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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B63973 it is the complementary color #49C68C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B63973. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B63973 shade: #BB396E, #CC4B81, #DD5D94, #EE6FA7 and #FF81BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B63973. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B63973 shade: #B63973, #A52760, #94154D, #83033A and #720027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B63973 shade: #B63973, #B63951 and #B63939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B63973 shade: #B63973, #B63994, #B539B6, #9439B6 and #7239B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B63973 shade matches the following richer shades: #B63973, #C92671 and #DC1270

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B63973 shade: #B63973, #A24C74, #8F6076, #7B7377 and #688778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B63973 shade: #B639B6, #B63994, #B63973, #B63952 and #B64139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B63973 shade: #77254B, #962F5F, #B63973, #C85088 and #D1709D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B63973 shade: #B63973, #B69439 and #39A5B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B63973 shade: #B63973, #73B639 and #3973B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B63973 shade: #B63973, #B69439, #39B67C and #395AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B63973 shade: #B63973, #B2B639, #39B67C and #3D39B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

Complementary color

CMYK 63 / 0 / 29 / 22

HEX #49C68C

RGB 73 198 140

HSL 152.16, 0.52%, 0.53%

LAB 72.03, -48.02, 19.09

 

CMYK 0 / 70 / 41 / 27

HEX #BB396E

RGB 187 57 110

HSL 335.54, 0.53%, 0.48%

LAB 45.1, 56, -0.77

 

CMYK 0 / 63 / 37 / 20

HEX #CC4B81

RGB 204 75 129

HSL 334.88, 0.56%, 0.55%

LAB 51.21, 55.86, -3

 

CMYK 0 / 58 / 33 / 13

HEX #DD5D94

RGB 221 93 148

HSL 334.22, 0.65%, 0.62%

LAB 57.4, 55.4, -4.8

 

CMYK 0 / 53 / 30 / 7

HEX #EE6FA7

RGB 238 111 167

HSL 333.54, 0.79%, 0.68%

LAB 63.62, 54.76, -6.29

 

CMYK 0 / 49 / 27 / 0

HEX #FF81BA

RGB 255 129 186

HSL 332.86, 1%, 0.75%

LAB 69.83, 54.04, -7.56

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 76 / 42 / 35

HEX #A52760

RGB 165 39 96

HSL 332.86, 0.62%, 0.4%

LAB 38.37, 54.66, -2.38

 

CMYK 0 / 86 / 48 / 42

HEX #94154D

RGB 148 21 77

HSL 333.54, 0.75%, 0.33%

LAB 32.63, 53.31, 1.09

 

CMYK 0 / 98 / 56 / 49

HEX #83033A

RGB 131 3 58

HSL 334.22, 0.96%, 0.26%

LAB 27.29, 50.69, 5.63

 

CMYK 0 / 100 / 66 / 55

HEX #720027

RGB 114 0 39

HSL 339.47, 1%, 0.22%

LAB 22.74, 45.62, 11.88

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 69 / 55 / 29

HEX #B63951

RGB 182 57 81

HSL 348.48, 0.52%, 0.47%

LAB 43.46, 51.83, 14.71

 

CMYK 0 / 69 / 69 / 29

HEX #B63939

RGB 182 57 57

HSL 0, 0.52%, 0.47%

LAB 43.01, 50.25, 28.82

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 69 / 19 / 29

HEX #B63994

RGB 182 57 148

HSL 316.32, 0.52%, 0.47%

LAB 45.65, 59.27, -23.18

 

CMYK 1 / 69 / 0 / 29

HEX #B539B6

RGB 181 57 182

HSL 299.52, 0.52%, 0.47%

LAB 47.14, 64.3, -41.03

 

CMYK 19 / 69 / 0 / 29

HEX #9439B6

RGB 148 57 182

HSL 283.68, 0.52%, 0.47%

LAB 42.15, 56.89, -49.28

 

CMYK 37 / 69 / 0 / 29

HEX #7239B6

RGB 114 57 182

HSL 267.36, 0.52%, 0.47%

LAB 37.63, 49.7, -56.82

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 81 / 44 / 21

HEX #C92671

RGB 201 38 113

HSL 332.39, 0.68%, 0.47%

LAB 45.63, 66.1, -1.55

 

CMYK 0 / 92 / 49 / 14

HEX #DC1270

RGB 220 18 112

HSL 332.08, 0.85%, 0.47%

LAB 48.03, 74.21, 3.01

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 53 / 28 / 36

HEX #A24C74

RGB 162 76 116

HSL 332.09, 0.36%, 0.47%

LAB 44.39, 40.21, -5.96

 

