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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B68D60 it is the complementary color #49729F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B68D60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B68D60 shade: #BB8D5B, #CC9F6E, #DDB181, #EEC394 and #FFD5A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B68D60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B68D60 shade: #B68D60, #A57B4D, #94693A, #835727 and #724514

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B68D60 shade: #B68E61, #B67761 and #B66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B68D60 shade: #B68E61, #B6A561, #B1B661, #9AB661 and #83B661

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B68D60 shade matches the following richer shades: #B68E61, #C98F4F, #DB8F3C and #EE902A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B68D60 shade: #B68E61, #A48D74, #918C86, #7F8B99 and #6C8AAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B68D60 shade: #B66163, #B67761, #B68D61, #B6A461 and #B2B661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B68D60 shade: #87643E, #A3794B, #B68E61, #C3A27E and #D0B69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B68D60 shade: #B68D60, #79B661 and #6B61B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B68D60 shade: #B68D60, #61B68D and #8D61B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B68D60 shade: #B68D60, #79B661, #618AB6 and #9E61B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B68D60 shade: #B68D60, #61B663, #618AB6 and #B661B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 47 / 29

HEX #B68D60

RGB 182 141 96

HSL 31.4, 0.37%, 0.55%

LAB 61.52, 9.79, 29.91

 

Complementary color

CMYK 54 / 28 / 0 / 38

HEX #49729F

RGB 73 114 159

HSL 211.4, 0.37%, 0.45%

LAB 46.91, -0.84, -28.65

 

CMYK 0 / 25 / 51 / 27

HEX #BB8D5B

RGB 187 141 91

HSL 31.25, 0.41%, 0.55%

LAB 61.97, 11.41, 33.3

 

CMYK 0 / 22 / 46 / 20

HEX #CC9F6E

RGB 204 159 110

HSL 31.28, 0.48%, 0.62%

LAB 68.58, 10.5, 31.91

 

CMYK 0 / 20 / 42 / 13

HEX #DDB181

RGB 221 177 129

HSL 31.3, 0.58%, 0.69%

LAB 75.08, 9.71, 30.61

 

CMYK 0 / 18 / 38 / 7

HEX #EEC394

RGB 238 195 148

HSL 31.33, 0.73%, 0.76%

LAB 81.48, 9.03, 29.39

 

CMYK 0 / 16 / 35 / 0

HEX #FFD5A7

RGB 255 213 167

HSL 31.36, 1%, 0.83%

LAB 87.79, 8.42, 28.24

 

CMYK 0 / 23 / 47 / 29

HEX #B68D60

RGB 182 141 96

HSL 31.4, 0.37%, 0.55%

LAB 61.52, 9.79, 29.91

 

CMYK 0 / 25 / 53 / 35

HEX #A57B4D

RGB 165 123 77

HSL 31.36, 0.36%, 0.47%

LAB 54.76, 10.75, 31.35

 

CMYK 0 / 29 / 61 / 42

HEX #94693A

RGB 148 105 58

HSL 31.33, 0.44%, 0.4%

LAB 47.89, 11.91, 32.89

 

CMYK 0 / 34 / 70 / 49

HEX #835727

RGB 131 87 39

HSL 31.3, 0.54%, 0.33%

LAB 40.88, 13.34, 34.46

 

CMYK 0 / 39 / 82 / 55

HEX #724514

RGB 114 69 20

HSL 31.28, 0.7%, 0.26%

LAB 33.74, 15.12, 35.78

 

CMYK 0 / 22 / 47 / 29

HEX #B68E61

RGB 182 142 97

HSL 31.76, 0.37%, 0.55%

LAB 61.79, 9.34, 29.71

 

CMYK 0 / 35 / 47 / 29

HEX #B67761

RGB 182 119 97

HSL 15.53, 0.37%, 0.55%

LAB 56.09, 22.14, 22.24

 

