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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B665E1 it is the complementary color #499A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B665E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B665E1 shade: #BB65DC, #CC77EF, #DD89FF, #EE9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B665E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B665E1 shade: #B665E1, #A553CE, #9441BB, #832FA8 and #721D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B665E1 shade: #B665E0, #D765E0, #E065C9, #E065A7 and #E06586

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B665E1 shade: #B665E0, #9465E0, #7365E0 and #6565E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B665E1 shade matches the following richer shades: #B665E0, #BA56EF and #BF47FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B665E1 shade: #B665E0, #B174D1, #AC83C2, #A892B4 and #A3A1A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B665E1 shade: #7465E0, #9465E0, #B565E0, #D665E0 and #E065CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B665E1 shade: #9228CB, #A543D9, #B665E0, #C688E7 and #D6AAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B665E1 shade: #B665E1, #E06578 and #65E084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B665E1 shade: #B665E1, #E0B565 and #65E0B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B665E1 shade: #B665E1, #E06578, #90E065 and #65E0CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B665E1 shade: #B665E1, #E07865, #90E065 and #65CEE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 55 / 0 / 12

HEX #B665E1

RGB 182 101 225

HSL 279.19, 0.67%, 0.64%

LAB 56.77, 53.17, -50.39

 

Complementary color

CMYK 53 / 0 / 81 / 40

HEX #499A1E

RGB 73 154 30

HSL 99.19, 0.67%, 0.36%

LAB 56.7, -45.99, 52.72

 

CMYK 15 / 54 / 0 / 14

HEX #BB65DC

RGB 187 101 220

HSL 283.36, 0.63%, 0.63%

LAB 57.11, 53.41, -47

 

CMYK 15 / 50 / 0 / 6

HEX #CC77EF

RGB 204 119 239

HSL 282.5, 0.79%, 0.7%

LAB 63.56, 52.68, -47.28

 

CMYK 13 / 46 / 0 / 0

HEX #DD89FF

RGB 221 137 255

HSL 282.71, 1%, 0.77%

LAB 69.81, 51.31, -46.08

 

CMYK 7 / 39 / 0 / 0

HEX #EE9BFF

RGB 238 155 255

HSL 289.8, 1%, 0.8%

LAB 75.35, 46.83, -37.3

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 19 / 55 / 0 / 12

HEX #B665E1

RGB 182 101 225

HSL 279.19, 0.67%, 0.64%

LAB 56.77, 53.17, -50.39

 

CMYK 20 / 60 / 0 / 19

HEX #A553CE

RGB 165 83 206

HSL 280, 0.56%, 0.57%

LAB 50.27, 53.86, -50.1

 

CMYK 21 / 65 / 0 / 27

HEX #9441BB

RGB 148 65 187

HSL 280.82, 0.48%, 0.49%

LAB 43.75, 54.37, -49.66

 

CMYK 22 / 72 / 0 / 34

HEX #832FA8

RGB 131 47 168

HSL 281.65, 0.56%, 0.42%

LAB 37.27, 54.53, -48.96

 

CMYK 23 / 81 / 0 / 42

HEX #721D95

RGB 114 29 149

HSL 282.5, 0.67%, 0.35%

LAB 30.94, 53.98, -47.8

 

CMYK 19 / 55 / 0 / 12

HEX #B665E0

RGB 182 101 224

HSL 279.51, 0.66%, 0.64%

LAB 56.72, 52.96, -49.91

 

CMYK 4 / 55 / 0 / 12

HEX #D765E0

RGB 215 101 224

HSL 295.61, 0.66%, 0.64%

LAB 60.9, 61.47, -43.02

 

CMYK 0 / 55 / 10 / 12

HEX #E065C9

RGB 224 101 201

HSL 311.22, 0.66%, 0.64%

LAB 61.11, 60.02, -29.65

 

CMYK 0 / 55 / 25 / 12

HEX #E065A7

RGB 224 101 167

HSL 327.8, 0.66%, 0.64%

LAB 59.84, 55.06, -12.15

 

CMYK 0 / 55 / 40 / 12

HEX #E06586

RGB 224 101 134

HSL 343.9, 0.66%, 0.64%

LAB 58.86, 51.08, 5.55

 

CMYK 19 / 55 / 0 / 12

HEX #B665E0

RGB 182 101 224

HSL 279.51, 0.66%, 0.64%

LAB 56.72, 52.96, -49.91

 

CMYK 34 / 55 / 0 / 12

HEX #9465E0

RGB 148 101 224

HSL 262.93, 0.66%, 0.64%

LAB 52.93, 44.52, -56.17

 

CMYK 49 / 55 / 0 / 12

HEX #7365E0

RGB 115 101 224

HSL 246.83, 0.66%, 0.64%

LAB 49.9, 37.07, -61.21

 

CMYK 55 / 55 / 0 / 12

HEX #6565E0

RGB 101 101 224

HSL 240, 0.66%, 0.64%

LAB 48.83, 34.27, -62.99

 

CMYK 19 / 55 / 0 / 12

HEX #B665E0

RGB 182 101 224

HSL 279.51, 0.66%, 0.64%

LAB 56.72, 52.96, -49.91

 

CMYK 22 / 64 / 0 / 6

HEX #BA56EF

RGB 186 86 239

HSL 279.22, 0.83%, 0.64%

LAB 55.41, 64.26, -60.39

 

CMYK 25 / 72 / 0 / 0

HEX #BF47FE

RGB 191 71 254

HSL 279.34, 0.99%, 0.64%

LAB 54.8, 74.53, -69.68

 

CMYK 19 / 55 / 0 / 12

HEX #B665E0

RGB 182 101 224

HSL 279.51, 0.66%, 0.64%

LAB 56.72, 52.96, -49.91

 

