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Color name
HEX #B6852F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6852F it is the complementary color #497AD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6852F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6852F shade: #BB852A, #CC973D, #DDA950, #EEBB63 and #FFCD76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6852F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6852F shade: #B6852F, #A5731C, #946109, #834F00 and #723D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6852F shade: #B6852F, #B6602F, #B63C2F and #B62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6852F shade: #B6852F, #B6A92F, #9EB62F, #7AB62F and #55B62F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6852F shade matches the following richer shades: #B6852F, #C98A1C and #DB8F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6852F shade: #B6852F, #A38041, #917B54, #7E7666 and #6C7079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6852F shade: #B63C2F, #B6602F, #B6842F, #B6A82F and #9FB62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6852F shade: #74551E, #956D26, #B6852F, #CD9A40 and #D6AC61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6852F shade: #B6852F, #45B62F and #4E2FB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6852F shade: #B6852F, #2FB684 and #842FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6852F shade: #B6852F, #45B62F, #2F60B6 and #9F2FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6852F shade: #B6852F, #2FB641, #2F60B6 and #B62FA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

Complementary color

CMYK 65 / 41 / 0 / 18

HEX #497AD0

RGB 73 122 208

HSL 218.22, 0.59%, 0.55%

LAB 51.71, 10.85, -49.38

 

CMYK 0 / 29 / 78 / 27

HEX #BB852A

RGB 187 133 42

HSL 37.66, 0.63%, 0.45%

LAB 59.44, 12.58, 54.15

 

CMYK 0 / 26 / 70 / 20

HEX #CC973D

RGB 204 151 61

HSL 37.76, 0.58%, 0.52%

LAB 65.99, 11.07, 53.31

 

CMYK 0 / 24 / 64 / 13

HEX #DDA950

RGB 221 169 80

HSL 37.87, 0.67%, 0.59%

LAB 72.45, 9.77, 52.15

 

CMYK 0 / 21 / 58 / 7

HEX #EEBB63

RGB 238 187 99

HSL 37.99, 0.8%, 0.66%

LAB 78.82, 8.66, 50.88

 

CMYK 0 / 20 / 54 / 0

HEX #FFCD76

RGB 255 205 118

HSL 38.1, 1%, 0.73%

LAB 85.11, 7.69, 49.58

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 0 / 30 / 83 / 35

HEX #A5731C

RGB 165 115 28

HSL 38.1, 0.71%, 0.38%

LAB 52.22, 12.26, 51.85

 

CMYK 0 / 34 / 94 / 42

HEX #946109

RGB 148 97 9

HSL 37.99, 0.89%, 0.31%

LAB 45.45, 14.27, 51.01

 

CMYK 0 / 40 / 100 / 49

HEX #834F00

RGB 131 79 0

HSL 36.18, 1%, 0.26%

LAB 38.58, 16.65, 47.59

 

CMYK 0 / 46 / 100 / 55

HEX #723D00

RGB 114 61 0

HSL 32.11, 1%, 0.22%

LAB 31.61, 19.31, 41.9

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 0 / 47 / 74 / 29

HEX #B6602F

RGB 182 96 47

HSL 21.78, 0.59%, 0.45%

LAB 50.12, 30.99, 42.38

 

CMYK 0 / 67 / 74 / 29

HEX #B63C2F

RGB 182 60 47

HSL 5.78, 0.59%, 0.45%

LAB 43.33, 48.53, 35.03

 

CMYK 0 / 74 / 74 / 29

HEX #B62F2F

RGB 182 47 47

HSL 0, 0.59%, 0.45%

LAB 41.51, 53.54, 32.98

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 0 / 7 / 74 / 29

HEX #B6A92F

RGB 182 169 47

HSL 54.22, 0.59%, 0.45%

LAB 68.41, -8.91, 60.61

 

CMYK 13 / 0 / 74 / 29

HEX #9EB62F

RGB 158 182 47

HSL 70.67, 0.59%, 0.45%

LAB 70.13, -25.8, 61.57

 

CMYK 33 / 0 / 74 / 29

HEX #7AB62F

RGB 122 182 47

HSL 86.67, 0.59%, 0.45%

LAB 67.87, -40.02, 58.62

 

CMYK 53 / 0 / 74 / 29

HEX #55B62F

RGB 85 182 47

HSL 103.11, 0.59%, 0.45%

LAB 66.21, -52.13, 56.42

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 0 / 31 / 86 / 21

HEX #C98A1C

RGB 201 138 28

HSL 38.15, 0.76%, 0.45%

LAB 62.24, 15.56, 62.05

 

