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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64F59 it is the complementary color #49B0A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64F59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B64F59 shade: #BB4F54, #CC6167, #DD737A, #EE858D and #FF97A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64F59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B64F59 shade: #B64F59, #A53D46, #942B33, #831920 and #72070D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B64F59 shade: #B54E58 and #B54E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B64F59 shade: #B54E58, #B54E74, #B54E90, #B54EAB and #A34EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B64F59 shade matches the following richer shades: #B54E58, #C93A48, #DD2638 and #F11227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B64F59 shade: #B54E58, #A16369, #8C7779, #788B89 and #649F99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B64F59 shade: #B54E8F, #B54E74, #B54E59, #B55F4E and #B57B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B64F59 shade: #7D343B, #9A4049, #B54E58, #C16B74 and #CD888F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B64F59 shade: #B64F59, #ABB54E and #4E82B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B64F59 shade: #B64F59, #59B54E and #4E59B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B64F59 shade: #B64F59, #ABB54E, #4EB5AB and #594EB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B64F59 shade: #B64F59, #8CB54E, #4EB5AB and #774EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 51 / 29

HEX #B64F59

RGB 182 79 89

HSL 354.17, 0.41%, 0.51%

LAB 47.31, 42.65, 15.09

 

Complementary color

CMYK 59 / 0 / 6 / 31

HEX #49B0A6

RGB 73 176 166

HSL 174.17, 0.41%, 0.49%

LAB 65.92, -32.08, -3.82

 

CMYK 0 / 58 / 55 / 27

HEX #BB4F54

RGB 187 79 84

HSL 357.22, 0.44%, 0.52%

LAB 48, 44.01, 19.17

 

CMYK 0 / 52 / 50 / 20

HEX #CC6167

RGB 204 97 103

HSL 356.64, 0.51%, 0.59%

LAB 54.41, 42.97, 17.01

 

CMYK 0 / 48 / 45 / 13

HEX #DD737A

RGB 221 115 122

HSL 356.04, 0.61%, 0.66%

LAB 60.82, 41.91, 15.19

 

CMYK 0 / 44 / 41 / 7

HEX #EE858D

RGB 238 133 141

HSL 355.43, 0.76%, 0.73%

LAB 67.18, 40.88, 13.62

 

CMYK 0 / 41 / 37 / 0

HEX #FF97A0

RGB 255 151 160

HSL 354.81, 1%, 0.8%

LAB 73.5, 39.9, 12.24

 

CMYK 0 / 57 / 51 / 29

HEX #B64F59

RGB 182 79 89

HSL 354.17, 0.41%, 0.51%

LAB 47.31, 42.65, 15.09

 

CMYK 0 / 63 / 58 / 35

HEX #A53D46

RGB 165 61 70

HSL 354.81, 0.46%, 0.44%

LAB 40.86, 43.57, 17.52

 

CMYK 0 / 71 / 66 / 42

HEX #942B33

RGB 148 43 51

HSL 355.43, 0.55%, 0.37%

LAB 34.52, 44.22, 20.59

 

CMYK 0 / 81 / 76 / 49

HEX #831920

RGB 131 25 32

HSL 356.04, 0.68%, 0.31%

LAB 28.45, 44.22, 24.51

 

CMYK 0 / 94 / 89 / 55

HEX #72070D

RGB 114 7 13

HSL 356.64, 0.88%, 0.24%

LAB 22.86, 42.97, 28.93

 

CMYK 0 / 57 / 51 / 29

HEX #B54E58

RGB 181 78 88

HSL 354.17, 0.41%, 0.51%

LAB 46.94, 42.69, 15.16

 

CMYK 0 / 57 / 57 / 29

HEX #B54E4E

RGB 181 78 78

HSL 0, 0.41%, 0.51%

LAB 46.74, 41.84, 20.92

 

CMYK 0 / 57 / 51 / 29

HEX #B54E58

RGB 181 78 88

HSL 354.17, 0.41%, 0.51%

LAB 46.94, 42.69, 15.16

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 57 / 20 / 29

HEX #B54E90

RGB 181 78 144

HSL 321.55, 0.41%, 0.51%

LAB 48.62, 49.4, -16.24

 

CMYK 0 / 57 / 6 / 29

HEX #B54EAB

RGB 181 78 171

HSL 305.83, 0.41%, 0.51%

LAB 49.75, 53.69, -30.48

 

CMYK 10 / 57 / 0 / 29

HEX #A34EB5

RGB 163 78 181

HSL 289.51, 0.41%, 0.51%

LAB 47.72, 50.64, -39.71

 

CMYK 0 / 57 / 51 / 29

HEX #B54E58

RGB 181 78 88

HSL 354.17, 0.41%, 0.51%

LAB 46.94, 42.69, 15.16

 

CMYK 0 / 71 / 64 / 21

HEX #C93A48

RGB 201 58 72

HSL 354.13, 0.57%, 0.51%

LAB 46.86, 56.81, 25.34

 

CMYK 0 / 83 / 75 / 13

HEX #DD2638

RGB 221 38 56

HSL 354.1, 0.73%, 0.51%

LAB 48.32, 67.79, 37.47

 

CMYK 0 / 93 / 84 / 5

HEX #F11227

RGB 241 18 39

HSL 354.35, 0.89%, 0.51%

LAB 51.01, 75.77, 50.77

 

CMYK 0 / 57 / 51 / 29

HEX #B54E58

RGB 181 78 88

HSL 354.17, 0.41%, 0.51%

LAB 46.94, 42.69, 15.16

 

