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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5EA66 it is the complementary color #4A1599. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5EA66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5EA66 shade: #BAEA61, #CBFC74, #DCFF87, #EDFF9A and #FEFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5EA66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5EA66 shade: #B5EA66, #A4D853, #93C640, #82B42D and #71A21A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5EA66 shade: #B5EA66, #D8EA66, #EAD866, #EAB466 and #EA9066

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5EA66 shade: #B5EA66, #91EA66, #6EEA66, #66EA82 and #66EAA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5EA66 shade matches the following richer shades: #B5EA66 and #B8F858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5EA66 shade: #B5EA66, #B2DC74, #AFCE82, #ACC090 and #AAB29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5EA66 shade: #EAD866, #D8EA66, #B5EA66, #92EA66 and #6FEA66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5EA66 shade: #92DF1E, #A3E542, #B5EA66, #C6EF8A and #D8F4AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5EA66 shade: #B5EA66, #66EAB5 and #EA66EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5EA66 shade: #B5EA66, #66B5EA and #EA66B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5EA66 shade: #B5EA66, #66EAB5, #9B66EA and #EA669B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5EA66 shade: #B5EA66, #66EADD, #9B66EA and #EA6673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

Complementary color

CMYK 52 / 86 / 0 / 40

HEX #4A1599

RGB 74 21 153

HSL 264.09, 0.76%, 0.34%

LAB 24.61, 51.49, -60.84

 

CMYK 21 / 0 / 59 / 8

HEX #BAEA61

RGB 186 234 97

HSL 81.02, 0.77%, 0.65%

LAB 87.07, -35.77, 60.14

 

CMYK 19 / 0 / 54 / 1

HEX #CBFC74

RGB 203 252 116

HSL 81.62, 0.96%, 0.72%

LAB 93.27, -35.97, 59.19

 

CMYK 14 / 0 / 47 / 0

HEX #DCFF87

RGB 220 255 135

HSL 77.5, 1%, 0.76%

LAB 95.36, -29.24, 53.29

 

CMYK 7 / 0 / 40 / 0

HEX #EDFF9A

RGB 237 255 154

HSL 70.69, 1%, 0.8%

LAB 96.76, -20.91, 46.25

 

CMYK 0 / 0 / 32 / 0

HEX #FEFFAD

RGB 254 255 173

HSL 60.73, 1%, 0.84%

LAB 98.28, -12.41, 39.16

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 24 / 0 / 62 / 15

HEX #A4D853

RGB 164 216 83

HSL 83.46, 0.63%, 0.59%

LAB 80.53, -36.99, 58.48

 

CMYK 26 / 0 / 68 / 22

HEX #93C640

RGB 147 198 64

HSL 82.84, 0.54%, 0.51%

LAB 74.17, -36.68, 59.12

 

CMYK 28 / 0 / 75 / 29

HEX #82B42D

RGB 130 180 45

HSL 82.22, 0.6%, 0.44%

LAB 67.71, -36.23, 59.3

 

CMYK 30 / 0 / 84 / 36

HEX #71A21A

RGB 113 162 26

HSL 81.62, 0.72%, 0.37%

LAB 61.16, -35.59, 58.62

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 8 / 0 / 56 / 8

HEX #D8EA66

RGB 216 234 102

HSL 68.18, 0.76%, 0.66%

LAB 89.11, -23.82, 60.82

 

CMYK 0 / 8 / 56 / 8

HEX #EAD866

RGB 234 216 102

HSL 51.82, 0.76%, 0.66%

LAB 85.79, -7.72, 57.43

 

CMYK 0 / 23 / 56 / 8

HEX #EAB466

RGB 234 180 102

HSL 35.45, 0.76%, 0.66%

LAB 76.74, 10.91, 46.85

 

CMYK 0 / 38 / 56 / 8

HEX #EA9066

RGB 234 144 102

HSL 19.09, 0.76%, 0.66%

LAB 68.31, 30.01, 36.54

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 38 / 0 / 56 / 8

HEX #91EA66

RGB 145 234 102

HSL 100.45, 0.76%, 0.66%

LAB 84.91, -49.63, 54.9

 

CMYK 53 / 0 / 56 / 8

HEX #6EEA66

RGB 110 234 102

HSL 116.36, 0.76%, 0.66%

LAB 83.51, -59.75, 52.9

 

CMYK 56 / 0 / 44 / 8

HEX #66EA82

RGB 102 234 130

HSL 132.73, 0.76%, 0.66%

LAB 83.59, -57.94, 39.74

 

