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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6634D it is the complementary color #499CB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6634D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6634D shade: #BB6348, #CC755B, #DD876E, #EE9981 and #FFAB94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6634D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6634D shade: #B6634D, #A5513A, #943F27, #832D14 and #721B01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6634D shade: #B6634D and #B64D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6634D shade: #B6634D, #B67F4D, #B69C4D, #B4B64D and #98B64D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6634D shade matches the following richer shades: #B6634D, #CA5739, #DE4C25 and #F34010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6634D shade: #B6634D, #A26F61, #8E7B76, #79868A and #65929E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6634D shade: #B64D70, #B64D54, #B6624D, #B67E4D and #B69A4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6634D shade: #7E4333, #9B523F, #B6634D, #C27D6A and #CE9688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6634D shade: #B6634D, #8CB64D and #4D62B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6634D shade: #B6634D, #4DB662 and #624DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6634D shade: #B6634D, #8CB64D, #4DA1B6 and #774DB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6634D shade: #B6634D, #6DB64D, #4DA1B6 and #974DB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

Complementary color

CMYK 59 / 12 / 0 / 30

HEX #499CB2

RGB 73 156 178

HSL 192.57, 0.42%, 0.49%

LAB 60.26, -18.6, -19.04

 

CMYK 0 / 47 / 61 / 27

HEX #BB6348

RGB 187 99 72

HSL 14.09, 0.46%, 0.51%

LAB 51.79, 32.91, 31.04

 

CMYK 0 / 43 / 55 / 20

HEX #CC755B

RGB 204 117 91

HSL 13.81, 0.53%, 0.58%

LAB 58.34, 31.55, 29.11

 

CMYK 0 / 39 / 50 / 13

HEX #DD876E

RGB 221 135 110

HSL 13.51, 0.62%, 0.65%

LAB 64.82, 30.32, 27.39

 

CMYK 0 / 36 / 46 / 7

HEX #EE9981

RGB 238 153 129

HSL 13.21, 0.76%, 0.72%

LAB 71.24, 29.22, 25.85

 

CMYK 0 / 33 / 42 / 0

HEX #FFAB94

RGB 255 171 148

HSL 12.9, 1%, 0.79%

LAB 77.59, 28.22, 24.45

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 0 / 51 / 65 / 35

HEX #A5513A

RGB 165 81 58

HSL 12.9, 0.48%, 0.44%

LAB 44.5, 32.7, 29.37

 

CMYK 0 / 57 / 74 / 42

HEX #943F27

RGB 148 63 39

HSL 13.21, 0.58%, 0.37%

LAB 37.84, 34.22, 31.8

 

CMYK 0 / 66 / 85 / 49

HEX #832D14

RGB 131 45 20

HSL 13.51, 0.74%, 0.3%

LAB 31.24, 35.73, 34.41

 

CMYK 0 / 76 / 99 / 55

HEX #721B01

RGB 114 27 1

HSL 13.81, 0.98%, 0.23%

LAB 24.84, 36.86, 35.9

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 0 / 58 / 58 / 29

HEX #B64D4D

RGB 182 77 77

HSL 0, 0.42%, 0.51%

LAB 46.7, 42.62, 21.49

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 0 / 30 / 58 / 29

HEX #B67F4D

RGB 182 127 77

HSL 28.57, 0.42%, 0.51%

LAB 57.71, 15.84, 35.41

 

CMYK 0 / 14 / 58 / 29

HEX #B69C4D

RGB 182 156 77

HSL 45.14, 0.42%, 0.51%

LAB 65.17, -0.15, 44.27

 

CMYK 1 / 0 / 58 / 29

HEX #B4B64D

RGB 180 182 77

HSL 61.14, 0.42%, 0.51%

LAB 72.02, -14.69, 52.01

 

CMYK 16 / 0 / 58 / 29

HEX #98B64D

RGB 152 182 77

HSL 77.14, 0.42%, 0.51%

LAB 69.94, -26.21, 49.1

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 0 / 57 / 72 / 21

HEX #CA5739

RGB 202 87 57

HSL 12.41, 0.58%, 0.51%

LAB 51.46, 43.9, 39.51

 

CMYK 0 / 66 / 83 / 13

HEX #DE4C25

RGB 222 76 37

HSL 12.65, 0.74%, 0.51%

LAB 52.77, 55.17, 51.91

 

CMYK 0 / 74 / 93 / 5

HEX #F34010

RGB 243 64 16

HSL 12.69, 0.9%, 0.51%

LAB 54.82, 65.92, 62.84

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 0 / 31 / 40 / 36

HEX #A26F61

RGB 162 111 97

HSL 12.92, 0.26%, 0.51%

LAB 51.74, 18.43, 15.96

 

