33%, 0.74%

LAB 71.49, 15.65, -19.67

 

CMYK 11 / 20 / 0 / 10

HEX #CCB9E6

RGB 204 185 230

HSL 265.33, 0.47%, 0.81%

LAB 78.02, 15.23, -19.98

 

CMYK 11 / 18 / 0 / 2

HEX #DDCBF9

RGB 221 203 249

HSL 263.48, 0.79%, 0.89%

LAB 84.44, 14.84, -20.29

 

CMYK 7 / 13 / 0 / 0

HEX #EEDDFF

RGB 238 221 255

HSL 270, 1%, 0.93%

LAB 90.37, 11.94, -14.39

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 16 / 23 / 0 / 15

HEX #B6A7D8

RGB 182 167 216

HSL 258.37, 0.39%, 0.75%

LAB 71.24, 15.11, -22.83

 

CMYK 16 / 24 / 0 / 23

HEX #A595C5

RGB 165 149 197

HSL 260, 0.29%, 0.68%

LAB 64.58, 15.56, -22.61

 

CMYK 17 / 26 / 0 / 30

HEX #9483B2

RGB 148 131 178

HSL 261.7, 0.23%, 0.61%

LAB 57.79, 16.06, -22.4

 

CMYK 18 / 29 / 0 / 38

HEX #83719F

RGB 131 113 159

HSL 263.48, 0.19%, 0.53%

LAB 50.85, 16.62, -22.22

 

CMYK 19 / 32 / 0 / 45

HEX #725F8C

RGB 114 95 140

HSL 265.33, 0.19%, 0.46%

LAB 43.73, 17.24, -22.06

 

CMYK 16 / 23 / 0 / 15

HEX #B5A6D8

RGB 181 166 216

HSL 258, 0.39%, 0.75%

LAB 70.91, 15.34, -23.35

 

CMYK 10 / 23 / 0 / 15

HEX #C3A6D8

RGB 195 166 216

HSL 274.8, 0.39%, 0.75%

LAB 72.12, 19.84, -21.4

 

CMYK 4 / 23 / 0 / 15

HEX #D0A6D8

RGB 208 166 216

HSL 290.4, 0.39%, 0.75%

LAB 73.31, 24.09, -19.47

 

CMYK 0 / 23 / 3 / 15

HEX #D8A6D2

RGB 216 166 210

HSL 307.2, 0.39%, 0.75%

LAB 73.88, 25.63, -15.25

 

CMYK 0 / 23 / 9 / 15

HEX #D8A6C4

RGB 216 166 196

HSL 324, 0.39%, 0.75%

LAB 73.45, 23.15, -8.21

 

CMYK 16 / 23 / 0 / 15

HEX #B5A6D8

RGB 181 166 216

HSL 258, 0.39%, 0.75%

LAB 70.91, 15.34, -23.35

 

CMYK 22 / 23 / 0 / 15

HEX #A8A6D8

RGB 168 166 216

HSL 242.4, 0.39%, 0.75%

LAB 69.86, 11.28, -25.04

 

CMYK 23 / 23 / 0 / 15

HEX #A6A6D8

RGB 166 166 216

HSL 240, 0.39%, 0.75%

LAB 69.71, 10.67, -25.29

 

CMYK 16 / 23 / 0 / 15

HEX #B5A6D8

RGB 181 166 216

HSL 258, 0.39%, 0.75%

LAB 70.91, 15.34, -23.35

 

CMYK 22 / 31 / 0 / 11

HEX #B19CE2

RGB 177 156 226

HSL 258, 0.55%, 0.75%

LAB 68.47, 21.95, -32.62

 

CMYK 27 / 39 / 0 / 7

HEX #AD91EC

RGB 173 145 236

HSL 258.46, 0.71%, 0.75%

LAB 65.9, 29.34, -42.16

 

CMYK 32 / 45 / 0 / 3

HEX #A987F7

RGB 169 135 247

HSL 258.21, 0.88%, 0.75%

LAB 63.74, 36.59, -51.64

 

CMYK 16 / 23 / 0 / 15

HEX #B5A6D8

RGB 181 166 216

HSL 258, 0.39%, 0.75%

LAB 70.91, 15.34, -23.35

 

CMYK 10 / 14 / 0 / 20

HEX #B9B0CD

RGB 185 176 205

HSL 258.62, 0.22%, 0.75%

LAB 73.4, 8.79, -13.52

 

CMYK 3 / 4 / 0 / 24

HEX #BDBBC3

RGB 189 187 195

HSL 255, 0.06%, 0.75%

LAB 76.25, 2.2, -3.79

 

CMYK 2 / 0 / 6 / 23

HEX #C1C5B9

RGB 193 197 185

HSL 80, 0.09%, 0.75%

LAB 78.91, -3.55, 5.53

 

CMYK 5 / 0 / 16 / 19

HEX #C5CFAE

RGB 197 207 174

HSL 78.18, 0.26%, 0.75%

LAB 81.59, -9.18, 15.27

 