CMYK 56 / 0 / 29 / 8

HEX #66EAA5

RGB 102 234 165

HSL 148.64, 0.76%, 0.66%

LAB 84.17, -51.84, 22.82

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 26 / 0 / 65 / 3

HEX #B8F858

RGB 184 248 88

HSL 84, 0.92%, 0.66%

LAB 90.79, -43.42, 67.86

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 19 / 0 / 47 / 14

HEX #B2DC74

RGB 178 220 116

HSL 84.23, 0.6%, 0.66%

LAB 82.87, -30.47, 46.4

 

CMYK 15 / 0 / 37 / 19

HEX #AFCE82

RGB 175 206 130

HSL 84.47, 0.44%, 0.66%

LAB 78.97, -23.19, 34.46

 

CMYK 10 / 0 / 25 / 25

HEX #ACC090

RGB 172 192 144

HSL 85, 0.28%, 0.66%

LAB 75.13, -15.32, 21.98

 

CMYK 4 / 0 / 11 / 30

HEX #AAB29E

RGB 170 178 158

HSL 84, 0.11%, 0.66%

LAB 71.46, -6.48, 9.26

 

CMYK 0 / 8 / 56 / 8

HEX #EAD866

RGB 234 216 102

HSL 51.82, 0.76%, 0.66%

LAB 85.79, -7.72, 57.43

 

CMYK 8 / 0 / 56 / 8

HEX #D8EA66

RGB 216 234 102

HSL 68.18, 0.76%, 0.66%

LAB 89.11, -23.82, 60.82

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 38 / 0 / 56 / 8

HEX #92EA66

RGB 146 234 102

HSL 100, 0.76%, 0.66%

LAB 84.95, -49.31, 54.96

 

CMYK 53 / 0 / 56 / 8

HEX #6FEA66

RGB 111 234 102

HSL 115.91, 0.76%, 0.66%

LAB 83.54, -59.49, 52.95

 

CMYK 35 / 0 / 87 / 13

HEX #92DF1E

RGB 146 223 30

HSL 83.94, 0.76%, 0.5%

LAB 81.28, -49.44, 75.76

 

CMYK 29 / 0 / 71 / 10

HEX #A3E542

RGB 163 229 66

HSL 84.29, 0.76%, 0.58%

LAB 84.08, -44.27, 68.74

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 17 / 0 / 42 / 6

HEX #C6EF8A

RGB 198 239 138

HSL 84.36, 0.76%, 0.74%

LAB 89.66, -29.53, 44.47

 

CMYK 11 / 0 / 28 / 4

HEX #D8F4AF

RGB 216 244 175

HSL 84.35, 0.76%, 0.82%

LAB 92.75, -20.66, 30.31

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 56 / 0 / 23 / 8

HEX #66EAB5

RGB 102 234 181

HSL 155.91, 0.76%, 0.66%

LAB 84.49, -48.58, 14.96

 

CMYK 0 / 56 / 0 / 8

HEX #EA66EA

RGB 234 102 234

HSL 300, 0.76%, 0.66%

LAB 64.11, 67.63, -43.38

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 56 / 23 / 0 / 8

HEX #66B5EA

RGB 102 181 234

HSL 204.09, 0.76%, 0.66%

LAB 70.74, -9.28, -33.85

 

CMYK 0 / 56 / 23 / 8

HEX #EA66B5

RGB 234 102 181

HSL 324.09, 0.76%, 0.66%

LAB 61.94, 59.51, -16.87

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 56 / 0 / 23 / 8

HEX #66EAB5

RGB 102 234 181

HSL 155.91, 0.76%, 0.66%

LAB 84.49, -48.58, 14.96

 

CMYK 34 / 56 / 0 / 8

HEX #9B66EA

RGB 155 102 234

HSL 264.09, 0.76%, 0.66%

LAB 54.46, 48.14, -59.3

 

CMYK 0 / 56 / 34 / 8

HEX #EA669B

RGB 234 102 155

HSL 335.91, 0.76%, 0.66%

LAB 61.1, 56.21, -3.19

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 56 / 0 / 6 / 8

HEX #66EADD

RGB 102 234 221

HSL 174.09, 0.76%, 0.66%

LAB 85.45, -39.24, -4.64

 

CMYK 34 / 56 / 0 / 8

HEX #9B66EA

RGB 155 102 234

HSL 264.09, 0.76%, 0.66%

LAB 54.46, 48.14, -59.3

 

CMYK 0 / 56 / 51 / 8

HEX #EA6673

RGB 234 102 115

HSL 354.09, 0.76%, 0.66%

LAB 60.1, 52.15, 18.53

 

Description

Color code: HEX #B5EA66 | qconv.com Color code: HEX #B5EA66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 234 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 234 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 56 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 56% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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