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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B69047 it is the complementary color #496FB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B69047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B69047 shade: #BB9042, #CCA255, #DDB468, #EEC67B and #FFD88E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B69047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B69047 shade: #B69047, #A57E34, #946C21, #835A0E and #724800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B69047 shade: #B79147, #B77247, #B75447 and #B74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B69047 shade: #B79147, #B7AF47, #A1B747, #83B747 and #64B747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B69047 shade matches the following richer shades: #B79147, #CC9732, #E09E1E and #F5A409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B69047 shade: #B79147, #A28A5C, #8E8470, #797D85 and #657799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B69047 shade: #B75447, #B77247, #B79047, #B7AE47 and #A3B747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B69047 shade: #7C6230, #99793B, #B79147, #C3A265 and #CEB482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B69047 shade: #B69047, #58B747 and #6347B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B69047 shade: #B69047, #47B790 and #9047B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B69047 shade: #B69047, #58B747, #476EB7 and #A647B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B69047 shade: #B69047, #47B758, #476EB7 and #B747A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 29

HEX #B69047

RGB 182 144 71

HSL 39.46, 0.44%, 0.5%

LAB 61.95, 5.95, 43.52

 

Complementary color

CMYK 60 / 40 / 0 / 28

HEX #496FB8

RGB 73 111 184

HSL 219.46, 0.44%, 0.5%

LAB 47.3, 9.35, -42.64

 

CMYK 0 / 23 / 65 / 27

HEX #BB9042

RGB 187 144 66

HSL 38.68, 0.48%, 0.5%

LAB 62.43, 7.78, 46.63

 

CMYK 0 / 21 / 58 / 20

HEX #CCA255

RGB 204 162 85

HSL 38.82, 0.54%, 0.57%

LAB 68.99, 6.66, 45.34

 

CMYK 0 / 19 / 53 / 13

HEX #DDB468

RGB 221 180 104

HSL 38.97, 0.63%, 0.64%

LAB 75.46, 5.71, 44.01

 

CMYK 0 / 17 / 48 / 7

HEX #EEC67B

RGB 238 198 123

HSL 39.13, 0.77%, 0.71%

LAB 81.84, 4.89, 42.71

 

CMYK 0 / 15 / 44 / 0

HEX #FFD88E

RGB 255 216 142

HSL 39.29, 1%, 0.78%

LAB 88.12, 4.17, 41.45

 

CMYK 0 / 21 / 61 / 29

HEX #B69047

RGB 182 144 71

HSL 39.46, 0.44%, 0.5%

LAB 61.95, 5.95, 43.52

 

CMYK 0 / 24 / 68 / 35

HEX #A57E34

RGB 165 126 52

HSL 39.29, 0.52%, 0.43%

LAB 55.25, 7.16, 44.76

 

CMYK 0 / 27 / 78 / 42

HEX #946C21

RGB 148 108 33

HSL 39.13, 0.64%, 0.35%

LAB 48.42, 8.64, 45.69

 

CMYK 0 / 31 / 89 / 49

HEX #835A0E

RGB 131 90 14

HSL 38.97, 0.81%, 0.28%

LAB 41.48, 10.47, 45.7

 

CMYK 0 / 37 / 100 / 55

HEX #724800

RGB 114 72 0

HSL 37.89, 1%, 0.22%

LAB 34.42, 12.71, 43.73

 

CMYK 0 / 21 / 61 / 28

HEX #B79147

RGB 183 145 71

HSL 39.64, 0.44%, 0.5%

LAB 62.32, 5.83, 43.96

 

CMYK 0 / 38 / 61 / 28

HEX #B77247

RGB 183 114 71

HSL 23.04, 0.44%, 0.5%

LAB 54.61, 23.03, 34.92

 

CMYK 0 / 54 / 61 / 28

HEX #B75447

RGB 183 84 71

HSL 6.96, 0.44%, 0.5%

LAB 48.09, 39.07, 26.87

 