CMYK 23 / 18 / 0 / 15

HEX #A6B1D8

RGB 166 177 216

HSL 226.8, 0.39%, 0.75%

LAB 72.57, 4.57, -20.93

 

CMYK 22 / 23 / 0 / 15

HEX #A8A6D8

RGB 168 166 216

HSL 242.4, 0.39%, 0.75%

LAB 69.86, 11.28, -25.04

 

CMYK 16 / 23 / 0 / 15

HEX #B5A6D8

RGB 181 166 216

HSL 258, 0.39%, 0.75%

LAB 70.91, 15.34, -23.35

 

CMYK 10 / 23 / 0 / 15

HEX #C2A6D8

RGB 194 166 216

HSL 273.6, 0.39%, 0.75%

LAB 72.03, 19.51, -21.54

 

CMYK 4 / 23 / 0 / 15

HEX #CFA6D8

RGB 207 166 216

HSL 289.2, 0.39%, 0.75%

LAB 73.22, 23.76, -19.63

 

CMYK 29 / 43 / 0 / 25

HEX #866DBE

RGB 134 109 190

HSL 258.52, 0.38%, 0.59%

LAB 51.52, 27.57, -39.13

 

CMYK 23 / 33 / 0 / 20

HEX #9D89CB

RGB 157 137 203

HSL 258.18, 0.39%, 0.67%

LAB 61.11, 21.28, -31.38

 

CMYK 16 / 23 / 0 / 15

HEX #B5A6D8

RGB 181 166 216

HSL 258, 0.39%, 0.75%

LAB 70.91, 15.34, -23.35

 

CMYK 10 / 14 / 0 / 11

HEX #CDC3E4

RGB 205 195 228

HSL 258.18, 0.38%, 0.83%

LAB 80.52, 9.74, -15.12

 

CMYK 5 / 7 / 0 / 5

HEX #E5DFF1

RGB 229 223 241

HSL 260, 0.39%, 0.91%

LAB 89.76, 5.31, -8.04

 

CMYK 16 / 23 / 0 / 15

HEX #B6A7D8

RGB 182 167 216

HSL 258.37, 0.39%, 0.75%

LAB 71.24, 15.11, -22.83

 

CMYK 0 / 23 / 12 / 15

HEX #D8A6BF

RGB 216 166 191

HSL 330, 0.39%, 0.75%

LAB 73.31, 22.31, -5.68

 

CMYK 21 / 0 / 23 / 15

HEX #ABD8A6

RGB 171 216 166

HSL 114, 0.39%, 0.75%

LAB 82.12, -24.12, 19.96

 

CMYK 16 / 23 / 0 / 15

HEX #B6A7D8

RGB 182 167 216

HSL 258.37, 0.39%, 0.75%

LAB 71.24, 15.11, -22.83

 

CMYK 0 / 16 / 23 / 15

HEX #D8B5A6

RGB 216 181 166

HSL 18, 0.39%, 0.75%

LAB 76.31, 10.31, 12.34

 

CMYK 23 / 0 / 16 / 15

HEX #A6D8B5

RGB 166 216 181

HSL 138, 0.39%, 0.75%

LAB 82.14, -23.13, 12.04

 

CMYK 16 / 23 / 0 / 15

HEX #B6A7D8

RGB 182 167 216

HSL 258.37, 0.39%, 0.75%

LAB 71.24, 15.11, -22.83

 

CMYK 0 / 23 / 12 / 15

HEX #D8A6BF

RGB 216 166 191

HSL 330, 0.39%, 0.75%

LAB 73.31, 22.31, -5.68

 

CMYK 7 / 0 / 23 / 15

HEX #C9D8A6

RGB 201 216 166

HSL 78, 0.39%, 0.75%

LAB 84.11, -13.54, 23.02

 

CMYK 23 / 0 / 12 / 15

HEX #A6D8BF

RGB 166 216 191

HSL 150, 0.39%, 0.75%

LAB 82.37, -21.22, 7.06

 

CMYK 16 / 23 / 0 / 15

HEX #B6A7D8

RGB 182 167 216

HSL 258.37, 0.39%, 0.75%

LAB 71.24, 15.11, -22.83

 

CMYK 0 / 23 / 19 / 15

HEX #D8A6B0

RGB 216 166 176

HSL 348, 0.39%, 0.75%

LAB 72.9, 19.89, 1.97

 

CMYK 7 / 0 / 23 / 15

HEX #C9D8A6

RGB 201 216 166

HSL 78, 0.39%, 0.75%

LAB 84.11, -13.54, 23.02

 

CMYK 23 / 0 / 5 / 15

HEX #A6D8CE

RGB 166 216 206

HSL 168, 0.39%, 0.75%

LAB 82.74, -18.19, -0.37

 

Description

Color code: HEX #B6A7D8 | qconv.com Color code: HEX #B6A7D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 167 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 167 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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