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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5EA2E it is the complementary color #4A15D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5EA2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5EA2E shade: #BAEA29, #CBFC3C, #DCFF4F, #EDFF62 and #FEFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5EA2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5EA2E shade: #B5EA2E, #A4D81B, #93C608, #82B400 and #71A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5EA2E shade: #B5EA2E, #E8EA2E, #EAB92E, #EA872E and #EA542E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5EA2E shade: #B5EA2E, #82EA2E, #4FEA2E, #2EEA3F and #2EEA71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5EA2E shade matches the following richer shades: #B5EA2E and #BDFC1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5EA2E shade: #B5EA2E, #ADD740, #A5C553, #9DB265 and #94A078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5EA2E shade: #EAB82E, #EAEA2E, #B8EA2E, #85EA2E and #53EA2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5EA2E shade: #86B411, #A2D915, #B5EA2E, #C2EE53 and #CFF179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5EA2E shade: #B5EA2E, #2EEA85 and #D12EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5EA2E shade: #B5EA2E, #2EB8EA and #EA2EB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5EA2E shade: #B5EA2E, #2EEA85, #602EEA and #EA2E92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5EA2E shade: #B5EA2E, #2EEABE, #602EEA and #EA2E5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

Complementary color

CMYK 65 / 90 / 0 / 18

HEX #4A15D1

RGB 74 21 209

HSL 256.91, 0.82%, 0.45%

LAB 30.87, 65.77, -83.91

 

CMYK 21 / 0 / 82 / 8

HEX #BAEA29

RGB 186 234 41

HSL 74.92, 0.82%, 0.54%

LAB 86.72, -38.95, 78.98

 

CMYK 19 / 0 / 76 / 1

HEX #CBFC3C

RGB 203 252 60

HSL 75.31, 0.97%, 0.61%

LAB 92.86, -39.69, 79.88

 

CMYK 14 / 0 / 69 / 0

HEX #DCFF4F

RGB 220 255 79

HSL 71.93, 1%, 0.65%

LAB 94.87, -33.58, 76.09

 

CMYK 7 / 0 / 62 / 0

HEX #EDFF62

RGB 237 255 98

HSL 66.88, 1%, 0.69%

LAB 96.17, -25.81, 70.65

 

CMYK 0 / 0 / 54 / 0

HEX #FEFF75

RGB 254 255 117

HSL 60.43, 1%, 0.73%

LAB 97.58, -17.8, 64.63

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 24 / 0 / 88 / 15

HEX #A4D81B

RGB 164 216 27

HSL 76.51, 0.78%, 0.48%

LAB 80.23, -39.88, 75.84

 

CMYK 26 / 0 / 96 / 22

HEX #93C608

RGB 147 198 8

HSL 76.11, 0.92%, 0.4%

LAB 73.94, -38.85, 72.99

 

CMYK 28 / 0 / 100 / 29

HEX #82B400

RGB 130 180 0

HSL 76.67, 1%, 0.35%

LAB 67.57, -37.61, 68.52

 

CMYK 30 / 0 / 100 / 36

HEX #71A200

RGB 113 162 0

HSL 78.15, 1%, 0.32%

LAB 61.09, -36.23, 63.13

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 1 / 0 / 80 / 8

HEX #E8EA2E

RGB 232 234 46

HSL 60.64, 0.82%, 0.55%

LAB 89.95, -20.29, 81.82

 

CMYK 0 / 21 / 80 / 8

HEX #EAB92E

RGB 234 185 46

HSL 44.36, 0.82%, 0.55%

LAB 77.51, 5.28, 71.09

 

CMYK 0 / 42 / 80 / 8

HEX #EA872E

RGB 234 135 46

HSL 28.4, 0.82%, 0.55%

LAB 65.76, 31.68, 60.57

 

CMYK 0 / 64 / 80 / 8

HEX #EA542E

RGB 234 84 46

HSL 12.13, 0.82%, 0.55%

LAB 56.12, 56.18, 51.59

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 44 / 0 / 80 / 8

HEX #82EA2E

RGB 130 234 46

HSL 93.19, 0.82%, 0.55%

LAB 83.86, -58.48, 74.1

 

CMYK 66 / 0 / 80 / 8

HEX #4FEA2E

RGB 79 234 46

HSL 109.47, 0.82%, 0.55%

LAB 82.22, -71.44, 72

 

CMYK 80 / 0 / 73 / 8

HEX #2EEA3F

RGB 46 234 63

HSL 125.43, 0.82%, 0.55%

LAB 81.72, -75.39, 66.15

 