CMYK 0 / 47 / 47 / 29

HEX #B66161

RGB 182 97 97

HSL 0, 0.37%, 0.55%

LAB 51.1, 34.18, 15.5

 

CMYK 0 / 22 / 47 / 29

HEX #B68E61

RGB 182 142 97

HSL 31.76, 0.37%, 0.55%

LAB 61.79, 9.34, 29.71

 

CMYK 0 / 9 / 47 / 29

HEX #B6A561

RGB 182 165 97

HSL 48, 0.37%, 0.55%

LAB 67.81, -3.21, 37.34

 

CMYK 3 / 0 / 47 / 29

HEX #B1B661

RGB 177 182 97

HSL 63.53, 0.37%, 0.55%

LAB 72, -14.19, 42.4

 

CMYK 15 / 0 / 47 / 29

HEX #9AB661

RGB 154 182 97

HSL 79.76, 0.37%, 0.55%

LAB 70.31, -23.42, 39.94

 

CMYK 28 / 0 / 47 / 29

HEX #83B661

RGB 131 182 97

HSL 96, 0.37%, 0.55%

LAB 68.86, -32.09, 37.82

 

CMYK 0 / 22 / 47 / 29

HEX #B68E61

RGB 182 142 97

HSL 31.76, 0.37%, 0.55%

LAB 61.79, 9.34, 29.71

 

CMYK 0 / 29 / 61 / 21

HEX #C98F4F

RGB 201 143 79

HSL 31.48, 0.53%, 0.55%

LAB 63.86, 15.26, 42.24

 

CMYK 0 / 35 / 73 / 14

HEX #DB8F3C

RGB 219 143 60

HSL 31.32, 0.69%, 0.55%

LAB 65.77, 21.76, 54.07

 

CMYK 0 / 39 / 82 / 7

HEX #EE902A

RGB 238 144 42

HSL 31.22, 0.85%, 0.55%

LAB 68.23, 28.49, 64.45

 

CMYK 0 / 22 / 47 / 29

HEX #B68E61

RGB 182 142 97

HSL 31.76, 0.37%, 0.55%

LAB 61.79, 9.34, 29.71

 

CMYK 0 / 14 / 29 / 36

HEX #A48D74

RGB 164 141 116

HSL 31.25, 0.21%, 0.55%

LAB 60.07, 4.75, 16.54

 

CMYK 0 / 3 / 8 / 43

HEX #918C86

RGB 145 140 134

HSL 32.73, 0.05%, 0.55%

LAB 58.51, 0.74, 3.85

 

CMYK 17 / 9 / 0 / 40

HEX #7F8B99

RGB 127 139 153

HSL 212.31, 0.11%, 0.55%

LAB 57.34, -1.28, -8.92

 

CMYK 37 / 20 / 0 / 33

HEX #6C8AAC

RGB 108 138 172

HSL 211.88, 0.28%, 0.55%

LAB 56.43, -1.89, -21.32

 

CMYK 0 / 47 / 46 / 29

HEX #B66163

RGB 182 97 99

HSL 358.59, 0.37%, 0.55%

LAB 51.15, 34.39, 14.38

 

CMYK 0 / 35 / 47 / 29

HEX #B67761

RGB 182 119 97

HSL 15.53, 0.37%, 0.55%

LAB 56.09, 22.14, 22.24

 

CMYK 0 / 23 / 47 / 29

HEX #B68D61

RGB 182 141 97

HSL 31.06, 0.37%, 0.55%

LAB 61.53, 9.89, 29.38

 

CMYK 0 / 10 / 47 / 29

HEX #B6A461

RGB 182 164 97

HSL 47.29, 0.37%, 0.55%

LAB 67.55, -2.67, 37.01

 

CMYK 2 / 0 / 47 / 29

HEX #B2B661

RGB 178 182 97

HSL 62.82, 0.37%, 0.55%

LAB 72.08, -13.78, 42.52

 