CMYK 0 / 61 / 61 / 28

HEX #B74747

RGB 183 71 71

HSL 0, 0.44%, 0.5%

LAB 45.67, 45.38, 23.79

 

CMYK 0 / 21 / 61 / 28

HEX #B79147

RGB 183 145 71

HSL 39.64, 0.44%, 0.5%

LAB 62.32, 5.83, 43.96

 

CMYK 0 / 4 / 61 / 28

HEX #B7AF47

RGB 183 175 71

HSL 55.71, 0.44%, 0.5%

LAB 70.3, -10.25, 52.87

 

CMYK 12 / 0 / 61 / 28

HEX #A1B747

RGB 161 183 71

HSL 71.79, 0.44%, 0.5%

LAB 70.8, -23.54, 52.92

 

CMYK 28 / 0 / 61 / 28

HEX #83B747

RGB 131 183 71

HSL 87.86, 0.44%, 0.5%

LAB 68.86, -35.34, 50.23

 

CMYK 45 / 0 / 61 / 28

HEX #64B747

RGB 100 183 71

HSL 104.46, 0.44%, 0.5%

LAB 67.3, -46.01, 48.05

 

CMYK 0 / 21 / 61 / 28

HEX #B79147

RGB 183 145 71

HSL 39.64, 0.44%, 0.5%

LAB 62.32, 5.83, 43.96

 

CMYK 0 / 26 / 75 / 20

HEX #CC9732

RGB 204 151 50

HSL 39.35, 0.61%, 0.5%

LAB 65.9, 10.54, 57.85

 

CMYK 0 / 29 / 87 / 12

HEX #E09E1E

RGB 224 158 30

HSL 39.59, 0.76%, 0.5%

LAB 69.75, 14.82, 68.7

 

CMYK 0 / 33 / 96 / 4

HEX #F5A409

RGB 245 164 9

HSL 39.41, 0.93%, 0.5%

LAB 73.53, 20.32, 76.42

 

CMYK 0 / 21 / 61 / 28

HEX #B79147

RGB 183 145 71

HSL 39.64, 0.44%, 0.5%

LAB 62.32, 5.83, 43.96

 

CMYK 0 / 15 / 43 / 36

HEX #A28A5C

RGB 162 138 92

HSL 39.43, 0.28%, 0.5%

LAB 58.63, 2.56, 27.97

 

CMYK 0 / 7 / 21 / 44

HEX #8E8470

RGB 142 132 112

HSL 40, 0.12%, 0.5%

LAB 55.51, 0.31, 12.17

 

CMYK 9 / 6 / 0 / 48

HEX #797D85

RGB 121 125 133

HSL 220, 0.05%, 0.5%

LAB 52.32, 0.19, -4.86

 

CMYK 34 / 22 / 0 / 40

HEX #657799

RGB 101 119 153

HSL 219.23, 0.2%, 0.5%

LAB 49.81, 1.93, -20.51

 

CMYK 0 / 54 / 61 / 28

HEX #B75447

RGB 183 84 71

HSL 6.96, 0.44%, 0.5%

LAB 48.09, 39.07, 26.87

 

CMYK 0 / 38 / 61 / 28

HEX #B77247

RGB 183 114 71

HSL 23.04, 0.44%, 0.5%

LAB 54.61, 23.03, 34.92

 

CMYK 0 / 21 / 61 / 28

HEX #B79047

RGB 183 144 71

HSL 39.11, 0.44%, 0.5%

LAB 62.06, 6.38, 43.67

 

CMYK 0 / 5 / 61 / 28

HEX #B7AE47

RGB 183 174 71

HSL 55.18, 0.44%, 0.5%

LAB 70.03, -9.73, 52.58

 

CMYK 11 / 0 / 61 / 28

HEX #A3B747

RGB 163 183 71

HSL 70.71, 0.44%, 0.5%

LAB 70.95, -22.72, 53.12

 

