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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B630E8 it is the complementary color #49CF17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B630E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B630E8 shade: #BB30E3, #CC42F6, #DD54FF, #EE66FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B630E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B630E8 shade: #B630E8, #A51ED5, #940CC2, #8300AF and #72009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B630E8 shade: #B630E8, #E730E8, #E830B6, #E83085 and #E83053

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B630E8 shade: #B630E8, #8430E8, #5330E8 and #3030E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B630E8 shade matches the following richer shades: #B630E8 and #BE1DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B630E8 shade: #B630E8, #AD43D5, #A555C2, #9C68B0 and #947A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B630E8 shade: #5230E8, #8330E8, #B430E8, #E430E8 and #E830BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B630E8 shade: #8713B2, #A317D7, #B630E8, #C355EC and #D07AF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B630E8 shade: #B630E8, #E8303F and #30E86A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B630E8 shade: #B630E8, #E8B430 and #30E8B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B630E8 shade: #B630E8, #E8303F, #64E830 and #30E8D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B630E8 shade: #B630E8, #E85830, #64E830 and #30C0E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

Complementary color

CMYK 65 / 0 / 89 / 19

HEX #49CF17

RGB 73 207 23

HSL 103.7, 0.8%, 0.45%

LAB 73.61, -64.99, 69.43

 

CMYK 18 / 79 / 0 / 11

HEX #BB30E3

RGB 187 48 227

HSL 286.59, 0.76%, 0.54%

LAB 49.77, 76.31, -62.71

 

CMYK 17 / 73 / 0 / 4

HEX #CC42F6

RGB 204 66 246

HSL 286, 0.91%, 0.61%

LAB 55.47, 77.22, -64.06

 

CMYK 13 / 67 / 0 / 0

HEX #DD54FF

RGB 221 84 255

HSL 288.07, 1%, 0.66%

LAB 60.72, 75.7, -60.49

 

CMYK 7 / 60 / 0 / 0

HEX #EE66FF

RGB 238 102 255

HSL 293.33, 1%, 0.7%

LAB 65.67, 72.22, -52.48

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 23 / 86 / 0 / 16

HEX #A51ED5

RGB 165 30 213

HSL 284.26, 0.75%, 0.48%

LAB 43.85, 74.7, -64.46

 

CMYK 24 / 94 / 0 / 24

HEX #940CC2

RGB 148 12 194

HSL 284.84, 0.88%, 0.4%

LAB 38.65, 71.84, -62.01

 

CMYK 25 / 100 / 0 / 31

HEX #8300AF

RGB 131 0 175

HSL 284.91, 1%, 0.34%

LAB 33.82, 67.53, -58.75

 

CMYK 27 / 100 / 0 / 39

HEX #72009C

RGB 114 0 156

HSL 283.85, 1%, 0.31%

LAB 29.36, 61.72, -54.67

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 0 / 79 / 0 / 9

HEX #E730E8

RGB 231 48 232

HSL 299.67, 0.8%, 0.55%

LAB 57.01, 85.08, -53.54

 

CMYK 0 / 79 / 22 / 9

HEX #E830B6

RGB 232 48 182

HSL 316.3, 0.8%, 0.55%

LAB 54.71, 78.41, -28.57

 

CMYK 0 / 79 / 43 / 9

HEX #E83085

RGB 232 48 133

HSL 332.28, 0.8%, 0.55%

LAB 52.91, 73.15, -2.35

 

CMYK 0 / 79 / 64 / 9

HEX #E83053

RGB 232 48 83

HSL 348.59, 0.8%, 0.55%

LAB 51.72, 69.53, 26.12

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 43 / 79 / 0 / 9

HEX #8430E8

RGB 132 48 232

HSL 267.39, 0.8%, 0.55%

LAB 42.53, 68.66, -77.66

 

CMYK 64 / 79 / 0 / 9

HEX #5330E8

RGB 83 48 232

HSL 251.41, 0.8%, 0.55%

LAB 37.44, 62.97, -86.21

 

CMYK 79 / 79 / 0 / 9

HEX #3030E8

RGB 48 48 232

HSL 240, 0.8%, 0.55%

LAB 35.14, 60.4, -90.1

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 24 / 88 / 0 / 2

HEX #BE1DFA

RGB 190 29 250

HSL 283.71, 0.96%, 0.55%

LAB 50.37, 85.26, -74.65

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 19 / 69 / 0 / 16

HEX #AD43D5

RGB 173 67 213

HSL 283.56, 0.63%, 0.55%

LAB 49.13, 64.35, -55.86

 

