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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5EC63 it is the complementary color #4A139C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5EC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5EC63 shade: #BAEC5E, #CBFE71, #DCFF84, #EDFF97 and #FEFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5EC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5EC63 shade: #B5EC63, #A4DA50, #93C83D, #82B62A and #71A417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5EC63 shade: #B5EB64, #DAEB64, #EBD964, #EBB464 and #EB9064

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5EC63 shade: #B5EB64, #91EB64, #6CEB64, #64EB81 and #64EBA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5EC63 shade matches the following richer shades: #B5EB64 and #B8F956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5EC63 shade: #B5EB64, #B2DD72, #B0CF80, #ADC18E and #AAB39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5EC63 shade: #EBD964, #D9EB64, #B5EB64, #91EB64 and #6DEB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5EC63 shade: #92E21B, #A4E73F, #B5EB64, #C7F089 and #D8F5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5EC63 shade: #B5EC63, #64EBB5 and #EB64EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5EC63 shade: #B5EC63, #64B5EB and #EB64B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5EC63 shade: #B5EC63, #64EBB5, #9A64EB and #EB649A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5EC63 shade: #B5EC63, #64EBDE, #9A64EB and #EB6472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 58 / 7

HEX #B5EC63

RGB 181 236 99

HSL 84.09, 0.78%, 0.66%

LAB 87.35, -38.35, 59.51

 

Complementary color

CMYK 53 / 88 / 0 / 39

HEX #4A139C

RGB 74 19 156

HSL 264.09, 0.78%, 0.34%

LAB 24.71, 52.92, -62.52

 

CMYK 21 / 0 / 60 / 7

HEX #BAEC5E

RGB 186 236 94

HSL 81.13, 0.79%, 0.65%

LAB 87.6, -36.92, 62

 

CMYK 20 / 0 / 56 / 0

HEX #CBFE71

RGB 203 254 113

HSL 81.7, 0.99%, 0.72%

LAB 93.78, -37.14, 61.11

 

CMYK 14 / 0 / 48 / 0

HEX #DCFF84

RGB 220 255 132

HSL 77.07, 1%, 0.76%

LAB 95.33, -29.54, 54.64

 

CMYK 7 / 0 / 41 / 0

HEX #EDFF97

RGB 237 255 151

HSL 70.38, 1%, 0.8%

LAB 96.72, -21.24, 47.65

 

CMYK 0 / 0 / 33 / 0

HEX #FEFFAA

RGB 254 255 170

HSL 60.71, 1%, 0.83%

LAB 98.23, -12.76, 40.58

 

CMYK 23 / 0 / 58 / 7

HEX #B5EC63

RGB 181 236 99

HSL 84.09, 0.78%, 0.66%

LAB 87.35, -38.35, 59.51

 

CMYK 25 / 0 / 63 / 15

HEX #A4DA50

RGB 164 218 80

HSL 83.48, 0.65%, 0.58%

LAB 81.08, -38.12, 60.32

 

CMYK 27 / 0 / 70 / 22

HEX #93C83D

RGB 147 200 61

HSL 82.88, 0.56%, 0.51%

LAB 74.73, -37.78, 60.85

 

CMYK 29 / 0 / 77 / 29

HEX #82B62A

RGB 130 182 42

HSL 82.29, 0.63%, 0.44%

LAB 68.29, -37.29, 60.85

 

CMYK 31 / 0 / 86 / 36

HEX #71A417

RGB 113 164 23

HSL 81.7, 0.75%, 0.37%

LAB 61.76, -36.59, 59.88

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 7 / 0 / 57 / 8

HEX #DAEB64

RGB 218 235 100

HSL 67.56, 0.77%, 0.66%

LAB 89.51, -23.66, 62.16

 

CMYK 0 / 8 / 57 / 8

HEX #EBD964

RGB 235 217 100

HSL 52, 0.77%, 0.66%

LAB 86.11, -7.96, 58.72

 

CMYK 0 / 23 / 57 / 8

HEX #EBB464

RGB 235 180 100

HSL 35.56, 0.77%, 0.66%

LAB 76.81, 11.17, 47.96

 

CMYK 0 / 39 / 57 / 8

HEX #EB9064

RGB 235 144 100

HSL 19.56, 0.77%, 0.66%

LAB 68.41, 30.25, 37.75

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 38 / 0 / 57 / 8

HEX #91EB64

RGB 145 235 100

HSL 100, 0.77%, 0.66%

LAB 85.18, -50.25, 56.09

 

CMYK 54 / 0 / 57 / 8

HEX #6CEB64

RGB 108 235 100

HSL 116.44, 0.77%, 0.66%

LAB 83.72, -60.85, 54.03

 

CMYK 57 / 0 / 45 / 8

HEX #64EB81

RGB 100 235 129

HSL 132.89, 0.77%, 0.66%

LAB 83.82, -58.93, 40.5

 

CMYK 57 / 0 / 30 / 8

HEX #64EBA5

RGB 100 235 165

HSL 148.89, 0.77%, 0.66%

LAB 84.4, -52.67, 23.13

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 26 / 0 / 65 / 2

HEX #B8F956

RGB 184 249 86

HSL 83.93, 0.93%, 0.66%

LAB 91.06, -43.99, 68.92

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 19 / 0 / 48 / 13

HEX #B2DD72

RGB 178 221 114

HSL 84.11, 0.61%, 0.66%

LAB 83.12, -31.15, 47.67

 

