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Color name
HEX #B668C9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B668C9 it is the complementary color #499736. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B668C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B668C9 shade: #BB68C4, #CC7AD7, #DD8CEA, #EE9EFD and #FFB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B668C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B668C9 shade: #B668C9, #A556B6, #9444A3, #833290 and #72207D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B668C9 shade: #B669C8, #C869C1, #C869A8, #C8698E and #C86974

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B668C9 shade: #B669C8, #9C69C8, #8269C8 and #6969C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B668C9 shade matches the following richer shades: #B669C8, #C058D9, #CA48E9 and #D437FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B668C9 shade: #B669C8, #AC79B8, #A28AA7, #989A97 and #8EAB86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B668C9 shade: #8269C8, #9C69C8, #B569C8, #C869C2 and #C869A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B668C9 shade: #8F3BA4, #A74ABE, #B669C8, #C487D3 and #D3A5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B668C9 shade: #B668C9, #C86969 and #69C88F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B668C9 shade: #B668C9, #C8B569 and #69C8B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B668C9 shade: #B668C9, #C86969, #7CC869 and #69C8C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B668C9 shade: #B668C9, #C88569, #7CC869 and #69ACC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

Complementary color

CMYK 52 / 0 / 64 / 41

HEX #499736

RGB 73 151 54

HSL 108.25, 0.47%, 0.4%

LAB 55.9, -42.88, 42.63

 

CMYK 5 / 47 / 0 / 23

HEX #BB68C4

RGB 187 104 196

HSL 294.13, 0.44%, 0.59%

LAB 56.54, 47.11, -34.29

 

CMYK 5 / 43 / 0 / 16

HEX #CC7AD7

RGB 204 122 215

HSL 292.9, 0.54%, 0.66%

LAB 63.06, 46.37, -34.7

 

CMYK 6 / 40 / 0 / 8

HEX #DD8CEA

RGB 221 140 234

HSL 291.7, 0.69%, 0.73%

LAB 69.52, 45.62, -35.05

 

CMYK 6 / 38 / 0 / 1

HEX #EE9EFD

RGB 238 158 253

HSL 290.53, 0.96%, 0.81%

LAB 75.9, 44.89, -35.37

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

CMYK 9 / 53 / 0 / 29

HEX #A556B6

RGB 165 86 182

HSL 289.38, 0.4%, 0.53%

LAB 49.54, 47.37, -37.4

 

CMYK 9 / 58 / 0 / 36

HEX #9444A3

RGB 148 68 163

HSL 290.53, 0.41%, 0.45%

LAB 42.88, 47.97, -36.88

 

CMYK 9 / 65 / 0 / 44

HEX #833290

RGB 131 50 144

HSL 291.7, 0.48%, 0.38%

LAB 36.21, 48.31, -36.13

 

CMYK 9 / 74 / 0 / 51

HEX #72207D

RGB 114 32 125

HSL 292.9, 0.59%, 0.31%

LAB 29.64, 48.09, -34.98

 

CMYK 9 / 48 / 0 / 22

HEX #B669C8

RGB 182 105 200

HSL 288.63, 0.46%, 0.6%

LAB 56.31, 45.93, -36.98

 

CMYK 0 / 48 / 4 / 22

HEX #C869C1

RGB 200 105 193

HSL 304.42, 0.46%, 0.6%

LAB 58.26, 49.87, -29.78

 

CMYK 0 / 48 / 16 / 22

HEX #C869A8

RGB 200 105 168

HSL 320.21, 0.46%, 0.6%

LAB 57.28, 45.7, -16.92

 

CMYK 0 / 48 / 29 / 22

HEX #C8698E

RGB 200 105 142

HSL 336.63, 0.46%, 0.6%

LAB 56.42, 41.91, -3.08

 

CMYK 0 / 48 / 42 / 22

HEX #C86974

RGB 200 105 116

HSL 353.05, 0.46%, 0.6%

LAB 55.73, 38.74, 11.13

 

CMYK 9 / 48 / 0 / 22

HEX #B669C8

RGB 182 105 200

HSL 288.63, 0.46%, 0.6%

LAB 56.31, 45.93, -36.98

 

CMYK 22 / 48 / 0 / 22

HEX #9C69C8

RGB 156 105 200

HSL 272.21, 0.46%, 0.6%

LAB 53.32, 38.53, -41.88

 

CMYK 35 / 48 / 0 / 22

HEX #8269C8

RGB 130 105 200

HSL 255.79, 0.46%, 0.6%

LAB 50.71, 31.46, -46.19

 

CMYK 48 / 48 / 0 / 22

HEX #6969C8

RGB 105 105 200

HSL 240, 0.46%, 0.6%

LAB 48.61, 25.24, -49.66

 

CMYK 9 / 48 / 0 / 22

HEX #B669C8

RGB 182 105 200

HSL 288.63, 0.46%, 0.6%

LAB 56.31, 45.93, -36.98

 

CMYK 12 / 59 / 0 / 15

HEX #C058D9

RGB 192 88 217

HSL 288.37, 0.63%, 0.6%

LAB 55.27, 60.33, -48.18

 

