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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E188 it is the complementary color #4A1E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E188 shade: #BAE183, #CBF396, #DCFFA9, #EDFFBC and #FEFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E188 shade: #B5E188, #A4CF75, #93BD62, #82AB4F and #71993C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E188 shade: #B5E188, #CDE188, #E1DD88, #E1C588 and #E1AD88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E188 shade: #B5E188, #9DE188, #88E18B, #88E1A3 and #88E1BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E188 shade matches the following richer shades: #B5E188, #B5ED7C and #B5F970

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E188 shade: #B5E188, #B5D594, #B5C9A0, #B5BDAC and #B5B1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E188 shade: #E1DC88, #CEE188, #B6E188, #9EE188 and #88E18A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E188 shade: #8CD046, #A1D967, #B5E188, #CAE9A9 and #DEF1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E188 shade: #B5E188, #88E1C5 and #E188DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E188 shade: #B5E188, #88B6E1 and #E188B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E188 shade: #B5E188, #88E1C5, #B388E1 and #E188A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E188 shade: #B5E188, #88E1DF, #B388E1 and #E1888A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

Complementary color

CMYK 38 / 75 / 0 / 53

HEX #4A1E77

RGB 74 30 119

HSL 269.66, 0.6%, 0.29%

LAB 22.71, 38.84, -42.66

 

CMYK 17 / 0 / 42 / 12

HEX #BAE183

RGB 186 225 131

HSL 84.89, 0.61%, 0.7%

LAB 84.96, -28.15, 41.8

 

CMYK 16 / 0 / 38 / 5

HEX #CBF396

RGB 203 243 150

HSL 85.81, 0.79%, 0.77%

LAB 91.23, -28.16, 40.67

 

CMYK 14 / 0 / 34 / 0

HEX #DCFFA9

RGB 220 255 169

HSL 84.42, 1%, 0.83%

LAB 95.83, -25.32, 37.48

 

CMYK 7 / 0 / 26 / 0

HEX #EDFFBC

RGB 237 255 188

HSL 76.12, 1%, 0.87%

LAB 97.29, -16.7, 30.14

 

CMYK 0 / 0 / 19 / 0

HEX #FEFFCF

RGB 254 255 207

HSL 61.25, 1%, 0.91%

LAB 98.87, -7.98, 22.89

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 21 / 0 / 43 / 19

HEX #A4CF75

RGB 164 207 117

HSL 88.67, 0.48%, 0.64%

LAB 78.35, -29.39, 40.1

 

CMYK 22 / 0 / 48 / 26

HEX #93BD62

RGB 147 189 98

HSL 87.69, 0.41%, 0.56%

LAB 71.88, -29.39, 41.27

 

CMYK 24 / 0 / 54 / 33

HEX #82AB4F

RGB 130 171 79

HSL 86.74, 0.37%, 0.49%

LAB 65.31, -29.34, 42.42

 

CMYK 26 / 0 / 61 / 40

HEX #71993C

RGB 113 153 60

HSL 85.81, 0.44%, 0.42%

LAB 58.62, -29.2, 43.48

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 9 / 0 / 40 / 12

HEX #CDE188

RGB 205 225 136

HSL 73.48, 0.6%, 0.71%

LAB 86.31, -20.46, 41.3

 

CMYK 0 / 2 / 40 / 12

HEX #E1DD88

RGB 225 221 136

HSL 57.3, 0.6%, 0.71%

LAB 86.75, -10.77, 42.17

 

CMYK 0 / 12 / 40 / 12

HEX #E1C588

RGB 225 197 136

HSL 41.12, 0.6%, 0.71%

LAB 80.58, 1.52, 34.23

 

CMYK 0 / 23 / 40 / 12

HEX #E1AD88

RGB 225 173 136

HSL 24.94, 0.6%, 0.71%

LAB 74.62, 14.21, 26.33

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 30 / 0 / 40 / 12

HEX #9DE188

RGB 157 225 136

HSL 105.84, 0.6%, 0.71%

LAB 83.33, -37.68, 36.89

 

CMYK 40 / 0 / 38 / 12

HEX #88E18B

RGB 136 225 139

HSL 122.02, 0.6%, 0.71%

LAB 82.35, -43.88, 33.9

 

CMYK 40 / 0 / 28 / 12

HEX #88E1A3

RGB 136 225 163

HSL 138.2, 0.6%, 0.71%

LAB 82.77, -39.85, 22.13

 

CMYK 40 / 0 / 17 / 12

HEX #88E1BB

RGB 136 225 187

HSL 154.38, 0.6%, 0.71%

LAB 83.27, -35.19, 10.26

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 24 / 0 / 48 / 7

HEX #B5ED7C

RGB 181 237 124

HSL 89.73, 0.76%, 0.71%

LAB 87.9, -36.34, 48.78

 

