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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B644F7 it is the complementary color #49BB08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B644F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B644F7 shade: #BB44F2, #CC56FF, #DD68FF, #EE7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B644F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B644F7 shade: #B644F7, #A532E4, #9420D1, #830EBE and #7200AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B644F7 shade: #B644F7, #E644F7, #F744D7, #F744A7 and #F74477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B644F7 shade: #B644F7, #8644F7, #5644F7 and #4444F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B644F7 shade matches the following richer shades: #B644F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B644F7 shade: #B644F7, #B254E7, #AD64D7, #A973C8 and #A583B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B644F7 shade: #5644F7, #8644F7, #B544F7, #E544F7 and #F744D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B644F7 shade: #9209E0, #A71DF5, #B644F7, #C56CF8 and #D594FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B644F7 shade: #B644F7, #F74462 and #44F76E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B644F7 shade: #B644F7, #F7B544 and #44F7B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B644F7 shade: #B644F7, #F74462, #86F744 and #44F7D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B644F7 shade: #B644F7, #F75C44, #86F744 and #44DFF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

Complementary color

CMYK 61 / 0 / 96 / 27

HEX #49BB08

RGB 73 187 8

HSL 98.21, 0.92%, 0.38%

LAB 67.26, -58.72, 66.26

 

CMYK 23 / 72 / 0 / 5

HEX #BB44F2

RGB 187 68 242

HSL 281.03, 0.87%, 0.61%

LAB 53.07, 72.52, -65.82

 

CMYK 20 / 66 / 0 / 0

HEX #CC56FF

RGB 204 86 255

HSL 281.89, 1%, 0.67%

LAB 58.71, 71.34, -63.85

 

CMYK 13 / 59 / 0 / 0

HEX #DD68FF

RGB 221 104 255

HSL 286.49, 1%, 0.7%

LAB 63.75, 67.33, -55.67

 

CMYK 7 / 52 / 0 / 0

HEX #EE7AFF

RGB 238 122 255

HSL 292.33, 1%, 0.74%

LAB 68.98, 63.27, -47.25

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 28 / 78 / 0 / 11

HEX #A532E4

RGB 165 50 228

HSL 278.76, 0.77%, 0.55%

LAB 46.82, 72.14, -68.2

 

CMYK 29 / 85 / 0 / 18

HEX #9420D1

RGB 148 32 209

HSL 279.32, 0.73%, 0.47%

LAB 41.11, 70.91, -66.72

 

CMYK 31 / 93 / 0 / 25

HEX #830EBE

RGB 131 14 190

HSL 279.89, 0.86%, 0.4%

LAB 35.71, 68.51, -64.56

 

CMYK 33 / 100 / 0 / 33

HEX #7200AB

RGB 114 0 171

HSL 280, 1%, 0.34%

LAB 30.68, 64.65, -61.59

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 7 / 72 / 0 / 3

HEX #E644F7

RGB 230 68 247

HSL 294.3, 0.92%, 0.62%

LAB 59.59, 81.77, -57.8

 

CMYK 0 / 72 / 13 / 3

HEX #F744D7

RGB 247 68 215

HSL 310.73, 0.92%, 0.62%

LAB 60.62, 80.49, -38.08

 

CMYK 0 / 72 / 32 / 3

HEX #F744A7

RGB 247 68 167

HSL 326.82, 0.92%, 0.62%

LAB 58.69, 74.55, -13.51

 

CMYK 0 / 72 / 52 / 3

HEX #F74477

RGB 247 68 119

HSL 342.91, 0.92%, 0.62%

LAB 57.31, 70.08, 12.67

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 46 / 72 / 0 / 3

HEX #8644F7

RGB 134 68 247

HSL 262.12, 0.92%, 0.62%

LAB 46.87, 64.42, -79

 

CMYK 65 / 72 / 0 / 3

HEX #5644F7

RGB 86 68 247

HSL 246.03, 0.92%, 0.62%

LAB 42.5, 58.02, -86.32

 

CMYK 72 / 72 / 0 / 3

HEX #4444F7

RGB 68 68 247

HSL 240, 0.92%, 0.62%

LAB 41.34, 56.26, -88.28

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 23 / 64 / 0 / 9

HEX #B254E7

RGB 178 84 231

HSL 278.37, 0.75%, 0.62%

LAB 53.57, 61.73, -58.9

 

CMYK 20 / 53 / 0 / 16

HEX #AD64D7

RGB 173 100 215

HSL 278.09, 0.59%, 0.62%

LAB 54.97, 49.21, -47.67

 

