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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6558C it is the complementary color #49AA73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6558C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6558C shade: #BB5587, #CC679A, #DD79AD, #EE8BC0 and #FF9DD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6558C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6558C shade: #B6558C, #A54379, #943166, #831F53 and #720D40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6558C shade: #B5538B, #B55370, #B55356 and #B55353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6558C shade: #B5538B, #B553A5, #AB53B5, #9053B5 and #7653B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6558C shade matches the following richer shades: #B5538B, #C93F8D, #DD2C90 and #F01893

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6558C shade: #B5538B, #A16788, #8D7B85, #7A8F83 and #66A280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6558C shade: #AA53B5, #B553A6, #B5538C, #B55372 and #B55358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6558C shade: #7F3660, #9C4375, #B5538B, #C1709E and #CE8DB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6558C shade: #B6558C, #B59053 and #53B3B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6558C shade: #B6558C, #8CB553 and #538CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6558C shade: #B6558C, #B59053, #53B57C and #5379B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6558C shade: #B6558C, #B5AD53, #53B57C and #535BB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 23 / 29

HEX #B6558C

RGB 182 85 140

HSL 325.98, 0.4%, 0.52%

LAB 49.9, 45.74, -11.89

 

Complementary color

CMYK 57 / 0 / 32 / 33

HEX #49AA73

RGB 73 170 115

HSL 145.98, 0.4%, 0.48%

LAB 62.85, -41.39, 20

 

CMYK 0 / 55 / 28 / 27

HEX #BB5587

RGB 187 85 135

HSL 330.59, 0.43%, 0.53%

LAB 50.47, 46.66, -7.99

 

CMYK 0 / 50 / 25 / 20

HEX #CC679A

RGB 204 103 154

HSL 329.7, 0.5%, 0.6%

LAB 56.95, 45.93, -9.24

 

CMYK 0 / 45 / 22 / 13

HEX #DD79AD

RGB 221 121 173

HSL 328.8, 0.6%, 0.67%

LAB 63.4, 45.15, -10.29

 

CMYK 0 / 42 / 19 / 7

HEX #EE8BC0

RGB 238 139 192

HSL 327.88, 0.74%, 0.74%

LAB 69.79, 44.36, -11.21

 

CMYK 0 / 38 / 17 / 0

HEX #FF9DD3

RGB 255 157 211

HSL 326.94, 1%, 0.81%

LAB 76.12, 43.59, -12.02

 

CMYK 0 / 53 / 23 / 29

HEX #B6558C

RGB 182 85 140

HSL 325.98, 0.4%, 0.52%

LAB 49.9, 45.74, -11.89

 

CMYK 0 / 59 / 27 / 35

HEX #A54379

RGB 165 67 121

HSL 326.94, 0.42%, 0.45%

LAB 43.35, 46.33, -10.54

 

CMYK 0 / 67 / 31 / 42

HEX #943166

RGB 148 49 102

HSL 327.88, 0.5%, 0.39%

LAB 36.84, 46.64, -8.79

 

CMYK 0 / 76 / 37 / 49

HEX #831F53

RGB 131 31 83

HSL 328.8, 0.62%, 0.32%

LAB 30.47, 46.35, -6.42

 

CMYK 0 / 89 / 44 / 55

HEX #720D40

RGB 114 13 64

HSL 329.7, 0.8%, 0.25%

LAB 24.43, 44.91, -3.06

 

CMYK 0 / 54 / 23 / 29

HEX #B5538B

RGB 181 83 139

HSL 325.71, 0.4%, 0.52%

LAB 49.34, 46.26, -12.15

 

CMYK 0 / 54 / 38 / 29

HEX #B55370

RGB 181 83 112

HSL 342.24, 0.4%, 0.52%

LAB 48.49, 42.72, 2.81

 

CMYK 0 / 54 / 52 / 29

HEX #B55356

RGB 181 83 86

HSL 358.16, 0.4%, 0.52%

LAB 47.86, 40.03, 17.61

 

CMYK 0 / 54 / 54 / 29

HEX #B55353

RGB 181 83 83

HSL 0, 0.4%, 0.52%

LAB 47.8, 39.77, 19.33

 

CMYK 0 / 54 / 23 / 29

HEX #B5538B

RGB 181 83 139

HSL 325.71, 0.4%, 0.52%

LAB 49.34, 46.26, -12.15

 

CMYK 0 / 54 / 9 / 29

HEX #B553A5

RGB 181 83 165

HSL 309.8, 0.4%, 0.52%

LAB 50.37, 50.32, -26

 

CMYK 6 / 54 / 0 / 29

HEX #AB53B5

RGB 171 83 181

HSL 293.88, 0.4%, 0.52%

LAB 49.71, 50.34, -36.48

 

CMYK 20 / 54 / 0 / 29

HEX #9053B5

RGB 144 83 181

HSL 277.35, 0.4%, 0.52%

LAB 46.25, 42.98, -42.19

 

CMYK 35 / 54 / 0 / 29

HEX #7653B5

RGB 118 83 181

HSL 261.43, 0.4%, 0.52%

LAB 43.32, 36.17, -47.03

 

CMYK 0 / 54 / 23 / 29

HEX #B5538B

RGB 181 83 139

HSL 325.71, 0.4%, 0.52%

LAB 49.34, 46.26, -12.15

 

CMYK 0 / 69 / 30 / 21

HEX #C93F8D

RGB 201 63 141

HSL 326.09, 0.56%, 0.52%

LAB 49.37, 61.19, -13

 

CMYK 0 / 80 / 35 / 13

HEX #DD2C90

RGB 221 44 144

HSL 326.1, 0.72%, 0.52%

LAB 50.91, 72.55, -12.14

 