CMYK 0 / 26 / 54 / 47

HEX #87643E

RGB 135 100 62

HSL 31.23, 0.37%, 0.39%

LAB 45.1, 9.33, 26.92

 

CMYK 0 / 26 / 54 / 36

HEX #A3794B

RGB 163 121 75

HSL 31.36, 0.37%, 0.47%

LAB 53.99, 10.83, 31.44

 

CMYK 0 / 22 / 47 / 29

HEX #B68E61

RGB 182 142 97

HSL 31.76, 0.37%, 0.55%

LAB 61.79, 9.34, 29.71

 

CMYK 0 / 17 / 35 / 24

HEX #C3A27E

RGB 195 162 126

HSL 31.3, 0.37%, 0.63%

LAB 68.71, 7.01, 23.28

 

CMYK 0 / 13 / 26 / 18

HEX #D0B69A

RGB 208 182 154

HSL 31.11, 0.36%, 0.71%

LAB 75.57, 5.03, 17.69

 

CMYK 0 / 23 / 47 / 29

HEX #B68D60

RGB 182 141 96

HSL 31.4, 0.37%, 0.55%

LAB 61.52, 9.79, 29.91

 

CMYK 34 / 0 / 47 / 29

HEX #79B661

RGB 121 182 97

HSL 103.06, 0.37%, 0.55%

LAB 68.3, -35.62, 37.01

 

CMYK 41 / 47 / 0 / 29

HEX #6B61B6

RGB 107 97 182

HSL 247.06, 0.37%, 0.55%

LAB 45.71, 25.25, -43.87

 

CMYK 0 / 23 / 47 / 29

HEX #B68D60

RGB 182 141 96

HSL 31.4, 0.37%, 0.55%

LAB 61.52, 9.79, 29.91

 

CMYK 47 / 0 / 23 / 29

HEX #61B68D

RGB 97 182 141

HSL 151.06, 0.37%, 0.55%

LAB 67.96, -35.4, 13.01

 

CMYK 23 / 47 / 0 / 29

HEX #8D61B6

RGB 141 97 182

HSL 271.06, 0.37%, 0.55%

LAB 48.99, 34.57, -38.45

 

CMYK 0 / 23 / 47 / 29

HEX #B68D60

RGB 182 141 96

HSL 31.4, 0.37%, 0.55%

LAB 61.52, 9.79, 29.91

 

CMYK 34 / 0 / 47 / 29

HEX #79B661

RGB 121 182 97

HSL 103.06, 0.37%, 0.55%

LAB 68.3, -35.62, 37.01

 

CMYK 47 / 24 / 0 / 29

HEX #618AB6

RGB 97 138 182

HSL 211.06, 0.37%, 0.55%

LAB 56.18, -2.01, -27.47

 

CMYK 13 / 47 / 0 / 29

HEX #9E61B6

RGB 158 97 182

HSL 283.06, 0.37%, 0.55%

LAB 50.92, 39.52, -35.29

 

CMYK 0 / 23 / 47 / 29

HEX #B68D60

RGB 182 141 96

HSL 31.4, 0.37%, 0.55%

LAB 61.52, 9.79, 29.91

 

CMYK 47 / 0 / 46 / 29

HEX #61B663

RGB 97 182 99

HSL 121.41, 0.37%, 0.55%

LAB 67.2, -42.99, 34.37

 

CMYK 47 / 24 / 0 / 29

HEX #618AB6

RGB 97 138 182

HSL 211.06, 0.37%, 0.55%

LAB 56.18, -2.01, -27.47

 

CMYK 0 / 47 / 1 / 29

HEX #B661B5

RGB 182 97 181

HSL 300.71, 0.37%, 0.55%

LAB 53.85, 46.43, -29.91

 

Description

Color code: HEX #B68D60 | qconv.com Color code: HEX #B68D60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 141 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 141 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 47 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 47% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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