CMYK 15 / 0 / 38 / 19

HEX #B0CF80

RGB 176 207 128

HSL 83.54, 0.45%, 0.66%

LAB 79.28, -23.56, 35.9

 

CMYK 10 / 0 / 26 / 24

HEX #ADC18E

RGB 173 193 142

HSL 83.53, 0.29%, 0.66%

LAB 75.44, -15.76, 23.48

 

CMYK 5 / 0 / 13 / 30

HEX #AAB39C

RGB 170 179 156

HSL 83.48, 0.13%, 0.66%

LAB 71.68, -7.35, 10.67

 

CMYK 0 / 8 / 57 / 8

HEX #EBD964

RGB 235 217 100

HSL 52, 0.77%, 0.66%

LAB 86.11, -7.96, 58.72

 

CMYK 8 / 0 / 57 / 8

HEX #D9EB64

RGB 217 235 100

HSL 68, 0.77%, 0.66%

LAB 89.43, -24.06, 62.06

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 38 / 0 / 57 / 8

HEX #91EB64

RGB 145 235 100

HSL 100, 0.77%, 0.66%

LAB 85.18, -50.25, 56.09

 

CMYK 54 / 0 / 57 / 8

HEX #6DEB64

RGB 109 235 100

HSL 116, 0.77%, 0.66%

LAB 83.75, -60.6, 54.07

 

CMYK 35 / 0 / 88 / 11

HEX #92E21B

RGB 146 226 27

HSL 84.12, 0.79%, 0.5%

LAB 82.15, -50.75, 77.05

 

CMYK 29 / 0 / 73 / 9

HEX #A4E73F

RGB 164 231 63

HSL 83.93, 0.78%, 0.58%

LAB 84.69, -44.94, 70.39

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 17 / 0 / 43 / 6

HEX #C7F089

RGB 199 240 137

HSL 83.88, 0.77%, 0.74%

LAB 89.98, -29.75, 45.38

 

CMYK 12 / 0 / 29 / 4

HEX #D8F5AE

RGB 216 245 174

HSL 84.51, 0.78%, 0.82%

LAB 93, -21.29, 31.15

 

CMYK 23 / 0 / 58 / 7

HEX #B5EC63

RGB 181 236 99

HSL 84.09, 0.78%, 0.66%

LAB 87.35, -38.35, 59.51

 

CMYK 57 / 0 / 23 / 8

HEX #64EBB5

RGB 100 235 181

HSL 156, 0.77%, 0.66%

LAB 84.72, -49.4, 15.28

 

CMYK 0 / 57 / 0 / 8

HEX #EB64EB

RGB 235 100 235

HSL 300, 0.77%, 0.66%

LAB 63.98, 68.91, -44.13

 

CMYK 23 / 0 / 58 / 7

HEX #B5EC63

RGB 181 236 99

HSL 84.09, 0.78%, 0.66%

LAB 87.35, -38.35, 59.51

 

CMYK 57 / 23 / 0 / 8

HEX #64B5EB

RGB 100 181 235

HSL 204, 0.77%, 0.66%

LAB 70.7, -9.37, -34.47

 

CMYK 0 / 57 / 23 / 8

HEX #EB64B5

RGB 235 100 181

HSL 324, 0.77%, 0.66%

LAB 61.75, 60.7, -17.14

 

CMYK 23 / 0 / 58 / 7

HEX #B5EC63

RGB 181 236 99

HSL 84.09, 0.78%, 0.66%

LAB 87.35, -38.35, 59.51

 

CMYK 57 / 0 / 23 / 8

HEX #64EBB5

RGB 100 235 181

HSL 156, 0.77%, 0.66%

LAB 84.72, -49.4, 15.28

 

CMYK 34 / 57 / 0 / 8

HEX #9A64EB

RGB 154 100 235

HSL 264, 0.77%, 0.66%

LAB 54.01, 49.23, -60.6

 

CMYK 0 / 57 / 34 / 8

HEX #EB649A

RGB 235 100 154

HSL 336, 0.77%, 0.66%

LAB 60.88, 57.32, -2.92

 

CMYK 23 / 0 / 58 / 7

HEX #B5EC63

RGB 181 236 99

HSL 84.09, 0.78%, 0.66%

LAB 87.35, -38.35, 59.51

 

CMYK 57 / 0 / 6 / 8

HEX #64EBDE

RGB 100 235 222

HSL 174.22, 0.77%, 0.66%

LAB 85.71, -39.8, -4.8

 

CMYK 34 / 57 / 0 / 8

HEX #9A64EB

RGB 154 100 235

HSL 264, 0.77%, 0.66%

LAB 54.01, 49.23, -60.6

 

CMYK 0 / 57 / 51 / 8

HEX #EB6472

RGB 235 100 114

HSL 353.78, 0.77%, 0.66%

LAB 59.88, 53.33, 18.84

 

Description

Color code: HEX #B5EC63 | qconv.com Color code: HEX #B5EC63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 236 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 236 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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