CMYK 80 / 0 / 52 / 8

HEX #2EEA71

RGB 46 234 113

HSL 141.38, 0.82%, 0.55%

LAB 82.17, -69.87, 45.89

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 25 / 0 / 89 / 1

HEX #BDFC1B

RGB 189 252 27

HSL 76.8, 0.97%, 0.55%

LAB 91.92, -46.01, 86.02

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 20 / 0 / 70 / 16

HEX #ADD740

RGB 173 215 64

HSL 76.69, 0.65%, 0.55%

LAB 80.66, -34.41, 66.24

 

CMYK 16 / 0 / 58 / 23

HEX #A5C553

RGB 165 197 83

HSL 76.84, 0.5%, 0.55%

LAB 75.17, -27.76, 52.54

 

CMYK 12 / 0 / 43 / 30

HEX #9DB265

RGB 157 178 101

HSL 76.36, 0.33%, 0.55%

LAB 69.43, -19.78, 36.87

 

CMYK 7 / 0 / 25 / 37

HEX #94A078

RGB 148 160 120

HSL 78, 0.17%, 0.55%

LAB 63.99, -11.42, 19.48

 

CMYK 0 / 21 / 80 / 8

HEX #EAB82E

RGB 234 184 46

HSL 44.04, 0.82%, 0.55%

LAB 77.26, 5.8, 70.87

 

CMYK 0 / 0 / 80 / 8

HEX #EAEA2E

RGB 234 234 46

HSL 60, 0.82%, 0.55%

LAB 90.11, -19.46, 82.02

 

CMYK 21 / 0 / 80 / 8

HEX #B8EA2E

RGB 184 234 46

HSL 75.96, 0.82%, 0.55%

LAB 86.62, -39.55, 77.62

 

CMYK 43 / 0 / 80 / 8

HEX #85EA2E

RGB 133 234 46

HSL 92.23, 0.82%, 0.55%

LAB 83.98, -57.55, 74.26

 

CMYK 65 / 0 / 80 / 8

HEX #53EA2E

RGB 83 234 46

HSL 108.19, 0.82%, 0.55%

LAB 82.32, -70.64, 72.12

 

CMYK 26 / 0 / 91 / 29

HEX #86B411

RGB 134 180 17

HSL 76.93, 0.83%, 0.39%

LAB 67.84, -35.74, 66.65

 

CMYK 25 / 0 / 90 / 15

HEX #A2D915

RGB 162 217 21

HSL 76.84, 0.82%, 0.47%

LAB 80.38, -41.22, 76.91

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 18 / 0 / 65 / 7

HEX #C2EE53

RGB 194 238 83

HSL 77.03, 0.82%, 0.63%

LAB 88.56, -35.61, 67.64

 

CMYK 14 / 0 / 50 / 5

HEX #CFF179

RGB 207 241 121

HSL 77, 0.81%, 0.71%

LAB 90.58, -28.95, 53.81

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 80 / 0 / 43 / 8

HEX #2EEA85

RGB 46 234 133

HSL 147.77, 0.82%, 0.55%

LAB 82.44, -66.68, 36.54

 

CMYK 11 / 80 / 0 / 8

HEX #D12EEA

RGB 209 46 234

HSL 292.02, 0.82%, 0.55%

LAB 53.44, 81.91, -60.57

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 80 / 21 / 0 / 8

HEX #2EB8EA

RGB 46 184 234

HSL 195.96, 0.82%, 0.55%

LAB 70.04, -19.01, -35.07

 

CMYK 0 / 80 / 21 / 8

HEX #EA2EB8

RGB 234 46 184

HSL 315.96, 0.82%, 0.55%

LAB 54.98, 79.56, -29.28

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 80 / 0 / 43 / 8

HEX #2EEA85

RGB 46 234 133

HSL 147.77, 0.82%, 0.55%

LAB 82.44, -66.68, 36.54

 

CMYK 59 / 80 / 0 / 8

HEX #602EEA

RGB 96 46 234

HSL 255.96, 0.82%, 0.55%

LAB 38.52, 65.6, -85.53

 

CMYK 0 / 80 / 38 / 8

HEX #EA2E92

RGB 234 46 146

HSL 328.09, 0.82%, 0.55%

LAB 53.52, 75.36, -9.17

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 80 / 0 / 19 / 8

HEX #2EEABE

RGB 46 234 190

HSL 165.96, 0.82%, 0.55%

LAB 83.52, -54.75, 8.71

 

CMYK 59 / 80 / 0 / 8

HEX #602EEA

RGB 96 46 234

HSL 255.96, 0.82%, 0.55%

LAB 38.52, 65.6, -85.53

 

CMYK 0 / 80 / 62 / 8

HEX #EA2E5A

RGB 234 46 90

HSL 345.96, 0.82%, 0.55%

LAB 52.05, 70.97, 22.42

 

Description

Color code: HEX #B5EA2E | qconv.com Color code: HEX #B5EA2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 234 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 234 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 80% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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