CMYK 0 / 13 / 17 / 44

HEX #8E7B76

RGB 142 123 118

HSL 12.5, 0.1%, 0.51%

LAB 53.19, 6.44, 5.42

 

CMYK 12 / 3 / 0 / 46

HEX #79868A

RGB 121 134 138

HSL 194.12, 0.07%, 0.51%

LAB 55.02, -3.86, -3.77

 

CMYK 36 / 8 / 0 / 38

HEX #65929E

RGB 101 146 158

HSL 192.63, 0.23%, 0.51%

LAB 57.84, -12.13, -11.21

 

CMYK 0 / 58 / 38 / 29

HEX #B64D70

RGB 182 77 112

HSL 340, 0.42%, 0.51%

LAB 47.52, 45.99, 1.43

 

CMYK 0 / 58 / 54 / 29

HEX #B64D54

RGB 182 77 84

HSL 356, 0.42%, 0.51%

LAB 46.83, 43.19, 17.46

 

CMYK 0 / 46 / 58 / 29

HEX #B6624D

RGB 182 98 77

HSL 12, 0.42%, 0.51%

LAB 50.94, 31.82, 26.98

 

CMYK 0 / 31 / 58 / 29

HEX #B67E4D

RGB 182 126 77

HSL 28, 0.42%, 0.51%

LAB 57.47, 16.39, 35.11

 

CMYK 0 / 15 / 58 / 29

HEX #B69A4D

RGB 182 154 77

HSL 44, 0.42%, 0.51%

LAB 64.64, 0.93, 43.65

 

CMYK 0 / 47 / 60 / 51

HEX #7E4333

RGB 126 67 51

HSL 12.8, 0.42%, 0.35%

LAB 35.38, 23.74, 20.91

 

CMYK 0 / 47 / 59 / 39

HEX #9B523F

RGB 155 82 63

HSL 12.39, 0.42%, 0.43%

LAB 43.3, 28.46, 24.64

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 0 / 36 / 45 / 24

HEX #C27D6A

RGB 194 125 106

HSL 12.95, 0.42%, 0.59%

LAB 59.14, 24.63, 21.46

 

CMYK 0 / 27 / 34 / 19

HEX #CE9688

RGB 206 150 136

HSL 12, 0.42%, 0.67%

LAB 67.06, 19.17, 15.68

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 23 / 0 / 58 / 29

HEX #8CB64D

RGB 140 182 77

HSL 84, 0.42%, 0.51%

LAB 69.16, -30.92, 48

 

CMYK 58 / 46 / 0 / 29

HEX #4D62B6

RGB 77 98 182

HSL 228, 0.42%, 0.51%

LAB 43.79, 17.64, -47.06

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 58 / 0 / 46 / 29

HEX #4DB662

RGB 77 182 98

HSL 132, 0.42%, 0.51%

LAB 66.46, -48.45, 33.78

 

CMYK 46 / 58 / 0 / 29

HEX #624DB6

RGB 98 77 182

HSL 252, 0.42%, 0.51%

LAB 40.05, 35.25, -52.98

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 23 / 0 / 58 / 29

HEX #8CB64D

RGB 140 182 77

HSL 84, 0.42%, 0.51%

LAB 69.16, -30.92, 48

 

CMYK 58 / 12 / 0 / 29

HEX #4DA1B6

RGB 77 161 182

HSL 192, 0.42%, 0.51%

LAB 62.04, -19.24, -18.57

 

CMYK 35 / 58 / 0 / 29

HEX #774DB6

RGB 119 77 182

HSL 264, 0.42%, 0.51%

LAB 42.17, 40.12, -49.46

 

CMYK 0 / 46 / 58 / 29

HEX #B6634D

RGB 182 99 77

HSL 12.57, 0.42%, 0.51%

LAB 51.16, 31.28, 27.26

 

CMYK 40 / 0 / 58 / 29

HEX #6DB64D

RGB 109 182 77

HSL 101.71, 0.42%, 0.51%

LAB 67.46, -42.07, 45.6

 

CMYK 58 / 12 / 0 / 29

HEX #4DA1B6

RGB 77 161 182

HSL 192, 0.42%, 0.51%

LAB 62.04, -19.24, -18.57

 

CMYK 17 / 58 / 0 / 29

HEX #974DB6

RGB 151 77 182

HSL 282.29, 0.42%, 0.51%

LAB 45.99, 48.2, -43.12

 

Description

Color code: HEX #B6634D | qconv.com Color code: HEX #B6634D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 99 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 99 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 58 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 58% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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