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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6389E it is the complementary color #49C761. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6389E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6389E shade: #BB3899, #CC4AAC, #DD5CBF, #EE6ED2 and #FF80E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6389E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6389E shade: #B6389E, #A5268B, #941478, #830265 and #720052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6389E shade: #B7389F, #B7387C, #B7385A, #B73838 and #B73838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6389E shade: #B7389F, #AD38B7, #8B38B7, #6838B7 and #4638B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6389E shade matches the following richer shades: #B7389F, #CA24AB and #DE11B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6389E shade: #B7389F, #A34B93, #905F87, #7D727B and #69856F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6389E shade: #8A38B7, #AC38B7, #B738A0, #B7387E and #B7385C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6389E shade: #782468, #972E83, #B7389F, #C94FB2 and #D26FBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6389E shade: #B6389E, #B76938 and #38B79B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6389E shade: #B6389E, #A0B738 and #38A0B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6389E shade: #B6389E, #B76938, #38B74F and #3886B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6389E shade: #B6389E, #B78F38, #38B74F and #3860B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 13 / 29

HEX #B6389E

RGB 182 56 158

HSL 311.43, 0.53%, 0.47%

LAB 45.96, 61.1, -28.68

 

Complementary color

CMYK 63 / 0 / 51 / 22

HEX #49C761

RGB 73 199 97

HSL 131.43, 0.53%, 0.53%

LAB 71.64, -56, 40.74

 

CMYK 0 / 70 / 18 / 27

HEX #BB3899

RGB 187 56 153

HSL 315.57, 0.54%, 0.48%

LAB 46.57, 61.64, -24.69

 

CMYK 0 / 64 / 16 / 20

HEX #CC4AAC

RGB 204 74 172

HSL 314.77, 0.56%, 0.55%

LAB 52.63, 61.85, -26.32

 

CMYK 0 / 58 / 14 / 13

HEX #DD5CBF

RGB 221 92 191

HSL 313.95, 0.65%, 0.61%

LAB 58.78, 61.67, -27.6

 

CMYK 0 / 54 / 12 / 7

HEX #EE6ED2

RGB 238 110 210

HSL 313.13, 0.79%, 0.68%

LAB 64.95, 61.25, -28.63

 

CMYK 0 / 50 / 10 / 0

HEX #FF80E5

RGB 255 128 229

HSL 312.28, 1%, 0.75%

LAB 71.12, 60.69, -29.5

 

CMYK 0 / 69 / 13 / 29

HEX #B6389E

RGB 182 56 158

HSL 311.43, 0.53%, 0.47%

LAB 45.96, 61.1, -28.68

 

CMYK 0 / 77 / 16 / 35

HEX #A5268B

RGB 165 38 139

HSL 312.28, 0.63%, 0.4%

LAB 40, 60.28, -26.73

 

CMYK 0 / 86 / 19 / 42

HEX #941478

RGB 148 20 120

HSL 313.13, 0.76%, 0.33%

LAB 34.3, 58.43, -24.07

 

CMYK 0 / 98 / 23 / 49

HEX #830265

RGB 131 2 101

HSL 313.95, 0.97%, 0.26%

LAB 28.92, 55.31, -20.56

 

CMYK 0 / 100 / 28 / 55

HEX #720052

RGB 114 0 82

HSL 316.84, 1%, 0.22%

LAB 24.28, 49.65, -15.51

 

CMYK 0 / 69 / 13 / 28

HEX #B7389F

RGB 183 56 159

HSL 311.34, 0.53%, 0.47%

LAB 46.18, 61.5, -28.94

 

CMYK 0 / 69 / 32 / 28

HEX #B7387C

RGB 183 56 124

HSL 327.87, 0.53%, 0.47%

LAB 44.73, 56.78, -10

 

CMYK 0 / 69 / 51 / 28

HEX #B7385A

RGB 183 56 90

HSL 343.94, 0.53%, 0.47%

LAB 43.7, 53.28, 9.5

 

CMYK 0 / 69 / 69 / 28

HEX #B73838

RGB 183 56 56

HSL 0, 0.53%, 0.47%

LAB 43.03, 50.93, 29.48

 

CMYK 0 / 69 / 69 / 28

HEX #B73838

RGB 183 56 56

HSL 0, 0.53%, 0.47%

LAB 43.03, 50.93, 29.48

 

CMYK 0 / 69 / 13 / 28

HEX #B7389F

RGB 183 56 159

HSL 311.34, 0.53%, 0.47%

LAB 46.18, 61.5, -28.94

 

CMYK 5 / 69 / 0 / 28

HEX #AD38B7

RGB 173 56 183

HSL 295.28, 0.53%, 0.47%

LAB 45.81, 63.03, -43.81

 

CMYK 24 / 69 / 0 / 28

HEX #8B38B7

RGB 139 56 183

HSL 279.21, 0.53%, 0.47%

LAB 40.79, 55.58, -52.13

 

CMYK 43 / 69 / 0 / 28

HEX #6838B7

RGB 104 56 183

HSL 262.68, 0.53%, 0.47%

LAB 36.35, 48.53, -59.54

 

CMYK 62 / 69 / 0 / 28

HEX #4638B7

RGB 70 56 183

HSL 246.61, 0.53%, 0.47%

LAB 33.03, 42.86, -65.11

 

CMYK 0 / 69 / 13 / 28

HEX #B7389F

RGB 183 56 159

HSL 311.34, 0.53%, 0.47%

LAB 46.18, 61.5, -28.94

 

CMYK 0 / 82 / 15 / 21

HEX #CA24AB

RGB 202 36 171

HSL 311.2, 0.7%, 0.47%

LAB 47.95, 73.39, -33.04

 

