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Color name
HEX #B6822F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6822F it is the complementary color #497DD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6822F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6822F shade: #BB822A, #CC943D, #DDA650, #EEB863 and #FFCA76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6822F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6822F shade: #B6822F, #A5701C, #945E09, #834C00 and #723A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6822F shade: #B6822F, #B65D2F, #B6392F and #B62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6822F shade: #B6822F, #B6A62F, #A1B62F, #7DB62F and #58B62F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6822F shade matches the following richer shades: #B6822F, #C9861C and #DB8A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6822F shade: #B6822F, #A37E41, #917954, #7E7566 and #6C7179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6822F shade: #B6382F, #B65C2F, #B6802F, #B6A42F and #A4B62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6822F shade: #74531E, #956A26, #B6822F, #CD9740 and #D6A961

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6822F shade: #B6822F, #4AB62F and #4A2FB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6822F shade: #B6822F, #2FB680 and #802FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6822F shade: #B6822F, #4AB62F, #2F65B6 and #9B2FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6822F shade: #B6822F, #2FB63C, #2F65B6 and #B62FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

Complementary color

CMYK 65 / 40 / 0 / 18

HEX #497DD0

RGB 73 125 208

HSL 216.89, 0.59%, 0.55%

LAB 52.55, 9.02, -48.05

 

CMYK 0 / 30 / 78 / 27

HEX #BB822A

RGB 187 130 42

HSL 36.41, 0.63%, 0.45%

LAB 58.69, 14.24, 53.44

 

CMYK 0 / 27 / 70 / 20

HEX #CC943D

RGB 204 148 61

HSL 36.5, 0.58%, 0.52%

LAB 65.24, 12.7, 52.53

 

CMYK 0 / 25 / 64 / 13

HEX #DDA650

RGB 221 166 80

HSL 36.6, 0.67%, 0.59%

LAB 71.71, 11.37, 51.33

 

CMYK 0 / 23 / 58 / 7

HEX #EEB863

RGB 238 184 99

HSL 36.69, 0.8%, 0.66%

LAB 78.09, 10.23, 50.02

 

CMYK 0 / 21 / 54 / 0

HEX #FFCA76

RGB 255 202 118

HSL 36.79, 1%, 0.73%

LAB 84.39, 9.24, 48.7

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 0 / 32 / 83 / 35

HEX #A5701C

RGB 165 112 28

HSL 36.79, 0.71%, 0.38%

LAB 51.46, 13.96, 51.18

 

CMYK 0 / 36 / 94 / 42

HEX #945E09

RGB 148 94 9

HSL 36.69, 0.89%, 0.31%

LAB 44.69, 16, 50.45

 

CMYK 0 / 42 / 100 / 49

HEX #834C00

RGB 131 76 0

HSL 34.81, 1%, 0.26%

LAB 37.83, 18.41, 47.11

 

CMYK 0 / 49 / 100 / 55

HEX #723A00

RGB 114 58 0

HSL 30.53, 1%, 0.22%

LAB 30.89, 21.08, 41.39

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 0 / 49 / 74 / 29

HEX #B65D2F

RGB 182 93 47

HSL 20.44, 0.59%, 0.45%

LAB 49.47, 32.59, 41.7

 

CMYK 0 / 69 / 74 / 29

HEX #B6392F

RGB 182 57 47

HSL 4.44, 0.59%, 0.45%

LAB 42.88, 49.76, 34.52

 

CMYK 0 / 74 / 74 / 29

HEX #B62F2F

RGB 182 47 47

HSL 0, 0.59%, 0.45%

LAB 41.51, 53.54, 32.98

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 0 / 9 / 74 / 29

HEX #B6A62F

RGB 182 166 47

HSL 52.89, 0.59%, 0.45%

LAB 67.59, -7.34, 59.84

 

CMYK 12 / 0 / 74 / 29

HEX #A1B62F

RGB 161 182 47

HSL 69.33, 0.59%, 0.45%

LAB 70.34, -24.55, 61.86

 

CMYK 31 / 0 / 74 / 29

HEX #7DB62F

RGB 125 182 47

HSL 85.33, 0.59%, 0.45%

LAB 68.04, -38.91, 58.83

 

CMYK 52 / 0 / 74 / 29

HEX #58B62F

RGB 88 182 47

HSL 101.78, 0.59%, 0.45%

LAB 66.32, -51.28, 56.56

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 0 / 33 / 86 / 21

HEX #C9861C

RGB 201 134 28

HSL 36.76, 0.76%, 0.45%

LAB 61.27, 17.75, 61.25

 