CMYK 0 / 21 / 61 / 51

HEX #7C6230

RGB 124 98 48

HSL 39.47, 0.44%, 0.34%

LAB 43.11, 4.22, 31.99

 

CMYK 0 / 21 / 61 / 40

HEX #99793B

RGB 153 121 59

HSL 39.57, 0.44%, 0.42%

LAB 52.69, 5.06, 38.12

 

CMYK 0 / 21 / 61 / 28

HEX #B79147

RGB 183 145 71

HSL 39.64, 0.44%, 0.5%

LAB 62.32, 5.83, 43.96

 

CMYK 0 / 17 / 48 / 24

HEX #C3A265

RGB 195 162 101

HSL 38.94, 0.44%, 0.58%

LAB 68.3, 4.25, 36.13

 

CMYK 0 / 13 / 37 / 19

HEX #CEB482

RGB 206 180 130

HSL 39.47, 0.44%, 0.66%

LAB 74.43, 2.22, 28.96

 

CMYK 0 / 21 / 61 / 29

HEX #B69047

RGB 182 144 71

HSL 39.46, 0.44%, 0.5%

LAB 61.95, 5.95, 43.52

 

CMYK 52 / 0 / 61 / 28

HEX #58B747

RGB 88 183 71

HSL 110.89, 0.44%, 0.5%

LAB 66.82, -49.55, 47.38

 

CMYK 46 / 61 / 0 / 28

HEX #6347B7

RGB 99 71 183

HSL 255, 0.44%, 0.5%

LAB 38.86, 39.3, -55.48

 

CMYK 0 / 21 / 61 / 29

HEX #B69047

RGB 182 144 71

HSL 39.46, 0.44%, 0.5%

LAB 61.95, 5.95, 43.52

 

CMYK 61 / 0 / 21 / 28

HEX #47B790

RGB 71 183 144

HSL 159.11, 0.44%, 0.5%

LAB 67.44, -41.17, 10.51

 

CMYK 21 / 61 / 0 / 28

HEX #9047B7

RGB 144 71 183

HSL 279.11, 0.44%, 0.5%

LAB 44.02, 49.67, -46.91

 

CMYK 0 / 21 / 61 / 29

HEX #B69047

RGB 182 144 71

HSL 39.46, 0.44%, 0.5%

LAB 61.95, 5.95, 43.52

 

CMYK 52 / 0 / 61 / 28

HEX #58B747

RGB 88 183 71

HSL 110.89, 0.44%, 0.5%

LAB 66.82, -49.55, 47.38

 

CMYK 61 / 40 / 0 / 28

HEX #476EB7

RGB 71 110 183

HSL 219.11, 0.44%, 0.5%

LAB 46.86, 9.23, -42.77

 

CMYK 9 / 61 / 0 / 28

HEX #A647B7

RGB 166 71 183

HSL 290.89, 0.44%, 0.5%

LAB 47.02, 55.13, -41.96

 

CMYK 0 / 21 / 61 / 29

HEX #B69047

RGB 182 144 71

HSL 39.46, 0.44%, 0.5%

LAB 61.95, 5.95, 43.52

 

CMYK 61 / 0 / 52 / 28

HEX #47B758

RGB 71 183 88

HSL 129.11, 0.44%, 0.5%

LAB 66.45, -51.72, 38.77

 

CMYK 61 / 40 / 0 / 28

HEX #476EB7

RGB 71 110 183

HSL 219.11, 0.44%, 0.5%

LAB 46.86, 9.23, -42.77

 

CMYK 0 / 61 / 9 / 28

HEX #B747A6

RGB 183 71 166

HSL 309.11, 0.44%, 0.5%

LAB 48.67, 56.56, -29.2

 

Description

Color code: HEX #B69047 | qconv.com Color code: HEX #B69047 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 144 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 144 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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