CMYK 0 / 33 / 17 / 44

HEX #8F6076

RGB 143 96 118

HSL 331.91, 0.2%, 0.47%

LAB 46.33, 22.56, -4.58

 

CMYK 0 / 7 / 3 / 52

HEX #7B7377

RGB 123 115 119

HSL 330, 0.03%, 0.47%

LAB 49.26, 3.86, -1.1

 

CMYK 23 / 0 / 11 / 47

HEX #688778

RGB 104 135 120

HSL 150.97, 0.13%, 0.47%

LAB 53.63, -14.26, 4.48

 

CMYK 0 / 69 / 0 / 29

HEX #B639B6

RGB 182 57 182

HSL 300, 0.52%, 0.47%

LAB 47.3, 64.53, -40.77

 

CMYK 0 / 69 / 19 / 29

HEX #B63994

RGB 182 57 148

HSL 316.32, 0.52%, 0.47%

LAB 45.65, 59.27, -23.18

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 69 / 55 / 29

HEX #B63952

RGB 182 57 82

HSL 348, 0.52%, 0.47%

LAB 43.48, 51.91, 14.12

 

CMYK 0 / 64 / 69 / 29

HEX #B64139

RGB 182 65 57

HSL 3.84, 0.52%, 0.47%

LAB 44.26, 46.87, 30.32

 

CMYK 0 / 69 / 37 / 53

HEX #77254B

RGB 119 37 75

HSL 332.2, 0.53%, 0.31%

LAB 28.78, 39.34, -3.91

 

CMYK 0 / 69 / 37 / 41

HEX #962F5F

RGB 150 47 95

HSL 332.04, 0.52%, 0.39%

LAB 36.64, 47.22, -4.61

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 60 / 32 / 22

HEX #C85088

RGB 200 80 136

HSL 332, 0.52%, 0.55%

LAB 51.6, 53.27, -6.68

 

CMYK 0 / 46 / 25 / 18

HEX #D1709D

RGB 209 112 157

HSL 332.16, 0.51%, 0.63%

LAB 59.51, 43.45, -7.09

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 19 / 69 / 29

HEX #B69439

RGB 182 148 57

HSL 43.68, 0.52%, 0.47%

LAB 62.86, 2.84, 51.09

 

CMYK 69 / 9 / 0 / 29

HEX #39A5B6

RGB 57 165 182

HSL 188.16, 0.52%, 0.47%

LAB 62.64, -24.77, -17.71

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 37 / 0 / 69 / 29

HEX #73B639

RGB 115 182 57

HSL 92.16, 0.52%, 0.47%

LAB 67.57, -41.86, 54.47

 

CMYK 69 / 37 / 0 / 29

HEX #3973B6

RGB 57 115 182

HSL 212.16, 0.52%, 0.47%

LAB 47.63, 3.28, -40.99

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 0 / 19 / 69 / 29

HEX #B69439

RGB 182 148 57

HSL 43.68, 0.52%, 0.47%

LAB 62.86, 2.84, 51.09

 

CMYK 69 / 0 / 32 / 29

HEX #39B67C

RGB 57 182 124

HSL 152.16, 0.52%, 0.47%

LAB 66.35, -47.72, 19.82

 

CMYK 69 / 51 / 0 / 29

HEX #395AB6

RGB 57 90 182

HSL 224.16, 0.52%, 0.47%

LAB 40.51, 19.15, -52.38

 

CMYK 0 / 69 / 37 / 29

HEX #B63973

RGB 182 57 115

HSL 332.16, 0.52%, 0.47%

LAB 44.39, 55.07, -5

 

CMYK 2 / 0 / 69 / 29

HEX #B2B639

RGB 178 182 57

HSL 61.92, 0.52%, 0.47%

LAB 71.7, -16.84, 60.01

 

CMYK 69 / 0 / 32 / 29

HEX #39B67C

RGB 57 182 124

HSL 152.16, 0.52%, 0.47%

LAB 66.35, -47.72, 19.82

 

CMYK 66 / 69 / 0 / 29

HEX #3D39B6

RGB 61 57 182

HSL 241.92, 0.52%, 0.47%

LAB 32.47, 40.72, -65.45

 

Description

Color code: HEX #B63973 | qconv.com Color code: HEX #B63973 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 57 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 57 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 37 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 37% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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