CMYK 15 / 56 / 0 / 24

HEX #A555C2

RGB 165 85 194

HSL 284.04, 0.47%, 0.55%

LAB 49.97, 50.33, -43.68

 

CMYK 11 / 41 / 0 / 31

HEX #9C68B0

RGB 156 104 176

HSL 283.33, 0.31%, 0.55%

LAB 51.95, 33.73, -30.21

 

CMYK 6 / 22 / 0 / 38

HEX #947A9D

RGB 148 122 157

HSL 284.57, 0.15%, 0.55%

LAB 54.71, 16.68, -15.01

 

CMYK 65 / 79 / 0 / 9

HEX #5230E8

RGB 82 48 232

HSL 251.09, 0.8%, 0.55%

LAB 37.36, 62.87, -86.35

 

CMYK 44 / 79 / 0 / 9

HEX #8330E8

RGB 131 48 232

HSL 267.07, 0.8%, 0.55%

LAB 42.41, 68.53, -77.86

 

CMYK 22 / 79 / 0 / 9

HEX #B430E8

RGB 180 48 232

HSL 283.04, 0.8%, 0.55%

LAB 49.06, 76.04, -66.73

 

CMYK 2 / 79 / 0 / 9

HEX #E430E8

RGB 228 48 232

HSL 298.7, 0.8%, 0.55%

LAB 56.52, 84.53, -54.34

 

CMYK 0 / 79 / 20 / 9

HEX #E830BA

RGB 232 48 186

HSL 315, 0.8%, 0.55%

LAB 54.88, 78.9, -30.62

 

CMYK 24 / 89 / 0 / 30

HEX #8713B2

RGB 135 19 178

HSL 283.77, 0.81%, 0.39%

LAB 35.66, 65.85, -57.51

 

CMYK 24 / 89 / 0 / 16

HEX #A317D7

RGB 163 23 215

HSL 283.75, 0.81%, 0.47%

LAB 43.22, 76.15, -66.64

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 17 / 64 / 0 / 7

HEX #C355EC

RGB 195 85 236

HSL 283.71, 0.8%, 0.63%

LAB 56.24, 66.08, -57.3

 

CMYK 13 / 49 / 0 / 6

HEX #D07AF0

RGB 208 122 240

HSL 283.73, 0.8%, 0.71%

LAB 64.66, 52.43, -46.06

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 0 / 79 / 73 / 9

HEX #E8303F

RGB 232 48 63

HSL 355.11, 0.8%, 0.55%

LAB 51.41, 68.59, 37.53

 

CMYK 79 / 0 / 54 / 9

HEX #30E86A

RGB 48 232 106

HSL 138.91, 0.8%, 0.55%

LAB 81.5, -69.99, 48.35

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 0 / 22 / 79 / 9

HEX #E8B430

RGB 232 180 48

HSL 43.04, 0.8%, 0.55%

LAB 76.08, 7.1, 69.1

 

CMYK 79 / 0 / 22 / 9

HEX #30E8B4

RGB 48 232 180

HSL 163.04, 0.8%, 0.55%

LAB 82.72, -56.16, 12.82

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 0 / 79 / 73 / 9

HEX #E8303F

RGB 232 48 63

HSL 355.11, 0.8%, 0.55%

LAB 51.41, 68.59, 37.53

 

CMYK 57 / 0 / 79 / 9

HEX #64E830

RGB 100 232 48

HSL 103.04, 0.8%, 0.55%

LAB 82.18, -66.03, 71.63

 

CMYK 79 / 0 / 7 / 9

HEX #30E8D8

RGB 48 232 216

HSL 174.78, 0.8%, 0.55%

LAB 83.6, -47.06, -4.86

 

CMYK 22 / 79 / 0 / 9

HEX #B630E8

RGB 182 48 232

HSL 283.7, 0.8%, 0.55%

LAB 49.36, 76.38, -66.24

 

CMYK 0 / 62 / 79 / 9

HEX #E85830

RGB 232 88 48

HSL 13.04, 0.8%, 0.55%

LAB 56.44, 53.85, 50.82

 

CMYK 57 / 0 / 79 / 9

HEX #64E830

RGB 100 232 48

HSL 103.04, 0.8%, 0.55%

LAB 82.18, -66.03, 71.63

 

CMYK 79 / 17 / 0 / 9

HEX #30C0E8

RGB 48 192 232

HSL 193.04, 0.8%, 0.55%

LAB 72.33, -23.61, -30.43

 

Description

Color code: HEX #B630E8 | qconv.com Color code: HEX #B630E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 48 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 48 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 79 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 79% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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