CMYK 27 / 0 / 55 / 2

HEX #B5F970

RGB 181 249 112

HSL 89.78, 0.92%, 0.71%

LAB 91.12, -42.91, 58.14

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 15 / 0 / 31 / 16

HEX #B5D594

RGB 181 213 148

HSL 89.54, 0.44%, 0.71%

LAB 81.59, -21.95, 28.74

 

CMYK 10 / 0 / 20 / 21

HEX #B5C9A0

RGB 181 201 160

HSL 89.27, 0.28%, 0.71%

LAB 78.54, -14.12, 18.26

 

CMYK 4 / 0 / 9 / 26

HEX #B5BDAC

RGB 181 189 172

HSL 88.24, 0.11%, 0.71%

LAB 75.57, -5.89, 7.63

 

CMYK 2 / 4 / 0 / 28

HEX #B5B1B8

RGB 181 177 184

HSL 274.29, 0.05%, 0.71%

LAB 72.71, 2.73, -3.07

 

CMYK 0 / 2 / 40 / 12

HEX #E1DC88

RGB 225 220 136

HSL 56.63, 0.6%, 0.71%

LAB 86.49, -10.27, 41.84

 

CMYK 8 / 0 / 40 / 12

HEX #CEE188

RGB 206 225 136

HSL 72.81, 0.6%, 0.71%

LAB 86.38, -20.08, 41.41

 

CMYK 19 / 0 / 40 / 12

HEX #B6E188

RGB 182 225 136

HSL 88.99, 0.6%, 0.71%

LAB 84.78, -28.99, 39.03

 

CMYK 30 / 0 / 40 / 12

HEX #9EE188

RGB 158 225 136

HSL 105.17, 0.6%, 0.71%

LAB 83.39, -37.35, 36.97

 

CMYK 40 / 0 / 39 / 12

HEX #88E18A

RGB 136 225 138

HSL 121.35, 0.6%, 0.71%

LAB 82.34, -44.03, 34.38

 

CMYK 33 / 0 / 66 / 18

HEX #8CD046

RGB 140 208 70

HSL 89.57, 0.59%, 0.55%

LAB 76.76, -43.23, 59.35

 

CMYK 26 / 0 / 53 / 15

HEX #A1D967

RGB 161 217 103

HSL 89.47, 0.6%, 0.63%

LAB 80.84, -36.7, 49.87

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 13 / 0 / 27 / 9

HEX #CAE9A9

RGB 202 233 169

HSL 89.06, 0.59%, 0.79%

LAB 88.78, -21.16, 27.85

 

CMYK 8 / 0 / 16 / 5

HEX #DEF1CA

RGB 222 241 202

HSL 89.23, 0.58%, 0.87%

LAB 92.88, -13.03, 16.75

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 40 / 0 / 12 / 12

HEX #88E1C5

RGB 136 225 197

HSL 161.12, 0.6%, 0.71%

LAB 83.5, -33.07, 5.32

 

CMYK 0 / 40 / 3 / 12

HEX #E188DA

RGB 225 136 218

HSL 304.72, 0.6%, 0.71%

LAB 68.52, 45.97, -27.74

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 40 / 19 / 0 / 12

HEX #88B6E1

RGB 136 182 225

HSL 208.99, 0.6%, 0.71%

LAB 72.31, -4.5, -26.4

 

CMYK 0 / 40 / 19 / 12

HEX #E188B6

RGB 225 136 182

HSL 328.99, 0.6%, 0.71%

LAB 67.27, 40.07, -9.54

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 40 / 0 / 12 / 12

HEX #88E1C5

RGB 136 225 197

HSL 161.12, 0.6%, 0.71%

LAB 83.5, -33.07, 5.32

 

CMYK 20 / 40 / 0 / 12

HEX #B388E1

RGB 179 136 225

HSL 268.99, 0.6%, 0.71%

LAB 63.86, 33.53, -39.23

 

CMYK 0 / 40 / 27 / 12

HEX #E188A4

RGB 225 136 164

HSL 341.12, 0.6%, 0.71%

LAB 66.75, 37.48, -0.18

 

CMYK 20 / 0 / 40 / 12

HEX #B5E188

RGB 181 225 136

HSL 89.66, 0.6%, 0.71%

LAB 84.72, -29.35, 38.94

 

CMYK 40 / 0 / 1 / 12

HEX #88E1DF

RGB 136 225 223

HSL 178.65, 0.6%, 0.71%

LAB 84.18, -27.12, -7.44

 

CMYK 20 / 40 / 0 / 12

HEX #B388E1

RGB 179 136 225

HSL 268.99, 0.6%, 0.71%

LAB 63.86, 33.53, -39.23

 

CMYK 0 / 40 / 39 / 12

HEX #E1888A

RGB 225 136 138

HSL 358.65, 0.6%, 0.71%

LAB 66.1, 34.21, 13.55

 

Description

Color code: HEX #B5E188 | qconv.com Color code: HEX #B5E188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 225 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 225 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 40 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 40% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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