CMYK 13 / 69 / 0 / 9

HEX #CA48E9

RGB 202 72 233

HSL 288.45, 0.79%, 0.6%

LAB 55.15, 72.29, -57.32

 

CMYK 15 / 78 / 0 / 2

HEX #D437FA

RGB 212 55 250

HSL 288.31, 0.95%, 0.6%

LAB 55.72, 82.79, -65.83

 

CMYK 9 / 48 / 0 / 22

HEX #B669C8

RGB 182 105 200

HSL 288.63, 0.46%, 0.6%

LAB 56.31, 45.93, -36.98

 

CMYK 7 / 34 / 0 / 28

HEX #AC79B8

RGB 172 121 184

HSL 288.57, 0.31%, 0.6%

LAB 57.95, 30.91, -25.39

 

CMYK 3 / 17 / 0 / 35

HEX #A28AA7

RGB 162 138 167

HSL 289.66, 0.14%, 0.6%

LAB 60.47, 14.43, -11.94

 

CMYK 1 / 0 / 2 / 40

HEX #989A97

RGB 152 154 151

HSL 100, 0.01%, 0.6%

LAB 63.36, -1.3, 1.31

 

CMYK 17 / 0 / 22 / 33

HEX #8EAB86

RGB 142 171 134

HSL 107.03, 0.18%, 0.6%

LAB 66.97, -17.13, 15.82

 

CMYK 35 / 48 / 0 / 22

HEX #8269C8

RGB 130 105 200

HSL 255.79, 0.46%, 0.6%

LAB 50.71, 31.46, -46.19

 

CMYK 22 / 48 / 0 / 22

HEX #9C69C8

RGB 156 105 200

HSL 272.21, 0.46%, 0.6%

LAB 53.32, 38.53, -41.88

 

CMYK 10 / 48 / 0 / 22

HEX #B569C8

RGB 181 105 200

HSL 288, 0.46%, 0.6%

LAB 56.18, 45.64, -37.18

 

CMYK 0 / 48 / 3 / 22

HEX #C869C2

RGB 200 105 194

HSL 303.79, 0.46%, 0.6%

LAB 58.3, 50.04, -30.28

 

CMYK 0 / 48 / 16 / 22

HEX #C869A8

RGB 200 105 168

HSL 320.21, 0.46%, 0.6%

LAB 57.28, 45.7, -16.92

 

CMYK 13 / 64 / 0 / 36

HEX #8F3BA4

RGB 143 59 164

HSL 288, 0.47%, 0.44%

LAB 40.65, 51.18, -41.05

 

CMYK 12 / 61 / 0 / 25

HEX #A74ABE

RGB 167 74 190

HSL 288.1, 0.47%, 0.52%

LAB 48.05, 55.36, -44.39

 

CMYK 9 / 48 / 0 / 22

HEX #B669C8

RGB 182 105 200

HSL 288.63, 0.46%, 0.6%

LAB 56.31, 45.93, -36.98

 

CMYK 7 / 36 / 0 / 17

HEX #C487D3

RGB 196 135 211

HSL 288.16, 0.46%, 0.68%

LAB 64.78, 36.21, -29.88

 

CMYK 5 / 26 / 0 / 13

HEX #D3A5DE

RGB 211 165 222

HSL 288.42, 0.46%, 0.76%

LAB 73.57, 26.78, -22.34

 

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 48 / 0 / 29 / 22

HEX #69C88F

RGB 105 200 143

HSL 144, 0.46%, 0.6%

LAB 73.74, -41.01, 20.02

 

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

CMYK 0 / 10 / 48 / 22

HEX #C8B569

RGB 200 181 105

HSL 48, 0.46%, 0.6%

LAB 73.77, -3.42, 40.99

 

CMYK 48 / 0 / 10 / 22

HEX #69C8B5

RGB 105 200 181

HSL 168, 0.46%, 0.6%

LAB 74.6, -32.76, 0.81

 

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 38 / 0 / 48 / 22

HEX #7CC869

RGB 124 200 105

HSL 108, 0.46%, 0.6%

LAB 73.94, -41.61, 40.07

 

CMYK 48 / 0 / 0 / 22

HEX #69C8C8

RGB 105 200 200

HSL 180, 0.46%, 0.6%

LAB 75.13, -28.02, -8.7

 

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

CMYK 0 / 34 / 48 / 22

HEX #C88569

RGB 200 133 105

HSL 17.68, 0.46%, 0.6%

LAB 61.72, 22.56, 25.59

 

CMYK 38 / 0 / 48 / 22

HEX #7CC869

RGB 124 200 105

HSL 108, 0.46%, 0.6%

LAB 73.94, -41.61, 40.07

 

CMYK 48 / 14 / 0 / 22

HEX #69ACC8

RGB 105 172 200

HSL 197.68, 0.46%, 0.6%

LAB 67.04, -13.72, -20.89

 

Description

Color code: HEX #B668C9 | qconv.com Color code: HEX #B668C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 104 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 104 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 48 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 48% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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