CMYK 0 / 37 / 96 / 14

HEX #DB8A09

RGB 219 138 9

HSL 36.86, 0.92%, 0.45%

LAB 64.37, 23.06, 68.63

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 0 / 23 / 60 / 36

HEX #A37E41

RGB 163 126 65

HSL 37.35, 0.43%, 0.45%

LAB 55.16, 7.16, 38.18

 

CMYK 0 / 17 / 42 / 43

HEX #917954

RGB 145 121 84

HSL 36.39, 0.27%, 0.45%

LAB 52.21, 3.94, 23.75

 

CMYK 0 / 7 / 19 / 51

HEX #7E7566

RGB 126 117 102

HSL 37.5, 0.11%, 0.45%

LAB 49.64, 0.78, 9.53

 

CMYK 11 / 7 / 0 / 53

HEX #6C7179

RGB 108 113 121

HSL 216.92, 0.06%, 0.45%

LAB 47.47, -0.16, -5.07

 

CMYK 0 / 69 / 74 / 29

HEX #B6382F

RGB 182 56 47

HSL 4, 0.59%, 0.45%

LAB 42.73, 50.17, 34.36

 

CMYK 0 / 49 / 74 / 29

HEX #B65C2F

RGB 182 92 47

HSL 20, 0.59%, 0.45%

LAB 49.26, 33.12, 41.47

 

CMYK 0 / 30 / 74 / 29

HEX #B6802F

RGB 182 128 47

HSL 36, 0.59%, 0.45%

LAB 57.64, 13.36, 50.12

 

CMYK 0 / 10 / 74 / 29

HEX #B6A42F

RGB 182 164 47

HSL 52, 0.59%, 0.45%

LAB 67.05, -6.28, 59.32

 

CMYK 10 / 0 / 74 / 29

HEX #A4B62F

RGB 164 182 47

HSL 68, 0.59%, 0.45%

LAB 70.56, -23.29, 62.14

 

CMYK 0 / 28 / 74 / 55

HEX #74531E

RGB 116 83 30

HSL 36.98, 0.59%, 0.29%

LAB 37.83, 8.11, 35.2

 

CMYK 0 / 29 / 74 / 42

HEX #956A26

RGB 149 106 38

HSL 36.76, 0.59%, 0.37%

LAB 48.05, 10.49, 43.18

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 0 / 26 / 69 / 20

HEX #CD9740

RGB 205 151 64

HSL 37.02, 0.59%, 0.53%

LAB 66.12, 11.66, 52.14

 

CMYK 0 / 21 / 55 / 16

HEX #D6A961

RGB 214 169 97

HSL 36.92, 0.59%, 0.61%

LAB 71.92, 8.06, 43.07

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 59 / 0 / 74 / 29

HEX #4AB62F

RGB 74 182 47

HSL 108, 0.59%, 0.45%

LAB 65.84, -55.04, 55.93

 

CMYK 59 / 74 / 0 / 29

HEX #4A2FB6

RGB 74 47 182

HSL 252, 0.59%, 0.45%

LAB 31.5, 48.05, -67

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 74 / 0 / 30 / 29

HEX #2FB680

RGB 47 182 128

HSL 156, 0.59%, 0.45%

LAB 66.23, -48.38, 17.46

 

CMYK 30 / 74 / 0 / 29

HEX #802FB6

RGB 128 47 182

HSL 276, 0.59%, 0.45%

LAB 37.84, 56.97, -56.39

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 59 / 0 / 74 / 29

HEX #4AB62F

RGB 74 182 47

HSL 108, 0.59%, 0.45%

LAB 65.84, -55.04, 55.93

 

CMYK 74 / 45 / 0 / 29

HEX #2F65B6

RGB 47 101 182

HSL 216, 0.59%, 0.45%

LAB 43.2, 10.59, -48.08

 

CMYK 15 / 74 / 0 / 29

HEX #9B2FB6

RGB 155 47 182

HSL 288, 0.59%, 0.45%

LAB 41.81, 62.29, -49.78

 

CMYK 0 / 29 / 74 / 29

HEX #B6822F

RGB 182 130 47

HSL 36.89, 0.59%, 0.45%

LAB 58.15, 12.25, 50.62

 

CMYK 74 / 0 / 67 / 29

HEX #2FB63C

RGB 47 182 60

HSL 125.78, 0.59%, 0.45%

LAB 65.27, -59.41, 50.11

 

CMYK 74 / 45 / 0 / 29

HEX #2F65B6

RGB 47 101 182

HSL 216, 0.59%, 0.45%

LAB 43.2, 10.59, -48.08

 

CMYK 0 / 74 / 8 / 29

HEX #B62FA8

RGB 182 47 168

HSL 306.22, 0.59%, 0.45%

LAB 45.37, 65.69, -35.57

 

Description

Color code: HEX #B6822F | qconv.com Color code: HEX #B6822F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 130 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 130 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 74 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 74% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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