CMYK 0 / 35 / 96 / 14

HEX #DB8F09

RGB 219 143 9

HSL 38.29, 0.92%, 0.45%

LAB 65.53, 20.38, 69.43

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 0 / 21 / 60 / 36

HEX #A38041

RGB 163 128 65

HSL 38.57, 0.43%, 0.45%

LAB 55.69, 6.03, 38.79

 

CMYK 0 / 15 / 42 / 43

HEX #917B54

RGB 145 123 84

HSL 38.36, 0.27%, 0.45%

LAB 52.76, 2.8, 24.47

 

CMYK 0 / 6 / 19 / 51

HEX #7E7666

RGB 126 118 102

HSL 40, 0.11%, 0.45%

LAB 49.92, 0.21, 9.92

 

CMYK 11 / 7 / 0 / 53

HEX #6C7079

RGB 108 112 121

HSL 221.54, 0.06%, 0.45%

LAB 47.18, 0.43, -5.5

 

CMYK 0 / 67 / 74 / 29

HEX #B63C2F

RGB 182 60 47

HSL 5.78, 0.59%, 0.45%

LAB 43.33, 48.53, 35.03

 

CMYK 0 / 47 / 74 / 29

HEX #B6602F

RGB 182 96 47

HSL 21.78, 0.59%, 0.45%

LAB 50.12, 30.99, 42.38

 

CMYK 0 / 27 / 74 / 29

HEX #B6842F

RGB 182 132 47

HSL 37.78, 0.59%, 0.45%

LAB 58.65, 11.14, 51.13

 

CMYK 0 / 8 / 74 / 29

HEX #B6A82F

RGB 182 168 47

HSL 53.78, 0.59%, 0.45%

LAB 68.14, -8.39, 60.35

 

CMYK 13 / 0 / 74 / 29

HEX #9FB62F

RGB 159 182 47

HSL 70.22, 0.59%, 0.45%

LAB 70.2, -25.39, 61.67

 

CMYK 0 / 27 / 74 / 55

HEX #74551E

RGB 116 85 30

HSL 38.37, 0.59%, 0.29%

LAB 38.38, 6.91, 35.77

 

CMYK 0 / 27 / 74 / 42

HEX #956D26

RGB 149 109 38

HSL 38.38, 0.59%, 0.37%

LAB 48.84, 8.76, 43.98

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 0 / 25 / 69 / 20

HEX #CD9A40

RGB 205 154 64

HSL 38.3, 0.59%, 0.53%

LAB 66.87, 10.03, 52.94

 

CMYK 0 / 20 / 55 / 16

HEX #D6AC61

RGB 214 172 97

HSL 38.46, 0.59%, 0.61%

LAB 72.67, 6.46, 43.98

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 62 / 0 / 74 / 29

HEX #45B62F

RGB 69 182 47

HSL 110.22, 0.59%, 0.45%

LAB 65.69, -56.24, 55.73

 

CMYK 57 / 74 / 0 / 29

HEX #4E2FB6

RGB 78 47 182

HSL 253.78, 0.59%, 0.45%

LAB 31.88, 48.6, -66.37

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 74 / 0 / 27 / 29

HEX #2FB684

RGB 47 182 132

HSL 157.78, 0.59%, 0.45%

LAB 66.31, -47.49, 15.4

 

CMYK 27 / 74 / 0 / 29

HEX #842FB6

RGB 132 47 182

HSL 277.78, 0.59%, 0.45%

LAB 38.4, 57.73, -55.45

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 62 / 0 / 74 / 29

HEX #45B62F

RGB 69 182 47

HSL 110.22, 0.59%, 0.45%

LAB 65.69, -56.24, 55.73

 

CMYK 74 / 47 / 0 / 29

HEX #2F60B6

RGB 47 96 182

HSL 218.22, 0.59%, 0.45%

LAB 41.76, 13.81, -50.38

 

CMYK 13 / 74 / 0 / 29

HEX #9F2FB6

RGB 159 47 182

HSL 289.78, 0.59%, 0.45%

LAB 42.43, 63.1, -48.75

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 74 / 0 / 64 / 29

HEX #2FB641

RGB 47 182 65

HSL 128, 0.59%, 0.45%

LAB 65.31, -58.88, 48.03

 

CMYK 74 / 47 / 0 / 29

HEX #2F60B6

RGB 47 96 182

HSL 218.22, 0.59%, 0.45%

LAB 41.76, 13.81, -50.38

 

CMYK 0 / 74 / 10 / 29

HEX #B62FA4

RGB 182 47 164

HSL 308, 0.59%, 0.45%

LAB 45.16, 65.09, -33.52

 

Description

Color code: HEX #B6852F | qconv.com Color code: HEX #B6852F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 133 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 133 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 74 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 74% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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