CMYK 0 / 90 / 39 / 6

HEX #F01893

RGB 240 24 147

HSL 325.83, 0.88%, 0.52%

LAB 53.26, 80.87, -10.04

 

CMYK 0 / 54 / 23 / 29

HEX #B5538B

RGB 181 83 139

HSL 325.71, 0.4%, 0.52%

LAB 49.34, 46.26, -12.15

 

CMYK 0 / 36 / 16 / 37

HEX #A16788

RGB 161 103 136

HSL 325.86, 0.24%, 0.52%

LAB 50.75, 28.27, -8.52

 

CMYK 0 / 13 / 6 / 45

HEX #8D7B85

RGB 141 123 133

HSL 326.67, 0.07%, 0.52%

LAB 53.52, 8.75, -2.89

 

CMYK 15 / 0 / 8 / 44

HEX #7A8F83

RGB 122 143 131

HSL 145.71, 0.09%, 0.52%

LAB 57.48, -10, 3.86

 

CMYK 37 / 0 / 21 / 36

HEX #66A280

RGB 102 162 128

HSL 146, 0.24%, 0.52%

LAB 61.85, -27.18, 11.62

 

CMYK 6 / 54 / 0 / 29

HEX #AA53B5

RGB 170 83 181

HSL 293.27, 0.4%, 0.52%

LAB 49.58, 50.07, -36.71

 

CMYK 0 / 54 / 8 / 29

HEX #B553A6

RGB 181 83 166

HSL 309.18, 0.4%, 0.52%

LAB 50.41, 50.48, -26.52

 

CMYK 0 / 54 / 23 / 29

HEX #B5538C

RGB 181 83 140

HSL 325.1, 0.4%, 0.52%

LAB 49.38, 46.4, -12.69

 

CMYK 0 / 54 / 37 / 29

HEX #B55372

RGB 181 83 114

HSL 341.02, 0.4%, 0.52%

LAB 48.54, 42.95, 1.68

 

CMYK 0 / 54 / 51 / 29

HEX #B55358

RGB 181 83 88

HSL 356.94, 0.4%, 0.52%

LAB 47.9, 40.21, 16.46

 

CMYK 0 / 57 / 24 / 50

HEX #7F3660

RGB 127 54 96

HSL 325.48, 0.4%, 0.35%

LAB 33.97, 36.7, -9.64

 

CMYK 0 / 57 / 25 / 39

HEX #9C4375

RGB 156 67 117

HSL 326.29, 0.4%, 0.44%

LAB 41.79, 42.88, -10.57

 

CMYK 0 / 54 / 23 / 29

HEX #B5538B

RGB 181 83 139

HSL 325.71, 0.4%, 0.52%

LAB 49.34, 46.26, -12.15

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 32 / 14 / 19

HEX #CE8DB2

RGB 206 141 178

HSL 325.85, 0.4%, 0.68%

LAB 66.05, 30.22, -9.35

 

CMYK 0 / 53 / 23 / 29

HEX #B6558C

RGB 182 85 140

HSL 325.98, 0.4%, 0.52%

LAB 49.9, 45.74, -11.89

 

CMYK 0 / 20 / 54 / 29

HEX #B59053

RGB 181 144 83

HSL 37.35, 0.4%, 0.52%

LAB 61.99, 6.47, 37.43

 

CMYK 54 / 1 / 0 / 29

HEX #53B3B5

RGB 83 179 181

HSL 181.22, 0.4%, 0.52%

LAB 67.59, -27.49, -9.63

 

CMYK 0 / 53 / 23 / 29

HEX #B6558C

RGB 182 85 140

HSL 325.98, 0.4%, 0.52%

LAB 49.9, 45.74, -11.89

 

CMYK 23 / 0 / 54 / 29

HEX #8CB553

RGB 140 181 83

HSL 85.1, 0.4%, 0.52%

LAB 68.93, -29.86, 44.92

 

CMYK 54 / 23 / 0 / 29

HEX #538CB5

RGB 83 140 181

HSL 205.1, 0.4%, 0.52%

LAB 56.02, -6.79, -27.21

 

CMYK 0 / 53 / 23 / 29

HEX #B6558C

RGB 182 85 140

HSL 325.98, 0.4%, 0.52%

LAB 49.9, 45.74, -11.89

 

CMYK 0 / 20 / 54 / 29

HEX #B59053

RGB 181 144 83

HSL 37.35, 0.4%, 0.52%

LAB 61.99, 6.47, 37.43

 

CMYK 54 / 0 / 31 / 29

HEX #53B57C

RGB 83 181 124

HSL 145.1, 0.4%, 0.52%

LAB 66.78, -41.98, 20.53

 

CMYK 54 / 33 / 0 / 29

HEX #5379B5

RGB 83 121 181

HSL 216.73, 0.4%, 0.52%

LAB 50.51, 4.35, -35.79

 

CMYK 0 / 53 / 23 / 29

HEX #B6558C

RGB 182 85 140

HSL 325.98, 0.4%, 0.52%

LAB 49.9, 45.74, -11.89

 

CMYK 0 / 4 / 54 / 29

HEX #B5AD53

RGB 181 173 83

HSL 55.1, 0.4%, 0.52%

LAB 69.71, -9.14, 46.6

 

CMYK 54 / 0 / 31 / 29

HEX #53B57C

RGB 83 181 124

HSL 145.1, 0.4%, 0.52%

LAB 66.78, -41.98, 20.53

 

CMYK 54 / 50 / 0 / 29

HEX #535BB5

RGB 83 91 181

HSL 235.1, 0.4%, 0.52%

LAB 42.24, 23, -48.93

 

Description

Color code: HEX #B6558C | qconv.com Color code: HEX #B6558C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 85 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 85 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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