CMYK 0 / 92 / 18 / 13

HEX #DE11B7

RGB 222 17 183

HSL 311.41, 0.86%, 0.47%

LAB 51.09, 81.94, -34.92

 

CMYK 0 / 69 / 13 / 28

HEX #B7389F

RGB 183 56 159

HSL 311.34, 0.53%, 0.47%

LAB 46.18, 61.5, -28.94

 

CMYK 0 / 54 / 10 / 36

HEX #A34B93

RGB 163 75 147

HSL 310.91, 0.37%, 0.47%

LAB 45.53, 45.84, -23

 

CMYK 0 / 34 / 6 / 44

HEX #905F87

RGB 144 95 135

HSL 311.02, 0.21%, 0.47%

LAB 46.79, 26.57, -14.09

 

CMYK 0 / 9 / 2 / 51

HEX #7D727B

RGB 125 114 123

HSL 310.91, 0.05%, 0.47%

LAB 49.28, 6.01, -3.41

 

CMYK 21 / 0 / 17 / 48

HEX #69856F

RGB 105 133 111

HSL 132.86, 0.12%, 0.47%

LAB 52.87, -14.68, 8.61

 

CMYK 25 / 69 / 0 / 28

HEX #8A38B7

RGB 138 56 183

HSL 278.74, 0.53%, 0.47%

LAB 40.66, 55.37, -52.36

 

CMYK 6 / 69 / 0 / 28

HEX #AC38B7

RGB 172 56 183

HSL 294.8, 0.53%, 0.47%

LAB 45.66, 62.81, -44.06

 

CMYK 0 / 69 / 13 / 28

HEX #B738A0

RGB 183 56 160

HSL 310.87, 0.53%, 0.47%

LAB 46.22, 61.65, -29.46

 

CMYK 0 / 69 / 31 / 28

HEX #B7387E

RGB 183 56 126

HSL 326.93, 0.53%, 0.47%

LAB 44.8, 57.02, -11.11

 

CMYK 0 / 69 / 50 / 28

HEX #B7385C

RGB 183 56 92

HSL 342.99, 0.53%, 0.47%

LAB 43.75, 53.45, 8.33

 

CMYK 0 / 70 / 13 / 53

HEX #782468

RGB 120 36 104

HSL 311.43, 0.54%, 0.31%

LAB 30.05, 44.27, -20.91

 

CMYK 0 / 70 / 13 / 41

HEX #972E83

RGB 151 46 131

HSL 311.43, 0.53%, 0.39%

LAB 38.15, 52.86, -24.87

 

CMYK 0 / 69 / 13 / 28

HEX #B7389F

RGB 183 56 159

HSL 311.34, 0.53%, 0.47%

LAB 46.18, 61.5, -28.94

 

CMYK 0 / 61 / 11 / 21

HEX #C94FB2

RGB 201 79 178

HSL 311.31, 0.53%, 0.55%

LAB 53.19, 59.86, -28.98

 

CMYK 0 / 47 / 9 / 18

HEX #D26FBF

RGB 210 111 191

HSL 311.52, 0.52%, 0.63%

LAB 60.63, 49.51, -24.86

 

CMYK 0 / 69 / 13 / 29

HEX #B6389E

RGB 182 56 158

HSL 311.43, 0.53%, 0.47%

LAB 45.96, 61.1, -28.68

 

CMYK 0 / 43 / 69 / 28

HEX #B76938

RGB 183 105 56

HSL 23.15, 0.53%, 0.47%

LAB 52.35, 27, 40.26

 

CMYK 69 / 0 / 15 / 28

HEX #38B79B

RGB 56 183 155

HSL 166.77, 0.53%, 0.47%

LAB 67.33, -41.07, 4.27

 

CMYK 0 / 69 / 13 / 29

HEX #B6389E

RGB 182 56 158

HSL 311.43, 0.53%, 0.47%

LAB 45.96, 61.1, -28.68

 

CMYK 13 / 0 / 69 / 28

HEX #A0B738

RGB 160 183 56

HSL 70.87, 0.53%, 0.47%

LAB 70.61, -24.97, 58.85

 

CMYK 69 / 13 / 0 / 28

HEX #38A0B7

RGB 56 160 183

HSL 190.87, 0.53%, 0.47%

LAB 61.13, -22.03, -20.56

 

CMYK 0 / 69 / 13 / 29

HEX #B6389E

RGB 182 56 158

HSL 311.43, 0.53%, 0.47%

LAB 45.96, 61.1, -28.68

 

CMYK 0 / 43 / 69 / 28

HEX #B76938

RGB 183 105 56

HSL 23.15, 0.53%, 0.47%

LAB 52.35, 27, 40.26

 

CMYK 69 / 0 / 57 / 28

HEX #38B74F

RGB 56 183 79

HSL 130.87, 0.53%, 0.47%

LAB 65.96, -56, 42.44

 

CMYK 69 / 27 / 0 / 28

HEX #3886B7

RGB 56 134 183

HSL 203.15, 0.53%, 0.47%

LAB 53.29, -7.83, -32.68

 

CMYK 0 / 69 / 13 / 29

HEX #B6389E

RGB 182 56 158

HSL 311.43, 0.53%, 0.47%

LAB 45.96, 61.1, -28.68

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 69 / 0 / 57 / 28

HEX #38B74F

RGB 56 183 79

HSL 130.87, 0.53%, 0.47%

LAB 65.96, -56, 42.44

 

CMYK 69 / 48 / 0 / 28

HEX #3860B7

RGB 56 96 183

HSL 221.1, 0.53%, 0.47%

LAB 42.19, 15.48, -50.26

 

Description

Color code: HEX #B6389E | qconv.com Color code: HEX #B6389E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 56 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 56 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 13 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 13% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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