CMYK 0 / 39 / 35 / 37

HEX #A16369

RGB 161 99 105

HSL 354.19, 0.25%, 0.51%

LAB 48.91, 25.86, 7.26

 

CMYK 0 / 15 / 14 / 45

HEX #8C7779

RGB 140 119 121

HSL 354.29, 0.08%, 0.51%

LAB 52.01, 8.48, 1.92

 

CMYK 14 / 0 / 1 / 45

HEX #788B89

RGB 120 139 137

HSL 173.68, 0.08%, 0.51%

LAB 56.35, -7.24, -1.24

 

CMYK 37 / 0 / 4 / 38

HEX #649F99

RGB 100 159 153

HSL 173.9, 0.24%, 0.51%

LAB 61.49, -20.6, -2.96

 

CMYK 0 / 57 / 21 / 29

HEX #B54E8F

RGB 181 78 143

HSL 322.14, 0.41%, 0.51%

LAB 48.58, 49.25, -15.7

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 57 / 51 / 29

HEX #B54E59

RGB 181 78 89

HSL 353.59, 0.41%, 0.51%

LAB 46.97, 42.78, 14.59

 

CMYK 0 / 48 / 57 / 29

HEX #B55F4E

RGB 181 95 78

HSL 9.9, 0.41%, 0.51%

LAB 50.17, 33.11, 25.38

 

CMYK 0 / 32 / 57 / 29

HEX #B57B4E

RGB 181 123 78

HSL 26.21, 0.41%, 0.51%

LAB 56.62, 17.72, 33.52

 

CMYK 0 / 58 / 53 / 51

HEX #7D343B

RGB 125 52 59

HSL 354.25, 0.41%, 0.35%

LAB 32.1, 32.37, 11.5

 

CMYK 0 / 58 / 53 / 40

HEX #9A4049

RGB 154 64 73

HSL 354, 0.41%, 0.43%

LAB 39.61, 38.45, 13.65

 

CMYK 0 / 57 / 51 / 29

HEX #B54E58

RGB 181 78 88

HSL 354.17, 0.41%, 0.51%

LAB 46.94, 42.69, 15.16

 

CMYK 0 / 45 / 40 / 24

HEX #C16B74

RGB 193 107 116

HSL 353.72, 0.41%, 0.59%

LAB 55.19, 35.1, 10.23

 

CMYK 0 / 34 / 30 / 20

HEX #CD888F

RGB 205 136 143

HSL 353.91, 0.41%, 0.67%

LAB 63.81, 27.34, 7.15

 

CMYK 0 / 57 / 51 / 29

HEX #B64F59

RGB 182 79 89

HSL 354.17, 0.41%, 0.51%

LAB 47.31, 42.65, 15.09

 

CMYK 6 / 0 / 57 / 29

HEX #ABB54E

RGB 171 181 78

HSL 65.83, 0.41%, 0.51%

LAB 71.05, -17.87, 50.26

 

CMYK 57 / 28 / 0 / 29

HEX #4E82B5

RGB 78 130 181

HSL 209.71, 0.41%, 0.51%

LAB 52.86, -2.1, -32.13

 

CMYK 0 / 57 / 51 / 29

HEX #B64F59

RGB 182 79 89

HSL 354.17, 0.41%, 0.51%

LAB 47.31, 42.65, 15.09

 

CMYK 51 / 0 / 57 / 29

HEX #59B54E

RGB 89 181 78

HSL 113.59, 0.41%, 0.51%

LAB 66.31, -47.69, 43.57

 

CMYK 57 / 51 / 0 / 29

HEX #4E59B5

RGB 78 89 181

HSL 233.59, 0.41%, 0.51%

LAB 41.38, 23.22, -50.34

 

CMYK 0 / 57 / 51 / 29

HEX #B64F59

RGB 182 79 89

HSL 354.17, 0.41%, 0.51%

LAB 47.31, 42.65, 15.09

 

CMYK 6 / 0 / 57 / 29

HEX #ABB54E

RGB 171 181 78

HSL 65.83, 0.41%, 0.51%

LAB 71.05, -17.87, 50.26

 

CMYK 57 / 0 / 6 / 29

HEX #4EB5AB

RGB 78 181 171

HSL 174.17, 0.41%, 0.51%

LAB 67.73, -32.16, -3.91

 

CMYK 51 / 57 / 0 / 29

HEX #594EB5

RGB 89 78 181

HSL 246.41, 0.41%, 0.51%

LAB 39.43, 32.4, -53.44

 

CMYK 0 / 57 / 51 / 29

HEX #B64F59

RGB 182 79 89

HSL 354.17, 0.41%, 0.51%

LAB 47.31, 42.65, 15.09

 

CMYK 23 / 0 / 57 / 29

HEX #8CB54E

RGB 140 181 78

HSL 83.88, 0.41%, 0.51%

LAB 68.88, -30.35, 47.22

 

CMYK 57 / 0 / 6 / 29

HEX #4EB5AB

RGB 78 181 171

HSL 174.17, 0.41%, 0.51%

LAB 67.73, -32.16, -3.91

 

CMYK 34 / 57 / 0 / 29

HEX #774EB5

RGB 119 78 181

HSL 263.88, 0.41%, 0.51%

LAB 42.32, 39.29, -48.63

 

Description

Color code: HEX #B64F59 | qconv.com Color code: HEX #B64F59 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 79 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 79 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 51 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 51% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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