CMYK 16 / 43 / 0 / 22

HEX #A973C8

RGB 169 115 200

HSL 278.12, 0.44%, 0.62%

LAB 56.95, 36.71, -36.09

 

CMYK 10 / 29 / 0 / 28

HEX #A583B8

RGB 165 131 184

HSL 278.49, 0.27%, 0.62%

LAB 59.61, 22.96, -22.89

 

CMYK 65 / 72 / 0 / 3

HEX #5644F7

RGB 86 68 247

HSL 246.03, 0.92%, 0.62%

LAB 42.5, 58.02, -86.32

 

CMYK 46 / 72 / 0 / 3

HEX #8644F7

RGB 134 68 247

HSL 262.12, 0.92%, 0.62%

LAB 46.87, 64.42, -79

 

CMYK 27 / 72 / 0 / 3

HEX #B544F7

RGB 181 68 247

HSL 277.88, 0.92%, 0.62%

LAB 52.59, 72.41, -69.43

 

CMYK 7 / 72 / 0 / 3

HEX #E544F7

RGB 229 68 247

HSL 293.97, 0.92%, 0.62%

LAB 59.44, 81.57, -58.05

 

CMYK 0 / 72 / 12 / 3

HEX #F744D9

RGB 247 68 217

HSL 310.06, 0.92%, 0.62%

LAB 60.71, 80.77, -39.06

 

CMYK 35 / 96 / 0 / 12

HEX #9209E0

RGB 146 9 224

HSL 278.23, 0.92%, 0.46%

LAB 40.72, 77.62, -76

 

CMYK 32 / 88 / 0 / 4

HEX #A71DF5

RGB 167 29 245

HSL 278.33, 0.92%, 0.54%

LAB 46.56, 81.25, -78.21

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 21 / 56 / 0 / 3

HEX #C56CF8

RGB 197 108 248

HSL 278.14, 0.91%, 0.7%

LAB 61.11, 58.29, -56.19

 

CMYK 15 / 41 / 0 / 2

HEX #D594FA

RGB 213 148 250

HSL 278.24, 0.91%, 0.78%

LAB 71.03, 42.26, -41.52

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 0 / 72 / 60 / 3

HEX #F74462

RGB 247 68 98

HSL 349.94, 0.92%, 0.62%

LAB 56.87, 68.63, 24.47

 

CMYK 72 / 0 / 55 / 3

HEX #44F76E

RGB 68 247 110

HSL 134.08, 0.92%, 0.62%

LAB 86.44, -71.74, 52.51

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 0 / 27 / 72 / 3

HEX #F7B544

RGB 247 181 68

HSL 37.88, 0.92%, 0.62%

LAB 78.02, 13.74, 64.13

 

CMYK 72 / 0 / 27 / 3

HEX #44F7B5

RGB 68 247 181

HSL 157.88, 0.92%, 0.62%

LAB 87.53, -59.49, 19.1

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 0 / 72 / 60 / 3

HEX #F74462

RGB 247 68 98

HSL 349.94, 0.92%, 0.62%

LAB 56.87, 68.63, 24.47

 

CMYK 46 / 0 / 72 / 3

HEX #86F744

RGB 134 247 68

HSL 97.88, 0.92%, 0.62%

LAB 87.97, -60.97, 71.48

 

CMYK 72 / 0 / 12 / 3

HEX #44F7D9

RGB 68 247 217

HSL 169.94, 0.92%, 0.62%

LAB 88.33, -51.07, 1.58

 

CMYK 26 / 72 / 0 / 3

HEX #B644F7

RGB 182 68 247

HSL 278.21, 0.92%, 0.62%

LAB 52.72, 72.59, -69.21

 

CMYK 0 / 63 / 72 / 3

HEX #F75C44

RGB 247 92 68

HSL 8.04, 0.92%, 0.62%

LAB 59.75, 58.01, 44.91

 

CMYK 46 / 0 / 72 / 3

HEX #86F744

RGB 134 247 68

HSL 97.88, 0.92%, 0.62%

LAB 87.97, -60.97, 71.48

 

CMYK 72 / 10 / 0 / 3

HEX #44DFF7

RGB 68 223 247

HSL 188.04, 0.92%, 0.62%

LAB 82.23, -32.09, -23.29

 

Description

Color code: HEX #B644F7 | qconv.com Color code: HEX #B644F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 68 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 68 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 72 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 72% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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