CMYK 15 / 44 / 0 / 18

HEX #B174D1

RGB 177 116 209

HSL 279.35, 0.5%, 0.64%

LAB 58.45, 40.46, -38.76

 

CMYK 11 / 32 / 0 / 24

HEX #AC83C2

RGB 172 131 194

HSL 279.05, 0.34%, 0.64%

LAB 60.69, 27.36, -26.84

 

CMYK 7 / 19 / 0 / 29

HEX #A892B4

RGB 168 146 180

HSL 278.82, 0.18%, 0.64%

LAB 63.49, 14.61, -14.7

 

CMYK 1 / 2 / 0 / 35

HEX #A3A1A5

RGB 163 161 165

HSL 270, 0.02%, 0.64%

LAB 66.51, 1.49, -1.83

 

CMYK 48 / 55 / 0 / 12

HEX #7465E0

RGB 116 101 224

HSL 247.32, 0.66%, 0.64%

LAB 49.98, 37.28, -61.08

 

CMYK 34 / 55 / 0 / 12

HEX #9465E0

RGB 148 101 224

HSL 262.93, 0.66%, 0.64%

LAB 52.93, 44.52, -56.17

 

CMYK 19 / 55 / 0 / 12

HEX #B565E0

RGB 181 101 224

HSL 279.02, 0.66%, 0.64%

LAB 56.6, 52.7, -50.11

 

CMYK 4 / 55 / 0 / 12

HEX #D665E0

RGB 214 101 224

HSL 295.12, 0.66%, 0.64%

LAB 60.77, 61.21, -43.24

 

CMYK 0 / 55 / 10 / 12

HEX #E065CA

RGB 224 101 202

HSL 310.73, 0.66%, 0.64%

LAB 61.15, 60.18, -30.15

 

CMYK 28 / 80 / 0 / 20

HEX #9228CB

RGB 146 40 203

HSL 279.02, 0.67%, 0.48%

LAB 41.12, 67.13, -63.24

 

CMYK 24 / 69 / 0 / 15

HEX #A543D9

RGB 165 67 217

HSL 279.2, 0.66%, 0.56%

LAB 48.29, 63.51, -59.56

 

CMYK 19 / 55 / 0 / 12

HEX #B665E0

RGB 182 101 224

HSL 279.51, 0.66%, 0.64%

LAB 56.72, 52.96, -49.91

 

CMYK 14 / 41 / 0 / 9

HEX #C688E7

RGB 198 136 231

HSL 279.16, 0.66%, 0.72%

LAB 66.05, 40.38, -39

 

CMYK 10 / 29 / 0 / 7

HEX #D6AAEE

RGB 214 170 238

HSL 278.82, 0.67%, 0.8%

LAB 75.59, 28.2, -27.93

 

CMYK 19 / 55 / 0 / 12

HEX #B665E1

RGB 182 101 225

HSL 279.19, 0.67%, 0.64%

LAB 56.77, 53.17, -50.39

 

CMYK 0 / 55 / 46 / 12

HEX #E06578

RGB 224 101 120

HSL 350.73, 0.66%, 0.64%

LAB 58.52, 49.66, 13.22

 

CMYK 55 / 0 / 41 / 12

HEX #65E084

RGB 101 224 132

HSL 135.12, 0.66%, 0.64%

LAB 80.6, -53.97, 34.88

 

CMYK 19 / 55 / 0 / 12

HEX #B665E1

RGB 182 101 225

HSL 279.19, 0.67%, 0.64%

LAB 56.77, 53.17, -50.39

 

CMYK 0 / 19 / 55 / 12

HEX #E0B565

RGB 224 181 101

HSL 39.02, 0.66%, 0.64%

LAB 75.97, 6.17, 46.19

 

CMYK 55 / 0 / 19 / 12

HEX #65E0B5

RGB 101 224 181

HSL 159.02, 0.66%, 0.64%

LAB 81.52, -44.52, 10.75

 

CMYK 19 / 55 / 0 / 12

HEX #B665E1

RGB 182 101 225

HSL 279.19, 0.67%, 0.64%

LAB 56.77, 53.17, -50.39

 

CMYK 0 / 55 / 46 / 12

HEX #E06578

RGB 224 101 120

HSL 350.73, 0.66%, 0.64%

LAB 58.52, 49.66, 13.22

 

CMYK 36 / 0 / 55 / 12

HEX #90E065

RGB 144 224 101

HSL 99.02, 0.66%, 0.64%

LAB 81.94, -45.87, 51.87

 

CMYK 55 / 0 / 8 / 12

HEX #65E0CE

RGB 101 224 206

HSL 171.22, 0.66%, 0.64%

LAB 82.13, -38.64, -1.6

 

CMYK 19 / 55 / 0 / 12

HEX #B665E1

RGB 182 101 225

HSL 279.19, 0.67%, 0.64%

LAB 56.77, 53.17, -50.39

 

CMYK 0 / 46 / 55 / 12

HEX #E07865

RGB 224 120 101

HSL 9.27, 0.66%, 0.64%

LAB 61.84, 38.56, 28.57

 

CMYK 36 / 0 / 55 / 12

HEX #90E065

RGB 144 224 101

HSL 99.02, 0.66%, 0.64%

LAB 81.94, -45.87, 51.87

 

CMYK 55 / 8 / 0 / 12

HEX #65CEE0

RGB 101 206 224

HSL 188.78, 0.66%, 0.64%

LAB 77.45, -25.36, -18.18

 

Description

Color code: HEX #B665E1 | qconv.com Color code: HEX #B665E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 101 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 101 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 55 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 55% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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